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56
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47
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9
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8
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5
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2
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Saxophone (partie séparée)
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Quintette de Clarinettes: 5 clarinettes
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1
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2 Hautbois (duo)
1
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1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais, Piano
1
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34
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19
Trompette
8
Ensemble de Trombones
8
Cor
7
Trombone et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trompettes
4
Trombone
4
Trompette, Piano
4
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3
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Tuba
3
Cor et Piano
3
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Euphonium, Tuba (duo)
1
Trompette (partie séparée)
1
Cor Anglais
1
2 Euphoniums (duo)
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone, Piano
1
Trombone (partie séparée)
1
Cor anglais, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon
15
Violoncelle
12
Violon et Piano
10
Harpe
9
Ensemble de Violons
7
Alto seul
6
Ensemble d'Altos
5
Alto, Piano
5
2 Violons (duo)
5
Violoncelle, Piano
3
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
2 Harpes (duo)
3
Violon, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Violon (partie séparée)
1
Alto (partie séparée)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
26
Orchestre d'harmonie
22
Orchestre à Cordes
19
Ensemble de cuivres
7
Orchestre de chambre
7
Ensemble Jazz
5
Jazz combo
2
Cloches
1
Batterie
1
Piano et Orchestre
1
Ensemble de Percussions
1
2 Marimbas
1
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AUTRES
Vous avez sélectionné:
How Was I to Know...?
Orchestre à Cordes
Partitions à imprimer
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1
I Love Lucy
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Dani…
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String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
11.78 €
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Orchestre à Cordes
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
40.79 €
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Orchestre à Cordes
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Visionary Quest Records
#
Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.71 €
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
#
SheetMusicPlus
Keyboard Concerto 1 in D
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1042428 By Kevin Bruce Weed. …
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String Orchestra - Level 4 - Digital Download SKU: A0.1042428 By Kevin Bruce Weed. By Kevin Bruce Weed. Arranged by Kevin Bruce Weed. 20th Century,Baroque,Classical,Contest,Festival,Traditional. Score and parts. 86 pages. Kevin Bruce Weed #647213. Published by Kevin Bruce Weed (A0.1042428). With a challenging solo, this piece was written to be very easy for a high school orchestra with few rehearsals, though college, community and professional ensembles may find it to be a charming addition to a concert or recording project. It is a piece you could use to include a good pianist, student or adult, as a guest with your string orchestra. Although written for harpsichord, the solo part could be played on any keyboard, piano or organ. The soloist should adjust dynamics, articulations, and tone colors to best compliment the instrument and accompanying orchestra. It is written in three movements, but the intention is to play through the piece with no stops. You may omit the usual listing of movement tempo markings in your printed program. The string parts are quite easy. However, the second movement is primarily a duet between solo violin and harpsichord. Let me know if you buy this. I would love to hear your questions, comments, performance. https://kevinweed.com/harpsichord-concerto/.
$99.99
90.66 €
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Orchestre à Cordes
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Kevin Bruce Weed
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Kevin Bruce Weed
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Keyboard Concerto 1 in D
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Kevin Bruce Weed
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SheetMusicPlus
"Arirang" For String Orchestra (Korean Traditional)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.511508 Composed by Han-Ki Kim…
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String Orchestra - Level 4 - Digital Download SKU: A0.511508 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #3472125. Published by Han-Ki Kim (A0.511508). Arirang String Orchestra Op.154  “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. It was commissioned to commemorate the 60th anniversary of I Musici's founding and was dedicated to them. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Shown Bowing sign and Fingering(Vn,Va part) will be very helpful to player. Optional Violin 3(Instead of Viola part)  part included.
$22.90
20.76 €
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Orchestre à Cordes
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Han-Ki Kim
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"Arirang" For String Orchestra
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Han-Ki Kim
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SheetMusicPlus
Vinayaka
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1311343 Composed by Aaron Gag…
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String Orchestra - Level 3 - Digital Download SKU: A0.1311343 Composed by Aaron Gage. 21st Century,Chamber,Classical,Instructional. 12 pages. Aaron Gage #900346. Published by Aaron Gage (A0.1311343). Vinayaka is another name for the Hindu God Ganesh. The representation of this God is known for symbolizing protection and the removal of obstacles in one’s life. When setting this idea to music, I wanted to bring forth the idea of longing to find one’s path and how to can be traversed while eventually all resolving as it should in the end. Through the string orchestra, I was able to add to the long tradition of utilizing the strings for longing, passionate phrases.Purchase of this score includes all sectional parts.
