Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let It Be
Non classifié
1 861
Piano & claviers
Piano seul
1 401
Piano Facile
753
Piano, Voix
246
Piano, Voix et Guitare
188
Orgue
66
Instruments en Do
53
Accordéon
35
2 Pianos, 4 mains
29
Piano grosses notes
28
Accompagnement Piano
21
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
14
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
2
Ensemble d'Accordéons
2
2 Pianos, 8 mains
1
Clavier
1
Accordéon, Voix
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
155
Guitare
136
Ligne De Mélodie, (Paroles) et Accords
39
Ukulele
36
Basse electrique
18
Paroles et Accords
13
Dulcimer
12
Banjo
8
Mandoline
7
2 Guitares (duo)
3
Ensemble de guitares
3
2 Dulcimers (duo)
2
Guitare (partie séparée)
2
Ensemble de Ukulélés
2
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
Dobro
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
312
Chorale 3 parties
106
Chorale 2 parties
62
Chorale TTBB
44
Chorale Unison
35
Voix Soprano, Piano
32
Voix Baryton, Piano
28
Voix Tenor, Piano
27
Voix Alto, Piano
21
Chorale SSAA
20
Voix seule
11
Chorale
7
Voix duo, Piano
7
Voix haute
5
Voix duo
4
Voix moyenne, Piano
3
Voix Tenor
2
Voix basse
1
Voix, Guitare
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
+ 16 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
179
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
161
Flûte traversière et Piano
123
Clarinette et Piano
118
Ensemble de saxophones
106
Quatuor de Saxophones: 4 saxophones
106
Hautbois, Piano (duo)
93
Clarinette
93
2 Saxophones (duo)
90
Flûte traversière
88
Saxophone Alto et Piano
79
Saxophone Tenor et Piano
63
2 Flûtes traversières (duo)
57
Ensemble de Clarinettes
53
Saxophone (partie séparée)
53
Hautbois (partie séparée)
50
Flûte, Hautbois, Clarinette, Basson
49
Saxophone Alto
49
Saxophone Tenor
47
Saxophone Baryton, Piano
44
2 Clarinettes (duo)
44
Saxophone Soprano et Piano
41
Quatuor de Clarinettes: 4 clarinettes
33
Ensemble de Flûtes
29
Quintette de Flûte : 5 flûtes
28
Cor anglais, Piano
23
Saxophone
19
2 Hautbois (duo)
18
Flûte, Clarinette (duo)
18
3 Saxophones (trio)
16
Clarinette Basse, Piano
15
Quatuor de Flûtes : 4 flûtes
14
Saxophone, Clarinette (duo)
13
Cor Anglais
11
Flûte à bec Soprano
10
Trio de Flûtes: 3 flûtes
10
Hautbois, Basson (duo)
10
Clarinette, Trompette (duo)
9
3 Clarinettes (trio)
9
Clarinette, Violon (duo)
9
Flûte, Violon
9
Hautbois, Clarinette (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Soprano
7
Flûte, Saxophone (duo)
7
Flûte à Bec
6
Hautbois, Flûte
6
Flûte et Guitare
6
Flûte, Trompette (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Ocarina
6
Hautbois, Clarinette, Basson (trio d'anches)
6
2 Flûtes traversières, Piano
5
Harmonica
5
Flûte, Alto (duo)
5
Hautbois
5
Quatuor de Flûtes à bec
5
2 Flûte à bec (duo)
4
Clarinette et Alto
4
Clarinette, Guitare (duo)
4
Saxophone Baryton
4
Clarinette, Basson (duo)
4
5 Flûtes à bec
3
3 Flûtes à bec (trio)
3
Flûte, Clarinette et Basson
3
Flute (partie séparée)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violon, Piano
3
Flûte à bec Alto
2
2 Clarinettes, Piano
2
Hautbois, Guitare (duo)
2
Flûte à bec Tenor
2
Instruments en Mib
2
Flute, harpe et violon
1
Clarinette (partie séparée)
1
2 Hautbois, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Flûte, Harpe et Violoncelle
1
Flûte, Violoncelle
1
Flûte traversière, Basse continue
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Piccolo
1
Hautbois, violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Harpe (duo)
1
Flûte, Alto et Piano
1
+ 86 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
149
Quatuor de Cuivres : 2 trompettes, trombone, tuba
137
Trompette
91
Cor et Piano
87
Trompette, Piano
84
Trombone et Piano
