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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I'm Late
Sheetmusicplus
Non classifié
163
Piano & claviers
Piano seul
76
Piano, Voix et Guitare
40
Piano, Voix
22
Piano Facile
13
1 Piano, 4 mains
5
Instruments en Do
5
Piano grosses notes
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
24
Guitare
5
Ukulele
4
Guitare notes et tablatures
3
Basse electrique
3
Voix
Chorale SATB
35
Chorale 2 parties
7
Chorale TTBB
5
Chorale 3 parties
3
Voix Soprano
1
Chorale SSAA
1
Voix haute
1
Voix duo, Piano
1
Voix duo
1
+ 4 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
17
2 Saxophones (duo)
16
Flûte traversière et Piano
12
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Ensemble de Clarinettes
7
Clarinette et Piano
6
Ensemble de saxophones
6
Clarinette
6
Hautbois, Piano (duo)
6
2 Flûtes traversières (duo)
6
Quatuor de Saxophones: 4 saxophones
6
Saxophone Alto
5
Saxophone Tenor et Piano
4
2 Hautbois (duo)
4
Ensemble de Flûtes
4
Flûte traversière
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Baryton, Piano
3
Saxophone Tenor
3
Saxophone, Clarinette (duo)
3
Quintette de Flûte : 5 flûtes
3
Cor anglais, Piano
3
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
3
Flûte, Violon et Violoncelle
2
Flûte et Guitare
2
Harmonica
2
Clarinette, Violon (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Clarinette Basse, Piano
2
Flûte, Violon
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Clarinette et Alto
2
Hautbois, Violoncelle
2
Hautbois
1
Flûte, Saxophone (duo)
1
Trio de Flûtes: 3 flûtes
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Orgue
1
Flûte, Clarinette (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Hautbois et alto (duo)
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Hautbois (partie séparée)
1
Saxophone (partie séparée)
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trombones
7
Ensemble de Trompettes
5
Trompette
5
2 Trombones (duo)
5
2 Tubas (duo)
4
Cor et Piano
4
2 Trompettes (duo)
4
2 Cors (duo)
4
Trombone et Piano
4
Quatuor de Cuivres
3
Trio de Cuivres
3
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
2 Euphoniums (duo)
3
Trombone
3
Cor
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Trompette, Piano
2
Trompette (partie séparée)
2
Tuba et Piano
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trombones
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Tuba
1
Ensemble de Cors
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
10
Alto, Piano
8
Violon
7
Violoncelle
6
Violon, Violoncelle (duo)
5
2 Altos (duo)
4
Harpe
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Violoncelle, Piano
4
Ensemble d'Altos
4
2 Violons (duo)
4
Alto seul
3
Ensemble de Violons
3
4 Violoncelles
2
2 Contrebasses (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
11
Jazz combo
9
Orchestre d'harmonie
8
Cloches
6
Orchestre
4
Orchestre de chambre
4
Ensemble de cuivres
2
Ensemble Jazz
2
Ensemble de Percussions
2
Marimba
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
I'm Late
SheetMusicPlus
Partitions à imprimer
11 partitions trouvées
<
1
Have I Told You Lately
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Orchestre à Cordes
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FACILE
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Contemporain
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Emilio
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Sherry Lewis
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https://www
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Have I Told You Lately
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Sherry Lewis Publishing
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.521859 By Emilio. By Van Morrison. Arranged by Sherry Lewis. Contemporary. Score and Parts. 17 pages. Sherry Lewis ...
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String Orchestra - Level 2 - SKU: A0.521859 By Emilio. By Van Morrison. Arranged by Sherry Lewis. Contemporary. Score and Parts. 17 pages. Sherry Lewis Publishing #6505069. Published by Sherry Lewis Publishing (A0.521859). HAVE I TOLD YOU LATELY (THAT I LOVE YOU) String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 8 pages Time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Sunset Ballad
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Orchestre à Cordes
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FACILE
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Dylan Hessler
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Dylan Hessler
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Sunset Ballad
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Dylan Hessler
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1346716 By Dylan Hessler. By Dylan Hessler. Arranged by Dylan Hessler. 21st Century,Chamber,Contemporary,Spiritual....