$20.00
18.13 €
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Orchestre à Cordes
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Aaron Gage
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Vinayaka
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Aaron Gage
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SheetMusicPlus
Vivaldi – Sinfonia al Santo Sepolcro RV 169
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1266273 Composed by Antonio V…
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String Orchestra - Level 3 - Digital Download SKU: A0.1266273 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 12 pages. Sneakwood Editions #859004. Published by Sneakwood Editions (A0.1266273). The autograph is held in the Biblioteca Nazionale Universitaria di Torino (I-Tn, Giordano 34, Bl. 100-102). It is the only known copy of this work. The work was surely composed between 1725 and 1734.[2]  It is copied in full score format.In the known catalog of Vivaldi’s works we find another piece that shares the same title, it is the Sonata à 4 al Santo Sepolcro (Sonata in E flat major RV 130). Both pieces feature a similar structure: a slow introduction and a fugal movement.Sepolcri, or oratorios for the sepulchre, were a kind of composition that was performed at the Viennese courts during Holy Week. These were semi-staged oratorios. The examples that survive by Caldara or Fux show how the introductions of these oratorios always had the same scheme: a slow introduction followed by a fugal movement, just like the RV 169 and RV 130.These compositions are undoubtedly inspired by the Viennese, although it seems unlikely that Vivaldi wrote them as a commissioned work. However, it is possible that they were composed to support his application to the Viennese court.It is also quite probable that these pieces were intended to accompany some of the liturgical actions that were celebrated between Holy Thursday and Holy Saturday, such as the visit to the Sepulchers in Venetian churches.
$10.00
9.07 €
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Orchestre à Cordes
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Antonio Vivaldi
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Snakewood Editions
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Vivaldi – Sinfonia al Santo Sepolcro RV 169
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Sneakwood Editions
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.32 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
20 Easter Hymns for String Orchestra: Vols. 1 & 2
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1423145 Composed by Various. …
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String Orchestra - Level 2 - Digital Download SKU: A0.1423145 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 145 pages. Ben Dockery #1004478. Published by Ben Dockery (A0.1423145). These twenty classic Easter hymns have been arranged for string orchestra or quintet: two violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$17.99
16.31 €
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Orchestre à Cordes
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Various
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B
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20 Easter Hymns for String Orchestra: Vols. 1 & 2
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Ben Dockery
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SheetMusicPlus
Machinations for string orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.940136 Composed by Paul Sweet…
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String Orchestra - Level 4 - Digital Download SKU: A0.940136 Composed by Paul Sweet. 20th Century,Contemporary,Standards. Score and parts. 29 pages. Paul Sweet Music #5771341. Published by Paul Sweet Music (A0.940136). Machinations, a 4 minute concert piece perfect for advanced high school or college level players, opens in a sort of rhythmic and tonal gridlock. Short sequences of notes in each part overlap and struggle to break free from the others, sometimes shifting slightly upward or downward. Slowly, new harmonies and dissonances are created by these shifts, taking the music to a breaking point where a new theme finally pushes through. A more outgoing middle section surges ahead relentlessly, each of the parts working now more as a group than before. Eventually, though, it becomes clear that the gridlock of the beginning must return. The third and final section seems at first to be a repeat of the opening material, but the appearance of music from the middle section lets the listener know this is not the case. Themes from all over the work soon blend and overlap, growing in intensity until the climax implodes and the work comes to a quiet and uneasy end. Machinations, by definition, are plots or schemes. I imagined, as I wrote the work, that each instrumental part was scheming about how it would break free from the rigid and meticulous pattern of the opening measures. By the same token, it was clear that some undefined force was plotting ways to keep the music in this form. Imagine these secret plots and maneuvers as you play or conduct the work for maximum effectiveness.
