Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let's Get It On
Non classifié
192
Piano & claviers
Piano seul
96
Piano Facile
68
Piano, Voix et Guitare
36
Piano, Voix
21
Orgue
11
Instruments en Do
10
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
2
Accordéon
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
32
Basse electrique
12
Guitare notes et tablatures
11
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
4
Dulcimer
1
2 Guitares (duo)
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
29
Chorale 3 parties
9
Chorale 2 parties
4
Chorale TTBB
4
Voix Soprano, Piano
3
Chorale Unison
2
Voix seule
1
Chorale SSAA
1
Voix Tenor, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Saxophones (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Saxophone Alto
11
Flûte, Hautbois, Clarinette, Basson
11
Saxophone (partie séparée)
11
Flûte traversière et Piano
10
Clarinette et Piano
9
Flûte traversière
9
Clarinette
9
Saxophone Alto et Piano
7
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
5
Saxophone Tenor et Piano
5
Hautbois, Piano (duo)
5
Saxophone Tenor
5
3 Saxophones (trio)
4
2 Flûtes traversières (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
3
Ensemble de Flûtes
3
Flute (partie séparée)
3
2 Hautbois (duo)
3
2 Clarinettes (duo)
3
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Clarinette, Violoncelle (duo)
2
Cor anglais, Piano
2
Saxophone, Clarinette (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Clarinette, Basson (duo)
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Harmonica
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Piccolo
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Hautbois, Flûte
1
Hautbois, Violoncelle
1
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Cor Anglais
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Cor
11
Trompette
11
Trombone
8
Tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
6
Trompette (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Euphonium, Piano (duo)
3
Trompette, Piano
3
Trompette, Basson (duo)
3
Trombone (partie séparée)
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Tuba et Piano
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Bass Clef Instruments
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
Euphonium
1
Ensemble de Trombones
1
2 Tubas (duo)
1
Cor Anglais
1
Trompette, Trombone (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
13
Violon et Piano
11
Harpe
8
Violoncelle, Piano
8
Alto, Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto seul
6
Violoncelle
6
Violon, Violoncelle (duo)
5
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
2
Trio à Cordes: 2 violons, alto
2
Harpe, Voix
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Violons (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violons
1
2 Altos (duo)
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
35
Orchestre
28
Orchestre à Cordes
12
Ensemble Jazz
11
Batterie
9
Cloches
9
Orchestre de chambre
7
Fanfare
5
Ensemble de cuivres
5
Ensemble de Percussions
3
Ensemble d'École
3
Batterie (partie séparée)
2
Jazz combo
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Percussion (partie séparée)
1
Orchestre, Violon
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
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Top 100
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A propos de free-scores.com
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Partitions Gratuites
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Partitions Numériques
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Librairie Musicale
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787
Partitions numériques
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Let's Get It On
Orchestre à Cordes
Partitions à imprimer
12 partitions trouvées
<
1
Don't Let Me Down
#
Orchestre à Cordes
#
FACILE
#
Pop musique
#
The Chainsmokers
#
Matt Arnett
#
Don't Let Me Down
#
Matt Arnett Music
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1080129 By The Chainsmokers. By Andrew Taggart, Emily Schwartz, and Scott Harris. Arranged by Matt Arnett. Pop. Sco...
(+)
String Orchestra - Level 2 - SKU: A0.1080129 By The Chainsmokers. By Andrew Taggart, Emily Schwartz, and Scott Harris. Arranged by Matt Arnett. Pop. Score and parts. 19 pages. Matt Arnett Music #684341. Published by Matt Arnett Music (A0.1080129). This song works shockingly well for orchestra - and everyone gets something fun to play. I did this arrangement with 2nd year students in mind. The piece is really good for focusing on low 2's in the violin and viola, dotted quarter AND triplet rhythms for everyone, and rests on beat 1. The rhythms are almost always true to the original - listen to it with your students to help them feel the tricky spots. You need a strong bass laying down the harmonic foundation throughout for this to work, cello is not doubling. There are usually three independent rhythmic parts going on, which presents a fun challenge and makes the layers of the piece fun and interesting. The piece also utilizes some fun techniques including stomping on the floor (sounds awesome on stage!) and knocking on the back of the instrument. There is an optional cut to remove the bridge if the piece is too much/too long for your group. This piece is a blast to play and I hope your students enjoy it!
$49.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Open Strings Holidays: A Song for Every US Holiday for Beginning String Orchestra Parts
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Orchestre à Cordes
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DÉBUTANT
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Yoel Epstein
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Yoel Epstein
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Hope you enjoy.
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Open Strings Holidays: A Song
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.773315 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Patriotic,Standards. Score and parts. 39 pages. ...
