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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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PIANO & CLAVIERS
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3
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1
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VOIX
Chorale SATB
26
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6
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5
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Chorale SSAA
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Quintette de Saxophone: 5 saxophones
44
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10
2 Flûtes traversières (duo)
6
2 Saxophones (duo)
6
2 Clarinettes (duo)
6
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3
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2
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Clarinette et Piano
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1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
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5
Ensemble de Trombones
4
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3
2 Trombones (duo)
2
Quatuor de Cuivres
2
2 Tubas (duo)
2
2 Euphoniums (duo)
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2
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Harpe
5
Ensemble de Violons
4
Ensemble d'Altos
4
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2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
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1
2 Violons (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
13
Orchestre d'harmonie
11
Orchestre à Cordes
6
Ensemble de Percussions
2
Ensemble de cuivres
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Orchestre de chambre
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Batterie
1
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AUTRES
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Orchestre à Cordes
Partitions à imprimer
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Tálamo e túmulo / Thalamus and tumulus - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1502937 Composed by Rudesindo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1502937 Composed by Rudesindo Soutelo. Arranged by string orchestra. 21st Century,Classical,Contemporary. 50 pages. Publisher by Rudesindo Soutelo #1078615. Published by Publisher by Rudesindo Soutelo (A0.1502937). Rudesindo SouteloTálamo e túmulo / Thalamus and tumulus (Tribute to Ricardo Carvalho Calero)(2000, revised in 2024) for String Orchestra [ca. 34'] 1. Mulher de doce sal e neve mole / Woman of sweet salt and soft snow 2. Aqui me tens, querida, esperando a Godot / Here I am, darling, waiting for Godot 3. Ainda que vivi pouco, muito sonhei / Though I lived little, I dreamed muchISWC: T-045.522.027-5ISMN: 979-0-707704-37-0Info: https://soutelo.euPáginas de amostra / Sample pages: https://www.researchgate.net/publication/383819625-oOo-Esta obra está inspirada nos poemas do polígrafo galego Ricardo Carvalho Calero (Ferrol, 1910 - Santiago de Compostela, 1990) que se incluem aqui, antes de cada andamento.Os complexos que conformam a organização da obra são [7, 8, 6], [6, 2, 6] e [9, 7].--This work is inspired by the poems of Galician polygraph Ricardo Carvalho Calero (Ferrol, 1910 - Santiago de Compostela, 1990), which are included here before each movement, in the original version.The complexes that make up the organisation of the work are [7, 8, 6], [6, 2, 6] and [9, 7].
$30.00
27.2 €
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Orchestre à Cordes
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Rudesindo Soutelo
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string orchestra
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Tálamo e túmulo / Thalamus and tumulus - Score Only
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
36.22 €
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Orchestre à Cordes
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for String Orchestra
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jmsgu3
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SheetMusicPlus
Farnaby: Four Fitzwilliam Pieces for String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Far…
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String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$38.95
35.32 €
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Orchestre à Cordes
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Giles Farnaby, 1563-1640
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James M
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Farnaby: Four Fitzwilliam Pieces for String Orchestra
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jmsgu3
#
SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
29.88 €
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Orchestre à Cordes
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
To a Wild Rose
Orchestre à Cordes
String orchestra - Digital Download SKU: IZ.OMS156 Composed by Marcia Stockton. Sco…
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String orchestra - Digital Download SKU: IZ.OMS156 Composed by Marcia Stockton. Score and Parts. 13 pages. Imagine Music - Digital #OMS156. Published by Imagine Music - Digital (IZ.OMS156). 9 x 12 in inches.To a Wild Rose is the most popular piece in American composer Edward MacDowell's (1860-1908) well-known piano suite Woodland Sketches, Op. 51 (1896). Its simple, unassuming character portrays a pretty wild rose that one might encounter in the woods. Less elegant than their suburban garden cousins, the loveliness of wild rose blossoms is short-lived, fragrant and undisciplined. With this in mind, Stockton rejuvenated MacDowell's piano piece with a fresh orchestration featuring a lush string sound within younger musicians' capabilities.InstrumentationViolin I (divisi) up to 5th position; an optional ossia (the top voice down 1 octave) remains in 1st positionViolin IIViolaVioloncello (divisi)Contrabass (or bass cues in cello part).
$40.00
36.27 €
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Orchestre à Cordes
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Marcia Stockton
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To a Wild Rose
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Imagine Music - Digital
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SheetMusicPlus
for Sasha (string orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.872717 Composed by Philip Ore…
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String Orchestra - Level 3 - Digital Download SKU: A0.872717 Composed by Philip Orem. Contemporary. Score and parts. 25 pages. Philip Orem #6486791. Published by Philip Orem (A0.872717). Originally the second movement of a brass sextet, this begged to be arranged and adapted for string orchestra. Sasha was a beautiful husky that lived with me for fourteen years and the writing of this was part of my grieving process. His name is spelled out at one point in the score and the main melody is a bit of a nonsense song I used to sing to him. This elegy will move both performers and listeners.
$30.00
27.2 €
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Orchestre à Cordes
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Philip Orem
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for Sasha
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Philip Orem
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SheetMusicPlus
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