English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
175
Partitions
Numériques
326
Librairie
Musicale
10 100
Matériel
de Musique
121 638
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
4526
PIANO & CLAVIERS
Piano seul
2414
Piano, Voix
1631
Piano, Voix et Guitare
1069
Piano Facile
601
Orgue
309
Instruments en Do
184
Accompagnement Piano
103
Accordéon
89
Piano Trio: piano, violon, violoncelle
71
Piano grosses notes
68
1 Piano, 4 mains
57
2 Pianos, 4 mains
29
Piano (partie séparée)
26
Piano Quatuor: piano, violon, alto, violoncelle
24
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Piano (duo)
12
Clavecin
10
Orgue, Trompette (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
4
2 Pianos, 8 mains
4
Ligne De Mélodie, Piano
3
Clavier
1
Accordéon, Voix
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
326
Guitare
315
Guitare notes et tablatures
246
Ukulele
104
Paroles et Accords
94
2 Guitares (duo)
45
Basse electrique
22
4 Guitares (Quatuor)
13
Piano, Guitare (duo)
13
Guitare (partie séparée)
12
Mandoline
11
Ensemble de guitares
7
Banjo
5
Mandoline, Guitare (duo)
5
3 Guitares (trio)
4
Dulcimer
4
Guitare, Violon, Violoncelle (trio)
3
Ensemble de Ukulélés
3
Orchestre à Plectres
1
Basse électrique (partie séparée)
1
2 Dulcimers (duo)
1
Partitions De Groupes
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1743
Chorale 3 parties
390
Chorale 2 parties
216
Chorale TTBB
163
Chorale Unison
152
Chorale SSAA
77
Voix duo, Piano
76
Chorale
41
Voix duo
40
Voix seule
36
Voix Soprano, Piano
25
Voix Alto, Piano
15
Voix haute
13
Voix moyenne, Piano
10
Chorale SSAATTBB
8
Voix Tenor, Piano
7
Chorale SSATTB
7
Voix Tenor
7
Voix Baryton, Piano
6
Voix Soprano
5
Voix basse, Piano
4
Chorale, Orgue
2
Soli, choeur mixte et accompagnement
2
Voix basse
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Voix d'Enfants
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
459
Clarinette et Piano
341
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
313
Quatuor de Saxophones: 4 saxophones
279
Saxophone Alto et Piano
252
2 Saxophones (duo)
232
Flûte, Hautbois, Clarinette, Basson
228
Clarinette
222
Hautbois, Piano (duo)
219
Flûte traversière
218
Quatuor de Clarinettes: 4 clarinettes
178
Saxophone Tenor et Piano
162
Saxophone Soprano et Piano
159
Saxophone (partie séparée)
150
2 Flûtes traversières (duo)
131
Quintette de Saxophone: 5 saxophones
125
2 Clarinettes (duo)
119
Ensemble de Clarinettes
113
Quatuor de Flûtes : 4 flûtes
110
Saxophone Alto
99
Ensemble de Flûtes
83
Saxophone Baryton, Piano
82
Cor anglais, Piano
80
Ensemble de saxophones
78
Saxophone, Clarinette (duo)
63
3 Clarinettes (trio)
60
Hautbois (partie séparée)
59
Flûte, Clarinette (duo)
56
3 Saxophones (trio)
53
Clarinette, Violon (duo)
46
Hautbois, Basson (duo)
41
Clarinette Basse, Piano
39
Clarinette (partie séparée)
38
Quintette de Clarinettes: 5 clarinettes
38
Flûte et Guitare
38
2 Hautbois (duo)
35
Clarinette, Guitare (duo)
34
Saxophone Tenor
34
Flûte, Violon
32
Clarinette, Trompette (duo)
32
Trio de Flûtes: 3 flûtes
31
Flute (partie séparée)
27
Saxophone
25
2 Flûte à bec (duo)
25
Hautbois, Clarinette (duo)
23
Flûte, Trompette (duo)
21
Clarinette et Alto
21
Flûte, Saxophone (duo)