84
Trombone
71
Ensemble de Trompettes
61
Quatuor de Cuivres: 2 trompettes, Cor, trombone
53
Ensemble de Trombones
45
Tuba et Piano
44
Cor
41
Quatuor de cuivres: 4 trombones
32
Tuba
31
2 Trompettes (duo)
27
Quatuor de Cuivres
27
2 Trombones (duo)
23
Cor anglais, Piano
23
Euphonium, Piano (duo)
23
Trompette (partie séparée)
18
Trompette, Trombone (duo)
15
2 Cors (duo)
14
Cor Anglais
11
Ensemble de Cors
10
Trompette, Saxophone (duo)
10
2 Tubas (duo)
8
Trombone (partie séparée)
6
2 Euphoniums et 2 Tubas
6
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
Trio de Cuivres
2
3 Trombones (trio)
2
2 Euphoniums (duo)
2
Bass Clef Instruments
2
Instruments en Sib
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Tuba et Orgue
2
4 Tubas
2
Trompette, Trombone, Piano
1
Instruments en Fa
1
2 Cors, Piano
1
3 Tubas (trio)
1
3 Trompettes (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Trombone, Cor (duo)
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
Euphonium
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
202
Violon et Piano
134
Violoncelle, Piano
113
Violon
109
Alto, Piano
92
Violoncelle
78
Violon, Violoncelle (duo)
61
Harpe
54
Alto seul
44
2 Violons (duo)
41
Trio à Cordes: violon, alto, violoncelle
40
2 Violoncelles (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Contre Basse
33
Contrebasse, Piano (duo)
32
Ensemble de Violons
29
Ensemble d'Altos
27
2 Altos (duo)
26
Violon, Alto (duo)
25
Trio à Cordes: 2 violons, violoncelle
18
Alto (partie séparée)
16
Alto, Violoncelle (duo)
11
Violon, Guitare (duo)
8
Quatuor à cordes: 4 violons
8
2 Harpes (duo)
7
4 Violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à cordes: 3 violins
4
2 Contrebasses (duo)
4
Quatuor à cordes : 4 altos
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 3 violoncelles
3
3 Harpes
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, alto
3
Harpe, Voix
3
Trio à cordes: 3 altos
3
Alto, Guitare (duo)
2
2 Altos, Piano
2
5 Harpes
2
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Autoharp
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
321
Orchestre
134
Cloches
133
Orchestre à Cordes
75
Ensemble Jazz
65
Ensemble de cuivres
47
Ensemble de Percussions
43
Orchestre de chambre
39
Jazz combo
20
Fanfare
18
Batterie
14
Xylophone, Piano
6
Percussion (partie séparée)
6
Xylophone
5
Ensemble d'École
5
Vibraphone
4
Batterie (partie séparée)
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Percussion
2
Timbales (partie séparée)
1
Orchestre, Violon
1
Vibraphone et Marimba
1
Piano et Orchestre
1
2 Xylophones
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Play-along
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Mylene Farmer
4 - Maurane
5 - Michel Legrand
6 - Eddy Mitchell
7 - Françoise Hardy
8 - Barbara
9 - Francis Cabrel
10 - Jacques Brel
11 - Emma Daumas
12 - Georges Brassens
13 - Céline Dion
14 - Yann Tiersen
15 - William Sheller
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - The Beatles
3 - Astor Piazzolla
4 - Jean Sibelius
5 - Camille Saint-Saens
6 - Dan Coates
7 - George Gershwin
8 - Mark Hayes
9 - Leonard Bernstein
10 - Andrew Lloyd Webber
11 - Bela Bartok
12 - John Rutter
13 - Lloyd Larson
14 - Scott Joplin
15 - Maurice Ravel
16 - Jérôme Naulais
17 - Taylor Swift
18 - Ralph Vaughan Williams
19 - Irving Berlin
20 - Gustav Holst
21 - Erik Satie
22 - Miles Davis
23 - Sergei Rachmaninoff
24 - Dmitri Shostakovich
25 - Benjamin Britten
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
15
Partitions Numériques
75
Librairie Musicale
165
Matériel de Musique
14 406
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Let It Be
Orchestre à Cordes
Partitions à imprimer
75 partitions trouvées
<
1
26
51
Let It Snow! Let It Snow! Let It Snow!
