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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
May It Be
Non classifié
2 164
Piano & claviers
Piano seul
456
Piano, Voix et Guitare
397
Piano, Voix
299
Piano Facile
106
Orgue
70
Instruments en Do
21
Accompagnement Piano
18
1 Piano, 4 mains
17
Clavecin
8
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
4
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
41
Ukulele
13
Banjo
6
4 Guitares (Quatuor)
6
Mandoline
5
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
Ensemble de guitares
2
Dulcimer
2
Guitare (partie séparée)
1
Paroles et Accords
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
400
Chorale 3 parties
111
Voix haute
72
Chorale 2 parties
61
Chorale Unison
53
Chorale TTBB
40
Voix Alto, Piano
38
Voix Soprano, Piano
37
Chorale SSAA
29
Voix moyenne, Piano
17
Voix duo
10
Voix seule
6
Voix Tenor, Piano
5
Voix Baryton, Piano
5
Voix duo, Piano
4
Voix basse, Piano
4
Voix Tenor
3
Voix basse
2
Chorale SSATTB
2
Chorale
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
156
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Ensemble de saxophones
104
Flûte traversière et Piano
88
Quatuor de Clarinettes: 4 clarinettes
78
Quatuor de Saxophones: 4 saxophones
64
Ensemble de Clarinettes
55
Clarinette et Piano
42
2 Flûtes traversières (duo)
36
Hautbois, Piano (duo)
33
Clarinette
33
2 Saxophones (duo)
31
Flûte, Hautbois, Clarinette, Basson
29
Quintette de Flûte : 5 flûtes
28
Flûte traversière
26
Ensemble de Flûtes
24
Saxophone Tenor et Piano
23
Saxophone Alto et Piano
23
Hautbois (partie séparée)
21
Saxophone Soprano et Piano
18
Saxophone (partie séparée)
17
2 Clarinettes (duo)
16
3 Saxophones (trio)
14
Saxophone Alto
13
Saxophone Tenor
13
Cor anglais, Piano
12
Saxophone Baryton, Piano
12
Saxophone
11
Clarinette (partie séparée)
11
Clarinette Basse, Piano
9
Flûte à Bec
8
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone, Clarinette (duo)
7
Hautbois, Flûte
6
Clarinette, Violon (duo)
6
3 Clarinettes (trio)
6
Clarinette, Trompette (duo)
5
Flûte et Guitare
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
Hautbois
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte, Saxophone (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Basson (duo)
3
Flûte, Violon
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto, Piano
2
Cor Anglais
2
Saxophone et Orgue
2
Clarinette, Guitare (duo)
2
Flûte, Violon et Violoncelle
2
Clarinette et Alto
2
Quatuor de Flûtes à bec
2
Flûte, Alto et Piano
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
5 Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
2 Saxophones, Piano
1
Flute, harpe et violon
1
Clarinette, Orgue
1
Piccolo
1
Flûte, Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
+ 74 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Ensemble de Trompettes
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Ensemble de Trombones
43
Trompette
32
Trombone et Piano
26
Euphonium, Piano (duo)
17
Quatuor de cuivres: 4 trombones
17
Cor et Piano
17
Quatuor de Cuivres
16
Trompette, Piano
15
Trombone
14
Trompette, Trombone (duo)
13
Cor anglais, Piano
12
Tuba
12
Trompette (partie séparée)
12
2 Trompettes (duo)
11
2 Trombones (duo)
10
Trombone (partie séparée)
10
Cor
10
Euphonium
6
Tuba et Piano
6
Ensemble de Cors
6
Trio de Cuivres
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
5
2 Tubas (duo)
4
Cor (partie séparée)
4
2 Cors (duo)
4
Tuba (partie séparée)
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Ensemble de Tubas
1
Trombone basse
1
4 Tubas
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
300
Violon
158
Violon, Violoncelle (duo)
155
Trio à Cordes: violon, alto, violoncelle
151
Harpe
61
Violon et Piano
58
Violoncelle, Piano
32
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Alto, Piano
30
Ensemble de Violons
29
Ensemble d'Altos
27
Violoncelle
23
Violon, Alto (duo)
22
2 Violoncelles (duo)
20
2 Violons (duo)
18
Alto seul
16
Violon (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
12
2 Altos (duo)
11
Alto (partie séparée)
10
2 Harpes (duo)
9
4 Violoncelles
8
Violon, Guitare (duo)
6
Violoncelle, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Contrebasse (partie séparée)
6
Quatuor à cordes: 4 violons
4
3 Harpes
3
Contrebasse, Piano (duo)
3
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contre Basse
3
5 Harpes
2
Harpe, Voix
2
Harpe et Piano
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Alto, Orgue
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
Harpe, Flûte (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Cloches
458
Orchestre d'harmonie
179
Orchestre à Cordes
160
Orchestre
90
Ensemble de cuivres
79
Ensemble Jazz
