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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He Said
Non classifié
172
Piano & claviers
Piano seul
91
Piano, Voix et Guitare
53
Piano, Voix
50
Piano Facile
14
Instruments en Do
11
1 Piano, 4 mains
4
Clavecin
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
10
Ukulele
3
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
1
3 Guitares (trio)
1
Banjo
1
2 Guitares (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
65
Chorale 2 parties
15
Chorale Unison
13
Chorale 3 parties
10
Chorale TTBB
9
Voix duo, Piano
8
Voix Alto, Piano
3
Voix haute
2
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix basse, Piano
1
+ 7 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière et Piano
16
2 Flûtes traversières (duo)
14
Flûte traversière
13
Clarinette et Piano
12
Clarinette
12
Hautbois (partie séparée)
11
Saxophone Alto et Piano
11
Saxophone Soprano et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de Flûtes
9
Ensemble de Clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Piano (duo)
7
Quintette de Saxophone: 5 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor et Piano
5
Cor anglais, Piano
4
Quintette de Clarinettes: 5 clarinettes
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
3
2 Saxophones (duo)
3
Ensemble de saxophones
2
Quintette de Flûte : 5 flûtes
2
Flute (partie séparée)
2
Clarinette Basse, Piano
2
Flûte, Basson et Piano
1
Flûte, Clarinette (duo)
1
Saxophone
1
+ 25 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
7
Cor anglais, Piano
4
Trompette
4
Cor et Piano
4
Trompette, Piano
4
Ensemble de Trompettes
3
Euphonium, Piano (duo)
3
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Trombone
2
Cor
2
Trompette, Cor (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette (partie séparée)
2
Trompette, Euphonium (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Tuba
1
+ 16 instrumentations
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Cordes
Violon et Piano
18
Quatuor à cordes: 2 violons, alto, violoncelle
16
Alto, Piano
10
Violoncelle, Piano
10
2 Violons (duo)
7
Violon
6
Trio à Cordes: 2 violons, violoncelle
5
4 Violoncelles
4
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Ensemble de Violons
2
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
2
Violoncelle
1
Alto (partie séparée)
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre
21
Orchestre d'harmonie
16
Cloches
11
Orchestre à Cordes
8
Ensemble de cuivres
8
Ensemble Jazz
7
Orchestre de chambre
4
Marimba
1
Jazz combo
1
Vibraphone
1
+ 5 instrumentations
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EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Vous avez sélectionné:
He Said
Orchestre à Cordes
Partitions à imprimer
8 partitions trouvées
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He Is Not Here
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Orchestre à Cordes
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FACILE
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Edigles Guedes
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He Is Not Here
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Edigles Guedes
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1001145 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score and parts. 11 pages. Edig...
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String Orchestra - Level 2 - SKU: A0.1001145 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score and parts. 11 pages. Edigles Guedes #6078969. Published by Edigles Guedes (A0.1001145). It is a composition study. It is suitable for students with an early intermediate level of violin, viola, cello, and double bass. Work duration: 8:32 min. Inspired by the biblical verse: He is not here: for he is risen, as he said. Come, see the place where the Lord lay. (Matthew 28: 6 - KJV).
$1.99
MORCEAUX en forme d'une POIRE (PEAR-SHAPED PIECES) Harp and Strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Alan Edgar
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MORCEAUX en forme d'une POIRE
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Alan Edgar Ted Moon
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moo...
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String Orchestra - Level 3 - SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moon #746921. Published by Alan Edgar Ted Moon (A0.1146683). A charming and quirky suite of three movements from the original seven, for solo concert harp with string orchestra. Debussy criticised Satie's music for lack of form--there is a story that Satie showed these pieces to Debussy who asked, ‘Why such a title?’ He replied Because you cannot criticize my Three Pieces in the shape of a Pear. If they are in the form of a pear they cannot be shapeless. Poire had the slang meanings of fool and spinning top--Satie is famous for playing the fool --he said Take my ... Morceaux en Forme d’une Poire... it is evident that musical ideas played no part whatsoever in their composition. First performed by Anita Aslin with Hessle Sinfonia, Alan Edgar conducting.
$24.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
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String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Vivaldi Concerto RV 93 1st movement
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Orchestre à Cordes
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INTERMÉDIAIRE
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Antonio Vivaldi
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Martin Lass
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Vivaldi Concerto RV 93 1st mov
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 ...
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String Orchestra - Level 3 - SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 pages. MA Lass & I Lass #999240. Published by MA Lass & I Lass (A0.1417819). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing. Vivaldi's Concerto RV 93 was originally written for lute or guitar solo plus strings and basso continuo. Here, the 1st movement of the concerto has been arranged for an intermediate-level student string orchestra without continuo or piano accompaniment. To this end, the work has been simplified: the original key of D major has been changed to C major; some rhythms have been simplified, including doubling all note values and changing the time signature to 2/2; some registers have been changed in order to keep parts in 1st position; and extensive dynamics and articulations have been added to assist students with musical interpretation according to Baroque music conventions. That said, some crescendos have been added for effect. It is anticipated that the one repeat will be done, as is traditional. The upper strings are expected to be able to play low 2nd and 4th fingers, and the cellos have both backward and forward extensions but only leave 1st position in two short identical passages. The main challenge of the piece lies in the bowing style and the articulations, aforementioned.Level: 2.0 - 2.5Duration: 3mParts ListViolin IViolin IIViolin III (from Viola) (optional)ViolaVioloncelloDouble BassFull Score.
$39.00
The Abduction of Persephone (for String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
From Darkness To Light
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Orchestre à Cordes
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INTERMÉDIAIRE
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Simon Franglen
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Lisa Ochoco
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From Darkness To Light
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Lisa L Ochoco
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1176717 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. Score and parts. 19 pages. Lisa ...
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String Orchestra - Level 3 - SKU: A0.1176717 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. Score and parts. 19 pages. Lisa L Ochoco #776796. Published by Lisa L Ochoco (A0.1176717). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for string orchestra - 3 violins, 2 violas, 2 cellos and double bass.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The Shimmer part could be played by wind chimes.  Franglen mentioned that they used keys hanging from strings (car keys, house keys, etc) to create this effect among other creative objects-turned-instruments.Duration: 3.75 minutes.
$50.00
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He Said
