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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
LATER
Non classifié
1 157
Piano & claviers
Piano seul
592
Piano, Voix
240
Piano, Voix et Guitare
177
Piano Facile
125
Instruments en Do
76
Orgue
67
Accompagnement Piano
63
Accordéon
36
1 Piano, 4 mains
21
Piano grosses notes
14
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
71
Guitare notes et tablatures
67
Ligne De Mélodie, (Paroles) et Accords
58
Ukulele
20
2 Guitares (duo)
12
Paroles et Accords
10
Piano, Guitare (duo)
8
Basse electrique
5
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Mandoline
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
276
Chorale 3 parties
70
Chorale TTBB
49
Voix Tenor, Piano
48
Chorale 2 parties
40
Voix Soprano, Piano
36
Chorale SSAA
35
Voix Alto, Piano
32
Voix Baryton, Piano
30
Chorale Unison
17
Voix duo
6
Voix Tenor
6
Voix duo, Piano
6
Voix moyenne, Piano
5
Voix haute
4
Voix basse, Piano
3
Chorale
3
Voix Soprano
2
Voix basse
1
Voix seule
1
Chorale SSATB
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
136
2 Saxophones (duo)
127
Clarinette et Piano
122
Quatuor de Saxophones: 4 saxophones
113
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Hautbois, Piano (duo)
87
Saxophone Alto et Piano
85
Quatuor de Clarinettes: 4 clarinettes
77
Flûte, Hautbois, Clarinette, Basson
65
2 Clarinettes (duo)
61
Saxophone Tenor et Piano
59
Saxophone Soprano et Piano
56
Saxophone, Clarinette (duo)
50
Flûte traversière
49
Saxophone Alto
47
2 Flûtes traversières (duo)
46
Saxophone Tenor
44
Clarinette
43
Saxophone Baryton, Piano
42
Saxophone (partie séparée)
40
Cor anglais, Piano
38
Clarinette, Violon (duo)
34
Quintette de Saxophone: 5 saxophones
32
Clarinette, Trompette (duo)
28
Flûte, Clarinette (duo)
27
3 Saxophones (trio)
25
2 Hautbois (duo)
23
Hautbois, Basson (duo)
21
Clarinette Basse, Piano
20
Hautbois, Clarinette (duo)
19
Quatuor de Flûtes : 4 flûtes
19
Flûte, Saxophone (duo)
19
Flûte, Violon
18
Clarinette et Alto
18
Ensemble de Clarinettes
16
Flûte, Trompette (duo)
14
Hautbois, Flûte
14
Hautbois (partie séparée)
12
Ensemble de Flûtes
12
2 Flûte à bec (duo)
11
Ensemble de saxophones
11
Quintette de Flûte : 5 flûtes
11
Flûte, Alto (duo)
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Basson (duo)
9
3 Clarinettes (trio)
9
Trio de Flûtes: 3 flûtes
7
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Violoncelle (duo)
5
Flûte à bec Soprano
5
Flûte, Violon, Piano
5
Cor Anglais
4
3 Flûtes à bec (trio)
4
Flûte à bec Soprano, Piano
4
Clarinette, Guitare (duo)
4
Piccolo, Piano
3
Clarinette (partie séparée)
3
Quatuor de Flûtes à bec
3
Hautbois
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Alto, Piano
3
Clarinette, Orgue
3
Flûte à Bec
3
Flûte, Violon et Violoncelle
3
Flûte, Basson et Piano
2
Clarinette, Trombone (duo)
2
5 Flûtes à bec
2
Flûte à bec Alto
2
Saxophone Soprano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Violoncelle
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Orgue
2
Flûte, Hautbois (duo)
2
Flûte à bec Tenor
2
2 Cors Anglais Et Pianoforte
2
Clarinette Basse
2
4 Hautbois
1
Ensemble de Hautbois
1
Hautbois, Violoncelle
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Flûte et Guitare
1
2 Saxophones, Piano
1
Flute (partie séparée)
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Harmonica
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
2 Flûtes traversières, Piano
1
Hautbois, Harpe
1
Flûte et Trio à cordes
1
Ocarina
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trombone et Piano
77
Trompette
61
Trompette, Piano
56
Cor et Piano
53
Euphonium, Piano (duo)
42
Cor anglais, Piano
38
Trompette, Saxophone (duo)
34
Trombone
29
2 Trombones (duo)
28
Trompette, Trombone (duo)
26
2 Trompettes (duo)
24
Tuba et Piano
19
Cor
16
Quatuor de Cuivres
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette (partie séparée)
14
Trombone (partie séparée)
13
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
9
Ensemble de Trombones
8
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
5
Euphonium
5
Trombone, Cor (duo)
4
Tuba
4
Cor (partie séparée)
4
Cor Anglais
4
Ensemble de Cors
4
Ensemble de Trompettes
4
Trompette, Cor (duo)
3
2 Euphoniums (duo)
3
3 Tubas (trio)
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
3 Cors (trio)
2
3 Trombones (trio)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Tuba et Orgue
2
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Trombone basse et Piano
1
4 Tubas
1
Trio de Cuivres
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon et Piano
172
Alto, Piano
102
Violoncelle, Piano
94
Violon
65
Violon, Violoncelle (duo)
57
Violoncelle
53
2 Violons (duo)
43
Trio à Cordes: violon, alto, violoncelle
36
Violon, Alto (duo)
28
Alto seul
27
Harpe
26
Trio à Cordes: 2 violons, violoncelle
25
2 Altos (duo)
22
2 Violoncelles (duo)
21
2 Harpes (duo)
13
Alto, Violoncelle (duo)
8
2 Contrebasses (duo)
5
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
4 Violoncelles
5
Alto (partie séparée)
4
Alto, Guitare (duo)
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Contrebasse, Piano (duo)
4
Trio à cordes: 3 altos
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon (partie séparée)
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
1
Harpe, Flûte (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
363
Orchestre
108
Orchestre à Cordes
92
Ensemble de cuivres
70
Ensemble Jazz
52
Orchestre de chambre
36
Cloches
24
Jazz combo
14
Fanfare
10
Batterie
