Partitions Numériques de It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Only Life pour Orchestre à Cordes

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TRI ET FILTRES

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Non classifié 214

PIANO & CLAVIERS

Piano, Voix 74 Piano seul 60 Piano, Voix et Guitare 49 Instruments en Do 10 Piano Facile 9

Orgue 5 2 Pianos, 4 mains 4 Piano Trio: piano, violon, violoncelle 3 Piano Quatuor: piano, violon, alto, violoncelle 1

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GUITARES

Guitare 9 Guitare notes et tablatures 4 4 Guitares (Quatuor) 2 Ukulele 2 2 Guitares (duo) 2

Mandoline 1 Mandoline, Guitare (duo) 1 Basse electrique 1

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VOIX

Chorale SATB 43 Chorale 3 parties 13 Chorale TTBB 8 Chorale SSAA 4 Chorale 2 parties 4

Voix Soprano, Piano 2 Voix Baryton, Piano 1 Voix basse, Piano 1 Chorale Unison 1 Voix Tenor 1 Voix Alto, Piano 1

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VENTS

Flûte traversière et Piano 20 Quatuor de Saxophones: 4 saxophones 19 Saxophone Tenor et Piano 19 2 Saxophones (duo) 18 Clarinette et Piano 17

Flûte, Hautbois, Clarinette, Basson 16 Hautbois, Piano (duo) 15 Saxophone Alto et Piano 15 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 11 Saxophone Soprano et Piano 11 Quatuor de Clarinettes: 4 clarinettes 10 Clarinette 9 Saxophone Baryton, Piano 9 Quintette de Saxophone: 5 saxophones 8 Cor anglais, Piano 7 Flûte traversière 6 Clarinette Basse, Piano 6 2 Clarinettes (duo) 6 2 Flûtes traversières (duo) 6 2 Hautbois (duo) 5 Saxophone Alto 4 Saxophone, Clarinette (duo) 3 Flûte, Clarinette (duo) 3 Flûte, Violoncelle, Piano (trio) 3 Clarinette, Trompette (duo) 2 Hautbois 2 Hautbois (partie séparée) 2 Quatuor de Flûtes : 4 flûtes 2 Ensemble de Clarinettes 2 Hautbois, Basson (duo) 2 Quintette de Clarinettes: 5 clarinettes 2 Saxophone Tenor 2 Hautbois, Clarinette (duo) 2 Flûte et Guitare 2 Clarinette, Violon (duo) 2 Saxophone Soprano 2 Saxophone Baryton 2 Saxophone et Orgue 1 Ensemble de saxophones 1 Quintette de Flûte : 5 flûtes 1 Ensemble De Flûte à bec 1 Clarinette et Alto 1 Flûte à bec Alto, Piano 1 Hautbois, Flûte 1 3 Clarinettes (trio) 1 Cor anglais, Guitare (duo) 1 Flûte, Violon 1 Flûte, Hautbois, Basson 1 Flûte, Saxophone (duo) 1 Flûte, Alto (duo) 1 Flûte, Hautbois, Clarinette (trio) 1 Flûte, Trompette (duo) 1 Flûte, Violoncelle 1 Piccolo, Piano 1

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CUIVRES

Trombone et Piano 16 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 14 Cor et Piano 13 Trompette 13 Trompette, Piano 11

Euphonium, Piano (duo) 9 Tuba 7 Cor anglais, Piano 7 Tuba et Piano 6 Trombone 5 2 Trompettes (duo) 5 2 Trombones (duo) 5 Trompette, Trombone (duo) 5 Quatuor de Cuivres: 2 trompettes, Cor, trombone 4 2 Cors (duo) 4 Cor 4 2 Tubas (duo) 2 Trompette, Saxophone (duo) 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 Euphonium 1 Cor anglais, Guitare (duo) 1 Quatuor de cuivres: 4 trombones 1 Quatuor de Cuivres 1

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CORDES

Violon et Piano 23 Quatuor à cordes: 2 violons, alto, violoncelle 19 Alto, Piano 18 Violoncelle, Piano 17 2 Harpes (duo) 12

Violoncelle 7 2 Violons (duo) 6 Violon, Violoncelle (duo) 6 2 Violoncelles (duo) 5 2 Altos (duo) 5 Violon 5 Quintette à cordes: 2 violons, alto, violoncelle, basse 5 Violon, Alto (duo) 4 Alto seul 4 Trio à Cordes: violon, alto, violoncelle 3 Contre Basse 2 Contrebasse, Piano (duo) 2 2 Contrebasses (duo) 2 Harpe, Violon, Violoncelle 2 Harpe 1 Trio à cordes: 3 violins 1 Trio à Cordes: 2 violons, violoncelle 1 Trio à Cordes: 3 violoncelles 1 Quintette à cordes: 2 violons, 2 altos, violoncelle 1

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PERCUSSIONS & ORCHESTRES

Orchestre 23 Orchestre d'harmonie 16 Orchestre de chambre 7 Ensemble de cuivres 6 Cloches 6 Orchestre à Cordes 5

Ensemble Jazz 4 Jazz combo 1 Xylophone, Piano 1 Ensemble de Percussions 1

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AUTRES

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Orchestre à Cordes

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5 partitions trouvées

'Re-Creation'

Orchestre à Cordes

String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis…(+)

String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to Californiaâ€™s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the authorâ€™s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of itâ€™s own, free from the confines of itâ€™s author and any concert hall it is performed in.

