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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Funeral Music
Non classifié
773
Piano & claviers
Piano seul
850
Piano, Voix
228
Orgue
173
Piano Facile
96
Piano, Voix et Guitare
86
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
16
Accompagnement Piano
14
Instruments en Do
9
Piano grosses notes
5
2 Pianos, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
3
Piano (partie séparée)
1
Accordéon, Voix
1
Instrument seul et Orgue
1
Orgue, Piano (duo)
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
50
Basse electrique
16
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
16
Mandoline
7
Paroles et Accords
3
Ukulele
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
2 Guitares (duo)
2
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
294
Chorale 2 parties
211
Voix duo, Piano
88
Chorale 3 parties
70
Voix duo
56
Chorale Unison
52
Chorale TTBB
30
Voix haute
8
Voix seule
6
Chorale SSAA
6
Voix moyenne, Piano
5
Chorale
4
Voix Baryton, Piano
3
Chorale SSATTB
2
Voix, Guitare
2
Voix basse
2
Chorale SSATB
2
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Voix Tenor
1
Chorale SATBB
1
Voix Moyenne
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
101
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Quintette de Saxophone: 5 saxophones
81
Clarinette et Piano
71
Saxophone Alto et Piano
70
Quatuor de Saxophones: 4 saxophones
70
Saxophone Tenor et Piano
49
Saxophone
48
2 Saxophones (duo)
47
Quatuor de Clarinettes: 4 clarinettes
42
Hautbois, Piano (duo)
41
Saxophone Soprano et Piano
34
Flûte, Hautbois, Clarinette, Basson
34
Ensemble de saxophones
27
Clarinette
25
Flûte traversière
25
3 Saxophones (trio)
23
Ensemble de Clarinettes
19
2 Clarinettes (duo)
16
Cor anglais, Piano
16
Saxophone (partie séparée)
15
Saxophone Alto
14
2 Flûtes traversières (duo)
14
Flûte, Clarinette (duo)
14
Quintette de Flûte : 5 flûtes
12
Saxophone Baryton, Piano
12
Quatuor de Flûtes : 4 flûtes
10
Quintette de Clarinettes: 5 clarinettes
9
Ensemble de Flûtes
9
2 Flûte à bec (duo)
7
Trio de Flûtes: 3 flûtes
6
Clarinette (partie séparée)
6
Saxophone Tenor
6
Saxophone et Orgue
5
2 Saxophones, Piano
5
3 Clarinettes (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Flûtes à bec (trio)
5
Flûte, Guitare, Piano
4
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Basson (duo)
4
Clarinette Basse, Piano
4
Flûte, Clarinette, Piano (trio)
4
Flûte et Guitare
3
Flûte à Bec
3
Hautbois (partie séparée)
3
Flute (partie séparée)
3
Quatuor de Flûtes à bec
3
Clarinette, Violon (duo)
3
Flûte à bec Alto
3
Saxophone, Clarinette (duo)
3
Flûte, Violon
3
5 Flûtes à bec
3
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Clarinette, Trompette (duo)
2
Clarinette, Orgue
2
Flûte, Violoncelle
2
2 Flûtes traversières, Piano
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Soprano, Piano
1
2 Flûtes traversières, Harpe
1
Saxophone Soprano
1
Cornemuse
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte et Quatuor à Cordes
1
2 Hautbois, Piano
1
Flûte irlandaise
1
Hautbois, Flûte
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
Flûte, Clarinette et Basson
1
Flûte à Bec, Piano
1
2 Hautbois (duo)
1
Flûte, Hautbois, Basson
1
Saxophone Baryton
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Clarinette, Harpe (duo)
1
Clarinette, trompette et piano
1
Piccolo, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois
1
Flûte, trombone et piano
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette, Piano
59
Trombone et Piano
55
Trompette
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Cor et Piano
31
Trombone
21
Ensemble de Trombones
19
Cor anglais, Piano
16
Quatuor de Cuivres
14
Ensemble de Trompettes
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 cors
11
3 Trombones (trio)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Cor (duo)
9
Euphonium, Piano (duo)
8
Trombone (partie séparée)
8
2 Trombones (duo)
8
Cor
8
Trompette (partie séparée)
7
4 Tubas
7
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
7
Trompette, Trombone (duo)
6
Tuba et Piano
6
2 Cors (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Quatuor de cuivres: 4 trompettes
4
Trio de Cuivres
4
3 Trompettes (trio)
4
3 Cors (trio)
3
Cor (partie séparée)
3
Tuba
3
Trombone, Cor (duo)
3
3 Tubas (trio)
3
Trombone, Orgue
3
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Violoncelle et Piano
2
2 Trompettes, Clavier (piano ou orgue)
1
Cor, Tuba (duo)
1
Bass Clef Instruments
1
2 Trombones, Piano
1
Tuba (partie séparée)
1
2 Tubas (duo)
1
Cor et Orgue
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Tubas