5
Marimba
5
Ensemble de Percussions
4
Vibraphone
3
Batterie (partie séparée)
2
Percussion (partie séparée)
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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style (tous)
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Orchestre à Cordes
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76
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
#
SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Strings & Threads Suite (string parts - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O'Connor Musik International #6202135. Published by Mark O'Connor Musik International (A0.861802). Strings & Threads Suite (string parts - for violin and string orchestra) MO134C-GString Parts - vlns, vla, cel, bs (violin and string parts available)Music by Mark O’Connor69 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134C-GCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$45.00
Strings & Threads Suite (score - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik International #6202123. Published by Mark O'Connor Musik International (A0.861800). Strings & Threads Suite (score - for violin and string orchestra) MO134AScore (violin and string parts available)Music by Mark O’Connor43 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134ACopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
Strings & Threads Suite (violin solo part - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
#
Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik International #6202131. Published by Mark O'Connor Musik International (A0.861801). Strings & Threads Suite (violin solo part - for violin and string orchestra) MO134BViolin Solo Part (score and string parts available)Music by Mark O’Connor16 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134BCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
That's a Plenty for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jazz
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Lew Pollack
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Keith Terrett
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That's a Plenty for String Orc
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terr...
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String Orchestra - Level 3 - SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages...
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String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
Berceuse from the Dolly Suite for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Berceuse from the Dolly Suite
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Fest...
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String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Festival,Romantic Period. 12 pages. Keith Terrett #1011823. Published by Keith Terrett (A0.1431353). The Dolly Suite, Op. 56, is a collection of pieces for piano duet by Gabriel Fauré. It consists of six short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress, Emma Bardac.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, been the subject of many recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In the United Kingdom it became famous as the play-out tune to the BBC radio programme Listen with Mother.The suite consists of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse, and Le pas espagnol. The complete suite takes about fifteen minutes to perform.The Berceuse was the closing theme for the long-running BBC Light Programme (and later Home Service) radio programme for small children Listen with Mother (1950–1982). It is performed in the film Bicentennial Man by Andrew and Little Miss. Although it was written as a piano duet, there have been numerous arrangements of the Berceuse for other instruments and ensembles. Examples include versions for piano and glockenspiel by Evelyn Glennie and for two guitars recorded by Julian Bream and John Williams.
$8.00
Eleanor Rigby
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Orchestre à Cordes
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INTERMÉDIAIRE
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David Cook
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Matthew Naughtin
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Eleanor Rigby
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Matthew Naughtin
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1410433 By David Cook. By John Lennon and Paul McCartney. Arranged by Matthew Naughtin. 20th Century,Pop,Rock. 20 p...
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String Orchestra - Level 3 - SKU: A0.1410433 By David Cook. By John Lennon and Paul McCartney. Arranged by Matthew Naughtin. 20th Century,Pop,Rock. 20 pages. Matthew Naughtin #992850. Published by Matthew Naughtin (A0.1410433). In the 1960s Paul McCartney's girlfriend Jane Asher got him interested in the music of Antonio Vivaldi. This led to the inspiration of having the accompaniment to Eleanor Rigby played by a string octet when the song was recorded for the Beatles' 1966 album Revolver. It was a sharp break, both in the music and the words, from the current conventions of pop music, and proved to be a milestone in the Beatles transformation from a pop/rock stage act to the experimental, recording-oriented band of their later years. This arrangement preserves the intimate, melancholy flavor of the original recording.