20
Hautbois, Flûte
20
Ensemble De Flûte à bec
19
Quintette de Flûte : 5 flûtes
19
Hautbois
18
Clarinette, Basson (duo)
18
Quatuor de Flûtes à bec
15
Flûte à Bec
15
Flûte, Alto (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Hautbois, Basson
13
Flûte à bec Soprano
12
Saxophone Soprano
11
5 Flûtes à bec
10
2 Saxophones, Piano
10
Flûte à bec Alto
10
Harmonica
10
Flûte, Clarinette et Basson
10
Flûte à bec Soprano, Piano
10
Flûte, Violoncelle, Piano (trio)
10
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Hautbois (duo)
8
Flûte, Clarinette, Piano (trio)
8
Clarinette, Harpe (duo)
7
2 Clarinettes, Piano
6
Saxophone et Harpe
6
Hautbois, Guitare (duo)
6
Piccolo, Piano
6
Clarinette, Violoncelle (duo)
6
Hautbois, Harpe
6
Flûte, Violoncelle
6
3 Flûtes à bec (trio)
5
Flûte traversière, Orgue (duo)
5
Flûte à bec Alto, Piano
5
2 Flûtes traversières, Piano
5
Flûte, Violoncelle, Guitare
4
Flûte à bec, Guitare (duo)
4
Cor anglais, Guitare (duo)
4
Flûte, Violon, Piano
4
Hautbois, Violoncelle
4
3 Hautbois
4
Cor Anglais
3
Flûte, Violon, Violoncelle et Piano
3
Hautbois, violon (duo)
3
Flûte à bec Alto, Basse continue
3
Saxophone et Guitare
3
Flûte, Trombone (duo)
3
Flûte à bec Tenor
2
Ocarina
2
Saxophone et Piano
2
Flûte irlandaise
2
Flute, harpe et violon
2
Flûte traversière, Basse continue
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Basson et Piano
2
Flûte, Alto et Piano
2
2 Clarinettes, Basson
2
2 Cors Anglais Et Pianoforte
2
Clarinette Basse
2
Hautbois et alto (duo)
2
Flûte à Bec, Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette, trompette et piano
1
Flûte, Hautbois, Violon
1
Saxophone Baryton
1
Flûte, Tuba (duo)
1
Piccolo
1
Cor anglais et Harpe (duo)
1
Flûte à bec, Harpe
1
Saxophone, Violon (duo)
1
Flûte, Hautbois, Piano (trio)
1
4 Hautbois
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Instruments en Mib
1
Flûte et Trio à cordes
1
Flûte, Violon et Violoncelle
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
321
Quatuor de Cuivres : 2 trompettes, trombone, tuba
239
Trombone et Piano
223
Trompette, Piano
184
Trompette
166
Cor et Piano
133
Quatuor de Cuivres
119
Trombone
96
Trompette (partie séparée)
86
Trombone (partie séparée)
84
Euphonium, Piano (duo)
80
Cor anglais, Piano
80
Quatuor de Cuivres: 2 trompettes, Cor, trombone
68
Cor
60
Trompette, Trombone (duo)
58
2 Trombones (duo)
58
2 Trompettes (duo)
55
Tuba et Piano
53
Trompette, Saxophone (duo)
45
Tuba
43
Quatuor de cuivres: 4 trombones
37
Ensemble de Trombones
35
Ensemble de Trompettes
23
2 Cors (duo)
22
Cor (partie séparée)
20
Quatuor de cuivres: 4 cors
19
Ensemble de Cors
11
Trio de Cuivres
10
Tuba (partie séparée)
9
Trompette, Cor (duo)
8
Tuba et Orgue
8
Quatuor de cuivres: 4 trompettes
7
4 Tubas
6
2 Euphoniums et 2 Tubas
6
3 Trombones (trio)
6
Trompette, Harpe
5
Cor et Harpe
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
2 Tubas (duo)
5
Euphonium
5
Trompette, violon (duo)
4
Cor anglais, Guitare (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
Bass Clef Instruments
3
Cor Anglais
3
Trombone basse et Piano
3
3 Trompettes (trio)
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone, Tuba (duo)
3
Trompette, Tuba (duo)
2
Trompette, Trombone, Piano