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon et Piano
122
Violoncelle, Piano
77
Alto, Piano
57
Harpe
53
Violon
36
Violoncelle
31
Trio à Cordes: violon, alto, violoncelle
25
Violon, Violoncelle (duo)
25
Alto seul
21
Piano Trio: Violon, Alto, Piano
16
2 Violons (duo)
14
2 Violoncelles (duo)
13
Violon, Alto (duo)
12
2 Altos (duo)
9
Trio à Cordes: 3 violoncelles
8
Ensemble de Violons
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
6
Quatuor à cordes: 4 violons
6
Alto, Violoncelle (duo)
6
Ensemble d'Altos
5
Trio à cordes
5
Harpe, Flûte (duo)
5
Alto (partie séparée)
5
Quatuor à cordes : 4 altos
5
Trio à cordes: 3 violins
5
Trio à cordes: 3 altos
4
Harpe, Voix
4
Violon, Orgue
3
Violoncelle, Orchestre
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contrebasse, Piano (duo)
2
Violoncelle, Orgue
2
2 Violons, Piano
2
Contre Basse
2
Violoncelle , Guitare (duo)
1
2 Violoncelles, Piano
1
2 Harpes (duo)
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse (partie séparée)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
35
Ensemble de cuivres
21
Orchestre à Cordes
20
Orchestre
17
Marimba
9
Batterie
9
Orchestre de chambre
9
Ensemble Jazz
6
Cloches
5
Jazz combo
3
Fanfare
1
Timbales (partie séparée)
1
Quatuor à Vent : 4 instruments à vents
1
Percussion (partie séparée)
1
Vibraphone
1
Batterie (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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avec audio
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Vous avez sélectionné:
Funeral Music
Orchestre à Cordes
Partitions à imprimer
20 partitions trouvées
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1
Music For The Funeral Of Queen Mary
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Henry Purcell
#
Emma Butterworth
#
Music For The Funeral Of Queen
#
Emma Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.909023 Composed by Henry Purcell. Arranged by Emma Butterworth. Christian,Classical,Contemporary,Easter,Renaissance...
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String Orchestra - Level 4 - SKU: A0.909023 Composed by Henry Purcell. Arranged by Emma Butterworth. Christian,Classical,Contemporary,Easter,Renaissance. Score and parts. 15 pages. Emma Butterworth #4355007. Published by Emma Butterworth (A0.909023). A hugely enjoyable arrangement for string orchestra of three movements from Purcell's grand and powerful Music for the Funeral of Queen Mary. This music was also played at Purcell's own funeral shortly after. 1. Funeral March2. Thou Knowest, Lord3. Canzona IIThe three contrasting movements include slow, powerful chords, contrapuntal moving parts and fugue-like lively themes. This arrangement includes a violin III part which can be used if no violas are available. The double bass part, whilst making a significant contribution, could also be omitted if no basses are available. All of Emma's arrangements find creative and artistic ways to re-present original pieces in a way that suits the new instruments and ensemble whilst maintaining the integrity of the original piece. Her aim is to go far beyond a simple copying of the melody and harmony, but to create an arrangement that sounds as if the piece was always meant for these new instruments.
$12.99
Funeral March for a Marionette
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Halloween
#
Charles Francois Gounod
#
Mark Fish
#
Funeral March for a Marionette
#
Frillikin Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.957895 Composed by Charles Francois Gounod. Arranged by Mark Fish. Children,Contemporary,Film/TV,Halloween,Romantic...
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String Orchestra - Level 4 - SKU: A0.957895 Composed by Charles Francois Gounod. Arranged by Mark Fish. Children,Contemporary,Film/TV,Halloween,Romantic Period. Score and parts. 34 pages. Frillikin Music #3554639. Published by Frillikin Music (A0.957895). The tune that was used for Alfred Hitchcock Presents is now available for strings, optional narrator, and optional percussion, with a few small solos in the principal parts! It's an especially good choice for Halloween! Please copy and paste the address for my website, www.markfish.com, to hear more of my arrangements and original works.
$20.00
Funeral Music - - string orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Colin Bayliss
#
Funeral Music - - string orche
#
Colin Bayliss
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.938458 Composed by Colin Bayliss. 20th Century,Sacred. Score and parts. 20 pages. Colin Bayliss #22221. Published b...
