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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
OPUS ONE
Non classifié
353
Piano & claviers
Piano seul
390
Piano Facile
54
Piano, Voix
46
2 Pianos, 4 mains
21
Orgue
18
Piano, Voix et Guitare
6
1 Piano, 4 mains
4
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
Piano grosses notes
1
+ 5 instrumentations
Retracter
Guitares
Guitare
10
Guitare notes et tablatures
5
Ukulele
4
Ukulele Baryton
4
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Basse electrique
1
+ 2 instrumentations
Retracter
Voix
Voix seule
100
Chorale SATB
25
Chorale 3 parties
8
Chorale Unison
6
Chorale 2 parties
5
Voix duo
3
Voix duo, Piano
2
Voix Soprano, Piano
2
Chorale TTBB
2
Chorale SSAA
1
+ 5 instrumentations
Retracter
Vents
Saxophone Alto
77
Saxophone Tenor
76
Saxophone Alto et Piano
55
Ensemble de saxophones
54
Quatuor de Saxophones: 4 saxophones
39
Flûte traversière et Piano
38
Saxophone Soprano et Piano
28
Saxophone Tenor et Piano
27
Saxophone
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Clarinette et Piano
17
Saxophone et Piano
13
Quintette de Saxophone: 5 saxophones
13
2 Saxophones (duo)
12
Saxophone (partie séparée)
10
Flûte, Hautbois, Clarinette, Basson
10
Hautbois, Piano (duo)
10
2 Flûtes traversières (duo)
8
3 Saxophones (trio)
8
Flûte traversière
8
Clarinette
7
Saxophone Baryton, Piano
7
Saxophone Soprano
6
Quatuor de Clarinettes: 4 clarinettes
5
Hautbois (partie séparée)
5
Ensemble de Clarinettes
4
Flûte, Clarinette, Piano (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à bec Tenor
3
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Soprano
2
Flûte à bec Alto
2
Flûte et Guitare
2
Flûte, Clarinette (duo)
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Basse continue
1
Flûte, Violon, Piano
1
Saxophone Baryton
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes (duo)
1
Ocarina
1
Ensemble de Flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
+ 40 instrumentations
Retracter
Cuivres
Trombone
156
Trombone et Piano
47
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
3 Trombones (trio)
14
Quatuor de cuivres: 4 trombones
13
Tuba et Piano
12
Trombone (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Piano
8
2 Trombones (duo)
8
Euphonium, Piano (duo)
7
Trombone basse et Piano
6
Ensemble de Trombones
5
Trompette
5
Cor et Piano
4
Trompette, Trombone (duo)
4
Trombone, Cor (duo)
3
Trombone, Tuba (duo)
3
Trombone basse
2
Trio de Cuivres
2
2 Trompettes (duo)
2
Trompette, Cor (duo)
1
Cor
1
Trombone et orchestre
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
+ 22 instrumentations
Retracter
Cordes
Violon
58
Violon et Piano
52
Quatuor à cordes: 2 violons, alto, violoncelle
38
Alto, Piano
26
Violoncelle, Piano
26
Alto seul
19
2 Violons (duo)
6
Violon, Violoncelle (duo)
6
Harpe
5
Violoncelle
4
Violon, Alto (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Ensemble d'Altos
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Harpe et Piano
1
2 Violoncelles (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
60
Orchestre
48
Orchestre à Cordes
20
Ensemble de cuivres
19
Ensemble Jazz
7
Orchestre de chambre
6
Ensemble de Percussions
3
Percussion
2
Jazz combo
2
Piano et Orchestre
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
OPUS ONE
Orchestre à Cordes
Partitions à imprimer
20 partitions trouvées
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1
OPUS THREE (intermed. adv.)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vincent Vitale
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OPUS THREE
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1264116 Composed by Vincent Vitale. 21st Century,Contest,Festival,Traditional. Score and Parts. 13 pages. Vincent V...
