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29
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18
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16
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9
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9
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5
2 Clarinettes (duo)
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5
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3
Ensemble de Clarinettes
3
Clarinette, Violon (duo)
2
Ensemble de Flûtes
2
3 Clarinettes (trio)
2
Hautbois, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Guitare (duo)
2
Flûte traversière
2
2 Flûtes traversières (duo)
2
Flûte, Clarinette (duo)
2
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Piccolo
1
Quintette de Saxophone: 5 saxophones
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1
Quintette de Flûte : 5 flûtes
1
Flûte, Trompette (duo)
1
2 Hautbois (duo)
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Clarinette et Alto
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1
Hautbois, Clarinette (duo)
1
Saxophone Alto
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1
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18
Cor et Piano
14
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14
Euphonium, Piano (duo)
8
Cor anglais, Piano
8
Trompette, Piano
8
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4
Trombone (partie séparée)
4
Quatuor de Cuivres
3
Trompette
3
Tuba et Piano
3
Trompette, Saxophone (duo)
2
Ensemble de Trombones
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
Tuba
1
4 Tubas
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CORDES
Violon et Piano
36
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle, Piano
22
Alto, Piano
20
Harpe
11
Violon
4
Trio à cordes
3
Violon (partie séparée)
3
Violoncelle (partie séparée)
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Violoncelle (duo)
2
Violoncelle
2
2 Harpes (duo)
2
Violon, Alto (duo)
2
Alto seul
2
2 Violons (duo)
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
2 Altos (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
34
Orchestre à Cordes
25
Orchestre
14
Ensemble Jazz
14
Orchestre de chambre
10
Marimba
6
Cloches
4
Orchestre d'harmonie
4
Batterie (partie séparée)
1
Vibraphone
1
Marimba et Orgue
1
Ensemble de Percussions
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Orchestre à Cordes
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Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.2 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
MENDELSSOHN Song without Words Op.67.No.2 for string orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.963715 Composed by Felix Bart…
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String Orchestra - Level 3 - Digital Download SKU: A0.963715 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period,Wedding. Score and Parts. 17 pages. Ian Butterworth #5968293. Published by Ian Butterworth (A0.963715). This Song without Words, in G minor, is marked Allegro leggiero. The melody in the 1st violin is accompannied by triplet rhythms in the other instruments. Copying of individual parts for sole use by the purchaser is permitted. Six more Songs without Words arranged for strings by Ian Butterworth are also available.
$10.99
10.12 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Ian Butterworth
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MENDELSSOHN Song without Words Op.67.No.2 for string orchestra
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Ian Butterworth
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SheetMusicPlus
MENDELSSOHN Song without Words Op.53.No.5 for string orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.963712 Composed by Felix Bart…
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String Orchestra - Level 4 - Digital Download SKU: A0.963712 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5968123. Published by Ian Butterworth (A0.963712). A Song without Words marked Allegro con fuoco - duration 3 mins.  Copying of individual parts for sole use by the purchaser is permitted. Six more Songs without Words arranged for strings by Ian Butterworth are also available.
$9.99
9.2 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Ian Butterworth
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MENDELSSOHN Song without Words Op.53.No.5 for string orchestra
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Ian Butterworth
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SheetMusicPlus
MENDELSSOHN Song without Words Op.102.No.3 for string orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.963717 Composed by Felix Bart…
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String Orchestra - Level 4 - Digital Download SKU: A0.963717 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 9 pages. Ian Butterworth #5969591. Published by Ian Butterworth (A0.963717). One of the shortest Song without Words, marked Presto, in C major with a repeated 6/8 rhythm. There are six other Song without Words available arranged by Ian Butterworth. Copying of individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99
7.36 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Ian Butterworth
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MENDELSSOHN Song without Words Op.102.No.3 for string orchestra
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Ian Butterworth
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SheetMusicPlus
MENDELSSOHN Song without Words Op.30.No.2 for string orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.963711 Composed by Felix Bart…
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String Orchestra - Level 4 - Digital Download SKU: A0.963711 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 14 pages. Ian Butterworth #5968113. Published by Ian Butterworth (A0.963711). One of the most dramatic of the Song without Words. Duration 3 mins.  Copying of individual parts for sole use by the purchaser is permitted. Six other Songs without Words arrangements for strings by Ian Butterworth are available.
