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CHARANGO
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COR ANGLAIS
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
Noviscore
Profs-edition
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
448
PIANO & CLAVIERS
Piano seul
306
Piano, Voix
156
1 Piano, 4 mains
113
Piano Facile
84
2 Pianos, 4 mains
51
Piano grosses notes
48
Orgue
38
Piano, Voix et Guitare
19
Instruments en Do
15
Accordéon
13
Piano Trio: piano, violon, violoncelle
6
1 Piano, 6 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
56
Guitare notes et tablatures
39
Ukulele
7
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
6
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Dulcimer
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
72
Chorale 3 parties
20
Chorale 2 parties
10
Chorale Unison
10
Chorale TTBB
9
Chorale SSAA
8
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Voix haute
1
Chorale SSATTB
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix seule
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
45
Flûte traversière et Piano
36
Clarinette
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
2 Clarinettes (duo)
25
Flûte traversière
23
Saxophone Alto et Piano
23
Quintette de Saxophone: 5 saxophones
20
2 Flûtes traversières (duo)
20
Saxophone (partie séparée)
19
Clarinette et Piano
19
Hautbois, Piano (duo)
18
Flûte, Hautbois, Clarinette, Basson
17
Quatuor de Clarinettes: 4 clarinettes
17
Hautbois (partie séparée)
16
Saxophone Alto
16
Quatuor de Saxophones: 4 saxophones
15
Saxophone, Clarinette (duo)
15
Flûte à Bec
12
2 Hautbois (duo)
11
Saxophone Tenor et Piano
11
Ensemble de Clarinettes
11
Ensemble de Flûtes
10
Clarinette, Violon (duo)
9
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Hautbois, Basson (duo)
8
Flûte à bec Soprano
7
Quintette de Clarinettes: 5 clarinettes
7
3 Saxophones (trio)
6
Flûte, Saxophone (duo)
6
Saxophone Soprano et Piano
6
Ensemble de saxophones
6
Flûte à bec Alto
6
Hautbois
5
Saxophone Baryton, Piano
5
Hautbois, Flûte
5
Flûte, Violon
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Alto (duo)
5
Flûte à bec Tenor
4
2 Flûte à bec (duo)
4
3 Clarinettes (trio)
4
Hautbois, Clarinette (duo)
4
Clarinette (partie séparée)
3
Flûte, Hautbois (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte et Guitare
3
Clarinette, Guitare (duo)
2
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
2
Trio de Flûtes: 3 flûtes
2
Clarinette et Alto
2
5 Flûtes à bec
2
Flûte, Trompette (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Clarinette Basse, Piano
2
Cor Anglais
1
Flûte, Basson et Piano
1
Saxophone et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Cor anglais, Piano
1
Harmonica
1
Piccolo
1
Quatuor de Flûtes à bec
1
Saxophone
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
2 Trombones (duo)
27
Trompette
26
Cor
24
Trombone et Piano
17
Trompette, Piano
16
Trombone
12
Tuba
11
Trompette, Saxophone (duo)
10
Cor et Piano
10
2 Trompettes (duo)
9
2 Cors (duo)
7
2 Euphoniums (duo)
6
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba et Piano
5
Trompette (partie séparée)
5
Trompette, Trombone (duo)
5
Ensemble de Trombones
4
Euphonium
4
Quatuor de cuivres: 4 trombones
4
Trombone (partie séparée)
3
Quatuor de Cuivres
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
2 Tubas (duo)
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Trompette, Cor (duo)
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Cor anglais, Piano
1
4 Tubas
1
3 Trompettes (trio)
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
119
Violon, Violoncelle (duo)
54
Violon et Piano
48
Alto, Piano
39
Violoncelle, Piano
33
Violon
31
Trio à Cordes: 2 violons, violoncelle
23
Alto seul
21
Violoncelle (partie séparée)
19
Violoncelle
17
Trio à Cordes: violon, alto, violoncelle
14
2 Violoncelles (duo)
14
Contre Basse
12
Harpe
12
Violon, Alto (duo)
12
2 Violons (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Altos (duo)
8
Contrebasse, Piano (duo)
6
4 Violoncelles
3
2 Contrebasses (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et Basson
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
122
Orchestre
66
Orchestre à Cordes
32
Ensemble Jazz
20
Orchestre de chambre
18
Ensemble de cuivres
17
Cloches
7
Xylophone, Piano
6
Jazz combo
5
2 Xylophones
4
Xylophone
3
Ensemble de Percussions
2
Batterie
2