64
Fanfare
32
Orchestre de chambre
32
Jazz combo
22
Ensemble de Percussions
13
Percussion (partie séparée)
6
Batterie
4
Marimba
3
Ensemble d'École
2
Batterie (partie séparée)
1
Orchestre, Violon
1
Timbales (partie séparée)
1
Vibraphone
1
+ 13 instrumentations
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DULCIMER
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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Vous avez sélectionné:
May It Be
Orchestre à Cordes
Partitions à imprimer
160 partitions trouvées
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1
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151
Pilgrim's Song (He Who Would Valiant Be)
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Music by Charles Winfred Dougl
#
John R
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Pilgrim's Song
#
John R. Daniels
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.503482 Composed by Music by Charles Winfred Douglas. Arranged by John R. Daniels. Classical,Sacred,Traditional. Sco...
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String Orchestra - Level 4 - SKU: A0.503482 Composed by Music by Charles Winfred Douglas. Arranged by John R. Daniels. Classical,Sacred,Traditional. Score and parts. 15 pages. John R. Daniels #115593. Published by John R. Daniels (A0.503482). A delightful arrangement of the music to John Bunyan's hymn He Who Would Valiant Be from Pilgrim's Progress. More than a straight transcription, it has alternate voicing and key wanderings. It's an easy enough piece for most string orchestras, but it has enough challenges to keep it interesting.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$25.00
At the Cross and Jesus Paid it All
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Musique Sacrée
#
Nick M Lacanski
#
At the Cross and Jesus Paid it
#
theupperstaff
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1116085 Composed by Nick M Lacanski. Christian,Religious,Sacred. Score and Parts. 19 pages. Theupperstaff #717770. ...
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String Orchestra - Level 3 - SKU: A0.1116085 Composed by Nick M Lacanski. Christian,Religious,Sacred. Score and Parts. 19 pages. Theupperstaff #717770. Published by theupperstaff (A0.1116085). This two hymn arrangement is set traditionally. The hymns may be shared individually are as arranged. This may be employed in your upcoming service as a special, an offertory or an invitational.
$8.99
Thank God It's Christmas
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Rock
#
Queen
#
Tim Crooks
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Thank God It's Christmas
#
STR:UK String Arrangements
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.850386 By Queen. By Brian May and Roger Taylor. Arranged by Tim Crooks. Rock. Score and parts. 24 pages. STR:UK Str...
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String Orchestra - Level 3 - SKU: A0.850386 By Queen. By Brian May and Roger Taylor. Arranged by Tim Crooks. Rock. Score and parts. 24 pages. STR:UK String Arrangements #6591441. Published by STR:UK String Arrangements (A0.850386). Thank God It’s Christmas, by Queen, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 5). Technical challenges include 12/8 time signature and hemiolas meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, reaching briefly to a top G in first violin only. The arrangement also includes an easier part for Violin & Viola suitable for grade 1-2 level. A piano part is included but is not needed for performance. Multiple part copies can be printed from this download. Please do not share or distribute. The string quartet parts can be performed alone and are also available as a separate download: H0.1122165-SC000004914 About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: https://www.facebook.com/Strukstrings-102251248505787 https://twitter.com/strukstrings STR:UK Strings - Education String Music
$24.99
May It Be (arr. Larry Moore) - Full Score
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Orchestre à Cordes
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FACILE
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Enya
#
Larry Moore
#
May It Be
#
Hal Leonard - Digital
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: HX.1413247 By Enya. Arranged by Larry Moore. This edition: scorch. Celtic,Film/TV,New Age. 8 pages. Hal Leonard - Digi...
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String Orchestra - Level 2 - SKU: HX.1413247 By Enya. Arranged by Larry Moore. This edition: scorch. Celtic,Film/TV,New Age. 8 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1413247).