$9.99
9.2 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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I
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MENDELSSOHN Song without Words Op.30.No.2 for string orchestra
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Ian Butterworth
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SheetMusicPlus
MENDELSSOHN Song without Words Op.62.No.4 for string orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.963713 Composed by Felix Bart…
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String Orchestra - Level 3 - Digital Download SKU: A0.963713 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 8 pages. Ian Butterworth #5968195. Published by Ian Butterworth (A0.963713). One of the shortest Songs without Words. A genial piece in G major lasting one minute.  Copying of individual parts for sole use by the purchaser is permitted.Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99
7.36 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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I
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MENDELSSOHN Song without Words Op.62.No.4 for string orchestra
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Ian Butterworth
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SheetMusicPlus
MENDELSSOHN Song without Words Op.102.No.6 for string orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.963716 Composed by Felix Bart…
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String Orchestra - Level 3 - Digital Download SKU: A0.963716 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Contemporary,Romantic Period,Wedding. Score and Parts. 8 pages. Ian Butterworth #5969713. Published by Ian Butterworth (A0.963716). The final piece, and probably the shortest, in the collection of Songs without Words.  Copying of individual parts for sole use by the purchaser is permitted. There are six more arrangements by Ian Butterworth from the same collection.
$7.99
7.36 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Ian Butterworth
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MENDELSSOHN Song without Words Op.102.No.6 for string orchestra
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Ian Butterworth
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SheetMusicPlus
MENDELSSOHN Song without Words Op.67.No.4 for string orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.963714 Composed by Felix Bart…
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String Orchestra - Level 4 - Digital Download SKU: A0.963714 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5969473. Published by Ian Butterworth (A0.963714). This is one of the most well known of the Songs without Words, often known by one of it's subtitles: The Bee's Wedding or The Spinning Song. The fast spinning semiquavers are mostly in the 2nd violin part. Copying of individual parts for sole use by the purchaser is permitted.
$10.99
10.12 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Ian Butterworth
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MENDELSSOHN Song without Words Op.67.No.4 for string orchestra
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Ian Butterworth
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SheetMusicPlus
Violin Concerto No.9 in G major, Op. 8 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.961410 Composed by Chevalier …
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String Orchestra - Level 4 - Digital Download SKU: A0.961410 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 48 pages. Artaria Editions #6116087. Published by Artaria Editions (A0.961410). ScoreArtaria Editions AE237Edited by Allan Badley 44 pages In an age of remarkable individuals, Joseph Bologne, Chevalier de Saint-Georges, son of a French colonial planter and a beautiful Senegalese slave, occupied a unique position as an athlete, swordsman, military commander, huntsman, violin virtuoso, composer and conductor. Though written for his own use, the violin concertos are more than vehicles for mere virtuoso display. Lyrical expressive slow movements are flanked by often highly original outer movements, quite unlike anything being written at the time by Viennese composers such as Haydn, Hofmann and Dittersdorf. Had Mozart seen Saint-Georges play his brilliant concertos while he was in Paris in 1778, he would have heard many things in them to admire. Allan Badley.