$50.00
Sinding Suite im alten Stil Op 10 for Violin & String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Christian Singing
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Paul Wood
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Sinding Suite im alten Stil Op
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1406095 Composed by Christian Singing. Arranged by Paul Wood. Romantic Period. 66 pages. MyMusicScores.com #989186....
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String Orchestra - Level 4 - SKU: A0.1406095 Composed by Christian Singing. Arranged by Paul Wood. Romantic Period. 66 pages. MyMusicScores.com #989186. Published by MyMusicScores.com (A0.1406095). Christian Sinding's Suite in A minor, also known as Suite im alten Stil, Op. 10, is a captivating work showcasing his mastery of composition. Originally composed for piano and violin, Sinding later arranged it for violin and orchestra. This virtuosic piece, born during his final period in Leipzig, offers a whirlwind of energy in its first movement, followed by a delicate and profoundly beautiful slow movement. The finale bursts with vitality and showcases the extremes of virtuosity. This suite remains a gem in the repertoire, having been performed by renowned violinists from Kreisler to Kraggerud.The PDF score contains the score and all parts.
$29.99
Radioactive
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Orchestre à Cordes
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FACILE
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Imagine Dragons
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Diana Byington
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Radioactive
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Diana Byington
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1385879 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Ar...
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String Orchestra - Level 2 - SKU: A0.1385879 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Diana Byington. 21st Century,Contemporary,Pop,Rock. 9 pages. Diana Byington #969822. Published by Diana Byington (A0.1385879). Radioactive is an electronic rock and alternative rock song by American pop rock band Imagine Dragons released in October 2012, and later featured on the opening track on their debut album, Night Visions. Radioactive received two Grammy Awards nominations for Record of the Year and Best Rock Performance, winning the latter. Speaking on the song, lead singer Dan Reynolds said, It's a song about having an awakening; kind of waking up one day and deciding to do something new, and see life in a fresh way..
$49.99
Antiche Danze ed Arie
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Orchestre à Cordes
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Ottorino Respighi
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Antiche Danze ed Arie
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
String orchestra - SKU: S9.Q7158 3rd Suite. Composed by Ottorino Respighi. This edition: set of parts. Eulenburg Orchestral Series. Downloadable,...
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String orchestra - SKU: S9.Q7158 3rd Suite. Composed by Ottorino Respighi. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of parts. Duration 16 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q7158. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q7158). English • Italian.Traditional foundations in new tonal splendour - the leading representative of new Italian instrumental music, Ottorino Respighi, has transcribed the original lute versions for large orchestra in a masterly fashion. Thanks to his compositional analysis of tradition, Respighi made a substantial contribution to the revival and rediscovery of forgotten musical treasures. The three orchestral suites based on lute settings from the Italian Renaissance and Italian Early Baroque period, however, have not only been influenced by the historicism of later revivals of original texts. Respighi makes the intimate original pieces also shine in repackaged versions for large orchestra, thus achieving brilliant sound effects.
$59.99
Weber Andante e Rondo Ongarese Solo Viola and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Maria von Weber
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Paul Wood
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Weber Andante e Rondo Ongarese
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1374400 Composed by Carl Maria von Weber. Arranged by Paul Wood. Romantic Period. 66 pages. MyMusicScores.com #9590...
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String Orchestra - Level 4 - SKU: A0.1374400 Composed by Carl Maria von Weber. Arranged by Paul Wood. Romantic Period. 66 pages. MyMusicScores.com #959004. Published by MyMusicScores.com (A0.1374400). Carl Maria von Weber, composed the Andante e Rondo Ongarese, Op. 35, initially for viola and orchestra in 1809. Later, in 1813, Weber reworked the piece for bassoon and orchestra following the success of his Bassoon Concerto.The work consists of two movements, seamlessly interconnected yet contrasting in character. The first movement, Andante, set in the somber key of C minor, unfolds with a lyrical and expressive quality. Weber's use of the viola allows for a rich exploration of the instrument's capabilities, revealing both its melodic and expressive qualitiesThe second movement, Allegretto, in key of C major, introducing a lively and spirited theme. The playful and dance-like character of the rondo is enriched by Weber's use of Hungarian elements, reflecting the influence of the popular ongaresque style in European music during the early 19th century. The rhythmic vitality and infectious energy of this movement contribute to the overall charm of the composition.The PDF file contains the score and all parts.
$24.99
Welsh Folksongs for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Yoel Epstein
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Welsh Folksongs for String Orc
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages....
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String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs, Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
Vivaldi – Concerto in D RV 208 "Grosso Mogul" Score and parts (PDF)
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Orchestre à Cordes
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AVANCÉ
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Classique
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Antonio Vivaldi
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Sneakwood Editions
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Vivaldi – Concerto in D
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. S...
