English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mark T
Non classifié
404
Piano & claviers
Piano, Voix
156
Piano seul
144
Piano Facile
105
Piano, Voix et Guitare
46
Instruments en Do
36
Accordéon
22
Orgue
8
Piano Trio: piano, violon, violoncelle
6
Piano (partie séparée)
5
1 Piano, 4 mains
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
4
Paroles et Accords
4
Piano, Guitare (duo)
3
Basse electrique
3
2 Guitares (duo)
2
Ukulele
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
Banjo
1
Mandoline
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
97
Pack Instrumental pour Chorale
77
Chorale 3 parties
71
Chorale TTBB
35
Chorale
23
Chorale 2 parties
17
Chorale SSAA
7
Chorale Unison
4
Voix duo, Piano
3
Voix haute
2
Voix duo
2
Voix basse, Piano
1
Voix seule
1
Voix Alto, Piano
1
+ 9 instrumentations
Retracter
Vents
Saxophone
56
Flûte traversière
46
2 Saxophones (duo)
45
Saxophone (partie séparée)
44
Clarinette
39
Saxophone Alto
33
Flûte, Hautbois, Clarinette, Basson
22
2 Flûtes traversières (duo)
21
Quintette de Saxophone: 5 saxophones
20
Saxophone Tenor
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Hautbois (partie séparée)
18
Clarinette et Piano
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto et Piano
15
Hautbois, Piano (duo)
13
Flûte traversière et Piano
13
2 Clarinettes (duo)
9
Saxophone Tenor et Piano
8
Flûte et Guitare
7
Ensemble de Clarinettes
6
Saxophone Soprano et Piano
6
2 Hautbois (duo)
5
Ensemble de saxophones
4
Quatuor de Flûtes à bec
4
5 Flûtes à bec
4
Flûte à bec Soprano
4
Ensemble de Flûtes
4
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
4
Hautbois
3
Saxophone, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Baryton
2
Clarinette, Trompette (duo)
2
Clarinette (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Violon (duo)
2
Clarinette, Guitare (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Clarinette (duo)
1
Flute, harpe et violon
1
3 Flûtes à bec (trio)
1
Flûte, Trompette (duo)
1
Piccolo
1
2 Flûte à bec (duo)
1
Saxophone Soprano
1
Instruments en Mib
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Hautbois, Flûte
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
50
Trompette
47
Trompette (partie séparée)
40
Trombone
39
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor
17
Trompette, Piano
13
Trombone et Piano
12
Cor et Piano
10
Tuba
9
2 Trompettes (duo)
7
Tuba et Piano
6
2 Trombones (duo)
6
Trompette, Harpe
4
2 Cors (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor (partie séparée)
3
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Ensemble de Trompettes
2
2 Tubas (duo)
2
Instruments en Sib
2
Cor et Harpe
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
2
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
4 Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Bass Clef Instruments
1
Euphonium
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon
30
Violoncelle
25
Alto seul
20
Violon, Violoncelle (duo)
20
Violon et Piano
17
Trio à Cordes: violon, alto, violoncelle
17
Harpe
16
Violoncelle, Piano
14
Alto, Piano
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contre Basse
9
2 Violons (duo)
9
Contrebasse, Piano (duo)
8
2 Violoncelles (duo)
8
Contrebasse (partie séparée)
7
2 Altos (duo)
6
Violon, Alto (duo)
6
Violon (partie séparée)
5
Alto (partie séparée)
3
Ensemble de Violons
2
5 Harpes
2
2 Contrebasses (duo)
2
3 Harpes
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
177
Orchestre à Cordes
31
Ensemble Jazz
31
Orchestre
25
Ensemble de cuivres
15
Batterie
13
Fanfare
9
Orchestre de chambre
7
Jazz combo
4
Batterie (partie séparée)
4
Cloches
3
Vibraphone
2
Marimba
1
Ensemble de Percussions
1
Xylophone
1
+ 10 instrumentations
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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ORCHESTRE
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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SheetMusicPlus
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Vous avez sélectionné:
Mark T
Orchestre à Cordes
Partitions à imprimer
31 partitions trouvées
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1
26
Say You Won't Let Go
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1271692 By James Arthur. By A…
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String Orchestra - Level 2 - Digital Download SKU: A0.1271692 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Paulo Henrique. Contemporary,Instructional,Pop,Soul,Wedding. Score and Parts. 10 pages. Paulo Henrique #864073. Published by Paulo Henrique (A0.1271692). Say You Won't Let Go, James Arthur, Easy Arrangement for String Orchestra, Score, Violin 1, Violin 2, Viola, Cello, Double Bass, Chords, Pop, R&B, Soul, Student Orchestra, Wedding, String Students.