3 Marimbas
1
Percussion (partie séparée)
1
Vibraphone et Marimba
1
2 Marimbas
1
Piano et Orchestre
1
Marimba
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Main On End
Orchestre à Cordes
Partitions à imprimer
32 partitions trouvées
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26
Main on End (From AVENGERS: ENDGAME)
Orchestre à Cordes
String Orchestra - Advanced Intermediate - Digital Download By Alan Silvestri. Arrang…
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String Orchestra - Advanced Intermediate - Digital Download By Alan Silvestri. Arranged by Davison Yon. Individual Part, Score, Set of Parts. 17 pages. Published by Davison Yon
Youur students, performers, and audience will be excited for this new arrangement of "MAIN ON END" from Marvel's 2019 blockbuster hit AVENGERS: ENDGAME! This arrangement will not only excite fans of the Marvel Cinematic Universe, but also others who enjoy powerful, triumphant music.
$49.99
45.9 €
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Orchestre à Cordes
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Alan Silvestri
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Main on End
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Davison Yon
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SheetMusicPlus
Casualties Of War -end Title
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.601838 Composed by Ennio Morr…
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String Orchestra - Level 3 - Digital Download SKU: A0.601838 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and Parts. 20 pages. Flavio Regis Cunha #6684097. Published by Flavio Regis Cunha (A0.601838). This is an arrangement of Brian DePalma Suite: Main Theme from Casualities of War based on the recording Yo-Yo Ma made for his album Yo-Yo Ma plays Ennio Moricone. In this album, Yo-Yo Ma plays the main themes of Morricone's success with the prestigious Roma Sinfonietta Orchestra. On the recording, the first 20 bars look like Yo-Yo Ma plays all the different voices with just his cello. In the arrangement that we present here, we have distributed the voices to the different instruments of the string orchestra (violins, viola and cello) and added the solo VIOLIN part (violin version). The string orchestra was written based on the recording. You and your ensemble will love to play this beautiful song in this arrangement that we made completely based on this recording. Enjoy! Intermediate advanced Level.Format: Concert, 9 x 12 inches.20 pages.Full Score and orchestral parts.
$49.99
45.9 €
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Orchestre à Cordes
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Ennio Morricone
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Flavio Regis Cunha
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Casualties Of War -end Title
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Flavio Regis Cunha
#
SheetMusicPlus
Casualties Of War -end Title
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.601852 Composed by Ennio Morr…
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String Orchestra - Level 3 - Digital Download SKU: A0.601852 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV. Score and parts. 20 pages. Flavio Regis Cunha #6683143. Published by Flavio Regis Cunha (A0.601852). This is an arrangement of Brian DePalma Suite: Main Theme from Casualities of War based on the recording Yo-Yo Ma made for his album Yo-Yo Ma plays Ennio Moricone. In this album, Yo-Yo Ma plays the main themes of Morricone's success with the prestigious Roma Sinfonietta Orchestra. On the recording, the first 20 bars look like Yo-Yo Ma plays all the different voices with just his cello. In the arrangement that we present here, we have distributed the voices to the different instruments of the string orchestra (violins, viola and cello) and added the solo cello part.The string orchestra was written based on the recording. You and your ensemble will love to play this beautiful song in this arrangement that we made completely based on this recording. Enjoy! Listen to the recording of Yo-Yo Ma and Roma Sinfonietta Orchestra:https://open.spotify.com/track/7Ct0rGhMwqDk7wFr5Eohhq?si=fd5740bdf6e5411eIntermediate advanced Level.Format: Concert, 9 x 12 inches.20 pages.Full Score and orchestral parts.