$7.50
BE THOU MY VISION, A Traditional Irish Hymn, String Orchestra, Intermediate Level for 2 violins, vio
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Traditional Hymn
#
Sherry Lewis
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BE THOU MY VISION, A Tradition
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521730 Composed by Traditional Hymn. Arranged by Sherry Lewis. Celtic,Classical,Folk,Irish,Spiritual. Score and Par...
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String Orchestra - Level 3 - SKU: A0.521730 Composed by Traditional Hymn. Arranged by Sherry Lewis. Celtic,Classical,Folk,Irish,Spiritual. Score and Parts. 11 pages. Sherry Lewis Publishing #6411163. Published by Sherry Lewis Publishing (A0.521730). BE THOU MY VISION String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Intermediate Level Score: 3 pages Parts: 5 pages Time: 1'10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
Things We Lost In The Fire
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Rock
#
Bastille
#
Paul Trapkus
#
Things We Lost In The Fire
#
Paul Trapkus
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.911152 By Bastille. By Daniel Campbell Smith. Arranged by Paul Trapkus. Rock. Score and parts. 22 pages. Paul Trapk...
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String Orchestra - Level 3 - SKU: A0.911152 By Bastille. By Daniel Campbell Smith. Arranged by Paul Trapkus. Rock. Score and parts. 22 pages. Paul Trapkus #6287901. Published by Paul Trapkus (A0.911152). A meticulous arrangement of Things We Lost in the Fire as recorded by Bastille for string orchestra, piano, and optional drum set without vocals. The arrangement is a karaoke version so that you can add a singer for a performance closely resembling the original song. The included optional drum set part is not shown in the score. Bowings have been carefully added in all parts.More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:Take On Me • Africa • Never Gonna Give You Up • Ghostbusters • Secrets • Final Countdown • Darude Sandstorm • Dancing Queen • Undisclosed Desires • Some Nights • The Office Theme • Seal Lullaby • Only Time • Pompeii • Radioactive • Paradise • May It Be • Laughter Lines • Things We Lost in the Fire • All I Ever Wanted • La Valse d'Amelie • Young and Beautiful • Raging Fire
$49.99
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Wolfgang Amadeus Mozart
#
Regis Bookshar
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Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Chri...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. by David Catherwood for Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Traditional English Folk Song
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David Catherwood
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When I Survey the Wondrous Cro
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Opus 3 Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.739476 Composed by Traditional English Folk Song. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,W...
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String Orchestra - Level 4 - SKU: A0.739476 Composed by Traditional English Folk Song. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 7 pages. Opus 3 Music #5026539. Published by Opus 3 Music (A0.739476). This arrangement of the well loved English Folk song O Waly, Waly will work equally well for String Quartet or String Orchestra. It can be used as an accompaniment for Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for string quartets playing at weddings or other functions.When I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$7.50
In the Clouds
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Orchestre à Cordes
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FACILE
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Contemporain
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Nick Lacanski
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In the Clouds
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theupperstaff
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.646149 Composed by Nick Lacanski. 20th Century. Score and parts. 23 pages. Theupperstaff #1988809. Published by the...
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String Orchestra - Level 2 - SKU: A0.646149 Composed by Nick Lacanski. 20th Century. Score and parts. 23 pages. Theupperstaff #1988809. Published by theupperstaff (A0.646149). This modern sounding piece for string orchestra is playable by the end of the first year of instruction. A big, full sound is contrasted by short interludes for solo or section soli. The harmonies give it the new sound. The instruments natural resonance help enrich the volume and depth. The piano may or may not be used in performance.
$6.95
Amazing Grace for String Orchestra arranged by David Catherwood (with optional parts for Horn/Clar)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional American
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David Catherwood
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Amazing Grace for String Orche
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Opus 3 Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.739500 Composed by Traditional American. Arranged by David Catherwood. Folk,Patriotic,Sacred. Score and parts. 12 p...