$50.00
46.02 €
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Orchestre à Cordes
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James Arthur
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Paulo Henrique
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Say You Won't Let Go
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Paulo Henrique
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SheetMusicPlus
Say You Won't Let Go
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1283714 By James Arthur. By A…
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String Orchestra - Level 4 - Digital Download SKU: A0.1283714 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Julie Doubleday. Pop. Score and Parts. 20 pages. Julie Doubleday #874911. Published by Julie Doubleday (A0.1283714). Say You Won't Let Go by James ArthurArranged for String Orchestra.In this arrangement, the Cellos, Violas, VIolin 2s and Violin 1s all share the melody.
$49.99
46.01 €
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Orchestre à Cordes
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James Arthur
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Julie Doubleday
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Say You Won't Let Go
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Julie Doubleday
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SheetMusicPlus
Handel Overture to the Royal Fireworks - strings
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.759552 Composed by George Fri…
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String Orchestra - Level 3 - Digital Download SKU: A0.759552 Composed by George Frideric Handel. Arranged by Mark Lansom. Baroque,Holiday,Patriotic,World. Score and parts. 17 pages. Mark Lansom #3627183. Published by Mark Lansom (A0.759552). An accessible arrangement of Handel's famous Fireworks Music overture for string orchestra. Would showcase a competent youth ensemble and a good opening number for any string ensemble concert. The arrangement is slightly shortened in comparison to the original. There is a third violin part included in case there aren't enough violas - with the exception of about three bars these two parts are alike. Score and parts included.
$16.99
15.64 €
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Orchestre à Cordes
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George Frideric Handel
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Mark Lansom
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Handel Overture to the Royal Fireworks - strings
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Mark Lansom
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SheetMusicPlus
Peter Pan Live: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016872_VN2 2nd Violin. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0016872_VN2 2nd Violin. Composed by Carolyn Leigh and Mark Charlap. Arranged by Bob Cerulli. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016872_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016872_VN2). UPC: 038081501079.In classic musical theater style with delightful rhythmic and harmonic coloring, this medley will take the audience and orchestra on a trip to Neverland that will never be forgotten. I'm Flying and I Won't Grow Up are featured. (4:10).
$5.99
5.51 €
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Orchestre à Cordes
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Carolyn Leigh and Mark Charlap
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Bob Cerulli
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Peter Pan Live: 2nd Violin
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Peter Pan Live: 3rd Violin (Viola [TC])
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016872_VN3 3rd Violin (Viola …
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String Orchestra - Digital Download SKU: AX.00-PC-0016872_VN3 3rd Violin (Viola [TC]). Composed by Carolyn Leigh and Mark Charlap. Arranged by Bob Cerulli. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016872_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016872_VN3). UPC: 038081501079.In classic musical theater style with delightful rhythmic and harmonic coloring, this medley will take the audience and orchestra on a trip to Neverland that will never be forgotten. I'm Flying and I Won't Grow Up are featured. (4:10).