2
Trombone, Orgue
2
Cor, Tuba (duo)
2
Trombone basse
2
2 Cors Anglais Et Pianoforte
2
Cor et Orgue
1
3 Cors (trio)
1
Trombone et orchestre
1
Trompette, Basson (duo)
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Violon (duo)
1
Instruments en Fa
1
Cor anglais et Harpe (duo)
1
Instruments en Sib
1
Cor, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
773
Violon et Piano
561
Violoncelle, Piano
377
Alto, Piano
316
Violon
237
Trio à Cordes: violon, alto, violoncelle
138
Violon, Violoncelle (duo)
129
Harpe
111
Violoncelle (partie séparée)
111
2 Violons (duo)
109
2 Violoncelles (duo)
100
Alto seul
85
Violon, Alto (duo)
70
2 Altos (duo)
68
2 Harpes (duo)
67
Violoncelle
60
Violon, Guitare (duo)
57
Violon (partie séparée)
54
Trio à Cordes: 2 violons, violoncelle
50
Contrebasse (partie séparée)
44
Alto (partie séparée)
42
Contre Basse
34
Contrebasse, Piano (duo)
30
Alto, Guitare (duo)
27
Alto, Violoncelle (duo)
25
4 Violoncelles
22
Violoncelle , Guitare (duo)
22
Piano Trio: Violon, Alto, Piano
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Trio à cordes: 3 violins
15
Trio à Cordes: 3 violoncelles
14
Harpe, Flûte (duo)
14
Ensemble de Violons
12
Ensemble d'Altos
11
Harpe, Violon (duo)
9
Trio à Cordes: 2 violons, alto
9
Quatuor à cordes: 4 violons
7
Quatuor à cordes : 4 altos
7
Harpe (partie séparée)
7
Alto et Harpe
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
5
Trio à cordes: 3 altos
5
Flûte, Contrebasse (duo)
5
2 Contrebasses (duo)
4
Harpe, Voix
4
Harpe, Violoncelle (duo)
3
Violon, Orgue
2
Violon, Basson (duo)
2
4 Contrebasses
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
2
Violoncelle, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Violon, Basse continue
2
Trio à cordes
1
2 Violoncelles, Piano
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Alto et Basson
1
Violoncelle, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
3 Harpes
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
829
Orchestre à Cordes
326
Orchestre
323
Ensemble de cuivres
209
Orchestre de chambre
136
Ensemble Jazz
128
Cloches
126
Jazz combo
43
Batterie
41
Percussion (partie séparée)
33
Marimba
23
Batterie (partie séparée)
15
Ensemble de Percussions
15
Percussion
14
Fanfare
10
Vibraphone
9
2 Xylophones
5
Orchestre, Violon
5
Xylophone
5
Timbales (partie séparée)
4
Piano et Orchestre
2
Timbales
2
Xylophone, Piano
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
2 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
2
Vous avez sélectionné:
He\\\\\\
Orchestre à Cordes
Partitions à imprimer
326 partitions trouvées
<
1
26
51
....
326
He Is Not Here
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1001145 Composed by Edigles G…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1001145 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score and parts. 11 pages. Edigles Guedes #6078969. Published by Edigles Guedes (A0.1001145). It is a composition study. It is suitable for students with an early intermediate level of violin, viola, cello, and double bass. Work duration: 8:32 min. Inspired by the biblical verse: He is not here: for he is risen, as he said. Come, see the place where the Lord lay. (Matthew 28: 6 - KJV).