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String Orchestra - Level 3 - SKU: A0.739500 Composed by Traditional American. Arranged by David Catherwood. Folk,Patriotic,Sacred. Score and parts. 12 pages. Opus 3 Music #5968587. Published by Opus 3 Music (A0.739500). Amazing Grace arranged for String Orchestra (plus optional horn, clarinet & percussion)This arrangement of the well loved American Hymn Amazing Grace will work equally well as an accompaniment for Choirs or Congregations singing John Newton's famous words or it may also be used as an effective instrumental item.For secular use the arrangement would also work well for smaller groups playing at weddings or other functions.As with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceA full set contains a score and a generous set of parts (with permissionto copy to suit your own requirements) for the following instruments:Violins 1 & 2ViolaCelloBassHorn in F (Optional - in place of viola)Clarinet in Bb (Optional - in place of viola)PercussionPiano
$9.50
Lord, My Heart Is Not Proud (Downloadable Choral Score)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Musique Sacrée
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Leo Nestor
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Lord, My Heart Is Not Proud
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SSAA choir, cello obbligato, organ or string orchestra - Medium - SKU: MQ.50-5016-E Composed by Leo Nestor. 18 pages. MorningStar Music Publishers - Dig...
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SSAA choir, cello obbligato, organ or string orchestra - Medium - SKU: MQ.50-5016-E Composed by Leo Nestor. 18 pages. MorningStar Music Publishers - Digital Sheet Music #50-5016-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5016-E). English. Psalms 131.A peaceful setting of Psalm 131. The composer begins with a calm opening statement by the cello and then incorporates it beautifully into the structure of the piece. This anthem may also be used with optional strings.
$2.25
Darude - Sandstorm for String Orchestra
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Orchestre à Cordes
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Film/TV
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Darude
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Paul Trapkus
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Darude - Sandstorm for String
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Paul Trapkus
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SheetMusicPlus
By Darude. Arranged by Paul Trapkus. Score, Set of Parts. 26 pages. Published by Paul Trapkus...
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By Darude. Arranged by Paul Trapkus. Score, Set of Parts. 26 pages. Published by Paul Trapkus
A meticulous arrangement of Darude's Sandstorm for string orchestra, 2 synthesizers, and drum set. Bowings are included.
More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:
Take On Me ? Africa ? Never Gonna Give You Up ? Ghostbusters ? Secrets ? Final Countdown ? Darude Sandstorm ? Dancing Queen ? Undisclosed Desires ? Some Nights ? The Office Theme ? Seal Lullaby ? Only Time ? Pompeii ? Radioactive ? Paradise ? May It Be ? Laughter Lines ? Things We Lost in the Fire ? All I Ever Wanted ? La Valse d'Amelie ? Young and Beautiful ? Raging Fire
$49.99
The Office Theme Song for String Orchestra
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Orchestre à Cordes
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Film/TV
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Jay Ferguson
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Paul Trapkus
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The Office Theme Song for Stri
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Paul Trapkus
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SheetMusicPlus
By Jay Ferguson. Arranged by Paul Trapkus. Score, Set of Parts. 10 pages. Published by Paul Trapkus...
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By Jay Ferguson. Arranged by Paul Trapkus. Score, Set of Parts. 10 pages. Published by Paul Trapkus
A meticulous arrangement for string orchestra of the theme song played in the opening credits for the American TV show The Office. Arranged for string orchestra, piano, and drum set.
More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:
Take On Me ? Africa ? Never Gonna Give You Up ? Ghostbusters ? Secrets ? Final Countdown ? Darude Sandstorm ? Dancing Queen ? Undisclosed Desires ? Some Nights ? The Office Theme ? Seal Lullaby ? Only Time ? Pompeii ? Radioactive ? Paradise ? May It Be ? Laughter Lines ? Things We Lost in the Fire ? All I Ever Wanted ? La Valse d'Amelie ? Young and Beautiful ? Raging Fire
$49.99
La Valse d'Amelie - String Orchestra
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Orchestre à Cordes
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Film/TV
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Yann Tiersen
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Paul Trapkus
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La Valse d'Amelie - String Orc
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Paul Trapkus
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SheetMusicPlus
By Yann Tiersen. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by Paul Trapkus...
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By Yann Tiersen. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by Paul Trapkus
A meticulous string orchestra arrangement of La Valse d'Amelie by Yann Tiersen from the movie Amelie. Features brief solos from the 1st violin, 2nd violin, and viola sections. Bowings have been carefully added to all parts.
