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AUTRES INST…
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FLUTE DE PA…
FORMATION M…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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OPERA
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PUNK
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Note4Piano
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1403
PIANO & CLAVIERS
Piano seul
3968
Orgue
714
Piano Facile
79
Piano, Voix et Guitare
57
Piano, Voix
56
Piano Quatuor: piano, violon, alto, violoncelle
53
Piano Trio: piano, violon, violoncelle
33
Orgue, Piano (duo)
23
Accompagnement Piano
22
Instruments en Do
9
1 Piano, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Orgue, Trompette (duo)
1
Piano grosses notes
1
Accordéon
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
360
Guitare
36
Guitare notes et tablatures
34
Paroles et Accords
10
Piano, Guitare (duo)
10
Basse electrique
9
Ukulele
6
Guitare (partie séparée)
5
2 Guitares (duo)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
1
Banjo
1
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VOIX
Chorale SATB
76
Chorale 3 parties
25
Chorale TTBB
14
Chorale SSAA
13
Chorale 2 parties
9
Chorale Unison
3
Voix seule
3
Chorale
3
Voix Tenor
1
Voix duo
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
983
Hautbois, Piano (duo)
581
Clarinette et Piano
326
Saxophone Alto et Piano
232
2 Saxophones (duo)
197
Cor anglais, Piano
177
2 Flûtes traversières (duo)
146
Saxophone Soprano et Piano
127
Saxophone Baryton, Piano
124
Saxophone Tenor et Piano
123
2 Clarinettes (duo)
115
Clarinette Basse, Piano
105
Clarinette
66
Quatuor de Saxophones: 4 saxophones
60
2 Hautbois (duo)
58
Saxophone (partie séparée)
34
3 Saxophones (trio)
30
3 Clarinettes (trio)
28
Quatuor de Clarinettes: 4 clarinettes
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto
16
Ensemble de Flûtes
15
Trio de Flûtes: 3 flûtes
15
Flûte traversière
15
2 Cors Anglais Et Pianoforte
14
Saxophone Tenor
14
Hautbois, Basson (duo)
14
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
13
Piccolo, Piano
12
Hautbois (partie séparée)
9
Quintette de Saxophone: 5 saxophones
8
Clarinette, Harpe (duo)
8
Hautbois, Harpe
8
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Violon
7
Flûte, Guitare, Piano
7
Hautbois, Violoncelle
6
Flûte, Clarinette (duo)
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Hautbois (duo)
4
Flûte, Alto (duo)
4
Flûte, Violon et Violoncelle
4
Clarinette, Violon (duo)
4
Saxophone et violoncelle
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Piano
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à Bec, Piano
3
Hautbois, Flûte
2
Saxophone et Harpe
2
Cor anglais et Harpe (duo)
2
Saxophone, Basson (duo)
2
Clarinette Basse
2
Flute (partie séparée)
2
Saxophone Baryton
2
Clarinette (partie séparée)
2
Flûte traversière, Orgue (duo)
2
2 Flûte à bec (duo)
2
Saxophone et Piano
1
Flûte et Guitare
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Clarinette, Orgue
1
Flûte et Trio à cordes
1
Saxophone Soprano
1
Flûte, Saxophone (duo)
1
2 Hautbois, Piano
1
2 Hautbois et Basson
1
Flûte à bec Soprano, Piano
1
Harmonica
1
Flûte, Violon, Piano
1
Clarinette et Alto
1
Hautbois et alto (duo)
1
Ocarina
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano
1
Hautbois
1
Hautbois, Clarinette (duo)
1
Quintette de Flûte : 5 flûtes
1
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CUIVRES
Cor anglais, Piano
177
Cor et Piano
148
Trombone et Piano
139
Trompette, Piano
137
Euphonium, Piano (duo)
121
Trompette
61
2 Cors (duo)
60
Tuba et Piano
58
2 Trombones (duo)
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
2 Trompettes (duo)
37
2 Euphoniums (duo)
36
Trompette (partie séparée)
16
Trombone (partie séparée)
15
2 Tubas (duo)
15
2 Cors Anglais Et Pianoforte
14
Cor
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trombone
8
Tuba
7
Cor, Violoncelle (duo)
6
Trompette, Trombone (duo)
6
Trio de Cuivres
5
3 Trombones (trio)
5
Euphonium
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Trompette, Saxophone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone basse et Piano
3
Tuba et Orgue
3
Euphonium, Tuba (duo)
3
Trombone, Tuba (duo)
3
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Cor anglais et Harpe (duo)
2
Trompette, Tuba (duo)
2
Cor (partie séparée)
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
Trompette, Trombone, Piano
1
Cor, Tuba (duo)
1
Trombone basse
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Violoncelle (duo)
1
3 Cors (trio)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
1040
Quatuor à cordes: 2 violons, alto, violoncelle
328
Violoncelle, Piano
271
Alto, Piano
245
Trio à Cordes: violon, alto, violoncelle
95
2 Violoncelles (duo)
68
2 Violons (duo)
63
2 Altos (duo)
60
Violoncelle
41
Violon
37
Violon, Violoncelle (duo)
34
Harpe
19
2 Contrebasses (duo)
16
Violon, Alto (duo)
15
Harpe, Flûte (duo)
14
Alto, Violoncelle (duo)
14
Alto seul
13
Harpe, Violon (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes
5
Alto (partie séparée)
5
Piano Trio: Violon, Alto, Piano
4
Violoncelle, Contrebasse (duo)
4
Contrebasse (partie séparée)
4