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Lady Antebellum
#
Tim Crooks
#
Let It Snow! Let It Snow! Let
#
STR:UK String Arrangements
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK S...
(+)
String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK String Arrangements #6591407. Published by STR:UK String Arrangements (A0.850381). Let It Snow! Let It Snow! Let It Snow!, as performed by Dean Martin, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 6). Technical challenges include a mixture of straight and swung 8ths, and key change from D major into Eb, meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, occasionally requiring 3rd and 4th positions. The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level. Parts can be printed multiple times. A piano part is included but is not needed for performance.A version of this arrangement for String Quartet is also available here: https://www.sheetmusicplus.com/title/let-it-snow-let-it-snow-let-it-snow-string-quartet-digital-shee.... About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter@strukstrings STR:UK Strings - Education String Music
$24.99
Let It Snow! Let It Snow! Let It Snow!
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Lady Antebellum
#
Thomas Graf
#
Let It Snow! Let It Snow! Let
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.568524 By Lady Antebellum. By Jule Styne. Arranged by Thomas Graf. Christian,Christmas,Holiday,Jazz. Score and Part...
(+)
String Orchestra - Level 3 - SKU: A0.568524 By Lady Antebellum. By Jule Styne. Arranged by Thomas Graf. Christian,Christmas,Holiday,Jazz. Score and Parts. 13 pages. Thomas Graf - the-hit-factory.com #2964425. Published by Thomas Graf - the-hit-factory.com (A0.568524). Let It Snow! Let It Snow! Let It Snow!, also known as Let It Snow, is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945. It was written in Hollywood, California during a heat wave as Cahn and Styne imagined cooler conditions. Here it comes easily swinging, relaxed - a perfect concert piece for the holyday season. The melody is played by all parts - including a solo for the bass register. Have fun! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/C7B2TbQ0YGY
$50.00
Come, Let Us Be Joyful
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Lazaros Delidemos
#
Come, Let Us Be Joyful
#
Lazaros Delidemos
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.931496 Arranged by Lazaros Delidemos. Romantic Period,World. Score and parts. 6 pages. Lazaros Delidemos #5302885. ...
(+)
String Orchestra - Level 4 - SKU: A0.931496 Arranged by Lazaros Delidemos. Romantic Period,World. Score and parts. 6 pages. Lazaros Delidemos #5302885. Published by Lazaros Delidemos (A0.931496). This is an arrangement for string orchestra of the popular German folk song Come, Let Us Be Joyful. It is a work of moderate difficulty and can be played by a professional but also by a good amateur orchestra.
$5.99
Daphne ... An Imaginary Ballet (2015) for string orchestra, full score
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Daphne ... An Imaginary Ballet
#
Thomas Oboe Lee
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.869398 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 3...