$54.00
49.72 €
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Orchestre à Cordes
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Chevalier de Saint-Georges
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Artaria Editions
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Violin Concerto No.9 in G major, Op. 8 - Score Only
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Artaria Editions
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SheetMusicPlus
Bach: Nun Komm'der Heiden Heiland - from 3 Corali: Orchestral interpretation by Ottorino Respighi
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1217215 By Johann Sebastian B…
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String Orchestra - Level 4 - Digital Download SKU: A0.1217215 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Sacred. Score and Parts. 16 pages. FRC Music #813753. Published by FRC Music (A0.1217215). Bach: Nun Komm'der Heiden Heiland - from 3 chorales, P. 167: No. 1. Lento assai, BWV 659 - Orchestral interpretation by Ottorino Respighi.Nun komm, der Heiden Heiland (original: Nu kom der Heyden heyland, English: Savior of the nations, come, literally: Now come, Saviour of the heathen) is a Lutheran chorale of 1524 with words written by Martin Luther, based on Veni redemptor gentium by Ambrose, and a melody, Zahn 1174, based on its plainchant. It was printed in the Erfurt Enchiridion of 1524.Nun komm, der Heiden Heiland continues to be used in modern settings. It appears in liturgically oriented Christian hymnals, for example the Lutheran Book of Worship, and as the cantus firmus for organ compositions.The song was the prominent hymn for the first Sunday of Advent for centuries. It was used widely in organ settings by Protestant Baroque composers, most notably Johann Sebastian Bach, who also composed two church cantatas beginning with the hymn. Later settings include works by Ottorino Respighy, Max Reger, Brian Easdale and Siegfried Strohbach.English versions include Savior of the nations, come by William Morton Reynolds, published in 1851.for String Orchestra (Bassoon Optional).from 3 Choirs: orchestral interpretation by Ottorino Respighi (3 corali : interpretazione orchestrale di Ottorino Respighi).from Bach - 3 chorales, P. 167:  No. 1. Lento assai  (after J.S. Bach's Nun komm, der Heiden Heiland, BWV 659) for String Orchestra (with basson optional). Orchestration by Ottorino Respighi (1930).Advanced Intermediate LevelFormat: Concert, 9 x 12 inches16 pagesFull Score and Orchestral Parts.
$49.99
46.03 €
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Orchestre à Cordes
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Johann Sebastian Bach and Ottorino Respighi
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Flavio Regis Cunha
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Bach: Nun Komm'der Heiden Heiland - from 3 Corali: Orchestral interpretation by Ottorino Respighi
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FRC Music
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SheetMusicPlus
Purcell Dido's Lament for Cello and String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.736778 Composed by Henry Purc…
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String Orchestra - Level 3 - Digital Download SKU: A0.736778 Composed by Henry Purcell. Arranged by Paul Wood. Baroque. Score and parts. 8 pages. MyMusicScores.com #6062253. Published by MyMusicScores.com (A0.736778). Dido's aria, When I am laid in earth is from Act 3 of the opera Dido and Aeneas by Henry Purcell composed around 1688.The words are When I am laid, am laid in earth, May my wrongs createNo trouble, no trouble in thy breast;Remember me, remember me, but ah! forget my fate.Remember me, but ah! forget my fate.Here is an arrangement for solo cello and string orchestraThe PDF contains the score and all parts.
$9.99
9.2 €
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Orchestre à Cordes
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Henry Purcell
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Paul Wood
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Purcell Dido's Lament for Cello and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Sospiri
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1008066 Composed by Edward El…
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String Orchestra - Level 3 - Digital Download SKU: A0.1008066 Composed by Edward Elgar. Arranged by Devin Neely-Turkalj. Romantic Period. Score and parts. 8 pages. Devin Neely #4609545. Published by Devin Neely (A0.1008066). Emotional, somber, grievous...I have no other words
$15.99
14.72 €
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Orchestre à Cordes
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Edward Elgar
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Devin Neely-Turkalj
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Sospiri
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Devin Neely
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SheetMusicPlus
REMEMBER ALWAYS
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel ‘ah‘ could be used but the choice will be the director’s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$22.00
20.26 €
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Orchestre à Cordes
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Vincent Vitale
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REMEMBER ALWAYS
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Vincent Vitale
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SheetMusicPlus
Leaning on the Everlasting Arms / Pass Me Not - String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1218728 Composed by Elisha Ho…
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String Orchestra - Level 3 - Digital Download SKU: A0.1218728 Composed by Elisha Hoffman, William Doane. Arranged by Phyllis Hopper. Christian,Religious,Sacred,Spiritual. Score and Parts. 15 pages. HopSez Productions #815159. Published by HopSez Productions (A0.1218728). You'll enjoy this easy, lighthearted dance of the soul set free! In dark days, the words what have I to dread? What have I to fear offer a beacon of hope. The fearful longing in the appearance of Pass Me Not has no influence on the joyful dance and is ultimately subsumed by the experience of peaceful rest found in Leaning. Playing time: approx. 3 minutes.I'd love to hear from you! Feel free to send feedback, ideas, and requests to phroglis@tutanota.com.
