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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Go Music Group
Sheetmusicplus
Non classifié
139
Piano & claviers
Piano seul
16
Orgue
7
Piano, Voix
7
Piano, Voix et Guitare
4
2 Pianos, 4 mains
2
Piano Facile
2
Instruments en Do
1
+ 2 instrumentations
Retracter
Guitares
Ukulele
21
Guitare
1
Guitare notes et tablatures
1
Voix
Chorale SATB
37
Chorale 3 parties
15
Chorale TTBB
8
Chorale 2 parties
8
Chorale Unison
3
Chorale SSAA
2
Chorale
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Chorale SSATB
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
8
Trio de Flûtes: 3 flûtes
7
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Alto et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone (partie séparée)
2
Saxophone Tenor et Piano
2
Flûte traversière
2
Saxophone Tenor
2
Saxophone Soprano et Piano
2
Hautbois, Piano (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto
2
Harmonica
1
Flûte à bec Soprano
1
5 Flûtes à bec
1
Ensemble de Flûtes
1
Clarinette
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette et Piano
1
Flûte traversière et Piano
1
Clarinette et Alto
1
+ 17 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette, Piano
3
Quatuor de Cuivres
3
Trombone (partie séparée)
2
Trompette (partie séparée)
2
Trombone et Piano
2
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone
1
Tuba
1
Cor et Piano
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon, Violoncelle (duo)
35
Trio à Cordes: 2 violons, violoncelle
18
Violoncelle
10
Violon
8
Trio à Cordes: violon, alto, violoncelle
7
Violon, Alto (duo)
4
Alto (partie séparée)
2
2 Violoncelles (duo)
2
Contrebasse (partie séparée)
2
Harpe, Voix
2
Violon (partie séparée)
2
Alto, Piano
1
Violoncelle (partie séparée)
1
2 Violons (duo)
1
Violon et Piano
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Cloches
16
Orchestre à Cordes
15
Orchestre
15
Orchestre d'harmonie
10
Orchestre de chambre
4
Jazz combo
4
Ensemble Jazz
3
Ensemble de cuivres
3
Percussion
1
Fanfare
1
+ 5 instrumentations
Retracter
Autres
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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Vous avez sélectionné:
Go Music Group
SheetMusicPlus
Partitions à imprimer
15 partitions trouvées
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1
Caissons Go Rolling Along: Cello
#
Orchestre à Cordes
#
Methodes
#
Edmund L
#
Bob Cerulli
#
Caissons Go Rolling Along: Cel
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016320_VC1 Cello. Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred M...
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String Orchestra - SKU: AX.00-PC-0016320_VC1 Cello. Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016320_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016320_VC1). UPC: 038081483641.Enjoy this patriotic classic for any concert or to honor our veterans. Set at a level achievable for young players, this piece will also work for older groups with little rehearsal. (2:10) Correlates to Orchestra Expressions Book 2. This title is available in SmartMusic.
$5.99
Caissons Go Rolling Along: 3rd Violin (Viola [TC])
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Orchestre à Cordes
#
Methodes
#
Edmund L
#
Bob Cerulli
#
Caissons Go Rolling Along: 3rd
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016320_VN3 3rd Violin (Viola [TC]). Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Instructional. Part....
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String Orchestra - SKU: AX.00-PC-0016320_VN3 3rd Violin (Viola [TC]). Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016320_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016320_VN3). UPC: 038081483641.Enjoy this patriotic classic for any concert or to honor our veterans. Set at a level achievable for young players, this piece will also work for older groups with little rehearsal. (2:10) Correlates to Orchestra Expressions Book 2. This title is available in SmartMusic.
$5.99
Caissons Go Rolling Along: Score
#
Orchestre à Cordes
#
Methodes
#
Edmund L
#
Bob Cerulli
#
Caissons Go Rolling Along: Sco
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0004558 Score. Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Instructional. Score. 7 pages. Alfred Musi...
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String Orchestra - SKU: AX.00-PR-0004558 Score. Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Instructional. Score. 7 pages. Alfred Music - Digital Sheet Music #00-PR-0004558. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004558). UPC: 038081483641.Enjoy this patriotic classic for any concert or to honor our veterans. Set at a level achievable for young players, this piece will also work for older groups with little rehearsal. (2:10) Correlates to Orchestra Expressions Book 2. This title is available in SmartMusic.
$6.00
Go carry Thy Burden to Jesus (For String Orchestra)
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
W
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Han-Ki Kim
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Go carry Thy Burden to Jesus
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Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.511676 Composed by W.J.Kirkpatrick. Arranged by Han-Ki Kim. Instructional,Sacred,Standards. Score and parts. 17 pag...
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String Orchestra - Level 3 - SKU: A0.511676 Composed by W.J.Kirkpatrick. Arranged by Han-Ki Kim. Instructional,Sacred,Standards. Score and parts. 17 pages. Han-Ki Kim #4277191. Published by Han-Ki Kim (A0.511676). Go carry Thy Burden to Jesus is an arrangement for String Orchestra of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger is very experienced(with I Musici - world famous chamber group of Italy), and his works are very loved world widely. And, especially, Shown Bowing sign (All part) and Fingering (Vn and Va part) will be very helpful to player. Main Theme is rotated by parts, to give interest for all the player.
$13.99
My Heart Will Go On (love Theme From 'titanic')
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Film/TV
#
Deja Vu
#
Sherry Lewis
#
My Heart Will Go On
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Sherry Lewis Publishing
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521776 By Deja Vu. Arranged by Sherry Lewis. Film/TV. Score and parts. 28 pages. Sherry Lewis Publishing #6444047. ...