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String Orchestra - Level 3 - SKU: A0.938458 Composed by Colin Bayliss. 20th Century,Sacred. Score and parts. 20 pages. Colin Bayliss #22221. Published by Colin Bayliss (A0.938458). Arranged from organ piece of same name - programme notes on last page.
$10.00
Pavane Op. 50 for String Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
#
Pavane Op. 50 for String Orche
#
SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Arranged by Flávio Regis Cunha. Impressionistic, Repertoire, Wedding, Funeral, Recital. Individual Part,...
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Composed by Gabriel Faure (1845-1924). Arranged by Flávio Regis Cunha. Impressionistic, Repertoire, Wedding, Funeral, Recital. Individual Part, Score, Set of Parts. 19 pages. Published by Flavio Regis Cunha
$18.99
Concerto IX
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
George Muffat
#
Concerto IX
#
Schott Music - Digital
#
SheetMusicPlus
String orchestra - intermediate to advanced - SKU: S9.Q15947 Victoria Maesta. Composed by George Muffat. This edition: score. Concertino. Downloa...
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String orchestra - intermediate to advanced - SKU: S9.Q15947 Victoria Maesta. Composed by George Muffat. This edition: score. Concertino. Downloadable, Score. Duration 10 minutes. Schott Music - Digital #Q15947. Published by Schott Music - Digital (S9.Q15947). Muffat, pupil of Lully and Corelli, composed his concerto „Victoria Maesta“ („Sad Victory“) in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the taking of Belgrad during which the archbishop’s brother was killed in 1688; therefore the piece begins with a solemn funeral march in C minor, in elaborate and artistic contrapuntal technique in the sense of Corelli’s adagio type.
$16.99
Funeral March Suite for Mixed-Level Violin Ensemble
#
Orchestre à Cordes
#
Halloween
#
Chopin, Guonod, Beethoven
#
Steven Kruse
#
Funeral March Suite for Mixed-
#
String Play for All
#
SheetMusicPlus
Composed by Chopin, Guonod, Beethoven. Arranged by Steven Kruse. Romantic Period, Halloween, Children's Music, Funeral. Score, Set of Parts. 31 pages. Published...
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Composed by Chopin, Guonod, Beethoven. Arranged by Steven Kruse. Romantic Period, Halloween, Children's Music, Funeral. Score, Set of Parts. 31 pages. Published by String Play for All (S0.168625). - Score,Set of Parts - Romantic Period,Halloween,Children's Music,Funeral - String Play for All
$9.99
Deep River - String Orchestra - Intermediate
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Orchestre à Cordes
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Musique Sacrée
#
Traditional African - American
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Dennis Ruello
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Deep River - String Orchestra
#
Chicory Music
#
SheetMusicPlus
Composed by Traditional African - American Spiritual. Arranged by Dennis Ruello. Spiritual, Praise & Worship, Folk, Funeral, Americana. Score, Set of Parts. 9 p...
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Composed by Traditional African - American Spiritual. Arranged by Dennis Ruello. Spiritual, Praise & Worship, Folk, Funeral, Americana. Score, Set of Parts. 9 pages. Published by Chicory Music (S0.119437). - Score,Set of Parts - Spiritual,Praise & Worship,Folk,Funeral,Americana - Chicory Music
$9.99
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
David Conte
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In paradisum from Requiem Song
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funera...
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Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghetto†tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,†is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosa†text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.†The “Dies Irae†music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,†and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.
$2.25
Largo from the New World Symphony for String Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Keith Terrett
#
Keith Terrett
#
Largo from the New World Symph
#
Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instruc...
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String Orchestra - Level 3 - SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 9 pages. Keith Terrett #1012118. Published by Keith Terrett (A0.1431642). Transcribed for String Orchestra the second movement of the New World Symphony is introduced by a harmonic progression of chords in the wind instruments. Beckerman interprets these chords as a musical rendition of the narrative formula Once upon a time. Then a solo cor anglais (English horn) plays the famous main theme in D-flat major accompanied by muted strings. Dvořák was said to have changed the theme from clarinet to cor anglais as it reminded him of the voice of Harry Burleigh. The movement's middle section contains a passage in C♯ minor evoking a nostalgic and desolate mood which eventually leads into a funeral march above pizzicato steps in the basses. It is followed by a quasi-scherzo that incorporates this movement's theme as well as the first movement's main and closing themes. The Largo is concluded with the soft return of the main theme and introductory chords.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.00
Nölck Gavotte Op 7 for Cello and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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August Nölck
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Paul Wood
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Nölck Gavotte Op 7 for Ce
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1458175 Composed by August Nölck. Arranged by Paul Wood. Romantic Period. 36 pages. MyMusicScores.com #1037149. Pu...
