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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ide Were Were
Non classifié
757
Piano & claviers
Piano seul
659
Piano, Voix et Guitare
203
Piano, Voix
190
Piano Facile
74
Orgue
31
Instruments en Do
26
Piano grosses notes
18
2 Pianos, 4 mains
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
47
Ukulele
32
Guitare notes et tablatures
26
Piano, Guitare (duo)
7
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
3
Basse electrique
3
Mandoline
3
Dulcimer
2
4 Guitares (Quatuor)
1
Banjo
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
215
Chorale 3 parties
35
Chorale 2 parties
21
Chorale TTBB
15
Chorale Unison
12
Chorale SSAA
10
Voix Soprano, Piano
6
Voix duo
4
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix haute
4
Voix Tenor
3
Voix seule
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix, Guitare
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
87
Flûte traversière et Piano
77
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Clarinette et Piano
49
Saxophone, Clarinette (duo)
48
Saxophone Alto et Piano
46
Quatuor de Saxophones: 4 saxophones
45
Hautbois, Piano (duo)
42
2 Flûtes traversières (duo)
41
2 Clarinettes (duo)
38
Saxophone Soprano et Piano
35
Clarinette, Violon (duo)
33
Flûte, Violon, Piano
31
Saxophone Tenor et Piano
29
Ensemble de saxophones
28
Clarinette, Trompette (duo)
28
Cor anglais, Piano
26
2 Flûtes traversières, Piano
25
Saxophone Baryton, Piano
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière
23
Flûte, Clarinette (duo)
21
Clarinette
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
17
Clarinette et Alto
16
Hautbois, Basson (duo)
16
Hautbois, Flûte
16
Flûte, Saxophone (duo)
14
2 Hautbois (duo)
14
Hautbois, Clarinette (duo)
14
Clarinette Basse, Piano
13
Ensemble de Clarinettes
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Violon
12
Saxophone Alto
12
Flûte, Alto (duo)
11
Ensemble de Flûtes
10
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Quintette de Flûte : 5 flûtes
7
Hautbois (partie séparée)
7
Flûte, Trompette (duo)
6
Flûte à bec Soprano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Cor Anglais
5
Saxophone (partie séparée)
4
Saxophone Soprano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Piccolo, Piano
4
Clarinette (partie séparée)
3
Flûte à Bec
3
Flûte, Hautbois, Basson
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte à bec Soprano, Piano
2
Saxophone et Orgue
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
1
Flûte et Guitare
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute (partie séparée)
1
5 Flûtes à bec
1
Clarinette Basse
1
Hautbois
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Basse continue
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Saxophone (duo)
35
Trombone et Piano
33
Euphonium, Piano (duo)
30
Trompette, Piano
30
Cor anglais, Piano
26
Cor et Piano
25
Trompette
24
Trompette, Trombone (duo)
18
2 Trombones (duo)
17
Trombone
15
Ensemble de Trombones
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 trombones
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trompettes
7
Tuba et Piano
7
Quatuor de cuivres: 4 cors
7
Trompette (partie séparée)
6
Tuba
6
Trombone (partie séparée)
5
Cor Anglais
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Euphonium
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Trombone basse
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Cor et Harpe
1
Trompette, Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trombone et orchestre
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
3 Euphoniums
1
Ensemble de Cors
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon et Piano
71
Violoncelle, Piano
44
Alto, Piano
44
Violon, Violoncelle (duo)
40
Trio à Cordes: violon, alto, violoncelle
39
2 Harpes (duo)
39
Violon
31
Harpe
30
2 Violons (duo)
29
Violon, Alto (duo)
23
2 Altos (duo)
20
Violoncelle
20
2 Violoncelles (duo)
16
Alto seul
8
4 Violoncelles
7
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Quatuor à cordes : 4 altos
4
Ensemble de Violons
4
Contre Basse
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
168
Orchestre à Cordes
80
Orchestre
67
Orchestre de chambre
37
Ensemble de cuivres
34
Cloches
11
Ensemble Jazz
9
Ensemble de Percussions
8
Jazz combo
7
Vibraphone
3
Batterie
3
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Fanfare
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Vous avez sélectionné:
Ide Were Were
Orchestre à Cordes
Partitions à imprimer
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Byrd: The Maidens Songe for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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William Byrd
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James M
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Byrd: The Maidens Songe for St
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 2 - SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #879728. Published by jmsgu3 (A0.1288889). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95
Byrd: The Maidens Songe for String Orchestra
#
Orchestre à Cordes
#
FACILE
#
William Byrd
#
James M
#
Byrd: The Maidens Songe for St
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1288895 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 2 - SKU: A0.1288895 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 22 pages. Jmsgu3 #879731. Published by jmsgu3 (A0.1288895). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
#
Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...
