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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Get On Top
Non classifié
270
Piano & claviers
Piano seul
113
Instruments en Do
53
Piano, Voix et Guitare
53
Piano, Voix
27
2 Pianos, 4 mains
21
Piano Facile
18
Orgue
12
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
1 Piano, 4 mains
3
Accompagnement Piano
3
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 6 mains
1
Piano grosses notes
1
2 Pianos, 8 mains
1
+ 11 instrumentations
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Guitares
Guitare
20
Guitare notes et tablatures
18
Guitare (partie séparée)
10
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
6
Basse electrique
6
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
+ 7 instrumentations
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Voix
Chorale SATB
54
Chorale 3 parties
16
Chorale 2 parties
9
Chorale TTBB
6
Chorale Unison
5
Chorale SSAA
4
Voix Soprano
3
Voix duo
3
Voix Baryton, Piano
2
Voix Alto, Piano
1
Voix seule
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix haute
1
Voix duo, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
143
Saxophone, Clarinette (duo)
75
2 Clarinettes (duo)
67
Clarinette, Violon (duo)
50
2 Flûtes traversières (duo)
47
Clarinette, Trompette (duo)
42
2 Flûte à bec (duo)
40
Saxophone (partie séparée)
29
Hautbois, Flûte
27
2 Hautbois (duo)
26
Flûte, Violon
26
Flûte, Alto (duo)
26
Hautbois, Basson (duo)
26
Flûte, Saxophone (duo)
25
Hautbois, Clarinette (duo)
24
Flûte, Clarinette (duo)
23
Flûte, Trompette (duo)
22
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Alto
21
Hautbois, Piano (duo)
12
Flûte traversière et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Clarinette et Piano
10
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette, Trombone (duo)
10
Ensemble de saxophones
9
Saxophone Alto
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette
8
Saxophone Soprano et Piano
7
Saxophone Alto et Piano
7
Flûte traversière
7
Saxophone Tenor
6
3 Clarinettes (trio)
6
Saxophone Tenor et Piano
6
Cor anglais, Piano
5
Flute (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
4
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
3
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette Basse, Piano
3
Saxophone Baryton, Piano
2
Ensemble de Clarinettes
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
1
Clarinette (partie séparée)
1
+ 46 instrumentations
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Cuivres
Trompette, Saxophone (duo)
54
2 Trombones (duo)
37
2 Trompettes (duo)
34
Trompette, Trombone (duo)
25
Trombone (partie séparée)
24
Trompette (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
2 Euphoniums (duo)
10
Trombone et Piano
9
Trompette
9
Tuba (partie séparée)
5
Trompette, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor et Piano
5
Cor (partie séparée)
5
Cor anglais, Piano
5
Trombone
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 cors
3
Cor
3
Tuba et Piano
2
Tuba
2
2 Cors (duo)
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Tuba (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon, Violoncelle (duo)
53
2 Violoncelles (duo)
33
Violon, Alto (duo)
31
Violon
30
2 Violons (duo)
25
2 Altos (duo)
25
Violon et Piano
21
Harpe
11
Violoncelle, Piano
10
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violoncelle
7
Contrebasse (partie séparée)
6
Alto seul
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
1
Alto (partie séparée)
1
4 Harpes
1
2 Violons, Piano
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
118
Ensemble Jazz
23
Orchestre
15
Ensemble de cuivres
9
Orchestre à Cordes
6
Batterie (partie séparée)
5
Fanfare
4
Orchestre de chambre
4
Cloches
2
Percussion
1
Ensemble de Percussions
1
Vibraphone
1
Batterie
1
Orchestre, Violon
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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EUPHONIUM
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Vous avez sélectionné:
Get On Top
Orchestre à Cordes
Partitions à imprimer
6 partitions trouvées
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1
On Jordan's Stormy Banks - Flex Orchestra
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Orchestre à Cordes
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DÉBUTANT
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having one or more instruments
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From Southern Harmony
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Kristin Campbell
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On Jordan's Stormy Banks - Fle
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Horsehair Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Hor...