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String Orchestra - Level 3 - SKU: A0.521776 By Deja Vu. Arranged by Sherry Lewis. Film/TV. Score and parts. 28 pages. Sherry Lewis Publishing #6444047. Published by Sherry Lewis Publishing (A0.521776). MY HEART WILL GO ON (from Titanic) String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 10 pages Time: 5'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Viking Ships of Old: 1st Violin
#
Orchestre à Cordes
#
Susan H
#
Viking Ships of Old: 1st Violi
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001757_VN1 1st Violin. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mus...
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String Orchestra - SKU: AX.00-PC-0001757_VN1 1st Violin. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001757_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001757_VN1). UPC: 038081342344.Inspired by a trip to Sweden and Norway, this piece captures the drama and excitement of seeing the Viking ships in person. Although written for a large District Elementary Festival, this piece works well with any size group of any age. It uses tremolo, pizzicato, col legno, accents, tenuto, legato and an occasional high 3rd finger in the 1st Violin and Viola parts. Students and teachers love this piece because it's fun and the melody sticks in their heads! Have your students write a Viking story to go with the piece! This title is available in SmartMusic.Concert/Contest.
$5.99
Viking Ships of Old: 2nd Violin
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Orchestre à Cordes
#
Methodes
#
Susan H
#
Viking Ships of Old: 2nd Violi
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001757_VN2 2nd Violin. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mus...
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String Orchestra - SKU: AX.00-PC-0001757_VN2 2nd Violin. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001757_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001757_VN2). UPC: 038081342344.Inspired by a trip to Sweden and Norway, this piece captures the drama and excitement of seeing the Viking ships in person. Although written for a large District Elementary Festival, this piece works well with any size group of any age. It uses tremolo, pizzicato, col legno, accents, tenuto, and legato. Students and teachers love this piece because it's fun and the melody sticks in their heads! Have your students write a Viking story to go with the piece!Concert/Contest.
$5.99
Viking Ships of Old: Viola
#
Orchestre à Cordes
#
Methodes
#
Susan H
#
Viking Ships of Old: Viola
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001757_VA1 Viola. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #0...
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String Orchestra - SKU: AX.00-PC-0001757_VA1 Viola. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001757_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001757_VA1). UPC: 038081342344.Inspired by a trip to Sweden and Norway, this piece captures the drama and excitement of seeing the Viking ships in person. Although written for a large District Elementary Festival, this piece works well with any size group of any age. It uses tremolo, pizzicato, col legno, accents, tenuto, legato and an occasional high 3rd finger in the 1st Violin and Viola parts. Students and teachers love this piece because it's fun and the melody sticks in their heads! Have your students write a Viking story to go with the piece! This title is available in SmartMusic.Concert/Contest.
$5.99
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 3 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Allemande for First Position String Orchestra
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Orchestre à Cordes
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Michael Bomier
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Allemande for First Position S
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Michael Butkus-Bomier
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SheetMusicPlus
String Orchestra - SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Bu...
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String Orchestra - SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Butkus-Bomier #2032899. Published by Michael Butkus-Bomier (A0.862525). The Allemande was a German dance form used in many Baroque Era suites. Its characteristic rhythm was the dotted-eighth-sixteenth figure, which is used throughout this piece. The real substance of this composition is not the dance form, however, but the strict and highly evocative use of the ascending and descending forms of the melodic minor scale. Since this was such a Baroque Era staple, I felt the piece had to use Baroque forms, techniques and structures as well. So, the key is D minor. C and Bb going down, B and C# going up. No accidentals but these were used. D minor is not the happiest of keys, and accordingly the mood here is somber. The orchestral texture is NOT rich and lush, like other pieces in the series, but is thinner and more contrapuntally transparent. There are three internal cadences before the ending sequence. Suspensions, voice leading, and dissonances are all treated in a standard Baroque fashion. Bowings by string pedagogue Lori Sandell Lacey. Running time is approx 3 mins 30 secs.at suggested tempo. The piece could certainly go faster if your group can handle it. Each part is but a single page, for easy management of music in rehearsal and performance. MBB.
$20.00
The Teddy Bears' Picnic
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Orchestre à Cordes
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INTERMÉDIAIRE
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Ellen Harle
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Ellen Harle
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The Teddy Bears' Picnic
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Fireworks Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1153962 By Ellen Harle. By John W. Bratton. Arranged by Ellen Harle. 20th Century,Children. Score and parts. 27 pag...
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String Orchestra - Level 3 - SKU: A0.1153962 By Ellen Harle. By John W. Bratton. Arranged by Ellen Harle. 20th Century,Children. Score and parts. 27 pages. Fireworks Music #754232. Published by Fireworks Music (A0.1153962). This charming and popular children's song is arranged here for strings. It would work for quartet (2 violins, viola or violin 3, and cello), String Quintet with the inclusion of double bass, or string orchestra or ensemble. The included violin 3 part is primarily viola in treble clef, if a viola player is not available. The violin 1 part includes some third position work, and a simplified cello part is also included if the player finds the string crossings too difficult. This would suit intermediate level players and therefore suitable for school chamber groups and ensembles. It is particularly enjoyable repertoire for more senior students to perform to younger students. Purchase includes score and all parts. Please enjoy, and remember: don't go into the woods alone!
$49.99
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