More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:
Take On Me ? Africa ? Never Gonna Give You Up ? Ghostbusters ? Secrets ? Final Countdown ? Darude Sandstorm ? Dancing Queen ? Undisclosed Desires ? Some Nights ? The Office Theme ? Seal Lullaby ? Only Time ? Pompeii ? Radioactive ? Paradise ? May It Be ? Laughter Lines ? Things We Lost in the Fire ? All I Ever Wanted ? La Valse d'Amelie ? Young and Beautiful ? Raging Fire
$12.99
Keyboard Concerto 1 in D
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Kevin Bruce Weed
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Kevin Bruce Weed
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Keyboard Concerto 1 in D
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Kevin Bruce Weed
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1042428 By Kevin Bruce Weed. By Kevin Bruce Weed. Arranged by Kevin Bruce Weed. 20th Century,Baroque,Classical,Cont...
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String Orchestra - Level 4 - SKU: A0.1042428 By Kevin Bruce Weed. By Kevin Bruce Weed. Arranged by Kevin Bruce Weed. 20th Century,Baroque,Classical,Contest,Festival,Traditional. Score and parts. 86 pages. Kevin Bruce Weed #647213. Published by Kevin Bruce Weed (A0.1042428). With a challenging solo, this piece was written to be very easy for a high school orchestra with few rehearsals, though college, community and professional ensembles may find it to be a charming addition to a concert or recording project. It is a piece you could use to include a good pianist, student or adult, as a guest with your string orchestra. Although written for harpsichord, the solo part could be played on any keyboard, piano or organ. The soloist should adjust dynamics, articulations, and tone colors to best compliment the instrument and accompanying orchestra. It is written in three movements, but the intention is to play through the piece with no stops. You may omit the usual listing of movement tempo markings in your printed program. The string parts are quite easy. However, the second movement is primarily a duet between solo violin and harpsichord. Let me know if you buy this. I would love to hear your questions, comments, performance. https://kevinweed.com/harpsichord-concerto/.
$99.99
"Spiral" for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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Andrew Hodges
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"Spiral" for String
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Andrew Hodges
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1306886 Composed by Andrew Hodges. 21st Century,Classical,Historic. Score and Parts. 32 pages. Andrew Hodges #89622...
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String Orchestra - Level 5 - SKU: A0.1306886 Composed by Andrew Hodges. 21st Century,Classical,Historic. Score and Parts. 32 pages. Andrew Hodges #896222. Published by Andrew Hodges (A0.1306886). Spiral - Our Journey Through The Pandemic - for String Orchestra - composer Andrew HodgesEveryone's experience of the pandemic has been different and people will have different things to say about it. I think the first feeling we may have had is panic and shock. This was something not easy to get to grips with. Then the churning over and over in our minds about what we're supposed to do and the radical switch in the way our lives began to operate. As the months went by we learned more about the suffering and the conflict it caused. At some point we may finally get to know what it feels to be out of it. The relief when it comes will be tinged with much sadness and grief.
$69.99
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
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String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Carson Cooman - Concerto in modo antico (2011) for recorder (soprano or tenor) and strings, full sco
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Orchestre à Cordes
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman - Concerto in mo
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.775953 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 27 pages. Musik Fabrik Music Publishing ...
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String Orchestra - Level 3 - SKU: A0.775953 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 27 pages. Musik Fabrik Music Publishing #2033577. Published by Musik Fabrik Music Publishing (A0.775953). Concerto in modo antico (2011) for recorder and strings was commissioned by and is dedicated to recorderist John Turner. The five movements of the work draw upon stylistic elements of Medieval and Renaissance music. I. Estampie II. Aria III. Echo Gigue IV. Ground (in memoriam Lee Hoiby) V. Estampie da capo Orchestra details: A small string orchestra is suggested. String quintet may be used if necessary (although the first violin part in the second movement will be nearly entirely double stops). Though it is not preferred, the recorder may be discretely amplified if necessary, particularly if using a large string orchestra. A piano reduction is provided primarily for rehearsal purposes. If absolutely necessary, the work may be performed in concert with piano, although the string scoring is vastly preferred.
$16.85
Improvisation On Tchaikovsky`s Cherubic Hymn
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Orchestre à Cordes
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FACILE
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Luis Anjos Teixeira
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Improvisation On Tchaikovsky`s
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Luis Anjos Teixeira
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages....
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String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches. In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
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String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
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