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String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
Solomon, Introduction to Act III, Entrance of the Queen of Sheba
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Michael D
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Solomon, Introduction to Act I
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Michael D. Blostein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.921069 Composed by George Frideric Handel. Arranged by Michael D. Blostein. Baroque,Graduation,Wedding. Score and p...
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String Orchestra - Level 3 - SKU: A0.921069 Composed by George Frideric Handel. Arranged by Michael D. Blostein. Baroque,Graduation,Wedding. Score and parts. 27 pages. Michael D. Blostein #2845645. Published by Michael D. Blostein (A0.921069). Widely performed as a solo composition, this work is one of Handel's finest. Originally for two oboe soloists with string accompaniment, this arrangement has been modified for only strings. Solo parts are in divisi first violin parts, appropriate for solo players or the section. The key has been lowered to A, allowing it to sit very nicely for developing performers. A wide variety of tempi fit musically, making this an excellent choice for any group.
$35.00
Solomon, Introduction to Act III, Entrance of the Queen of Sheba (score only)
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Michael D
#
Solomon, Introduction to Act I
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Michael D. Blostein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.921067 Composed by George Frideric Handel. Arranged by Michael D. Blostein. Baroque,Graduation,Wedding. Score and p...
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String Orchestra - Level 3 - SKU: A0.921067 Composed by George Frideric Handel. Arranged by Michael D. Blostein. Baroque,Graduation,Wedding. Score and parts. 11 pages. Michael D. Blostein #2845647. Published by Michael D. Blostein (A0.921067). Widely performed as a solo composition, this work is one of Handel's finest. Originally for two oboe soloists with string accompaniment, this arrangement has been modified for only strings. Solo parts are in divisi first violin parts, appropriate for solo players or the section. The key has been lowered to A, allowing it to sit very nicely for developing performers. A wide variety of tempi fit musically, making this an excellent choice for any group.Please note - this is only the score. The parts and score are included in a separate listing.
$5.00
2 Minuets and Air
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Orchestre à Cordes
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FACILE
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Ignatius Sancho
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Kyle VanArsdalen
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2 Minuets and Air
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Kyle VanArsdalen Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.895610 Composed by Ignatius Sancho. Arranged by Kyle VanArsdalen. Classical,Instructional,Standards. Score and part...
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String Orchestra - Level 2 - SKU: A0.895610 Composed by Ignatius Sancho. Arranged by Kyle VanArsdalen. Classical,Instructional,Standards. Score and parts. 23 pages. Kyle VanArsdalen Music #6515983. Published by Kyle VanArsdalen Music (A0.895610). These 2 Minuets and Air come from a collection of music called Minuets, etc., etc. for the Violin, Mandolin, German-Flute and Harpsichord (1770) by the British abolitionist, writer, shopkeeper, and composer Ignatius Sancho (1729-1780). They are arranged so that they can be performed as a work for String Orchestra or String Quartet. This is possible because the Cello and Bass parts are doubled. The Violin 3 part is optional and can serve two purposes: (1) To add more instruments to the viola section, if your orchestra has a small number of violists, to balance the parts in the ensemble, and (2) to provide more options for performing these pieces as a String Quartet. Possibilities include:2 Violins, Viola, Cello;   2 Violins, Viola, Bass;   3 Violins, Cello;   3 Violins, BassThis kind of flexibility of ensemble, along with the fact that every part gets to play something interesting, makes this an ideal arrangement for educators.Additionally, the Air was originally written as a trio. The Viola and Violin 3 parts were written by me, so that it can be performed with the 2 Minuets. This means, if you wanted to play the Air as a trio, you can, and it provides another option for how one can utilize this arrangement for chamber music. This means the Air can be performed as a stand-alone movement for:2 Violins, Cello;   2 Violins, BassThis download includes the full score and all of the parts (Violin 1, Violin 2, Violin 3 (treble viola), Viola, Cello, and Bass).
$12.99
On Jordan's Stormy Banks - Flex Orchestra
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Orchestre à Cordes
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DÉBUTANT
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having one or more instruments
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From Southern Harmony
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Kristin Campbell
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On Jordan's Stormy Banks - Fle
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Horsehair Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Hor...
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String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
Midnight Train to St. Petersburg
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Midnight Train to St. Petersbu
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DR GARY D BELSHAW
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR ...
