Partitions Numériques de Logical pour Orchestre à Cordes

12 partitions trouvées

"VIOLA BOOGIE"

Orchestre à Cordes

String Orchestra - Level 3 - Digital Download SKU: A0.947255 Composed by John Phili…(+)

$15.00 13.6 € #Orchestre à Cordes #John Philips #"VIOLA BOOGIE" #John Philips Music Service #SheetMusicPlus

Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O

Orchestre à Cordes

String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven…(+)

$29.00 26.29 € #Orchestre à Cordes #Ludwig van Beethoven, Cees Nieuwenhuizen #Upstream Music #Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O #Upstream Music #SheetMusicPlus

Strings & Threads Suite (string parts - for violin and string orchestra)

Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.861802 Composed by Mark O'Con…(+)

$45.00 40.8 € #Orchestre à Cordes #Mark Oâ€™Connor

String Orchestra arrangement by Edgar Meyer

Strings & Threads Suite #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Vivaldi Concerto Op. 3 No. 7 for 4 Violins and String Orchestra
Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.736820 Composed by Antonio Vi…(+)

String Orchestra - Level 4 - Digital Download SKU: A0.736820 Composed by Antonio Vivaldi. Arranged by Paul Wood. Baroque. Score and parts. 79 pages. MyMusicScores.com #6640005. Published by MyMusicScores.com (A0.736820). L'estro Armonico op. 3 (Harmonic Inspiration in Italian) is a collection of twelve concertos for 1, 2 and 4 violins written by Antonio Vivaldi in 1711. It largely augmented the reputation of Vivaldi as Il Prete Rosso; (The Red Priest). The collections were mostly put together in a chronological order.The PDF contains the score and parts.
$19.99 18.12 € #Orchestre à Cordes #Antonio Vivaldi #Paul Wood #(The Red Priest) #Vivaldi Concerto Op. 3 No. 7 for 4 Violins and String Orchestra #MyMusicScores.com #SheetMusicPlus

Strings & Threads Suite (score - for violin and string orchestra)
Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.861800 Composed by Mark O'Con…(+)

String Orchestra - Level 4 - Digital Download SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik International #6202123. Published by Mark O'Connor Musik International (A0.861800). Strings & Threads Suite (score - for violin and string orchestra) MO134AScore (violin and string parts available)Music by Mark Oâ€™Connor43 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailorâ€™s Jig - p. 6III. Captainâ€™s Jig - p. 9IV. Off To Sea - p. 11V. Pilgimâ€™s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickinâ€™ Blues - p. 21IX. Pickinâ€™ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashvilleâ€™s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order Oâ€™Connor says, not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected â€“ possessing a common thread â€“ from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark Oâ€™Connor â€“ violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134ACopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50 20.4 € #Orchestre à Cordes #Mark Oâ€™Connor
String Orchestra arrangement by Edgar Meyer
Strings & Threads Suite #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes

String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…(+)

String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethovenâ€™s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethovenâ€™s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00 26.29 € #Orchestre à Cordes #Ludwig van Beethoven, Cees Nieuwenhuizen #Upstream Music #Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31 #Upstream Music #SheetMusicPlus

Strings & Threads Suite (violin solo part - for violin and string orchestra)
Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.861801 Composed by Mark O'Con…(+)

String Orchestra - Level 4 - Digital Download SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik International #6202131. Published by Mark O'Connor Musik International (A0.861801). Strings & Threads Suite (violin solo part - for violin and string orchestra) MO134BViolin Solo Part (score and string parts available)Music by Mark Oâ€™Connor16 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailorâ€™s Jig - p. 6III. Captainâ€™s Jig - p. 9IV. Off To Sea - p. 11V. Pilgimâ€™s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickinâ€™ Blues - p. 21IX. Pickinâ€™ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashvilleâ€™s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order Oâ€™Connor says, not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected â€“ possessing a common thread â€“ from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark Oâ€™Connor â€“ violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134BCopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.6 € #Orchestre à Cordes #Mark Oâ€™Connor
String Orchestra arrangement by Edgar Meyer
Strings & Threads Suite #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

A Dark Goddess for violin solo and string orchestra
Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.578777 Composed by David Wari…(+)

String Orchestra - Level 4 - Digital Download SKU: A0.578777 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 25 pages. David Warin Solomons #4966233. Published by David Warin Solomons (A0.578777). An eery and atmospheric tune about a prophecy from the time of the Pharaohs about ecological disaster, inspired by a poem by Melissanthi.
$17.00 15.41 € #Orchestre à Cordes #David Warin Solomons #A Dark Goddess for violin solo and string orchestra #David Warin Solomons #SheetMusicPlus

A Dark Goddess for viola solo and string orchestra
Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.580500 Composed by David Wari…(+)

String Orchestra - Level 4 - Digital Download SKU: A0.580500 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 25 pages. David Warin Solomons #4966231. Published by David Warin Solomons (A0.580500). An eery and atmospheric tune about a prophecy from the time of the Pharaohs about ecological disaster, inspired by a poem by Melissanthi.
$17.00 15.41 € #Orchestre à Cordes #David Warin Solomons #A Dark Goddess for viola solo and string orchestra #David Warin Solomons #SheetMusicPlus

Vivaldi Concerto for 2 Violins in A major Op.3 No.5
Orchestre à Cordes

String Orchestra - Level 4 - Digital Download SKU: A0.736818 Composed by Antonio Vi…(+)

String Orchestra - Level 4 - Digital Download SKU: A0.736818 Composed by Antonio Vivaldi. Arranged by Paul Wood. Baroque. Score and parts. 68 pages. MyMusicScores.com #6623073. Published by MyMusicScores.com (A0.736818). L'estro Armonico op. 3 (Harmonic Inspiration in Italian) is a collection of twelve concertos for 1, 2 and 4 violins written by Antonio Vivaldi in 1711. It largely augmented the reputation of Vivaldi as Il Prete Rosso; (The Red Priest). The collections were mostly put together in a chronological order.L'Estro Armonico, Op. 3, Concerto No. 5 in A major for two violins and strings, RV 519:1. Allegro2. Largo3. AllegroThe PDF file contains the score and all parts.
$19.99 18.12 € #Orchestre à Cordes #Antonio Vivaldi #Paul Wood #(The Red Priest) #Vivaldi Concerto for 2 Violins in A major Op.3 No.5 #MyMusicScores.com #SheetMusicPlus

Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…(+)

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra. A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy). "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway. On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team. There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora. The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent. Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree". Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences. In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.) The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason. You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it? If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".) My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger: Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments. The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra. A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy). "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway. On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team. There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora. The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent. Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree". Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences. In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.) The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason. You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it? If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".) My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger: Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments. The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Contact Publisher Related Scores
$8.99 8.15 € #Orchestre à Cordes #trad # Keith Terrett #Irish National Anthem #Music for all Occasions #SheetMusicPlus

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