English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
85
Librairie
Musicale
65
Matériel
de Musique
19
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
798
PIANO & CLAVIERS
Piano seul
287
Piano Facile
153
Piano, Voix
133
Piano, Voix et Guitare
93
Accordéon
34
Instruments en Do
16
Orgue
11
Piano grosses notes
6
Accompagnement Piano
6
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Clavier
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
29
Guitare
26
Guitare notes et tablatures
20
Ukulele
14
Basse electrique
13
Piano, Guitare (duo)
5
Mandoline
3
Guitare (partie séparée)
3
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
Banjo
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
129
Chorale 3 parties
82
Chorale 2 parties
81
Chorale Unison
41
Chorale SSAA
21
Chorale TTBB
13
Voix Soprano, Piano
9
Voix duo, Piano
6
Voix Alto, Piano
5
Voix seule
5
Voix Soprano
4
Voix duo
4
Chorale
1
Voix Baryton, Piano
1
Voix haute
1
Chorale SSAATTBB
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
45
2 Saxophones (duo)
43
Quintette de Saxophone: 5 saxophones
37
Hautbois, Piano (duo)
36
Saxophone Alto et Piano
34
Flûte, Hautbois, Clarinette, Basson
32
Saxophone (partie séparée)
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Clarinette
29
Flûte traversière et Piano
28
Quatuor de Clarinettes: 4 clarinettes
23
Clarinette et Piano
21
3 Saxophones (trio)
16
Saxophone Tenor et Piano
16
2 Clarinettes (duo)
16
Ensemble de saxophones
15
2 Flûtes traversières (duo)
14
Ensemble de Clarinettes
14
Flûte traversière
13
Saxophone, Clarinette (duo)
10
Clarinette (partie séparée)
10
Quintette de Flûte : 5 flûtes
10
Trio de Flûtes: 3 flûtes
9
2 Hautbois (duo)
9
Saxophone Alto
7
3 Clarinettes (trio)
7
Clarinette, Violon (duo)
7
Flûte, Clarinette (duo)
7
Hautbois (partie séparée)
6
Clarinette, Trompette (duo)
6
Flûte, Saxophone (duo)
5
Flûte à bec Alto
5
3 Flûtes à bec (trio)
5
Hautbois, Basson (duo)
5
Flûte, Violon
4
Ensemble de Flûtes
4
Clarinette, Basson (duo)
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone Baryton, Piano
4
2 Flûte à bec (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Quatuor de Flûtes : 4 flûtes
4
5 Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Alto (duo)
3
Saxophone Soprano et Piano
3
Cor anglais, Piano
3
Flûte à Bec
3
Hautbois, Flûte
3
Quatuor de Flûtes à bec
3
Flûte et Guitare
3
Flûte à bec Soprano
2
Flute (partie séparée)
2
Flûte, Hautbois, Basson
1
3 Hautbois
1
Piccolo
1
Saxophone
1
Clarinette Basse, Piano
1
Harmonica
1
Instruments en Mib
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Saxophone Tenor
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle
1
Flûte, Trombone (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Cor Anglais
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trompette
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette, Piano
20
Trombone et Piano
18
Trompette (partie séparée)
16
Trombone (partie séparée)
15
Ensemble de Trombones
14
2 Trombones (duo)
12
Quatuor de Cuivres
12
Cor
12
Trombone
12
Trompette, Trombone (duo)
11
Cor et Piano
11
Ensemble de Trompettes
10
2 Trompettes (duo)
9
Cor (partie séparée)
8
Trompette, Saxophone (duo)
8
Quatuor de cuivres: 4 trombones
7
Tuba (partie séparée)
7
Tuba et Piano
5
Tuba
5
Quatuor de cuivres: 4 trompettes
5
4 Tubas
4
3 Tubas (trio)
4
2 Cors (duo)
4
Ensemble de Cors
4
Quatuor de cuivres: 4 cors
3
Euphonium, Tuba (duo)
3
Trombone, Cor (duo)
3
3 Trombones (trio)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
Trio de Cuivres
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
3 Cors (trio)
2
Trombone, Orgue
2
Trombone basse
2
Euphonium
2
Trombone basse et Piano
1
3 Trompettes (trio)
1
Cor Anglais
1
2 Cors Anglais Et Pianoforte
1
Instruments en Sib
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon et Piano
41
Violoncelle, Piano
31
Alto, Piano
26
Violon
25
Trio à Cordes: violon, alto, violoncelle
15
Alto seul
12
2 Violoncelles (duo)
11
Violon, Violoncelle (duo)
11
Violon (partie séparée)
11
Violoncelle (partie séparée)
10
Harpe
9
Violon, Alto (duo)
9
2 Altos (duo)
9
2 Violons (duo)
9
4 Violoncelles
7
Trio à Cordes: 3 violoncelles
6
Contrebasse (partie séparée)
6
Ensemble de Violons
5
