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Fugue in C major
Non classifié
32
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Vous avez sélectionné:
Fugue in C major
Orchestre à Cordes
Partitions à imprimer
8 partitions trouvées
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
Prelude and Fugue in C Major, BWV 553
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Meaghan Clayton
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Prelude and Fugue in C Major,
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Meaghan Clayton
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.882915 Composed by Johann Sebastian Bach. Arranged by Meaghan Clayton. Baroque. Score and parts. 17 pages. Meaghan ...
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String Orchestra - Level 4 - SKU: A0.882915 Composed by Johann Sebastian Bach. Arranged by Meaghan Clayton. Baroque. Score and parts. 17 pages. Meaghan Clayton #2329209. Published by Meaghan Clayton (A0.882915). This beautiful Bach Organ Prelude and Fugue translates to strings brilliantly. Your orchestra or string quartet will shine with this fantastic piece. .
$45.00
Fugue in C Major
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Orchestre à Cordes
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FACILE
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Ivan Christian
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Fugue in C Major
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Ivan Christian
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1209493 Composed by Ivan Christian. Classical,Early Music,Folk,Romantic Period,Traditional. Score and Parts. 8 page...
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String Orchestra - Level 2 - SKU: A0.1209493 Composed by Ivan Christian. Classical,Early Music,Folk,Romantic Period,Traditional. Score and Parts. 8 pages. Ivan Christian #807624. Published by Ivan Christian (A0.1209493). This piece is for a string quartet consisting of 2 violins, 1 viola and 1 cello. It's the infamous song Twinkle, Twinkle Little Star but in a very fun, awesome and much cooler version!
$10.00
Fugue in G Major
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Salieri
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W
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Fugue in G Major
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RÄ“sFacta Editions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1152825 Composed by Antonio Salieri. Arranged by W.C. Rohl. Classical. Score and parts. 17 pages. RÄ“sFacta Edit...
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String Orchestra - Level 4 - SKU: A0.1152825 Composed by Antonio Salieri. Arranged by W.C. Rohl. Classical. Score and parts. 17 pages. RÄ“sFacta Editions #753064. Published by RÄ“sFacta Editions (A0.1152825). Originally written for string quartet, this lively fugue by Mozart's rival (if the stories are to be believed) has been arranged and edited for string orchestra.
$35.00
Prelude and Fugue in C Major (BWV 553) - Cello
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John Leavitt
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Prelude and Fugue in C Major
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Hal Leonard - Digital
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SheetMusicPlus
String Orchestra - Level 3 - SKU: HX.1486958 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by John Leavitt. This edition: scorch. Baroque...
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String Orchestra - Level 3 - SKU: HX.1486958 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by John Leavitt. This edition: scorch. Baroque. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1486958).
$7.00
Prelude and Fugue in C Major (BWV 553) - Conductor Score (Full Score)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John Leavitt
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Prelude and Fugue in C Major
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Hal Leonard - Digital
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SheetMusicPlus
String Orchestra - Level 3 - SKU: HX.1486954 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by John Leavitt. This edition: scorch. Baroque...
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String Orchestra - Level 3 - SKU: HX.1486954 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by John Leavitt. This edition: scorch. Baroque. 7 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1486954).
$5.00
Prelude and Fugue in C Major (BWV 553) - Bass
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John Leavitt
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Prelude and Fugue in C Major
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Hal Leonard - Digital
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SheetMusicPlus
String Orchestra - Level 3 - SKU: HX.1486959 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by John Leavitt. This edition: scorch. Baroque...
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String Orchestra - Level 3 - SKU: HX.1486959 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by John Leavitt. This edition: scorch. Baroque. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1486959).
$7.00
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
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