Harpe, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
2
Alto et Harpe
2
2 Violons, Piano
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
121
Ensemble de cuivres
42
Orchestre d'harmonie
33
Ensemble Jazz
21
Orchestre
12
Jazz combo
11
Batterie
10
Cloches
8
Orchestre de chambre
8
Fanfare
8
Batterie (partie séparée)
4
Marimba et Orgue
3
Vibraphone
3
Ensemble de Percussions
2
Instrumentations suivantes
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AUTRES
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James M
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Omani National Anthem (as-Salām as-Sultānī (Arabic: نشيد السلام السلطاني,) for String Orchestra
Orchestre à Cordes
Composed by James Frederick Mills, 1932. Arranged by Keith Terrett. Multicultural, P…
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Composed by James Frederick Mills, 1932. Arranged by Keith Terrett. Multicultural, Patriotic, Praise & Worship, Traditional, World. 11 pages. Keith Terrett #804972. Published by Keith Terrett
$8.99
8.08 €
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Orchestre à Cordes
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James Frederick Mills, 1932
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Keith Terrett
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Worship, Traditional, World
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Omani National Anthem
#
Keith Terrett
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Pe…
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String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Standards. 252 pages. Jmsgu3 #982648. Published by jmsgu3 (A0.1399365). Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Ð?аÑ?Ñ?инки Ñ Ð²Ñ?ÑÑ?авки) by Modest PetroviÄ Musorgskij, 1874(Ð?одеÑÑ? Ð?еÑ?Ñ?овиÑ? Ð?Ñ?ÑоÑ?гÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð?Ð¶ÐµÐ¹Ð¼Ñ Ð?. Ð?аÑ?Ñ?и)Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Ð?алеÑ? невÑ?лÑ?пивÑ?иÑ?ÑÑ Ð¿Ñ?енÑ?ов  Scherzino 6. Samuel Goldenberg und Schmuÿle  Ð?вÑ?ей в меÑ?овой Ñ?апке. CандомиÑ? Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÃ?. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Ð?аÑ?ижÑкие каÑ?акомбÑ? Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Ð?збÑ?Ñ?ка Ð?абÑ?-Яги на кÑ?Ñ?Ñ?иÑ? ожкаÑ?. ЧаÑÑ? в Ñ?Ñ?ÑÑком ÑÑ?иле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Ð?Ñ?оекÑ? гоÑ?одÑкиÑ? воÑ?оÑ? в Ð?иеве. Ð?лавнÑ?й Ñ?аÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza
$72.95
65.6 €
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Orchestre à Cordes
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Modest Petrovich Mussorgsky
#
James M
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Mussorgsky: Pictures at an Exhibition for Piano and String Orchestra
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jmsgu3
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
35.92 €
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Orchestre à Cordes
#
Giles Farnaby
#
James M
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Farnaby: Fantasia CXXIX for String Orchestra
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jmsgu3
#
SheetMusicPlus
Farnaby: Four Fitzwilliam Pieces for String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Far…
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String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$38.95
35.02 €
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Orchestre à Cordes
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Giles Farnaby, 1563-1640
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James M
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Farnaby: Four Fitzwilliam Pieces for String Orchestra
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jmsgu3
#
SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
29.63 €
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Orchestre à Cordes
#
Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
J. S. Bach: Passacaglia and Fugue S 582
Orchestre à Cordes
Composed by Johann Sebastian Bach (1685-1750). Arranged by James M. Guthrie. Baroque Perio…
(+)
Composed by Johann Sebastian Bach (1685-1750). Arranged by James M. Guthrie. Baroque Period. Score, Set of Parts. 71 pages. Published by jmsgu3 (S0.228123). - Score,Set of Parts - Baroque Period - jmsgu3
$47.95
43.12 €
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Orchestre à Cordes
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Johann Sebastian Bach
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James M
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J. S. Bach: Passacaglia and Fugue S 582
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jmsgu3
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SheetMusicPlus
Bach: Toccata & Fugue in D Minor, BWV 565 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1473627 Composed by Johann Se…
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String Orchestra - Level 4 - Digital Download SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic,Standards,Traditional. 48 pages. Jmsgu3 #1051343. Published by jmsgu3 (A0.1473627). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