$15.00 13.74 € #Orchestre à Cordes #Craig Michael Davis #'Re-Creation' #Jack Harrison Inc. #SheetMusicPlus

Harvest Dance

Orchestre à Cordes

String orchestra - Grade 2 - Digital Download SKU: IZ.OMW144 Composed by Marcia Sto…(+)

String orchestra - Grade 2 - Digital Download SKU: IZ.OMW144 Composed by Marcia Stockton. Score and Parts. 21 pages. Imagine Music - Digital #OMW144. Published by Imagine Music - Digital (IZ.OMW144). 9 x 12 in inches.Harvest Dance was originally written in 1995 as a piece for small orchestra (strings plus woodwinds and french horns). It is a dance of unbridled joy to celebrate a rich harvest of nature's bounty. In 2013, I transcribed it from my private archive of old dusty audio tapes no one had ever heard, and with the CarsonValley Sinfonia in mind, revised it for string orchestra without winds.1995 was a low period in my life. The pressure from my job in the technology industry was relentless, and personal relationships at that time sometimes brought emotional pain instead of solace and comfort. Grasping for any ray of hope to illuminate the gloom, I turned back to my original love: music.Immersing myself deeply in the process of music creation, I rediscovered not only a talent for composition, but even more importantly tapped into the creative source of uplift, joy, and energy, the source of all gifts, that is available to every sincere person. During those years, composing music was a vital lifeline. Like the powerful beam of the rescuer's flashlight guiding you toward the daylight when you are emerging from a dark cave. Like a new baby being born. Now a great many years later, life now brimming with music and friends, and having put old sorrows far behind me, music from that time of troubles still fills me with the same joy as when I composed it, and I hope it uplifts you.Harvest Dance is dedicated to my friend, composer John O'Neill, with profound appreciation for his encouragement, as well as helping me learn the practicalities of arranging for a string orchestra.

$40.00 36.65 € #Orchestre à Cordes #Marcia Stockton #Harvest Dance #Imagine Music - Digital #SheetMusicPlus

Beethoven: Sonata Op. 49 No. 2 for String Orchestra

Orchestre à Cordes

String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…(+)

String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethovenâ€™s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.

$49.95 45.76 € #Orchestre à Cordes #Ludwig van Beethoven #James M #Beethoven: Sonata Op. 49 No. 2 for String Orchestra #jmsgu3 #SheetMusicPlus

Adirondack Spring for String Orchestra

Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.1306194 Composed by Kim Diehn…(+)

String Orchestra - Level 4 - Digital Download SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Published by Kim Diehnelt (A0.1306194). For Violin 1, Violin 2, Violin 3; Viola 1, Viola 2; Cello 1, Cello 2; Bass. The work also has a section using solo violin, solo viola, and solo cello. All parts are essential; parts 2 and 3 are less complex.About 7 -8 minutes.This includes Score and Parts.Â $28.00Â Program note: The work opens with the majestic scene of springâ€™s first daybreak as the morning light shines on the snow-covered peaks of the Adirondacks. The sun, finally high enough in the sky to meet the snowy slopes and valley treetops, sets them ablaze. Â And then it begins. Joyfully, a world comes back to life. Rivers thaw and unbound streams of fresh-melted water bounce, gurgle and surge. Animals stir, birds reappear, all rushing through the days, now relieved of the weight of winter. Hesitantly, bright-green sprouts, fuzzy buds, and flowers emerge. The springtime world dances. And all the while, the sun continues to rise, earlier and earlier, frantically, like a hound dashing to overtake its shadow. This galloping energy brings us to the majestic and final sunrise of spring, for summer will now insist on its turn. And as the morning fades into brilliant day, we are left with only a memory. A memory guaranteed to return. Next spring.

$28.00 25.65 € #Orchestre à Cordes #Kim Diehnelt #Viola 1, Viola 2 #Adirondack Spring for String Orchestra #Kim Diehnelt #SheetMusicPlus

REMEMBER ALWAYS

Orchestre à Cordes

String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vi…(+)

String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel â€˜ahâ€˜ could be used but the choice will be the directorâ€™s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.

$22.00 20.16 € #Orchestre à Cordes #Vincent Vitale #REMEMBER ALWAYS #Vincent Vitale #SheetMusicPlus