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String Orchestra - Level 2 - SKU: A0.1346716 By Dylan Hessler. By Dylan Hessler. Arranged by Dylan Hessler. 21st Century,Chamber,Contemporary,Spiritual. 22 pages. Dylan Hessler #931495. Published by Dylan Hessler (A0.1346716). Sunset Ballad brings a sense of calm and doubtfulness but later, provides the listener(s) with a sense of hope and wonder. This piece features a solo violinist whose job is to capture the intense and climatic moments in this piece. This is one of my earliest works. I have only just started composing in the last few months and have no real training but I would like to make this into a career! This piece represents the beginning of my composition career as I'm only now starting to figure out what I want to accomplish. I hope you enjoy!(NOTE: I will immediately email you the individual parts after purchase!)-dylanchessler@gmail.com.
$35.00
Farnaby: Fantasia CXXIX for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 4 - SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
Farnaby: Four Fitzwilliam Pieces for String Orchestra
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Orchestre à Cordes
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DÉBUTANT
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Giles Farnaby, 1563-1640
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James M
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Farnaby: Four Fitzwilliam Piec
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,His...
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String Orchestra - Level 1 - SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$38.95
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for St
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 4 - SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
THIS JOYFUL EASTERTIDE FOR STRING ORCHESTRA
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Orchestre à Cordes
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INTERMÉDIAIRE
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Garth M
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THIS JOYFUL EASTERTIDE FOR STR
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Garth M. Williams
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.837306 Arranged by Garth M. Williams, (Socan). Concert,Easter,Praise & Worship,Standards. Score and parts. 18 pages...
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String Orchestra - Level 3 - SKU: A0.837306 Arranged by Garth M. Williams, (Socan). Concert,Easter,Praise & Worship,Standards. Score and parts. 18 pages. Garth M. Williams (Socan) #5038363. Published by Garth M. Williams (Socan) (A0.837306). This arrangement of This Joyful Eastertide is written for string orchestra. It includes a third violin part which doubles as viola or can also be used by violinists who are not quite up to Violin II technical difficulty. In addition the Violin II is divisipart way through and including the ending. The work begins in the key of Eb Major and modulates on the last verse to A Major. This composition is well within the capabilities of the Intermediate student or adult community orchestra. Third position is used only for a few bars in the Violin I part.
$35.00
German Spring Song Collection - 5 Concert Pieces - String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Thomas Graf
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.568804 Composed by Traditional. Arranged by Thomas Graf. Folk,Romantic Period,World. Score and parts. 79 pages. Tho...
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String Orchestra - Level 3 - SKU: A0.568804 Composed by Traditional. Arranged by Thomas Graf. Folk,Romantic Period,World. Score and parts. 79 pages. Thomas Graf - the-hit-factory.com #3360473. Published by Thomas Graf - the-hit-factory.com (A0.568804). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - 10 pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/yQa-cv7cNKY .
$40.00
BACH: French Suite No. 1 BWV 812 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 1 BWV 8
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.501619 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.501619 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 34 pages. Jmsgu3 #114401. Published by jmsgu3 (A0.501619). J. S. Bach: French Suite No. 1 BWV 812 for String Orchestra Duration: 12:00 Score: 14 pages. Contents: Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
BACH: French Suite No. 5 BWV 816 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 5 BWV 8
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.501749 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.501749 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 48 pages. Jmsgu3 #114439. Published by jmsgu3 (A0.501749). J. S. Bach: French Suite No. 5 BWV 816 for String Orchestra Duration: 16:10 Score: 20 pages. Contents: Allemande, Courante, Sarabande, Gavotte, Bourrée I, Bourrée II, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
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