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String Orchestra - Level 1 - SKU: A0.773315 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Patriotic,Standards. Score and parts. 39 pages. Yoel Epstein #3686423. Published by Yoel Epstein (A0.773315). This volume contains parts for songs for every national US holiday. The songs are arranged for beginning string orchestra (all first position), with additional parts for violin, viola and cello using open strings only. You can purchase the score and one set of parts at https://www.sheetmusicplus.com/title/20826942 . An accompaniment track is available at https://youtu.be/SlkbjfKBdjc . So you can play this with the accompaniment and any combination of parts. If there are no violists, or if the cello part is too hard for your students, you can play the songs with the accompaniment, and it will sound fine. In fact, I have performed this piece with the violin open string parts only, along with the accompaniment. Please do not make copies of this. I know your project is underbudgeted and you are underpaid, and the photocopier is right down the hall. But this is my livelihood. So please, please, please, buy as many copies as you need. It's really cheap!This is one of the Open String Symphony series of music for string players of mixed skill levels. You can see all the books of the series at http://www.sheetmusicplus.com/search?Ntt=Open+String+Symphony These pieces are part of a more complete program for teaching strings in classes. You can read the entire first-year program in the books Playing Together Student Workbook and Playing Together: Teacher's Guide, both available on Amazon: Teacher's Guide: https://www.amazon.com/Playing-Together-Teachers-Guide-teaching/dp/1534974598 Student Workbook: https://www.amazon.com/Playing-Together-Student-Workbook-2/dp/1535336617 If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), In particular, you might be interested in my music flash cards (here). If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$2.99
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
Open String Holidays: A song for every US Holiday for violinists of mixed skill levels
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Orchestre à Cordes
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DÉBUTANT
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Patriotique
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Yoel Epstein
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Yoel Epstein
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Open String Holidays: A song f
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.773313 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Instructional,Patriotic. Score and parts. 53 pag...
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String Orchestra - Level 1 - SKU: A0.773313 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Instructional,Patriotic. Score and parts. 53 pages. Yoel Epstein #3686153. Published by Yoel Epstein (A0.773313). This volume contains songs for every national US holiday. The songs are arranged for beginning string orchestra (all first position), with additional parts for violin, viola and cello using open strings only. An accompaniment track is available at https://youtu.be/SlkbjfKBdjc . So you can play this with the accompaniment and any combination of parts. If there are no violists, or if the cello part is too hard for your students, you can play the songs with the accompaniment, and it will sound fine. In fact, I have performed this piece with the violin open string parts only, along with the accompaniment. Important: This volume contains the scores and one copy of the parts. If you need more parts, please, please, please do not simply photocopy them. You can buy more parts at https://www.sheetmusicplus.com/title/20827196for practically nothing! I know your project is underbudgeted, and money is short, and the photocopier is right down the hall. But this is my livelihood. So I am asking you to please buy your additional parts. Thank you. This is one of the Open String Symphony series of music for string players of mixed skill levels. You can see all the books of the series at http://www.sheetmusicplus.com/search?Ntt=Open+String+Symphony These pieces are part of a more complete program for teaching strings in classes. You can read the entire first-year program in the books Playing Together Student Workbook and Playing Together: Teacher's Guide, both available on Amazon: Teacher's Guide: https://www.amazon.com/Playing-Together-Teachers-Guide-teaching/dp/1534974598 Student Workbook: https://www.amazon.com/Playing-Together-Student-Workbook-2/dp/1535336617 If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), In particular, you might be interested in my music flash cards (here). If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$19.99
Fugue G Minor - (the 'little') - BWV 578 - Swing (A-minor) - String Orchestra
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Orchestre à Cordes
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Classique
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Johann Sebastian Bach
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Thomas Graf
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Fugue G Minor -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - SKU: A0.503665 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Jazz. Score and parts. 22 pages. Published by Thom...
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String Orchestra - SKU: A0.503665 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Jazz. Score and parts. 22 pages. Published by Thomas Graf - the-hit-factory.com (A0.503665). Swinging Bach: the greatest music - the biggest fun. A valuable study for counterpoint and fugue. It's so easy and so nice. Enjoy! This arrangement is in A-Minor - string-friendly! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass, Drum Set (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$30.00
Fugue G Minor - (the 'little') - BWV 578 - Swing - String Orchestra
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Orchestre à Cordes
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Classique
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Johann Sebastian Bach
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Thomas Graf
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Fugue G Minor -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - SKU: A0.503660 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Jazz. Score and parts. 22 pages. Published by Thom...
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String Orchestra - SKU: A0.503660 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Jazz. Score and parts. 22 pages. Published by Thomas Graf - the-hit-factory.com (A0.503660). Swinging Bach: the greatest music - the biggest fun. A valuable study for counterpoint and fugue. It's so easy and so nice. Enjoy! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass, Drum Set (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$30.00
Terpsichore Dances Suite
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Michael Praetorius
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Juan Pablo de Haro Sánchez
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Terpsichore Dances Suite
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J.P. de Haro
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1377690 Composed by Michael Praetorius. Arranged by Juan Pablo de Haro Sánchez. Baroque,Early Music,Renaissance....
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String Orchestra - Level 3 - SKU: A0.1377690 Composed by Michael Praetorius. Arranged by Juan Pablo de Haro Sánchez. Baroque,Early Music,Renaissance. 47 pages. J.P. de Haro #962284. Published by J.P. de Haro (A0.1377690). Terpsichore is a colletion of Renaissance and Baroque dances compiled by the German composer Michael Praetorius. It was published in 1612 and is one of the most important works of Renaissance music. Terpsicjore contains more than 300 pieces, including pavanas, gallardas, branles and other popular dances of the period. It is a valuable source of information on late Renaissance an early Baroque music end dance in Europe. The work reflects the period's taste for dance and instrumental music, and has been studied and performed by musicians and dances ti the present day.This suite brings together a total of six dances from this great collection, ideal for a concert by a music school string orchestra.
$54.00
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