$1.99
1.83 €
#
Orchestre à Cordes
#
Edigles Guedes
#
He Is Not Here
#
Edigles Guedes
#
SheetMusicPlus
He Is Great
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. P…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. Patterson. Christmas,Contemporary,Musical/Show,Praise & Worship,Sacred. Score and parts. 26 pages. In His Name Music/SESAC #3224329. Published by In His Name Music/SESAC (A0.938098). He Is Great is from my Classical Works project and is written for Classical Guitar, Choir and String Orchestra. This song is musically based on Luke 1:26-33 where the scripture says, 32 He will be great, and will be called the Son of the Highest; and the Lord God will give Him the throne of His father David. 33 And He will reign over the house of Jacob forever, and of His kingdom there will be no end. Classical Works is a collection of original compositions written for classical guitar with orchestration. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. www.messiahsongs.com 615-516-0473
$6.99
6.44 €
#
Orchestre à Cordes
#
Bruce J
#
He Is Great
#
In His Name Music/SESAC
#
SheetMusicPlus
For He's a Jolly Good Fellow & Happy Birthday for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1369753 By Keith Terrett. By …
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1369753 By Keith Terrett. By Trad,Patty & Mildred J. Hill. Arranged by Keith Terrett. Standards,Traditional. 9 pages. Keith Terrett #954118. Published by Keith Terrett (A0.1369753). For He's a Jolly Good Fellow & Happy Birthday arranged for String Orchestra.
$8.00
7.37 €
#
Orchestre à Cordes
#
Keith Terrett
#
Keith Terrett
#
For He's a Jolly Good Fellow & Happy Birthday for String Orchestra
#
Keith Terrett
#
SheetMusicPlus
Pilgrim's Song (He Who Would Valiant Be)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.503482 Composed by Music by C…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.503482 Composed by Music by Charles Winfred Douglas. Arranged by John R. Daniels. Classical,Sacred,Traditional. Score and parts. 15 pages. John R. Daniels #115593. Published by John R. Daniels (A0.503482). A delightful arrangement of the music to John Bunyan's hymn He Who Would Valiant Be from Pilgrim's Progress. More than a straight transcription, it has alternate voicing and key wanderings. It's an easy enough piece for most string orchestras, but it has enough challenges to keep it interesting.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$25.00
23.02 €
#
Orchestre à Cordes
#
Music by Charles Winfred Douglas
#
John R
#
Pilgrim's Song
#
John R. Daniels
#
SheetMusicPlus
He's A Pirate
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1233410 Composed by Geoffrey …
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.1233410 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Jon Bakken. Film/TV. Score and Parts. 4 pages. Jon Bakken #828999. Published by Jon Bakken (A0.1233410). Beginning string orchestra arrangement of He's A Pirate from Pirates of the Caribbean: The Curse of the Black Pearl.
$49.99
46.03 €
#
Orchestre à Cordes
#
Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
#
Jon Bakken
#
He's A Pirate
#
Jon Bakken
#
SheetMusicPlus
He Lives (String Orchestra or Quintet)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1410290 Composed by Samuel Me…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1410290 Composed by Samuel Medley. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 7 pages. Ben Dockery #992710. Published by Ben Dockery (A0.1410290). Arranged for string orchestra or quintet: two violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Especially well-suited for Easter services. Includes score and parts. Easy intermediate level.
$8.99
8.28 €
#
Orchestre à Cordes
#
Samuel Medley
#
B
#
He Lives
#
Ben Dockery
#
SheetMusicPlus
Christ Arose (Low in the Grave He Lay) for String Orchestra or Quintet
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1367651 Composed by Robert Lo…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1367651 Composed by Robert Lowry. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred. 7 pages. Ben Dockery #952027. Published by Ben Dockery (A0.1367651). Arranged for string orchestra or quintet: two violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Especially well-suited for Easter services. Easy intermediate level. Includes score and parts.
$8.99
8.28 €
#
Orchestre à Cordes
#
Robert Lowry
#
B
#
Christ Arose
#
Ben Dockery
#
SheetMusicPlus
He, Watching Over Israel- String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.873849 Composed by Felix Bart…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.873849 Composed by Felix Bartholdy Mendelssohn. Arranged by Ryan Christensen. Romantic Period,Standards. Score and parts. 20 pages. Ryan Christensen #3559229. Published by Ryan Christensen (A0.873849). A wonderful arrangement of gorgeous chorus from Mendelssohn's Elijah. Great for introducing students to counterpoint. Video:https://youtu.be/ypNsgdFsS_4 .