44.92 €
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Orchestre à Cordes
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Johann Sebastian Bach
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James M
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Bach: Toccata & Fugue in D Minor, BWV 565 for String Orchestra
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jmsgu3
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SheetMusicPlus
Scriabin: Five Preludes, Op. 74 for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1400295 Composed by Alexander…
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String Orchestra - Level 5 - Digital Download SKU: A0.1400295 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Instructional. 21 pages. Jmsgu3 #983477. Published by jmsgu3 (A0.1400295). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
$49.95
44.92 €
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Orchestre à Cordes
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Alexander Scriabin
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James M
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Scriabin: Five Preludes, Op. 74 for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Scriabin: Five Preludes, Op. 74, for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1401941 Composed by Alexander…
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String Orchestra - Level 4 - Digital Download SKU: A0.1401941 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Standards. 36 pages. Jmsgu3 #985140. Published by jmsgu3 (A0.1401941). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
$76.95
69.19 €
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Orchestre à Cordes
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Alexander Scriabin
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James M
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Scriabin: Five Preludes, Op. 74, for String Orchestra
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jmsgu3
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SheetMusicPlus
Fauré: Nocturne Op. 33 No. 1 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1264369 Composed by Gabriel F…
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String Orchestra - Level 3 - Digital Download SKU: A0.1264369 Composed by Gabriel Fauré, 1845-1924. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Standards. Score and Parts. 34 pages. Jmsgu3 #857215. Published by jmsgu3 (A0.1264369). Gabriel Fauré's Op. 33 is a set of three Nocturnes composed between 1875 and 1883. The three pieces are Nocturne in E-flat minor, Nocturne in B major, and Nocturne in A-flat major. Gabriel Fauré was a French composer who was considered the vanguard composer of his generation in France. He was born in 1845 and died in 1924. Throughout his life, he composed works that bore his signature melodic warmth and harmonic sophistication.
$38.95
35.02 €
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Orchestre à Cordes
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Gabriel Fauré, 1845-1924
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James M
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Fauré: Nocturne Op. 33 No. 1 for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1265096 Composed by Jan Piete…
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String Orchestra - Level 2 - Digital Download SKU: A0.1265096 Composed by Jan Pieterszoon Sweelinck, 1562-1621. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Standards. Score and Parts. 30 pages. Jmsgu3 #857940. Published by jmsgu3 (A0.1265096). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Fantasia Do Sol Fa Mi is an ostinato-based composition that showcases Sweelinck's mastery of counterpoint.
$38.95
35.02 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck, 1562-1621
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James M
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Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
44.92 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig va…
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String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #806801. Published by jmsgu3 (A0.1208721). 2. Scherzo: Allegro.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 2 of Op. 33 follows a simple ternary form, with a lively and playful Scherzo character. The piece is in the key of C major and is written in 2/4 time signature. The A section is characterized by a catchy and rhythmic melody that is repeated twice, with slight variations in the second repetition. The B section, in the relative key of A minor, provides a contrast to the A section with a more lyrical and expressive melody. The B section is also repeated twice, with slight variations in the second repetition. The A section returns in its original form to close the piece. The piece is relatively simple in terms of harmony and texture, with a clear melody and accompaniment. However, Beethoven's use of repetition, variation, and elaboration creates a sense of unity and coherence throughout the piece.