$49.99
45.9 €
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Orchestre à Cordes
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Ennio Morricone
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Flavio Regis Cunha
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Casualties Of War -end Title
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Flavio Regis Cunha
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SheetMusicPlus
Fantasia On TRSCH For String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.912503 Composed by Thomas R. …
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String Orchestra - Level 4 - Digital Download SKU: A0.912503 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 49 pages. Thomas R. Schadl #5206103. Published by Thomas R. Schadl (A0.912503). Fantasia On TRSCH For String Orchestra is based on the composer’s initials (B flat, D, E flat, C B -but composed using E, G# A F# F), and explores various contrapuntal techniques that involve rhythmic diminution and augmentation, and inversion and retrograde motions. Further, the work shows how a thematic material varies in regard to articulation and phrasing; in other words, the main theme does not always use the same articulation throughout the piece. The tempo indications are suggestions and gives the performers and listeners an impression of energy building up at the beginning and slowing toward the end of the work. Fantasia On TRSCH For String Orchestra is suitable for both recital and educational purposes.
$11.99
11.01 €
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Orchestre à Cordes
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Thomas R
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Fantasia On TRSCH For String Orchestra
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Thomas R. Schadl
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SheetMusicPlus
Mussorgsky: Night on Bald Mountain for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1147810 Arranged by James M. …
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String Orchestra - Level 4 - Digital Download SKU: A0.1147810 Arranged by James M. Guthrie. 19th Century,Contest,Festival,Romantic Period,Standards,Thriller. 129 pages. Jmsgu3 #747963. Published by jmsgu3 (A0.1147810). Composed in 1867, Mussorgskyâ??s Night on Bald Mountain is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$99.95
91.78 €
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Orchestre à Cordes
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James M
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Mussorgsky: Night on Bald Mountain for String Orchestra
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jmsgu3
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SheetMusicPlus
Livin' On A Prayer
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.767839 By Bon Jovi. By Desmon…
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String Orchestra - Level 3 - Digital Download SKU: A0.767839 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Ellen Harle. Film/TV. Score and parts. 31 pages. Fireworks Music #6233933. Published by Fireworks Music (A0.767839). This Bon Jovi hit, beloved by generation after generation of rockers and karaoke singers, is arranged here for String Quartet or Quintet, in a flexible arrangement that works with or without the Double Bass part. The key signature is G minor for ease of playing the famous bass riff in the cello part. - String Quartet (Violin 1, Violin 2, Viola or Violin 3, Cello)- String Quintet (Violin 1, Violin 2, Viola or Violin 3, Cello, Double Bass or Cello 2)- String Orchestra or Ensemble To add flexibility, the piece can be finished by playing the final 10 bars in the same key as the rest of the piece, OR you can perform them with the key change into Db major for more adventurous players. There is some position work in the first violin part, but all other parts remain in first position, excluding the key change ending. Purchase includes score and all parts including Violin 3 (Viola in treble clef) and Cello 2 (Bass part written at pitch for cello)
$49.99
45.9 €
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Orchestre à Cordes
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Bon Jovi
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Ellen Harle
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Livin' On A Prayer
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Fireworks Music
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SheetMusicPlus
Hole in the Hedge/Out on the Ocean ( Irish Jigs)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.732041 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.732041 Composed by Traditional Irish. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 22 pages. Thomas Quigley #4603297. Published by Thomas Quigley (A0.732041). A jubilant and joyful celebration of Irish music! Violins mainly play the melodic material but there is great rhythmic appeal in the accompanying lines,along with tasteful Celtic style harmonies, making this a superb concert item. Suitable for school, college or amateur string orchestras this is a highly recommended item - not difficult, but most impressive and enjoyable to play.
