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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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AUTRES
Vous avez sélectionné:
Lee D
Orchestre à Cordes
Partitions à imprimer
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What Child Is This (Green Sleeves) - String Quartet or Group Score and Parts
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.750915 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.750915 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Christmas,Folk. Score and parts. 10 pages. BJE Music #4836379. Published by BJE Music (A0.750915). An arrangement for String Quartet or Group (in D minor) especially suitable for Christmas. There is also an optional Violin 3 which is a sub for the Viola part with some 8va changes in the range - The tune, of course, is Greensleeves with optional repeat. The MP3 was recorded with NotePerformer 3.There are also arrangements for Clarinet Quartet, Flute Duet and Trio with Piano accompaniment, Brass Trio (2 Trumpets and F Horn) and Piano, Concert Band, and Full Orchestra.If you would like this Quartet for another instrument, please email me on my contact page with your request.Duration = 3:35 mins. Grade = 3
$6.50
5.89 €
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Orchestre à Cordes
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Traditional
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Brendan Elliget MAGA 537
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What Child Is This
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BJE Music
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SheetMusicPlus
Jubilee
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1364917 By Lochinvar Sturdy. …
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String Orchestra - Level 2 - Digital Download SKU: A0.1364917 By Lochinvar Sturdy. By Lochinvar Sturdy. Arranged by Lochinvar Sturdy. 20th Century,Classical. 7 pages. Lochinvar Sturdy #949213. Published by Lochinvar Sturdy (A0.1364917). Ensemble Piece in D Major.
$25.00
22.66 €
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Orchestre à Cordes
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Lochinvar Sturdy
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Lochinvar Sturdy
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Jubilee
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Lochinvar Sturdy
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SheetMusicPlus
God Bless The U.S.A.
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.734481 By Lee Greenwood. By L…
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String Orchestra - Level 3 - Digital Download SKU: A0.734481 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. Score and Parts. 15 pages. Chicory Music #5955811. Published by Chicory Music (A0.734481). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in D concert for String Orchestra / Quartet plus Optional Drum Set at the Intermediate Level.Performance time: approx. 3 minutes.
$16.99
15.4 €
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Orchestre à Cordes
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Lee Greenwood
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Dennis Ruello
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God Bless The U.S.A.
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Chicory Music
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SheetMusicPlus
I.o.u.
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.954489 By Lee Greenwood. By A…
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String Orchestra - Level 4 - Digital Download SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 10 pages. Jon Thingvall #4742269. Published by Jon Thingvall (A0.954489). Time: 5 minThis piece contains the following: double stops; triple-, and quadruple-stop broken chords, septuplet octave runs, sul tasto, and solo passages for each instrument.The YouTube video scrolls through the score, so, before you purchase it, you can get a great idea of how suitable this piece would be for your ensemble. In this arrangement, while borrowing something old (sotto voce quotes from Pachelbel's famous Canon in D (here in G)), the something new 80s Pop/Country sound blends with the classical into a timeless tapestry. I've always thought of this classic by Lee Greenwood as the perfect song for a wedding or an anniversary, but, in reality, its lyrics are so grateful and sincere that it could just as well grace a birthday, a memorial, or any other sentimental, friendly gathering.Due to unforeseeable technical problems, parts do not always print to PDF correctly, so please let me know of any problems with printed parts, and I can send you an updated version. My e-mail is klazzkeys@aol.com
$13.00
11.78 €
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Orchestre à Cordes
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Lee Greenwood
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Jon Thingvall
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double stops
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I.o.u.
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Jon Thingvall
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.05 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Flute Mystery Op.66b
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.990569 Composed by Flint Juve…
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String Orchestra - Level 4 - Digital Download SKU: A0.990569 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3029577. Published by The FJB Fingerprint (A0.990569). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.htmlNB! The attached audio is performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved
$127.00
115.09 €
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Orchestre à Cordes
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Flint Juventino Beppe
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Flute Mystery Op.66b
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The FJB Fingerprint
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SheetMusicPlus
Flute Mystery Op.66a (Alto Flute version)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.990570 Composed by Flint Juve…
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String Orchestra - Level 4 - Digital Download SKU: A0.990570 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3030219. Published by The FJB Fingerprint (A0.990570). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.html NB! The attached audio is the version for Flute in C (Op.66b), performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved
$127.00
115.09 €
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Orchestre à Cordes
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Flint Juventino Beppe
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Flute Mystery Op.66a
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The FJB Fingerprint
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SheetMusicPlus
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