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String Orchestra - Level 3 - SKU: A0.1458175 Composed by August Nölck. Arranged by Paul Wood. Romantic Period. 36 pages. MyMusicScores.com #1037149. Published by MyMusicScores.com (A0.1458175). Rediscover the charm of August Nölck, a prolific composer whose legacy includes over 300 diverse works ranging from concertos to funeral marches. Despite the unfortunate loss of many compositions during the World Wars, Nölck's cello repertoire continues to captivate audiences worldwide.Among his hidden gems is the Gavotte Op. 7, a delightful piece that deserves far more recognition. Now, with this special arrangement for cello and string orchestra, young cellists have the unique opportunity to showcase their talents in a grander setting.Product Features:A Hidden Gem: Experience the beauty and joy of Nölck's lesser-known Gavotte Op. 7.Arranged for Ensemble: Ideal for young cellists seeking to perform with a string orchestra.Celebrated Composer: Discover the rich musical heritage of August Nölck, a master of diverse genres.Preserve Musical Legacy: Contribute to the revival and appreciation of Nölck's remarkable compositions.The PDF file contains the score and all parts.
$24.99
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
Improvisation On Tchaikovsky`s Cherubic Hymn
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Orchestre à Cordes
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FACILE
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Luis Anjos Teixeira
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Improvisation On Tchaikovsky`s
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Luis Anjos Teixeira
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages....
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String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches. In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
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String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Prelude in E minor-String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Chopin's request, this piece w
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Frederic Chopin
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John May
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Prelude in E minor-String Orch
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Lost Key Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.829791 Composed by Frederic Chopin. Arranged by John May. Classical,Contest,Festival,Romantic Period. Score and par...
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String Orchestra - Level 2 - SKU: A0.829791 Composed by Frederic Chopin. Arranged by John May. Classical,Contest,Festival,Romantic Period. Score and parts. 10 pages. Lost Key Music #3384995. Published by Lost Key Music (A0.829791). Prelude in E minor, Op. 28, No. 4, by Frederic Chopin is one of his 24 Preludes. By Chopin's request, this piece was played at his own funeral, along with Mozart's Requiem. Arranged for string orchestra.https://www.youtube.com/watch?v=2HtGM1mN0aUwww.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/
$20.00
Berceuse, A Lullaby for Strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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A
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Stephen M
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Berceuse, A Lullaby for String
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SMT Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.749723 Composed by A. Ilyinsky. Arranged by Stephen M. Taylor. Concert,Contemporary,Pop,Standards,Wedding. Score an...
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String Orchestra - Level 3 - SKU: A0.749723 Composed by A. Ilyinsky. Arranged by Stephen M. Taylor. Concert,Contemporary,Pop,Standards,Wedding. Score and parts. 13 pages. SMT Music #3112941. Published by SMT Music (A0.749723). This intimate lullaby was part of an orchestral suite by Alexander Ilyinsky (1859-1920). Among his best known works it is more familiar as a piano piece. I adapted that for string quartet or with the added bass for string orchestra or quintet. It's a very pleasant piece that we often use for prelude music at weddings but would also serve for a funeral setting for strings or even as a short concert piece. .
$15.00
Beethoven: Three Equali WoO 30 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.551797 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary...
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String Orchestra - Level 2 - SKU: A0.551797 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. Score and parts. 19 pages. Jmsgu3 #5721989. Published by jmsgu3 (A0.551797). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet
$29.95
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Chri...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Be Thou My Vision (Irish Hymn) - String Orchestra or Quintet - Intermediate Level
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional Hymn
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Dennis Ruello
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Be Thou My Vision
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Chicory Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1412084 By Traditional Hymn. By Traditional Irish Folk Tune. Arranged by Dennis Ruello. 19th Century,20th Century,C...
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String Orchestra - Level 3 - SKU: A0.1412084 By Traditional Hymn. By Traditional Irish Folk Tune. Arranged by Dennis Ruello. 19th Century,20th Century,Celtic,Folk,Historic,Irish. 14 pages. Chicory Music #994317. Published by Chicory Music (A0.1412084). One of the United Kingdom’s most popular hymns, ‘Be Thou My Vision’ is a traditional Christian hymn with Irish origins. The text is based on a Middle Irish poem most attributed to Dallán Forgaill, an early Christian Irish poet born in 530 AD. Since the early 20th century, the text has been sung to an Irish folk tune, known in church hymnals as ‘Slane’. Today, ‘Be Thou My Vision’ is often heard at both weddings and funerals, as well as Sunday church services across the United Kingdom. It is said to be a favourite of King Charles, and a newly set version of the hymn was performed at his coronation service at Westminster Abbey.                                              Performance Time Approx. 1:30 minutes.
$13.99
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