$25.00
22.96 €
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Orchestre à Cordes
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Traditional Irish
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Thomas Quigley
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Hole in the Hedge/Out on the Ocean
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Thomas Quigley
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SheetMusicPlus
Un Poco Loco
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1233596 Composed by Adrian Mo…
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String Orchestra - Level 2 - Digital Download SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi,Multicultural,World. Score and Parts. 81 pages. Michael Linert #829179. Published by Michael Linert (A0.1233596). Play and Sing Un Poco Loco from Disney's Coco!  This Multi-Level Masterpiece arrangement is scored for mariachi and string orchestral ensembles in a festival arrangement with a variety of levels from first-year players and beyond! Watch and Listen on YouTube! --> https://youtu.be/V1wBfV9cxFYEach purchase of this score/parts allows for 40 musicians to use this sheet music for one calendar year from purchase date.Here is some information to help make this arrangement work best! 1.    All parts in this arrangement can be played simultaneously in a festival-style performance. 2.    The most basic way to play this piece and have it sound like the piece would be to have the violin or viola part (normal or advanced) and a bass instrument (guitarrón, bass, or cello) playing while one or more singers play. 3.    Instruments could play the vocal parts, if necessary. 4.    Adding the foundational, normal, or advanced armonia (guitar, vihuela, or other chordal instruments) would enhance quite a bit. 5.    Adding the normal or advanced trumpet parts would add another layer. Their part doubles the violin/viola parts in most places, but there’s a part near the middle where their part varies to add complexity to the counterpoint. 6.    The foundational violin, viola, cello, bass, guitar, and trumpet parts (normal sheet music) are in unison. They are a mixture of melody/harmonic writing and the bass parts. These parts should be played alongside 2 and 3 listed above. (4 and 5 too if you can!) 7.    The Foundational Notes sheets are one note per measure. In this piece, they are the main tonic chord tones. In this piece (but not in all Multi-Level Masterpieces), they also happen to be the basic major chords. These parts should be played alongside 2 and 3 listed above. (4, 5, and 6 too, if you can!)8.    If you have questions or happen to notice mistakes along the way, please do let me know (ML@michaellinert.com). My current terms of use at the time of publishing allow for use of this sheet music for one year from purchase date. This is so that I can continue to enhance these Multi-Level Masterpieces based on feedback from people performing them! I will likely also add additional instrumental parts (mainly band/general music) in the future. Thank you, and I hope you will enjoy!
$49.99
45.9 €
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Orchestre à Cordes
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Adrian Molina and Germaine Franco
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Michael Linert
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https://youtu
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Un Poco Loco
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Michael Linert
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SheetMusicPlus
Hallelujah Chorus from The Messiah for String Orchestra, Grade 3
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859917 Composed by G. F. Hand…
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String Orchestra - Level 3 - Digital Download SKU: A0.859917 Composed by G. F. Handel. Arranged by Steven Kruse. Baroque,Christian,Christmas,Easter. Score and parts. 52 pages. String Play for All #3687893. Published by String Play for All (A0.859917). This arrangement of one of the holiday’s great classics is accessible for most high schoolorchestras and advanced junior high groups. The Violin IA and IB parts are designed so either or bothparts can be performed, depending on the technical level of your players. The Violin IA part ascends to third position while the Violin IB parts remains in first position, along with the other parts. Grade 3, Duration approximately two minutes.