$24.99
22.66 €
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Orchestre à Cordes
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the same token, it was clear that some undefined force was plotting ways to keep the music in this form
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Paul Sweet
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Machinations for string orchestra
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Paul Sweet Music
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SheetMusicPlus
Jupiter (from 'The Planets' suite)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1100574 Composed by Gustav Ho…
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String Orchestra - Level 4 - Digital Download SKU: A0.1100574 Composed by Gustav Holst. Arranged by Emma Butterworth. 20th Century,Chamber,Classical,Patriotic. Score and Parts. 26 pages. Emma Butterworth #704290. Published by Emma Butterworth (A0.1100574). A hugely enjoyable arrangement for string quartet of the most famous movement from 'The Planets', which includes the well known melody that became 'I Vow To Thee My Country'. This arrangement is an abridged version of the original, at 5m30s long. All of Emma's arrangements find creative and artistic ways to re-present original pieces in a way that suits the new instruments and ensemble whilst maintaining the integrity of the original piece. Her aim is to go far beyond a simple copying of the melody and harmony, but to create an arrangement that sounds as if the piece was always meant for these new instruments. Emma Butterworth is a composer for film and TV and also a successful Suzuki cello teacher. She has an intimate knowledge of how to write for strings, and has written and arranged a vast number of pieces for cellos and strings especially. All pieces have been played and performed. www.emmabutterworthmusic.com.
$12.99
11.78 €
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Orchestre à Cordes
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Gustav Holst
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Emma Butterworth
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Jupiter
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Emma Butterworth
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.15 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Bluey Brink - String Ensemble Score and Parts PDF
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.750848 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.750848 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 11 pages. BJE Music #3911423. Published by BJE Music (A0.750848). There once was a shearer by name Bluey Brink.A devil for work and a terror for drink.He could shear a full hundred each day without fear.And drink without winking four gallons of beer A traditional Australian Folksong which has several tune variations. I chose to arrange this version of the tune for String Ensemble because of its haunting nature. The arrangement is for Violin 1, Violin 2, Violin 3 (sub for Viola), Viola, Cello and Double Bass. If you use this arrangement, please let me know how it goes! The same tune is also used in my Australian Folksong Medley No. 4 for Orchestra, Concert Band and Brass Band…Can be performed by a String Quartet, Quintet or bigger group as well. The MP3 was recorded with Sibelius Sounds. Grade = 3.5 Duration = 1:45 mins
$5.50
4.99 €
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Orchestre à Cordes
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Traditional Australian Folk Song
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Brendan Elliget MAGA 537
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Bluey Brink - String Ensemble Score and Parts PDF
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BJE Music
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SheetMusicPlus
That's a Plenty for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollac…
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String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.78 €
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Orchestre à Cordes
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Lew Pollack
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Keith Terrett
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That's a Plenty for String Orchestra
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Keith Terrett
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
36.22 €
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Orchestre à Cordes
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for String Orchestra
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jmsgu3
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SheetMusicPlus
Farnaby: Four Fitzwilliam Pieces for String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Far…
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String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$38.95
35.32 €
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Orchestre à Cordes
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Giles Farnaby, 1563-1640
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James M
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Farnaby: Four Fitzwilliam Pieces for String Orchestra
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jmsgu3
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
29.88 €
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Orchestre à Cordes
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
The Bedouin of Wyrms
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon …
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String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Published by J. Erickson Compositions (A0.1324947). Continuing the tradition of pieces based on characters in the Dungeons and Dragons game that I run, The Bedouin of Wyrms follows a young ranger who struggles to find a place in the world, trying to find out how to deal of moral quandaries with no correct answer. Despite this, Sylveon Jastire keeps a kind heart and solemn sense of purpose. The Passionate Sylveon Jastire is young and adventurous, with the naivete to match. With this outlook, she cares about only one thing; protecting her family by entering the wilds and taking care of any threats before they even have the chance to become problems. The Lamented and The Headstrong Sylveon, known colloquially as Silver, learns the difficulties of the world, and that nothing is as straight-forward as it was at her desert temple home. In the second movement, Silver learns the consequences actions have on the world, both good and bad. In the third, her resolve tightens as she doubles down on her ideals. This proves to be a good thing, as her tenacity eventually leads to her liberation. The Free Silvers work has paid off. Through a strong belief in her ideals and a little flexibility in her methods, Silver has Met countless friends, slain countless evils, and saved the brother she never knew she had from an evil that lurked beneath. Now nothing holds her back and Silver has grown to be one of the strongest people in Verdai.
$14.99
13.59 €
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Orchestre à Cordes
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Jonathon Erickson
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The Bedouin of Wyrms
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J. Erickson Compositions
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SheetMusicPlus
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