$5.99
5.51 €
#
Orchestre à Cordes
#
Carolyn Leigh and Mark Charlap
#
Bob Cerulli
#
Peter Pan Live: 3rd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Peter Pan Live: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0005114 Score. Composed by…
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String Orchestra - Digital Download SKU: AX.00-PR-0005114 Score. Composed by Carolyn Leigh and Mark Charlap. Arranged by Bob Cerulli. Movie. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0005114. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005114). UPC: 038081501079.In classic musical theater style with delightful rhythmic and harmonic coloring, this medley will take the audience and orchestra on a trip to Neverland that will never be forgotten. I'm Flying and I Won't Grow Up are featured. (4:10).
$9.00
8.28 €
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Orchestre à Cordes
#
Carolyn Leigh and Mark Charlap
#
Bob Cerulli
#
Peter Pan Live: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Peter Pan Live: Cello
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016872_VC1 Cello. Compose…
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String Orchestra - Digital Download SKU: AX.00-PC-0016872_VC1 Cello. Composed by Carolyn Leigh and Mark Charlap. Arranged by Bob Cerulli. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016872_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016872_VC1). UPC: 038081501079.In classic musical theater style with delightful rhythmic and harmonic coloring, this medley will take the audience and orchestra on a trip to Neverland that will never be forgotten. I'm Flying and I Won't Grow Up are featured. (4:10).
$5.99
5.51 €
#
Orchestre à Cordes
#
Carolyn Leigh and Mark Charlap
#
Bob Cerulli
#
Peter Pan Live: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Peter Pan Live: Viola
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016872_VA1 Viola. Compose…
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String Orchestra - Digital Download SKU: AX.00-PC-0016872_VA1 Viola. Composed by Carolyn Leigh and Mark Charlap. Arranged by Bob Cerulli. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016872_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016872_VA1). UPC: 038081501079.In classic musical theater style with delightful rhythmic and harmonic coloring, this medley will take the audience and orchestra on a trip to Neverland that will never be forgotten. I'm Flying and I Won't Grow Up are featured. (4:10).
$5.99
5.51 €
#
Orchestre à Cordes
#
Carolyn Leigh and Mark Charlap
#
Bob Cerulli
#
Peter Pan Live: Viola
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Peter Pan Live: String Bass
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016872_SB String Bass. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0016872_SB String Bass. Composed by Carolyn Leigh and Mark Charlap. Arranged by Bob Cerulli. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016872_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016872_SB). UPC: 038081501079.In classic musical theater style with delightful rhythmic and harmonic coloring, this medley will take the audience and orchestra on a trip to Neverland that will never be forgotten. I'm Flying and I Won't Grow Up are featured. (4:10).
$5.99
5.51 €
#
Orchestre à Cordes
#
Carolyn Leigh and Mark Charlap
#
Bob Cerulli
#
Peter Pan Live: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rudolph The Red-nosed Reindeer
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.850404 By John Denver. By Dav…
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String Orchestra - Level 3 - Digital Download SKU: A0.850404 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Tim Crooks. Rock. Score and parts. 33 pages. STR:UK String Arrangements #6615981. Published by STR:UK String Arrangements (A0.850404). Rudolph The Red-Nosed Reindeer, by Johnny Marks, arranged by Tim Crooks for String Orchestra with Sleigh Bells and Glockenspiel.This download is Score and Parts. A must-have Christmas classic for any youth group, this arrangement is in classic American songbook style. The piano and percussion parts are optional for performance. This arrangement is technically approachable for Intermediate level groups (ABRSM grade 4+), with some short passages in higher position and jazz rhythms for the main Violin, Viola and Cello / Bass parts. Easier beginner parts for Violin, Viola and Cello are included.Parts included in this set:- Violin 1 - Violin 2 - Viola / Violin III - Open String Violin / Viola- Cello 1/2- Double Bass- Glockenspiel & Sleigh Bells- Piano About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook / Twitter @strukstrings STR:UK Strings - Education String Music ©2021 S T Crooks Ltd All Rights Reserved
$24.99
23 €
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Orchestre à Cordes
#
John Denver
#
Tim Crooks
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Rudolph The Red-nosed Reindeer
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STR:UK String Arrangements
#
SheetMusicPlus
Rudolph The Red-nosed Reindeer
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.504114 By John Denver. By Joh…
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String Orchestra - Level 3 - Digital Download SKU: A0.504114 By John Denver. By Johnny Marks. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 19 pages. Thomas Graf - the-hit-factory.com #116041. Published by Thomas Graf - the-hit-factory.com (A0.504114). Rudolph, the Red-Nosed Reindeer is a song by Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer, wich became a real Christmas All-Time Classic. Gene Autry's recording hit No. 1 on the U.S. charts the week of Christmas 1949. Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts.