$9.99
9.17 €
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Orchestre à Cordes
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G
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Steven Kruse
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Hallelujah Chorus from The Messiah for String Orchestra, Grade 3
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String Play for All
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SheetMusicPlus
Elegie - for String Orchestra, Harp, and Piano
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bod…
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String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts. 5 pages. Ronan Bodisch #699803. Published by Ronan Bodisch (A0.1095833). This intense and emotional piece draws inspiration from classical/romantic composers, such as Edward Elgar, while also mixing in modern elements. Performance Notes: Dissonance is very common in this piece. It will not help the orchestra if the players cower away from it, rather than play it confidently. Don't second-guess whether or not the right notes are being played. Be sensitive to whoever has the moving line, as it is passed around the orchestra. At measure 22, the Violas and Cellos should soar above the violins. At measures 26-30, everyone in the orchestra should be playing as loud as humanly possible (go crazy, go bananas), while still remaining sensitive to the moving melodies; this is the composer's signature theme. Be mindful of the key change at measure 35 (F Maj/D Min to B-Flat Maj/G Min). In the end, Violins, Violas, and Cellos should decrescendo to literally nothing on the tremolos. The basses should emphasize pizzicato, but play it lightly, rather than thunderous. The chords in the Harp and Piano should also be brought out.
$35.00
32.14 €
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Orchestre à Cordes
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Ronan Bodisch
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Elegie - for String Orchestra, Harp, and Piano
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Ronan Bodisch
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.66 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Skating
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1304816 Composed by Vince Gua…
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String Orchestra - Level 2 - Digital Download SKU: A0.1304816 Composed by Vince Guaraldi. Arranged by Troy Hanson. 21st Century,Holiday,Pop. Score and Parts. 9 pages. Troy J Hanson #894239. Published by Troy J Hanson (A0.1304816). Skating- From A Charlie Brown ChristmasThis is an intermediate string orchestra arrangement for the classic tune “Skatingâ€The original piece is in C major and this arrangement has been transposed to G major. Some of the turn-around chords which were chromatic I have altered to be diatonic chords for ease of the player given that it is for an intermediate-level group.The Violin 1 part has the main melody, and pizzicato at the beginning and end. The Violin 2 part as normal supports Violin 1 with harmony which is most of the time in thirds just like the original.The Violin 3 part is the easiest of all the parts mostly playing dotted half notes on the G string as well as playing a little pizzicato.The Cello part has a lot of the color for the chords and the B section has a little counter melody.The Bass part uses, pizzicato and arco, low F naturals and one Eb, as well as dotted quarter notes for the main theme to match the violins.It can also be played as a string quintet if desired. I hope you enjoy it!
$49.99
45.9 €
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Orchestre à Cordes
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Vince Guaraldi
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Troy Hanson
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Skating
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Troy J Hanson
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.37 €
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Orchestre à Cordes
#
Aaron Fonzi
#
#
The Abduction of Persephone
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Aaron Fonzi
#
SheetMusicPlus
Jingle Bells for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.812125 Composed by James Pier…
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String Orchestra - Level 2 - Digital Download SKU: A0.812125 Composed by James Pierpont. Arranged by Laura Chegwidden. Children,Christmas,Holiday. Score and Parts. 15 pages. Laura Chegwidden #5026681. Published by Laura Chegwidden (A0.812125). Jingle Bells is a well-known Christmas carol that was written in the mid 1850s by James Pierpont. Originally intended for the Thanksgiving season, it came to be associated with Christmas and the holiday season in general. This upbeat arrangement is perfect for weddings, schools, churches and any other performance opportunities that arise for the professional or amateur musician.The arrangement goes for approx. 1 min. This purchase includes a score and parts for all performers; violin 1, violin 2, violin 3 (optional), viola, cello, double bass, and piano (optional). The Violin 3 and Viola parts are identical and can be used in conjunction with each other or on their own.It would work best for players of an beginner to intermediate level. It is set in the key of G major, which is perfect for stringed instruments. Technical challenges for beginner strings players would include extended and low hand positions, while remaining in first position. Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website: www.facebook.com/lchegmusic/lchegmusic.com