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String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR GARY D BELSHAW #6506559. Published by DR GARY D BELSHAW (A0.796779). Advanced Intermediate. SCORE ONLY: 33 pages. Duration: 9 minutes.Advanced Solo Violin plus Intermediate Violins I & II, Violas, Cellos, and Basses. Midnight Train to St. Petersburg was inspired by the train ride itself during the composer’s trek to Russia in 2006. The trip was made by faculty and students of Wayland Baptist University’s School of Music to allow the University’s Pioneer Band to participate in Victory Day festivities in Moscow and St. Petersburg. Impressions of the countryside during the train ride itself, as well as the overwhelming beauty of the country and two of her cities, informed much of the music performed here. A minimalistic approach to the composition seemed suitable. Persistent rhythmic patterns throughout the score invites listeners to imagine being inside a passenger rail car. An alternation between two- and three-eighth note groupings captures sound of steel wheels rolling along iron rails of varying lengths. The harmonies are simple, played almost entirely on open strings. Everyone involved in a performance can enjoy the exuberance of bright harmonic language. A short, simple melody, played by the upper strings is answered by the soloist - possibly the class instructor - who then is allowed some elaboration for a few measures. Students attempting a strings-methods class often find their more advanced musicianship stifled by working only in rudimental instrumental methods. Since so many pitches are played on open strings, student’s left hands are eased through the performance while the right hands move binarily in short, quick strokes. The result is a work that gratifies the student musician while developing an appreciation and understanding of string performance.
$15.00
'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
Which Way America?
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Orchestre à Cordes
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Marsha Chusmir Shapiro
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Which Way America?
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Imagine Music - Digital
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SheetMusicPlus
String orchestra - SKU: IZ.OMS154 Composed by Marsha Chusmir Shapiro. Score and Parts. 12 pages. Imagine Music - Digital #OMS154. Published by Imagine M...
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String orchestra - SKU: IZ.OMS154 Composed by Marsha Chusmir Shapiro. Score and Parts. 12 pages. Imagine Music - Digital #OMS154. Published by Imagine Music - Digital (IZ.OMS154). 9 x 12 in inches.This composition poses an unanswered question: Which wayAmerica? It suggests that we are at a turning point asa country, where we have choices to make about our direction. Is it a question about politics, world leadership,economics, social or moral values? If the director is so inclined, this might provide an opportunity for students tothink and write about where they wish to see the country headed.
$40.00
Dominican Republic NationalAnthem for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Dominican Republic NationalAnt
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1503869 By Keith Terrett. By José Rufino Reyes y Siancas 1882. Arranged by Keith Terrett. Instructional,Multicultu...
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String Orchestra - Level 3 - SKU: A0.1503869 By Keith Terrett. By José Rufino Reyes y Siancas 1882. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Standards,Traditional,World. 12 pages. Keith Terrett #1079321. Published by Keith Terrett (A0.1503869). The national anthem of the Dominican Republic (Spanish: Himno nacional de República Dominicana), also known by its incipit Valiant Quisqueyans (Spanish: Quisqueyanos valientes), was composed by José Rufino Reyes y Siancas (1835–1905), and its lyrics were authored by Emilio Prud'Homme (1856–1932).José Reyes was inspired to create a national anthem for the Dominican Republic after having seen the Argentine National Anthem in the Parisian newspaper El Americano. In 1883, he invited his friend Emilio Prud'Homme to write lyrics for the anthem.The first version of Prud'Homme's lyrics was published in the weekly newspaper El Eco de la Opinion on 16 August 1883, and the first public performance of the anthem took place the next day on 17 August in Respectable Hope Lodge No. 9 in Santo Domingo. Though the music was an instant success, several objections were made to the lyrics for having various historical inaccuracies. In 1897, Prud’Homme submitted revised lyrics, which stand to this day.On 7 June 1897, the Congress of the Dominican Republic passed an act adopting Himno Nacional with the original music and revised lyrics as the country's official national anthem; however, then-President Ulises Heureaux (1846–1898) vetoed the act, because the lyric's author, Prud’Homme, was an opponent of the president and his administration.[1] In 1899, Heureaux was assassinated, and the political disorder that ensued prevented the national anthem's legal adoption until 30 May 1934, when Himno Nacional was officially adopted and signed into law.
$8.99
You Guys Are Great - Creative Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Bradley Sowash
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You Guys Are Great - Creative
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Bradley Sowash
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by B...
