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King of My Heart
Non classifié
560
Piano & claviers
Piano seul
167
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59
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49
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40
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17
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15
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4
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4
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3
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1
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1
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1
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1
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34
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20
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7
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5
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4
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3
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64
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44
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29
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17
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16
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15
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9
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4
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4
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18
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13
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3
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1
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7
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2
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2
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1
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1
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1
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5
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4
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2
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2
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1
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1
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10
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8
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4
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Vous avez sélectionné:
King of My Heart
Orchestre à Cordes
Partitions à imprimer
5 partitions trouvées
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ALL THIS NIGHT MY HEART REJOICES
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Garth M
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ALL THIS NIGHT MY HEART REJOIC
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Garth M. Williams
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.837291 Arranged by Garth M. Williams, (Socan). Christian,Christmas,Concert,Instructional,Standards. Score and parts...
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String Orchestra - Level 4 - SKU: A0.837291 Arranged by Garth M. Williams, (Socan). Christian,Christmas,Concert,Instructional,Standards. Score and parts. 18 pages. Garth M. Williams (Socan) #4808635. Published by Garth M. Williams (Socan) (A0.837291). This is an arrangement of a hymn originally written for SATB choir. It is now arranged for Augmented String Orchestra. Orchestras working at an upper intermediate or adult orchestra would have no difficulty with the position work in the firstand second violins. Tympani has also been added.
$40.00
King Of My Heart
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Orchestre à Cordes
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Musique Sacrée
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John Mark McMillan and Sarah M
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Joshua Choe
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King Of My Heart
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JMJ Arrangements
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SheetMusicPlus
String Orchestra - SKU: A0.1433993 Composed by John Mark McMillan and Sarah McMillan. Arranged by Joshua Choe. Christian,Praise & Worship,Sacred. 30 pag...
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String Orchestra - SKU: A0.1433993 Composed by John Mark McMillan and Sarah McMillan. Arranged by Joshua Choe. Christian,Praise & Worship,Sacred. 30 pages. JMJ Arrangements #1014234. Published by JMJ Arrangements (A0.1433993).
$49.99
Welsh Folksongs for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Yoel Epstein
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Welsh Folksongs for String Orc
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages....
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String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs, Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
I Love You
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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Emeric I
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I Love You
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Emeric I. Panyko
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1187783 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Emeric I. Panyko. Hip-Hop,P...
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String Orchestra - Level 4 - SKU: A0.1187783 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Emeric I. Panyko. Hip-Hop,Pop,R & B,Singer/Songwriter. Score and Parts. 18 pages. Emeric I. Panyko #787398. Published by Emeric I. Panyko (A0.1187783). This score is an interpretation of Billie Eilish's i love you for string orchestra (Violin I and II, Viola, Cello, and Bass). It is at a difficulty level appropriate for an advanced high school-level string orchestra.The original song is emotive, heartbreaking, and desperate. My effort to capture this can be seen in the contrast between the bright, dramatic dynamic changes (from fff to ppp) and the humble, nimble pizzicato passages, making for a captivating take on Eilish's masterpiece. I am careful to not allow one instrument to tyrannize the vocals. The resonance of the acoustic guitar in the original is emulated by a synced pizz.-and-arco passage at the end. Playing direction informs the interpreter to the emotional direction of the piece.
$100.00
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