$13.99
12.85 €
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Orchestre à Cordes
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James Pierpont
#
Laura Chegwidden
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Jingle Bells for String Orchestra
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Laura Chegwidden
#
SheetMusicPlus
Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Su…
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String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Sullivan Isaacs. Contemporary,Jewish. Score and parts. 29 pages. Musik Fabrik Music Publishing #5775635. Published by Musik Fabrik Music Publishing (A0.534672). The concept for this piece is to restore the voice of millions silenced by the horrific experience we now call the Holocaust, through the sounds of musical instruments that survived. One thing is clear: the genocide of the Jews was an appalling blow to the human race; one that left a permanent stain on both the perpetrators and enablers, those who stood by without uttering a word of protest. A terrible Night descended upon the world, yet, the breaking Dawn that followed was glorious, indeed. The price to save civilization in the 20th century was appallingly high. Although we must remain ever vigilant, the Jewish people today have a proud homeland—and their magnificent contributions to humanity are universally celebrated.The piece opens with the descent of the seemingly benign curtain of night. Premonitions arise but the darkness continues to descend, over and over again. Finally, chaos ensues and runs its ghastly course before dissipating. The inevitable dawn begins to break, although the curtain of night continues to threaten. Dawn is characterized by two contrasting melodies. One, a stalwart tune that marches ever forward, while the second, more questioning tune appears independently. After their separate statements, the two powerfully join forces to bring this work to a hopeful close, followed by a quiet “Amen.†This item is the score only. The parts are available on rental from the publisher.
$25.95
23.83 €
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Orchestre à Cordes
#
Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Berlioz Symphonie Fantastique: Marche au supplice for Chamber Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.939131 Composed by Hector Ber…
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String Orchestra - Level 4 - Digital Download SKU: A0.939131 Composed by Hector Berlioz. Arranged by Nathan Austin. Romantic Period. Score and parts. 40 pages. Nathan Austin #3483569. Published by Nathan Austin (A0.939131). The thrilling penultimate movement to Berlioz 'Symphonie Fantastique': March au supplice arranged for Chamber/String Orchestra. This piece is arranged so that almost all the harmonic and rhythmic parts are covered. The download includes A conductors score, Violin I, Violin II, Viola and Cello/Bass parts. Feel free to reprint practise and performance copies. The IVth movement of the (supposedly) opium fuelled programmatic work depicts the death of the main character in a dream as he cannot be with his beloved. As he is being processed towards the scaffold, hints of his love (the idée fixe) appear through the music. Towards the end of the piece, just before his death on the scaffold, he clearly sees his love (Violin solo with the idée fixe) before his head is sent rolling.2018 Chamber Music Contest Entry
$4.50
4.13 €
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Orchestre à Cordes
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Hector Berlioz
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Nathan Austin
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Berlioz Symphonie Fantastique: Marche au supplice for Chamber Orchestra
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Nathan Austin
#
SheetMusicPlus
A Holiday Celebration Mash-Up for String Orchestra, Grade 3
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859964 Composed by Traditiona…
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String Orchestra - Level 4 - Digital Download SKU: A0.859964 Composed by Traditional. Arranged by Steven Kruse and Penny Thompson Kruse. Baroque,Christian,Christmas,Classical,Sacred. Score and parts. 139 pages. String Play for All #6600167. Published by String Play for All (A0.859964). 19 songs mashed together to make one 6-minute cohesive, harmonically rich, and lyrical Holiday Celebration! Your students will know all the melodies and enjoy playing parts independent of the others, with their melodies fitting seamlessly with the melodies of the other parts. The first violin part extends to third position and the cello part extends to a g on the A string, with the other parts remaining mostly in first position. The contrapuntal style will develop ensemble playing by your students and careful listening to allow all the parts to fit together. Just in time for the holidays, this is a perfect addition to your Winter concert. Grade 3 with score and parts: 8 first violin, 8 second violin, 5 viola, 5 cello, and 5 bass parts, with score included.