$50.00
46.02 €
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Orchestre à Cordes
#
John Denver
#
Thomas Graf
#
Rudolph The Red-nosed Reindeer
#
Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Away in a Manger
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.502940 By Angela R Pendleton. By Tradit…
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String Orchestra - Digital Download SKU: A0.502940 By Angela R Pendleton. By Traditional. Arranged by Angela R Pendleton. Christmas,Classical,Holiday,Traditional. Score and parts. 6 pages. Published by Angela Pendleton (A0.502940). This is a simple short arrangement of the lullaby. This is the rarer version of the song not heard as much as the children's choral version. Key of G, 3/4 time, this piece has some slurs but doesn't dominate the piece. Low fingerings marked throughout. Dynamics are piano to forte with added crescendos and decrescendos for effect. This would be great for beginner orchestras.
$5.00
4.6 €
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Orchestre à Cordes
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Angela R Pendleton
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Angela R Pendleton
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Away in a Manger
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Angela Pendleton
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.19 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 3 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.19 €
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Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 5 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3880257. Published by Colin Kirkpatrick Publications (A0.522220). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.19 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Courantes - Dances 151 and 152 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Three Gavottes from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879697. Published by Colin Kirkpatrick Publications (A0.522217). Three gavottes arranged for strings, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.19 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Three Gavottes from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
La Bourrée - Dance 32 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879699. Published by Colin Kirkpatrick Publications (A0.522218). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.19 €
#
Orchestre à Cordes
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Various
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Colin Kirkpatrick
#
La Bourrée - Dance 32 from Terpsichore
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.19 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.19 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.57 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous.…
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String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
11.03 €
#
Orchestre à Cordes
#
Anonymous
#
Colin Kirkpatrick
#
Les Courantes - Dances 183 and 188 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.19 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Ding Dong Merrily On High (STR:UK String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.850410 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.850410 Composed by Traditional. Arranged by Tim Crooks. Christmas. Score and parts. 38 pages. STR:UK String Arrangements #6617977. Published by STR:UK String Arrangements (A0.850410). Ding Dong Merrily On High, traditional Christmas carol, arranged by Tim Crooks for String Ensemble (ABRSM Beginner - grade 5).This download is a score and set of parts (parts can be printed more than once). This is an approachable arrangement with some higher position wiring in Violin 1 and Cello 1, although options to play down the octave are also marked. Perfect for carol services and Christmas performances. The arrangement also includes optional easy beginner parts for all instruments (approx ABRSM pre-grade 1). A Piano part is included but optional for performance. Parts included: Score, Violin 1, Violin 2, Viola, Easy Vln/Va, Cello/Easy Cello, Double Bass/Easy Double Bass, Piano, Glockenspiel, Sleigh Bells About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter @strukstrings STR:UK Strings - Education String Music ©2021S T Crooks Ltd. All Rights Reserved.
$19.99
18.4 €
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Orchestre à Cordes
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Traditional
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Tim Crooks
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Ding Dong Merrily On High
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STR:UK String Arrangements
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SheetMusicPlus
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. A…
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String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.19 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Voltas - Dances 201 and 210 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
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