(+)
String Orchestra - Level 4 - SKU: A0.869398 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 38 pages. Thomas Oboe Lee #432015. Published by Thomas Oboe Lee (A0.869398). Instrumentation: Violins 1a. Violins 1b. Violins 2a. Violins 2b. Viola. Cello. Double bass. Program note. I go to Rome every year during my winter break from teaching. My favorite statue in the Galleria Borghese is Bernini's Apollo and Daphne. It is amazingly alive and beautiful. When the Pro Arte Chamber Orchestra of Boston asked me to write a work for string orchestra, I immediately thought of the fabulous Apollon Musagète by Stravinsky. Wouldn't it be fun to write a companion piece to the Stravinsky and call it Daphne? And since the Stravinsky Apollo is a ballet, my Daphne would be one as well, although an imaginary one. Daphne is in three sections. 1. Moderato ... Apollo struts around at a party, flirting with the nymphs and then suddenly he notices Daphne. He falls in love immediately. 2. Fuga ... Unnerved by Apollo's attention, Daphne flees. Apollo chases after her. 3. Largo ... Apollo catches up to Daphne and declares his love for her. She struggled to free herself from him and calls for help. To save Daphne from Apollo, her father Ladon, the river god, transforms Daphne into a laurel tree. Curtain.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/daphne-an-imaginary-ballet-2015
$9.99
Brother Skeleton - Score Only
#
Orchestre à Cordes
#
DÉBUTANT
#
Gospel Spirituel
#
Jean-Philippe Rameau
#
A
#
Brother Skeleton - Score Only
#
Amy Marbut
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1207072 Composed by Jean-Philippe Rameau (1683-1764). Arranged by A. Marbut 2022. Children,Classical,Holiday,Instru...
(+)
String Orchestra - Level 1 - SKU: A0.1207072 Composed by Jean-Philippe Rameau (1683-1764). Arranged by A. Marbut 2022. Children,Classical,Holiday,Instructional,Traditional. 2 pages. Amy Marbut #805248. Published by Amy Marbut (A0.1207072). This is only the SCORE.  This piece is performed as a 2 part round. It begins in unison and then splits into the round when the song repeats. This way all students are playing together in unison before they experience the round.  All instrument parts can be bought separately and contain both lines of music. They can also all be combined for mixed groups/ larger ensembles. There is no string bass part (only violin, viola, cello).My beginner students needed a Halloween group ensemble piece appropriate for their level. So I made this arrangement of Frere Jacques in minor and named it Brother Skeleton. The arrangement was written in 2022.
$2.99
Brother Skeleton - Violin
#
Orchestre à Cordes
#
DÉBUTANT
#
Halloween
#
Jean-Philippe Rameau
#
A
#
Brother Skeleton - Violin
#
Amy Marbut
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1207077 Composed by Jean-Philippe Rameau (1683-1764). Arranged by A. Marbut 2022. Children,Classical,Holiday,Instru...
(+)
String Orchestra - Level 1 - SKU: A0.1207077 Composed by Jean-Philippe Rameau (1683-1764). Arranged by A. Marbut 2022. Children,Classical,Holiday,Instructional,Traditional. Score and Parts. 1 pages. Amy Marbut #805256. Published by Amy Marbut (A0.1207077). This traditional piece was composed by Jean-Philippe Rameau. It has been arranged here for beginner orchestral string ensembles.  This piece has been changed to MINOR to give it a creepy and sad feeling. Perfect for Halloween performances. It is also a great instructional tool to educate kids about counterpoint/ harmony and musical structure. It starts with both lines in unison to help students adapt to each other in a group setting. Midway through the piece breaks into a round to teach about harmony and structure.  This composition is intended for beginner orchestral string ensembles. The score, viola 1 2, cello 1 2, can be purchased separately . All parts contain both lines of music and can stand on their own. (example: a group of violins will only need this file). Â
$1.99
Take My Life and Let It Be (String orchestra))
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Paul Jones
#
Paul S
#
Take My Life and Let It Be
#
Paul S. Jones
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.871069 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,Concert,Graduation,Sacred. Score and parts. 8 p...
(+)
String Orchestra - Level 3 - SKU: A0.871069 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,Concert,Graduation,Sacred. Score and parts. 8 pages. Paul S. Jones #3558731. Published by Paul S. Jones (A0.871069). A great string orchestra setting of the well-known hymn, Hendon. Perfect for a church service, dedicatory service of a missionary, installation of a minister, graduation or Christian high school/college string section. There is an identical setting for brass quintet.
$30.00
Let It Be
#
Orchestre à Cordes
#
DÉBUTANT
#
Rock
#
The Beatles
#
Josemir Valverde
#
Let It Be
#
SheetMusicPlus
By The Beatles. Arranged by Josemir Valverde. Score, Set of Parts. 16 pages. Published by Josemir Valverde...