$19.99
18.36 €
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Orchestre à Cordes
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Traditional
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A Holiday Celebration Mash-Up for String Orchestra, Grade 3
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String Play for All
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SheetMusicPlus
Largo from the New World Symphony for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1431642 By Keith Terrett. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 9 pages. Keith Terrett #1012118. Published by Keith Terrett (A0.1431642). Transcribed for String Orchestra the second movement of the New World Symphony is introduced by a harmonic progression of chords in the wind instruments. Beckerman interprets these chords as a musical rendition of the narrative formula Once upon a time. Then a solo cor anglais (English horn) plays the famous main theme in D-flat major accompanied by muted strings. Dvořák was said to have changed the theme from clarinet to cor anglais as it reminded him of the voice of Harry Burleigh. The movement's middle section contains a passage in C♯ minor evoking a nostalgic and desolate mood which eventually leads into a funeral march above pizzicato steps in the basses. It is followed by a quasi-scherzo that incorporates this movement's theme as well as the first movement's main and closing themes. The Largo is concluded with the soft return of the main theme and introductory chords.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.00
7.35 €
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Orchestre à Cordes
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Keith Terrett
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Keith Terrett
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Largo from the New World Symphony for String Orchestra
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Keith Terrett
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SheetMusicPlus
Pomp and Circumstance for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859887 Composed by Edward Elg…
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String Orchestra - Level 3 - Digital Download SKU: A0.859887 Composed by Edward Elgar. Arranged by Steven Kruse. 20th Century,Graduation,Romantic Period,World. Score and parts. 73 pages. String Play for All #3423029. Published by String Play for All (A0.859887). This arrangement of Pomp and Circumstance contains both the opening march and the trio Graduation march. The Graduation March can be performed by itself as a stand-alone piece. The arrangement is designed to be played by a multi-level string ensemble, ranging from beginners through advanced players. The Twinkle violin, viola, and cello parts consist entirely of open strings. The repeated patterns allow the parts to be learned by rote. These parts are optional and may be excluded if beginning students are not involved in the performance. The Advanced Violin part extends to fourth position and involves advanced rhythms and bowings. While the performance is enhanced by using this part, it may be excluded if there are no players in the group on that level. The other string parts remain in first position, with a fourth-finger extension to c on the e string in the first violin part. While the parts include some difficult chromatics and rhythms,
$16.99
15.6 €
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Orchestre à Cordes
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Edward Elgar
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Steven Kruse
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Pomp and Circumstance for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Severn Polish Dance for Violin and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1329722 Composed by Edmund Se…
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String Orchestra - Level 4 - Digital Download SKU: A0.1329722 Composed by Edmund Severn. Arranged by Paul Wood. Romantic Period. 46 pages. MyMusicScores.com #917707. Published by MyMusicScores.com (A0.1329722). Edmund Severn, born in 1862, was a distinguished American violinist and composer. Renowned for his exceptional talent, he studied under the guidance of acclaimed musicians like Emanuel Wirth, Franz Milcke and  Listemann Bernhard. His prowess on the violin garnered widespread admiration, leading him to perform globally, captivating audiences with his emotive and technically brilliant renditions. Severn's legacy extends beyond his performances; his compositions, notably the Polish Dance  remain cherished pieces in the violin repertoire, showcasing his virtuosity. His contributions as a performer, composer, and educator left an indelible mark on the world of classical music.Polish DanceSevern's most renowned creation, the Polish Dance, embodies the spirited essence of the mazurka style. This composition serves as an enchanting gateway into the distinct local flavors of the dance form. Laden with numerous ritardandos and rubatos, it infuses a rhythmic richness, while wide leaps, double stops, and intricate three-note chords embellish its delightful melodies and harmonies. The expressive dynamics employed throughout infuse this Polish Dance with the vital energy necessary to bring its vivacious character to life.Here is an arrangement for violin and string orchestra.The PDF file contains the score and instrumental parts.
$19.99
18.36 €
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Orchestre à Cordes
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Edmund Severn
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Paul Wood
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Severn Polish Dance for Violin and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
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