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String Orchestra - Level 5 - SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781033. Published by Sneakwood Editions (A0.890766). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin. [This edition is based on this source]A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto. The autograph version indicates where such cadenzas can be inserted in these movements, but does not contain the cadenzas. A manuscript with the written-out cadenzas must have been circulating before c. 1713–1714 when Bach transcribed such version for solo organ (BWV 594).An earlier version of the concerto, RV 208a, was probably composed by c. 1712–1713. This version has a different middle movement than the RV 208 version.Vivaldi seems to have had no supervision over the Op. 7 collection, published around 1720 in Amsterdam by the Roger firm, in which the older RV 208a version of the concerto was retained.This version of the concerto does not contain the extended cadenzas, nor an indication where such cadenzas could be inserted. (Wikipedia)www.snakewoodeditions.com
$18.00
Farnaby: Fantasia CXXIX for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 4 - SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
Mussorgsky: Night on Bald Mountain for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1147810 Arranged by James M. Guthrie. 19th Century,Contest,Festival,Romantic Period,Standards,Thriller. 129 pages. ...
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String Orchestra - Level 4 - SKU: A0.1147810 Arranged by James M. Guthrie. 19th Century,Contest,Festival,Romantic Period,Standards,Thriller. 129 pages. Jmsgu3 #747963. Published by jmsgu3 (A0.1147810). Composed in 1867, Mussorgskyâ??s Night on Bald Mountain is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$99.95
Dvorak Rondo Op.94 for Cello and String Orchestra
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Orchestre à Cordes
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Classique
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Antonin Dvorak
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Paul Wood
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Dvorak Rondo Op.94 for Cello a
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - SKU: A0.736768 Composed by Antonin Dvorak. Arranged by Paul Wood. Romantic Period. Score and parts. 49 pages. MyMusicScores.com #6026...
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String Orchestra - SKU: A0.736768 Composed by Antonin Dvorak. Arranged by Paul Wood. Romantic Period. Score and parts. 49 pages. MyMusicScores.com #6026437. Published by MyMusicScores.com (A0.736768). The Rondo Op. 94 was composed in 1891 for cello and piano. Dvorak later arranged it for cello and orchestra. Here is an arrangement for cello and string orchestra.The PDF file contains the score and all instrumental parts.
$24.00
String Cheese (String Orchestra - Grade 1.5)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Thomas J
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String Cheese
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Thomas J. West
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.928383 Composed by Thomas J. West. Contemporary. Score and parts. 11 pages. Thomas J. West #6425705. Published by T...
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String Orchestra - Level 1 - SKU: A0.928383 Composed by Thomas J. West. Contemporary. Score and parts. 11 pages. Thomas J. West #6425705. Published by Thomas J. West (A0.928383). This entertaining piece introduces beginner string players to staccato bowing, two-note slurs, and portamento as a preparation for shifting positions in later studies. It has a lighthearted promenade style and features melodic material for the cello and bass as well as the violins. There are two-part divisi passages in the violin 1 part, and a brief episode of divisi in the viloin 2 and viola parts. Publication includes Violin 1, Violin 2/Viola, Cello, String Bass, Rehearsal Piano, and 4-page conductor's score.
$9.99
I Love Lucy
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music ...
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String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
Partita on "O Sacred Head, Now Wounded" (String Ensemble)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jubal's Lyre Music
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Martin Dicke
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Partita on "O Sacred Head
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Jubal's Lyre Music Publishers
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.918938 By Jubal's Lyre Music. By Hans Leo Hassler. Arranged by Martin Dicke. 21st Century,Christian,Lent,Religious,...
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String Orchestra - Level 3 - SKU: A0.918938 By Jubal's Lyre Music. By Hans Leo Hassler. Arranged by Martin Dicke. 21st Century,Christian,Lent,Religious,Sacred. Score and Parts. 38 pages. Jubal's Lyre Music Publishers #6826375. Published by Jubal's Lyre Music Publishers (A0.918938). This partita for String Ensemble is based on the tune HERZLICH TUT MICH VERLANGEN by Renaissance composer Hans Leo Hassler (1564-1612), which is sung to the Lenten hymn O Sacred Head, Now Wounded. Chorale settings frame this six-movement work while the inner movements employ doleful ostinatos, a quasi-canon, and a bicinium that turns into a trio at the cadences. With anguished and unconventional harmonies, the work begins fortissimo on a second inversion of an F major seventh chord and ends pianissimo eight minutes later on an A major chord. Originally composed for organ, this partita works well for strings and in the context of worship is particularly suited for Lent, Holy Week, or communion services. A downloadable performance audio mp3 is available as is a compatible edition for Woodwind Quintet. An edition for String Quartet is also available. For more music and information, visitÂ
$13.99
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