$29.99
27.62 €
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Orchestre à Cordes
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Elisha Hoffman, William Doane
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Phyllis Hopper
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Leaning on the Everlasting Arms / Pass Me Not - String Orchestra
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HopSez Productions
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.28 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Felix Mendelssohn-Bartholdy: Song Without Words, Opus 102, No. 6 - string orchestra (full score)
Orchestre à Cordes
Instantly printable sheet music by Felix Mendelssohn-Bartholdy for string orchestra (full …
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Instantly printable sheet music by Felix Mendelssohn-Bartholdy for string orchestra (full score) of MEDIUM skill level. / classical
$11.99
11.04 €
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Orchestre à Cordes
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Felix Mendelssohn-Bartholdy
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Virtualsheetmusic
Felix Mendelssohn-Bartholdy: Song Without Words, Opus 102, No. 6 (COMPLETE) - string orchestra
Orchestre à Cordes
Instantly printable sheet music by Felix Mendelssohn-Bartholdy for string orchestra of MED…
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Instantly printable sheet music by Felix Mendelssohn-Bartholdy for string orchestra of MEDIUM skill level. / classical
$53.99
49.71 €
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Orchestre à Cordes
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Felix Mendelssohn-Bartholdy
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Virtualsheetmusic
Songs without Words, Op. 19, No. 5
Orchestre à Cordes
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. String orchestra. Fo…
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By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. String orchestra. For 8 - Violin 1, 8 - Violin 2, 6 Violas, 5 Cellos, 4 Double Basses. Classical, Chamber Music. Grade 5. Score and Set of Parts. 8 pages (score); 62 pages (parts). Publ
$28.95
26.66 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Eric Vireton
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62 pages (parts). Publ
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Songs without Words, Op. 19, No. 5
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SheetMusicPlus
Songs without Words, Op. 30, No. 5
Orchestre à Cordes
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. String orchestra. Fo…
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By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. String orchestra. For 8 - Violin 1, 8 - Violin 2, 6 Violas, 5 Cellos, 4 Double Basses. Classical, Chamber Music. Grade 5. Score and Set of Parts. 6 pages (score); 36 pages (parts). Publ
$21.95
20.21 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Eric Vireton
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36 pages (parts). Publ
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Songs without Words, Op. 30, No. 5
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SheetMusicPlus
Songs without Words, Op. 19, No. 3
Orchestre à Cordes
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. String orchestra. Fo…
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By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. String orchestra. For 8 - Violin 1, 8 - Violin 2, 6 Violas, 5 Cellos, 4 Double Basses. Classical, Chamber Music. Grade 4. Score and Set of Parts. 8 pages (score); 62 pages (parts). Publ
$28.95
26.66 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Eric Vireton
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62 pages (parts). Publ
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Songs without Words, Op. 19, No. 3
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SheetMusicPlus
Song Without Words, Opus 102, No. 6 (Faith): Score
Orchestre à Cordes
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Tim McCarrick. For String Orchestr…
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By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Tim McCarrick. For String Orchestra. Classical. Score. 8 pages. Published by Alfred Music. Digital Sheet Music
$7.00
6.45 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Tim McCarrick
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Song Without Words, Opus 102, No. 6
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
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