Ensemble d'Altos
5
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto (partie séparée)
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
3
Violoncelle
3
Trio à cordes: 3 violins
3
Contre Basse
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
491
Orchestre à Cordes
85
Orchestre
67
Ensemble Jazz
34
Cloches
32
Orchestre de chambre
23
Ensemble de cuivres
20
Fanfare
15
Batterie
13
Jazz combo
12
Marimba
8
Batterie (partie séparée)
7
Percussion (partie séparée)
5
Ensemble de Percussions
4
Quintette de Cuivres: autres combinaisons
3
Orchestre, Violon
1
Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Ina Young
Orchestre à Cordes
Partitions à imprimer
85 partitions trouvées
<
1
26
51
76
Finale from The Firebird: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017303_VN2 2nd Violin. Co…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017303_VN2 2nd Violin. Composed by Igor Stravinsky. Arranged by Michael Story. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017303_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017303_VN2). UPC: 038081516981.One of the most important works of the 20th century was Stravinsky's ballet, The Firebird. The iconic Finale is now accessible to young players with this effective arrangement by Michael Story. All meter changes have been squared off, while still maintaining the spirit and integrity of the original work. (1:50)Concert/Contest; Festival.
$5.99
5.52 €
#
Orchestre à Cordes
#
Igor Stravinsky
#
Michael Story
#
Festival.
#
Finale from The Firebird: 2nd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Finale from The Firebird: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0005582 Score. Composed by…
(+)
String Orchestra - Digital Download SKU: AX.00-PR-0005582 Score. Composed by Igor Stravinsky. Arranged by Michael Story. Masterwork Arrangement. Score. 7 pages. Alfred Music - Digital Sheet Music #00-PR-0005582. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005582). UPC: 038081516981.One of the most important works of the 20th century was Stravinsky's ballet, The Firebird. The iconic Finale is now accessible to young players with this effective arrangement by Michael Story. All meter changes have been squared off, while still maintaining the spirit and integrity of the original work. (1:50)Concert/Contest; Festival.
$6.00
5.52 €
#
Orchestre à Cordes
#
Igor Stravinsky
#
Michael Story
#
Festival.
#
Finale from The Firebird: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Finale from The Firebird: 3rd Violin (Viola [TC])
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017303_VN3 3rd Violin (Viola …
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017303_VN3 3rd Violin (Viola [TC]). Composed by Igor Stravinsky. Arranged by Michael Story. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017303_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017303_VN3). UPC: 038081516981.One of the most important works of the 20th century was Stravinsky's ballet, The Firebird. The iconic Finale is now accessible to young players with this effective arrangement by Michael Story. All meter changes have been squared off, while still maintaining the spirit and integrity of the original work. (1:50)Concert/Contest; Festival.
$5.99
5.52 €
#
Orchestre à Cordes
#
Igor Stravinsky
#
Michael Story
#
Festival.
#
Finale from The Firebird: 3rd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Finale from The Firebird: Viola
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017303_VA1 Viola. Compose…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017303_VA1 Viola. Composed by Igor Stravinsky. Arranged by Michael Story. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017303_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017303_VA1). UPC: 038081516981.One of the most important works of the 20th century was Stravinsky's ballet, The Firebird. The iconic Finale is now accessible to young players with this effective arrangement by Michael Story. All meter changes have been squared off, while still maintaining the spirit and integrity of the original work. (1:50)Concert/Contest; Festival.
$5.99
5.52 €
#
Orchestre à Cordes
#
Igor Stravinsky
#
Michael Story
#
Festival.