(+)
By The Beatles. Arranged by Josemir Valverde. Score, Set of Parts. 16 pages. Published by Josemir Valverde
$50.00
Harry Potter and the Goblet of Fire,™ Themes from: Score
#
Orchestre à Cordes
#
Methodes
#
Patrick Doyle
#
Bob Cerulli
#
Harry Potter and the Goblet of
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0003963 Score. Composed by Patrick Doyle. Arranged by Bob Cerulli. Instructional. Score. 12 pages. Alfred Music ...
(+)
String Orchestra - SKU: AX.00-PR-0003963 Score. Composed by Patrick Doyle. Arranged by Bob Cerulli. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0003963. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003963). UPC: 038081272412.This fabulous medley of the top themes from the latest blockbuster, Harry Potter and the Goblet of Firea,,C/, brings the essence of the main themes of the movie to your beginners. It begins with the music of the fast paced game at which Harry excels -- The Quidditch World Cup (The Irish). The beautiful, lyric Hogwart's Hymn comes next followed by Neville's Waltz. Perfectly arranged for beginners by Bob Cerulli, this piece will be a sure winner.
$10.00
It´s Time to Play and to Sing (Guitar Orchestra)
#
Orchestre à Cordes
#
DÉBUTANT
#
Rafael Milhomem
#
It´s Time to Play and to
#
Milhomusic
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1346609 Composed by Rafael Milhomem. Chamber,Children,Classical,Contemporary,Rock. 22 pages. Milhomusic #931387. Pu...
(+)
String Orchestra - Level 1 - SKU: A0.1346609 Composed by Rafael Milhomem. Chamber,Children,Classical,Contemporary,Rock. 22 pages. Milhomusic #931387. Published by Milhomusic (A0.1346609). 🎶 It's Time to Play and to Sing 🎶Embark on a musical journey with the enchanting composition by Rafael Milhomem, titled It's Time to Play and to Sing. Composed for a children's guitar orchestra and choir, this piece is a delightful blend of idyllic simplicity and impactful results.Designed to be both idiomatic and accessible, the composition introduces young musicians to extended techniques, including percussion with pencils and slides with spoons, creating a playful and rock-infused atmosphere. The piece not only elevates the learning experience for budding musicians but also adds a touch of innovation to the traditional orchestra setup.Set to the heartfelt lyrics of Rafael Milhomem, the song celebrates the joy of learning to play. It underscores the significance of having dedicated mentors, making it an ideal choice for educators aiming to inspire their students. The lyrics weave a narrative that resonates with the excitement of musical discovery and the rewards of having proficient guides along the way.This composition is a must-have for guitar orchestras and choirs looking to explore new sounds and engage their young performers in a dynamic and memorable musical experience. Don't miss the chance to add this gem to your repertoire!🎼 Key Features:Idiomatic and accessible for young musiciansIncorporates extended techniques: percussion with pencils and slides with spoonsImprovisation sectionRock-inspired atmosphereCaptivating lyrics by Rafael MilhomemCelebrates the joy of learning and the importance of dedicated mentors🎵 Perfect for:Children's guitar orchestrasChoirs seeking innovative and engaging repertoireMusic educators looking to inspire and motivate studentsUnleash the potential of your young musicians with It's Time to Play and to Sing. Elevate your ensemble's performance and bring a fresh, rock-infused energy to your next concert.Order your sheet music today and let the music begin!#Guitarorchestra #Guitarquartet #Childrensguitarorchestraandchoir.
$10.00
Danse russe Trépak, from The Nutcracker Ballet, String Orchestra, intermediate. SCORE & PARTS.
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
P
#
Laura C
#
Danse russe Trépak, fro
#
Laura Quijada
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.965682 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Holiday. Score and...
(+)
String Orchestra - Level 3 - SKU: A0.965682 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Holiday. Score and Parts. 17 pages. Laura Quijada #571384. Published by Laura Quijada (A0.965682). Danse russe Trepak from The Nutcracker Ballet suite arranged for intermediate string orchestra. Original key and length, it can be played with woodwinds, brass and percussion original parts. All in first position.