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String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by Bradley Sowash (A0.750118). Open strings and power chords give this one a raw, rock feel in the style of Smoke on the Water. Remember that us string players were playing gritty sounds sul ponticello long before distorted electric guitars were even invented! Watch/Listen:http://youtu.be/ksMCZkk9UHcAbout Creative Strings Eye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$19.99
Five Hungarian Folk Songs
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Dennis Bathory-Kitsz
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Dennis Bathory-Kitsz
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Five Hungarian Folk Songs
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Westleaf Edition
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Sc...
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String Orchestra - Level 4 - SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Score and Parts. 89 pages. Westleaf Edition #764511. Published by Westleaf Edition (A0.1164163). These Five Hungarian Folks Songs were transcribed and arranged from 78rpm records issued about 1915.Király ErnÅ‘ sings several as Old Folk Songs (“Régi Népdalokâ€), even though Megugrattak Hortobágyon A Karámból Egy Csikót was composed by Vajda József and remains an often recorded song. Megy A GÅ‘zös Lefelé on the Munkacsy recording was composed by Rózsa S. Lajos, but composers of the remaining songs are unidentified.The records were purchased by József Báthory in Manhattan in the early 20th century, and remained in the family until the 21st century. All the records were transferred to digital form in January 2013, with the original transfer stored in exact condition, after which they were passed on to historian David Neal Lewis for archiving. Files were restored from the digital transfers (rumble, clicks, pops removed as much as possible, noise reduction, and some remastering) and are available for download at:http://maltedmedia.com/people/bathory/hungarian.htmlSpecial thanks to composer Ãdám Kondor for translations of the Régi Népdalok texts, and to Dr. A. S. Weinstangel for noting errors in the score. The bowings in this edition are by violinist John Lindsey, who directed the premiere of this set with Vermont’s Eleva Chamber Players.Katika Csárdásoriginal performed by unidentified “Military Bandâ€, Columbia 10-inch E920Nyári este furulyázom sokáig(‘I play the flute all summer eve’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077BÃhari Hatarszélén – Megy A GÅ‘zös Lefelé – Csárdás(‘At the Bihari border’ - ‘The steamer goes down’ - Csárdás)original performed by the Olga B. Munkacsy Orchestra, Columbia 10-inch E2858Megugrattak Hortobágyon A Karámból Egy Csikót(‘Bringing the pony to the Hortobágyon Woods’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077Debreczeni Csárdás Friss(‘New Debreczen Csárdás’)original performed by unidentified “Military Bandâ€, Columbia 10-inch E920.
$20.00
Sinfonia XI F major
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Orchestre à Cordes
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Classique
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Felix Bartholdy Mendelssohn
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Sinfonia XI F major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
String Orchestra - SKU: S9.Q49929 Composed by Felix Bartholdy Mendelssohn. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of...
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String Orchestra - SKU: S9.Q49929 Composed by Felix Bartholdy Mendelssohn. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of parts. Ernst Eulenburg & Co. GmbH - Digital #Q49929. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q49929). Key: F major.The Allgemeine Musikalische Zeitung, Leipzig 1827, reports that Mendelssohn, between the ages of 12-14, and under the guidance of his teacher Carl Friedrich Zelter, composed 'symphonies for strings alone in the style of C. P. E. Bach, which were then performed in the house of his highly refined and cultivated parents.' These remarkably fresh and precociously accomplished works were presented during Sunday musicales held at the Mendelssohn family residence and performed by members of the Berlin Court Orchestra under the direction of the composer himself. The instrumental parts are based on the recently-published Eulenburg study scores of the 12 Sinfonias for strings, newly-edited by Boris von Haken from the extant autograph MSS in the collection of the Staatsbibliothek zu Berlin - Stiftung Preussischer Kulturbestiz.
$28.99
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Australian Folksong Medley No.
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BJE Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 3...
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String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
Sweelinck: Echo Fantasia No. 1 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
Sweelinck: Six Echo Fantasias Complete for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 168 pages. Jmsgu3 #887931. Published by jmsgu3 (A0.1298030). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$116.85
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 3 - SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886480. Published by jmsgu3 (A0.1296237). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 6 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic...
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String Orchestra - Level 4 - SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 23 pages. Jmsgu3 #887905. Published by jmsgu3 (A0.1298000). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 4 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 40 pages. Jmsgu3 #887564. Published by jmsgu3 (A0.1297521). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 5 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 4 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
#
Sweelinck: Echo Fantasia No. 4
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 20 pages. Jmsgu3 #887560. Published by jmsgu3 (A0.1297517). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
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