#
Finale from The Firebird: Viola
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Telemann concertino in C for two violins (adapted for young players)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.847059 Composed by Georg Phil…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.847059 Composed by Georg Philipp Telemann. Arranged by Pamela Moutoussi. Baroque,Concert. Score and parts. 27 pages. Pamela Moutoussi #6664439. Published by Pamela Moutoussi (A0.847059). This is the final mvt movement of the concerto, which is suitable for an intermediate string orchestra with two soloists of about grade 6 ABRSM level. It's close to the original, but i think there are some flats missing so added the B flats where it think they should be. The youtube clip has all the movments so skip to 7 minutes in.
$10.00
9.21 €
#
Orchestre à Cordes
#
Georg Philipp Telemann
#
Pamela Moutoussi
#
Telemann concertino in C for two violins
#
Pamela Moutoussi
#
SheetMusicPlus
Our Country's Flag, A Concert March and Young String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.509290 Composed by Janice Mal…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.509290 Composed by Janice Malan and Blake Packard. Folk,Patriotic,Standards. Score and parts. 37 pages. Janice Malan #6596387. Published by Janice Malan (A0.509290). Your orchestra will enjoy this concert march with the majestic march style at the beginning, a slightly slower and legato middle, and a grand finale at the end. The middle section features a smooth bowing section with melody canon by sections. The upper strings have a chance to play a tremolo which leads into the finale and the dotted eighths and sixteenth notes give it a really precise feeling of a steady march tempo. Enjoy!
$35.00
32.23 €
#
Orchestre à Cordes
#
Janice Malan and Blake Packard
#
Our Country's Flag, A Concert March and Young String Orchestra
#
Janice Malan
#
SheetMusicPlus
ICICLES DRIPPING FOR YOUNG STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1407175 Composed by Garth M. …
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.1407175 Composed by Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Chamber,Christmas,Classical,Contest,Festival. 16 pages. Garth M. Williams (Socan) #989874. Published by Garth M. Williams (Socan) (A0.1407175). A Great young orchestra piece for Christmas. Score included Violin III in addition to piano. An original carol followed by Silent Night.
$30.50
28.08 €
#
Orchestre à Cordes
#
Garth M
#
Garth M
#
ICICLES DRIPPING FOR YOUNG STRING ORCHESTRA
#
Garth M. Williams
#
SheetMusicPlus
WALLACE THE WIGGLY WORM FOR YOUNG STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1288886 Composed by Garth M. …
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.1288886 Composed by Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Children,Contest,Festival,Instructional. Score and Parts. 12 pages. Garth M. Williams (Socan) #879725. Published by Garth M. Williams (Socan) (A0.1288886). This is an original melody written for violin and piano. It can be found in The Scampering Scarecrow Violin Book. This arrangement is written for young string orchestra. It includes a Third Violin part for those violinists who are less experienced on their instrument. In addition there is a piano accompaniment which can be used for rehearsal purposes.Attached to this arrangement are warmup scales and rhythm examples.
$25.50
23.48 €
#
Orchestre à Cordes
#
Garth M
#
Garth M
#
WALLACE THE WIGGLY WORM FOR YOUNG STRING ORCHESTRA
#
Garth M. Williams
#
SheetMusicPlus
ICICLES DRIPPING FOR YOUNG STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1286970 Composed by Garth M. …
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.1286970 Composed by Garth M. Williams (Socan). Chamber,Children,Christmas,Contest,Festival,Holiday. Score and Parts. 16 pages. Garth M. Williams (Socan) #877974. Published by Garth M. Williams (Socan) (A0.1286970). This arrangement is very suitable for the young orchestra. Third violin parts and piano score.are included in the arrangement. Mr. Williams begins with an original Christmas song and then merges it with Silent Night. Have a listen.I am certain your orchestra will enjoy rehearsing and then performinc this work.
$25.50
23.48 €
#
Orchestre à Cordes
#
Garth M
#
ICICLES DRIPPING FOR YOUNG STRING ORCHESTRA
#
Garth M. Williams
#
SheetMusicPlus
William Tell Overture (Finale)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.921901 Composed by Gioachino …
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.921901 Composed by Gioachino Rossini. Arranged by Xavier Santiago. Instructional,Standards. Score and parts. 47 pages. Xavier Santiago #6049155. Published by Xavier Santiago (A0.921901). Treat your younger and more-experience students to this mature-sounding arrangement of one of the most famous themes ever written. Presented in a 2/4 time signature, this arrangement makes Rossini's music readable and playable for third-year players.Teaching methods include an introduction to sixteenth notes, gallop rhythm techniques, and music history.