$15.00
String Quintet/String Orchestra - It Came Upon the Midnight Clear
#
Orchestre à Cordes
#
FACILE
#
Anon
#
Mike Lyons
#
String Quintet/String Orchestr
#
Lyons Music Services
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.767392 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 12 pages. Lyons Music Servic...
(+)
String Orchestra - Level 2 - SKU: A0.767392 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 12 pages. Lyons Music Services #3603257. Published by Lyons Music Services (A0.767392). A brand new setting of this carol for wind quintet (Fl/Ob/Cl/Hn/Bssn).After a short introduction, we hear a fairly normal rendition of the tune with standard harmony. The second verse has the addition of fanfare-like motifs in the top two parts which add some sparkle to the tune. The intention is merely to heighten the feeling of 'announcement' which we get from the words. The melody is also much more decorated and placed into the middle of the ensemble.From Letter C there is an interlude of fanfares before the final verse at the grandioso. This is the loudest part of the setting and needs to sound warm, full and rich.This setting is intended to be played by any ensemble. I have kept the range used reasonable and it does not require any special techniques.
$10.99
Beethoven Symphony No. 1, complete (string orchestra)
#
Orchestre à Cordes
#
Classique
#
Ludwig van Beethoven
#
Randy Calistri-Yeh
#
Beethoven Symphony No. 1, comp
#
Custom Chamber Music
#
SheetMusicPlus
String Orchestra - SKU: A0.722584 Composed by Ludwig van Beethoven. Arranged by Randy Calistri-Yeh. Classical. Score and parts. 186 pages. Custom Chambe...
(+)
String Orchestra - SKU: A0.722584 Composed by Ludwig van Beethoven. Arranged by Randy Calistri-Yeh. Classical. Score and parts. 186 pages. Custom Chamber Music #3481913. Published by Custom Chamber Music (A0.722584). This is an arrangement of Beethoven's Symphony #1 (Op. 21) for string orchestra. It includes all 4 complete movements. The markups and articulations are consistent with the original. The difficulty is comparable to the original symphony.Generally the first 4 instruments have most of the original woodwind parts and some of the brass. The second 4 instruments have most of the original string parts and some of the brass. This works best when there is some contrast between the two groups, so ideally Violins 1 and 2 will be physically separated from Violins 3 and 4 on the stage (similarly for the other instruments).This is perfect for the featured work on a chamber music concert. It is also ideal for chamber music workshops and summer camps.Instrumentation: Violin 1, Violin 2, Viola 1, Cello 1 // Violin 3, Violin 4, Viola 2, Cello 2.This purchase includes a full score and parts for all instruments.Other arrangements of this composition are available from the Custom Chamber Music publisher link above.
$24.95
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
#
Orchestre à Cordes
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Concerto for Po
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
(+)
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Dance Of The Knights from 'Montagues and Capulets' - string ensemble
#
Orchestre à Cordes
#
AVANCÉ
#
Classique
#
Sergei Prokofiev
#
Dance Of The Knights from 'Mon
#
SheetMusicPlus
By Sergei Prokofiev. Arranged by Austin Ralphson. Score, Set of Parts. 33 pages. Published by Austin Ralphson ...
(+)
By Sergei Prokofiev. Arranged by Austin Ralphson. Score, Set of Parts. 33 pages. Published by Austin Ralphson
This piece has come to be very famous as a result of its widespread use by other musicians and also TV programmes such as The Apprentice (UK) and National Football League. It is arranged here for a string orchestra comprising 4 violin parts, 2 violas and 2 cellos, one of which doubles with the double basses. Plus optional drum kit! This arrangement has been successfully performed many times in concert.
Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):
www.ralphsonstrings.com
$16.99
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Chri...
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Swingin' in 2/4 You
#
Orchestre à Cordes
#
DÉBUTANT
#
Pop musique
#
Ron Flintjer
#
Swingin' in 2/4 You
#
Ron Flintjer
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1153129 Composed by Ron Flintjer. Pop. Score and parts. 10 pages. Ron Flintjer #753368. Published by Ron Flintjer (...