$19.99
18.41 €
#
Orchestre à Cordes
#
Felix Bartholdy Mendelssohn
#
Ryan Christensen
#
He, Watching Over Israel- String Orchestra
#
Ryan Christensen
#
SheetMusicPlus
He Who Would Valiant Be
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.770103 Composed by Traditiona…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.770103 Composed by Traditional. Arranged by David D. Mason. Easter,Praise & Worship,Sacred. Score and parts. 10 pages. David D Mason #5753497. Published by David D Mason (A0.770103). I have arranged this lovely old Hymn for String Quintet and included an optional 3rd Violin (Viola) part.
$8.99
8.28 €
#
Orchestre à Cordes
#
Traditional
#
David D
#
He Who Would Valiant Be
#
David D Mason
#
SheetMusicPlus
As Long As He Needs Me
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.800994 Composed by Lionel Bart. Arrange…
(+)
String Orchestra - Digital Download SKU: A0.800994 Composed by Lionel Bart. Arranged by Douglas R. Morrison. Contemporary. Score and parts. 16 pages. Douglas R. Morrison #4797303. Published by Douglas R. Morrison (A0.800994). A Rivendell String Orchestra Arrangement. The great dramatic ballad from Lionel Bart's Oliver! is now available in a beautiful arrangement for string orchestra, complete with bowings by an award-winning string music educator. This is a real show stopper!
$15.99
14.72 €
#
Orchestre à Cordes
#
Lionel Bart
#
Douglas R
#
As Long As He Needs Me
#
Douglas R. Morrison
#
SheetMusicPlus
He's A Pirate
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1264529 Composed by Geoffrey …
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1264529 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Stephanie J. Miller. 21st Century,Film/TV. Score and Parts. 19 pages. Stephanie J. Miller #857356. Published by Stephanie J. Miller (A0.1264529). This energetic piece will be a hit with young string orchestras. The melody is passed among the violins, violas, and cellos. The lower strings' pulsing eighth notes keep up the energy throughout.
$49.99
46.03 €
#
Orchestre à Cordes
#
Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
#
Stephanie J
#
He's A Pirate
#
Stephanie J. Miller
#
SheetMusicPlus
Who Is He In Yonder Stall?
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.682312 Composed by Benjamin R…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.682312 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 9 pages. Gert Th. Walter #5774609. Published by Gert Th. Walter (A0.682312). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$10.95
10.08 €
#
Orchestre à Cordes
#
Benjamin R
#
Gert Th
#
Who Is He In Yonder Stall?
#
Gert Th. Walter
#
SheetMusicPlus
He's A Pirate
Orchestre à Cordes
Composed by Geoffrey Zanelli, Hans Zimmer (1957-), and Klaus Badelt. Arranged by Sam A…
(+)
Composed by Geoffrey Zanelli, Hans Zimmer (1957-), and Klaus Badelt. Arranged by Sam Araya. Film/TV. Score and parts. 16 pages. Sam Araya #548194. Published by Sam Araya
$49.99
46.03 €
#
Orchestre à Cordes
#
Geoffrey Zanelli, Hans Zimmer
#
Sam Araya
#
He's A Pirate
#
Sam Araya
#
SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.99 €
#
Orchestre à Cordes
#
Ludwig van Beethoven
#
James M
#
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
#
jmsgu3
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.57 €
#
Orchestre à Cordes
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 2 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John …
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
34.02 €
#
Orchestre à Cordes
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
#
jmsgu3
#
SheetMusicPlus
Bull: Salvator mundi for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John …
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.87 €
#
Orchestre à Cordes
#
Dr
#
James M
#
Bull: Salvator mundi for String Orchestra
#
jmsgu3
#
SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30.34 €
#
Orchestre à Cordes
#
John Bull
#
James M
#
Bull: In Nomine CXIX for String Orchestra - Score Only
#
jmsgu3
#
SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John …
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.87 €
#
Orchestre à Cordes
#
Dr
#
James M
#
Bull: In Nomine CXIX for String Orchestra
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
326
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