$19.99
18.41 €
#
Orchestre à Cordes
#
Gioachino Rossini
#
Xavier Santiago
#
William Tell Overture
#
Xavier Santiago
#
SheetMusicPlus
PEEK A BOO GHOST FOR YOUNG STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1140010 By Garth Williams. By…
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.1140010 By Garth Williams. By Garth Williams. Arranged by Garth Williams. 20th Century,Children,Contemporary,Contest,Festival,Instructional. Score and parts. 16 pages. Garth M. Williams (Socan) #740268. Published by Garth M. Williams (Socan) (A0.1140010). This is an original tune from the Scampering Scarecrow Book for violin, viola, cello. This arrangement is written for vl1, 2, 3, viola, cello, double bass and piano. Piano can certainly be used for rehearsal and omitted for performance.
$25.95
23.9 €
#
Orchestre à Cordes
#
Garth Williams
#
Garth Williams
#
PEEK A BOO GHOST FOR YOUNG STRING ORCHESTRA
#
Garth M. Williams
#
SheetMusicPlus
Young And Beautiful (Lana Del Rey) - String Orchestra Instrumental Backup
Orchestre à Cordes
By Lana Del Rey. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by…
(+)
By Lana Del Rey. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by Paul Trapkus
A meticulous arrangement of Young and Beautiful as recorded by Lana Del Rey for string orchestra, optional bass drum, and optional synthesizer without vocals. The arrangement is a "karaoke version" so that you can add a singer for a performance closely resembling the original song. Bowings have been carefully added in all parts.
$14.99
13.8 €
#
Orchestre à Cordes
#
Lana Del Rey
#
Paul Trapkus
#
Young And Beautiful
#
Paul Trapkus
#
SheetMusicPlus
Whistling Away The Dark - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1425192 By Julie Andrews. By …
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1425192 By Julie Andrews. By Henry Mancini and Johnny Mercer. Arranged by Nelson Riddle and Joe Tamosaitis. 20th Century. 28 pages. JT publishing #1006010. Published by JT publishing (A0.1425192). I transcribed Nelson Riddle arrangement on soundtrack by ear. I transposed it to an easy key for young ensembles and added to the celeste figuration. The second half is entirely original- a 60's swing style groove. I tacked on a Peter Gunn influenced finale. It was put together to honor Henry Mancini's centennial. The audience loved it.Here's the youtube link to the April 18th performance by tge younger orchestra at Stuyvesant High School where I conduct the orchestra.
$10.00
9.21 €
#
Orchestre à Cordes
#
Julie Andrews
#
Whistling Away The Dark - Score Only
#
JT publishing
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Kuchler Concertino in D Op. 15 for Violin and String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1159667 Composed by Ferdinand…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1159667 Composed by Ferdinand Kuchler. Arranged by Paul Wood. Baroque,Romantic Period. Score and parts. 35 pages. MyMusicScores.com #759923. Published by MyMusicScores.com (A0.1159667). Kuchler's Violin Concertino Op. 15 is a fantastic piece for young violin students to learn and perform. It offers a great introduction to the concerto form and the style of Vivaldi, and is a great way for young musicians to develop their technical and musical skills. Whether you're a beginner or a more advanced student, this concertino is sure to be a fun and rewarding experience! Here is an arrangement for violin and orchestra.The PDF file contains the score and all parts
$14.99
13.8 €
#
Orchestre à Cordes
#
Ferdinand Kuchler
#
Paul Wood
#
Kuchler Concertino in D Op. 15 for Violin and String Orchestra
#
MyMusicScores.com
#
SheetMusicPlus
The American Seasons (score – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861927 Composed by Mark O'Con…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
34.53 €
#
Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (double basses part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861933 Composed by Mark O'Con…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00
13.81 €
#
Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (cellos part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861932 Composed by Mark O'Con…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932). The American Seasons (cellos part – violin and string orchestra) MO148GCellos Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148GCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
13.81 €
#
Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (violas part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Con…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
13.81 €
#
Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (guitar part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861928 Composed by Mark O'Con…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928). The American Seasons (guitar part – violin and string orchestra) MO148CGuitar Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148CCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
13.81 €
#
Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (1st violins part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Con…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$15.00
13.81 €
#
Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