$42.95
38.62 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Philips: Amarilli di Julio Romano for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1287878 Composed by Peter Phi…
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String Orchestra - Level 2 - Digital Download SKU: A0.1287878 Composed by Peter Philips. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Standards. 18 pages. Jmsgu3 #878963. Published by jmsgu3 (A0.1287878). Peter Philips, the composer, was born in 1560 or 1561 and died in 1628. He was an English composer, organist, and Catholic priest exiled to Flanders. Philips was known for his keyboard virtuosity and for transcribing or arranging Italian motets and madrigals for his instruments. He composed a large number of sacred choral works, with his surviving motets numbering in the hundreds.
$38.95
35.02 €
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Orchestre à Cordes
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Peter Philips
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James M
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Philips: Amarilli di Julio Romano for String Orchestra
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jmsgu3
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SheetMusicPlus
Franck: Pastorale Op. 19 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1359571 Composed by Cesar Aug…
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String Orchestra - Level 3 - Digital Download SKU: A0.1359571 Composed by Cesar Auguste Franck. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period. 34 pages. Jmsgu3 #944036. Published by jmsgu3 (A0.1359571). César Franck's Pastorale, Op. 19, composed in 1863, is historically significant for its departure from traditional pastoral music conventions. Unlike typical pastoral compositions, it lacks the usual compound meter and imagery associated with shepherds and rural life. The piece is part of Franck's Six Pièces for Large Organ and is dedicated to Cavaillé-Coll, the organ builder at St. Clotilde. Its simplicity in registrations, use of pedal points, and the absence of pastoral imagery make it a unique contribution to organ music. Franck's overall contributions to music and his innovative approach to composition have left a lasting legacy in the cultural sphere. Therefore, the romantic significance of Franck's Pastorale, Op. 19, lies in its innovative departure from traditional pastoral music conventions, contributing to the richness of the romantic musical repertoire.
$59.95
53.91 €
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Orchestre à Cordes
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Cesar Auguste Franck
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James M
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Franck: Pastorale Op. 19 for String Orchestra
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jmsgu3
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SheetMusicPlus
Byrd: Rowland for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1290870 Composed by William B…
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String Orchestra - Level 2 - Digital Download SKU: A0.1290870 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 8 pages. Jmsgu3 #881555. Published by jmsgu3 (A0.1290870). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$32.95
29.63 €
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Orchestre à Cordes
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William Byrd
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James M
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Byrd: Rowland for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 10 pages. Jmsgu3 #887184. Published by jmsgu3 (A0.1297060). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
29.63 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Mussorgsky: Night on Bald Mountain for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1147810 Arranged by James M. …
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String Orchestra - Level 4 - Digital Download SKU: A0.1147810 Arranged by James M. Guthrie. 19th Century,Contest,Festival,Romantic Period,Standards,Thriller. 129 pages. Jmsgu3 #747963. Published by jmsgu3 (A0.1147810). Composed in 1867, Mussorgskyâ??s Night on Bald Mountain is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$99.95
89.88 €
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Orchestre à Cordes
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James M
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Mussorgsky: Night on Bald Mountain for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
29.63 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
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jmsgu3
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Moz…
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
53.91 €
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Orchestre à Cordes
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1265090 Composed by Jan Piete…
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String Orchestra - Level 2 - Digital Download SKU: A0.1265090 Composed by Jan Pieterszoon Sweelinck, 1562-1621. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #857933. Published by jmsgu3 (A0.1265090). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Fantasia Do Sol Fa Mi is an ostinato-based composition that showcases Sweelinck's mastery of counterpoint.
$38.95
35.02 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck, 1562-1621
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James M
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Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Guthrie: Now You Know for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1174224 Composed by James M. …
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String Orchestra - Level 4 - Digital Download SKU: A0.1174224 Composed by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Jazz,New Age. Score and Parts. 85 pages. Jmsgu3 #774389. Published by jmsgu3 (A0.1174224). Score: 52 pages. Duration: ca. 6:05. Instrumentation:Solo ViolinViolin Section IViolin Section IISolo ViolaViola SectionSolo CelloCello SectionSolo Double BassDouble Bass Section.
$89.95
80.88 €
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Orchestre à Cordes
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James M
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Guthrie: Now You Know for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.02 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1 for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #886692. Published by jmsgu3 (A0.1296514). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.02 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Byrd: Rowland for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1290878 Composed by William B…
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String Orchestra - Level 2 - Digital Download SKU: A0.1290878 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 18 pages. Jmsgu3 #881563. Published by jmsgu3 (A0.1290878). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music. He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95
35.02 €
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SheetMusicPlus
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