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String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
Fiddle On Down
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Orchestre à Cordes
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FACILE
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Folklorique/Traditionel
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Matt Arnett
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Fiddle On Down
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Matt Arnett Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1080559 Composed by Matt Arnett. Folk. Score and parts. 17 pages. Matt Arnett Music #684783. Published by Matt Arne...
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String Orchestra - Level 2 - SKU: A0.1080559 Composed by Matt Arnett. Folk. Score and parts. 17 pages. Matt Arnett Music #684783. Published by Matt Arnett Music (A0.1080559). This is a fun, quick piece in an American Hoe-Down style. In the key of A major, it's a good piece for focusing on G# intonation, as well as cut time rhythms. There are some small fiddle-y ornaments and some exciting dynamic contrasts. Definitely listen to some folk/fiddle music together as part of your study! The piece also has a lot of repeats and a DC al Fine so lots of 'roadmap' music theory practice. Last, I had my students play double stops throughout this piece, but you could do divisi if that were more appropriate to your ensemble. I hope your students enjoy playing this piece as much as mine did.
$29.99
Blues Train-Strings and Percussion
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Orchestre à Cordes
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DÉBUTANT
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John May
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Blues Train-Strings and Percus
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Lost Key Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.829838 Composed by John May. Blues,Contemporary,Contest,Festival. Score and parts. 33 pages. Lost Key Music #666884...
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String Orchestra - Level 1 - SKU: A0.829838 Composed by John May. Blues,Contemporary,Contest,Festival. Score and parts. 33 pages. Lost Key Music #6668849. Published by Lost Key Music (A0.829838). Blues Train for string orchestra with percussion introduces the blues scale to young musicians, and each section gets an opportunity to play the blues scale. This is a fun piece that I think young musicians will enjoy. The percussion parts provide the train sounds. I envisioned this piece as sort of a story in which the train arrives at the station to pick up passengers and then makes stops along the way to pick up additional passengers, represented by the different sections of the orchestra. The diminuendo at the end represents the train fading away into the distance, followed by the vocal Shhh at the end by the performers at the train’s final stop. www.lostkeymusic.com Follow Lost Key Music on social media: https://www.facebook.com/lostkeymusic https://twitter.com/lostkeymusic https://www.pinterest.com/lostkeymusic/ https://www.instagram.com/lostkeymusic/.
$50.00
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Orchestre à Cordes
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AVANCÉ
#
Carson Cooman
#
Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
Strings by the Sea
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Orchestre à Cordes
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DÉBUTANT
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Michelle Taylor-Cohen
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Strings by the Sea
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Saturn Strings
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.527308 Composed by Michelle Taylor-Cohen. Children,Contemporary,Standards. Score and parts. 36 pages. Saturn String...
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String Orchestra - Level 1 - SKU: A0.527308 Composed by Michelle Taylor-Cohen. Children,Contemporary,Standards. Score and parts. 36 pages. Saturn Strings #5042473. Published by Saturn Strings (A0.527308). This little suite for beginner string orchestra aims to put into practice as many of the different technical aspects of the ABRSM Grade 1 exam as possible, whilst remaining a fun piece to play! The cheerful first movement is in D major. There is some use of open string double stops and a chance for the 2nd violins to show off their left hand pizzicato, whilst the legato cello melody in the middle section explores the 1234 chromatic finger pattern. The short second movement, which is really no more than a brief interlude, is in A major, and provides the opportunity to focus on controlling slurs and legato bowing. 4th fingers instead of open Es in the 1st violins are desirable but not compulsory! Finally, the third Latin-inspired movement is a syncopation-filled exploration of the E minor natural scale. If you have some percussion instruments at hand please feel free to get creative and add them in wherever you like! The piece can be played without double basses, but if there are none it might be an idea for one desk of cellos to cover the bass part in the first movement middle section. 3rd violins are only necessary if there are no violas, or if violas need an extra boost!
$45.00
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