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Hold Of Me
Non classifié
175
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63
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59
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43
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19
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8
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4
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4
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2
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1
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1
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1
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1
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Guitare notes et tablatures
23
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12
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8
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7
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4
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4
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1
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67
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15
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9
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4
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3
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2
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1
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1
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1
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Quatuor de Saxophones: 4 saxophones
10
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7
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6
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4
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4
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4
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3
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3
Clarinette et Piano
3
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3
Trio de Flûtes: 3 flûtes
2
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2
Clarinette, Guitare (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
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1
Saxophone Tenor
1
3 Clarinettes (trio)
1
Quatuor de Flûtes : 4 flûtes
1
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Trompette, Tuba (duo)
1
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1
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12
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7
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6
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5
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4
Violoncelle
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3
Alto seul
2
2 Violons (duo)
2
Harpe
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Contre Basse
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1
Alto et Harpe
1
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4 Violoncelles
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Trio à Cordes: 2 violons, violoncelle
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSE
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Vous avez sélectionné:
Hold Of Me
Orchestre à Cordes
Partitions à imprimer
5 partitions trouvées
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1
Welsh Folksongs for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Yoel Epstein
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Welsh Folksongs for String Orc
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages....
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String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs, Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Australian Folksong Medley No.
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BJE Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 3...
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String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
The Concise String Method, Book 2- Teacher's Score
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Orchestre à Cordes
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FACILE
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Methodes
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Mark W
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The Concise String Method, Boo
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Mark Wayne Music, LLC
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Publi...
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String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Published by Mark Wayne Music, LLC (A0.808194). Developed by a String Specialist for the String Specialist by Mark W. Huxhold (Who's Who Among America's Teachers- 2000, 2005, 2006) I developed this method over a 20 year period as a school orchestra teacher faced with ever diminishing classroom instructional time. My goal was to preserve and articulate the scope and sequence of the curriculum in a concise and efficient manner. This method is intended to foster music reading skills from the beginning when used in conjunction with teacher initiated rote and modeling teaching techniques. Book 2 continues in standard portrait format at 100% scale. Curriculum Scope & Sequence Prerequisite: Book 1 or 1st position (bass 1st & 3rd pos.) on A and D strings. D major, Common time. Eighth, quarter and half notes. Detáche and whole bowing. Technique: Position:violin/viola-1st position (viola half pos.), cello- 1st and extended position, bass- half, 1st, 2nd, 3rd, 3 1/2 position. Bowing: Slurs, Richochet Keys: G, C, F/d, Bb/g, Eb/c, A/f#, b, e, a Rhythm Time signatures: 2/4, 3/4, 6/8 Notes/Rests: whole, eight, dotted half, sixteenth, dotted quarter & eight, eighth & quarter triplets Concerning the Double BassMy experience as a classroom teacher and a bassist has convinced me that a beginning bassist develops best in a heterogeneous string class when playing the same contour as the other instruments. This is achieved by introducing the bassist to 3rd position when the other instruments learn C# and D on the A string. I do advocate marking 3rd position on the fingerboard. Another benefit is that the bassist is able to develop good tone production and intonation more easily on the higher 2 strings.
$3.99
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Hold Of Me