(+)
String Orchestra - Level 1 - SKU: A0.1153129 Composed by Ron Flintjer. Pop. Score and parts. 10 pages. Ron Flintjer #753368. Published by Ron Flintjer (A0.1153129). Let this be your Elementary String Orchestra's first foray into the musical idiom of Swing! Coming of age in the 1940's, swing music was the most popular genre among America's teenagers, twenty-somethings, and those who were young at heart! They couldn't stop dancing when the orchestras of the time launched into one of these numbers! Written in 2/4 time, Swing'n' in Two is a lighthearted glimpse for your youngsters into the pop music of yesteryear. This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own! And take the tempo up , once they master it!
$14.00
Take My Life and Let It Be (String Orchestra)
#
Orchestre à Cordes
#
Musique Sacrée
#
H
#
Lena Seeger
#
Take My Life and Let It Be
#
Lena Seeger
#
SheetMusicPlus
Composed by H.A. Cesar Malan. Arranged by Lena Seeger. Christian, Sacred, Praise & Worship, General Worship, Wedding. Score, Set of Parts. 23 pages. Published b...
(+)
Composed by H.A. Cesar Malan. Arranged by Lena Seeger. Christian, Sacred, Praise & Worship, General Worship, Wedding. Score, Set of Parts. 23 pages. Published by Lena Seeger (S0.61633). - Score,Set of Parts - Christian,Sacred,Praise & Worship,General Worship,Wedding - Lena Seeger
$4.99
I.o.u.
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Country
#
Lee Greenwood
#
Jon Thingvall
#
double stops
#
I.o.u.
#
Jon Thingvall
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 1...
(+)
String Orchestra - Level 4 - SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 10 pages. Jon Thingvall #4742269. Published by Jon Thingvall (A0.954489). Time: 5 minThis piece contains the following: double stops; triple-, and quadruple-stop broken chords, septuplet octave runs, sul tasto, and solo passages for each instrument.The YouTube video scrolls through the score, so, before you purchase it, you can get a great idea of how suitable this piece would be for your ensemble. In this arrangement, while borrowing something old (sotto voce quotes from Pachelbel's famous Canon in D (here in G)), the something new 80s Pop/Country sound blends with the classical into a timeless tapestry. I've always thought of this classic by Lee Greenwood as the perfect song for a wedding or an anniversary, but, in reality, its lyrics are so grateful and sincere that it could just as well grace a birthday, a memorial, or any other sentimental, friendly gathering.Due to unforeseeable technical problems, parts do not always print to PDF correctly, so please let me know of any problems with printed parts, and I can send you an updated version. My e-mail is klazzkeys@aol.com
$13.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Keyboard Concerto 1 in D
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Kevin Bruce Weed
#
Kevin Bruce Weed
#
Keyboard Concerto 1 in D
#
Kevin Bruce Weed
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1042428 By Kevin Bruce Weed. By Kevin Bruce Weed. Arranged by Kevin Bruce Weed. 20th Century,Baroque,Classical,Cont...
(+)
String Orchestra - Level 4 - SKU: A0.1042428 By Kevin Bruce Weed. By Kevin Bruce Weed. Arranged by Kevin Bruce Weed. 20th Century,Baroque,Classical,Contest,Festival,Traditional. Score and parts. 86 pages. Kevin Bruce Weed #647213. Published by Kevin Bruce Weed (A0.1042428). With a challenging solo, this piece was written to be very easy for a high school orchestra with few rehearsals, though college, community and professional ensembles may find it to be a charming addition to a concert or recording project. It is a piece you could use to include a good pianist, student or adult, as a guest with your string orchestra. Although written for harpsichord, the solo part could be played on any keyboard, piano or organ. The soloist should adjust dynamics, articulations, and tone colors to best compliment the instrument and accompanying orchestra. It is written in three movements, but the intention is to play through the piece with no stops. You may omit the usual listing of movement tempo markings in your printed program. The string parts are quite easy. However, the second movement is primarily a duet between solo violin and harpsichord. Let me know if you buy this. I would love to hear your questions, comments, performance. https://kevinweed.com/harpsichord-concerto/.
$99.99
<
1
26
51