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String Orchestra - Level 4 - SKU: A0.1264116 Composed by Vincent Vitale. 21st Century,Contest,Festival,Traditional. Score and Parts. 13 pages. Vincent Vitale #857030. Published by Vincent Vitale (A0.1264116). Opus Three is written for advanced intermediate students and beyond. Â Contains independent parts, syncopated rhythms, sixteenth notes, triplets and some trills. Â Opus One and Opus Two precedes this composition but on an easier level. Â Comes complete with score and parts. If this composition appeals to you please consider the many others in this string series. I trust you, your students and audience will enjoy this piece and as always I thank you for your consideration. Â I wish you and your students much musical success......Copyright 2023.
$22.00
OPUS TWO (early intermediate)
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Orchestre à Cordes
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FACILE
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Contemporain
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Vincent Vitale
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OPUS TWO
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.835564 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #4887667. Published by V...
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String Orchestra - Level 2 - SKU: A0.835564 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #4887667. Published by Vincent Vitale (A0.835564). OPUS TWO is composed for early intermediate string orchestra. I chose to write this piece in three part harmony so if you are lacking instrumentation this will certainly benefit you and allow your group to sound fuller.. The 2nd violin and viola are doubled as are the violincello and contrabass. Complete with full score and parts. If this composition appeals to you please consider OPUS ONE also. If you care to review others in this string series type VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2019...
$15.00
Passacaglia for Strings, Opus 24
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Orchestre à Cordes
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FACILE
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Dana Taylor
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Passacaglia for Strings, Opus
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Dana Taylor Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.987732 Composed by Dana Taylor. Baroque,Contemporary. Score and parts. 13 pages. Dana Taylor Music #27293. Publishe...
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String Orchestra - Level 2 - SKU: A0.987732 Composed by Dana Taylor. Baroque,Contemporary. Score and parts. 13 pages. Dana Taylor Music #27293. Published by Dana Taylor Music (A0.987732). A passacaglia is ... a musical form that is usually of a serious character and is often, but not always, based on a bass-ostinato and written in triple meter. from Wikipedia. THIS passacaglia is a slow theme and variations, in a minor mode, with a bass ostinato. The only difficult part is dealing with the counterpoint, but it is worth the effort, it will impress your audience, and is fun to play. I HAVE 3 versions; this one is for string orchestra version I HAVE uploaded a PDF with the individual string parts. I ALSO,have a version for piano, viola and double bass/cello, with parts, AND a mambo version for Tenor Sax, Trumpet, Trombone, Piano, String Bass and 4-part latin percussion., with parts. YOU could make a whole concert out this one piece!
$50.00
Concerto for Trumpet, Strings, and Continuo (Opus 2, Number 4)
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Orchestre à Cordes
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AVANCÉ
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Classique
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Antonio Vivaldi
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M
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Concerto for Trumpet, Strings,
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dorm40music.com
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.785285 Composed by Antonio Vivaldi. Arranged by M. Zavoski. Baroque. Score and parts. 168 pages. Dorm40music.com #2...
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String Orchestra - Level 5 - SKU: A0.785285 Composed by Antonio Vivaldi. Arranged by M. Zavoski. Baroque. Score and parts. 168 pages. Dorm40music.com #2217351. Published by dorm40music.com (A0.785285). This concerto is scored from the four movement Violin Sonata, Opus 2 No. 4. There are two complete concertos here: one in Ab major for piccolo trumpet in Bb, and one in A major for piccolo trumpet in A. Additionally, the A major key lies better for orchestral strings. A piano part is included fro rehearsal and/or performance.
$60.00
NOCTURNE, Opus 9 no. 2, Chopin, String Orchestra for 2 violins, viola, cello and string bass chords
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Sherry Lewis
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NOCTURNE, Opus 9 no. 2, Chopin
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521629 Composed by Frederic Chopin. Arranged by Sherry Lewis. Contemporary,Holiday,Romantic Period,Wedding. Score a...
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String Orchestra - Level 3 - SKU: A0.521629 Composed by Frederic Chopin. Arranged by Sherry Lewis. Contemporary,Holiday,Romantic Period,Wedding. Score and Parts. 19 pages. Sherry Lewis Publishing #6258917. Published by Sherry Lewis Publishing (A0.521629). NOCTURNE, Opus 9 No. 2, Chopin, String Orchestra of 2 violins, viola, cello and string bass chords such as Em, G, etc. Intermediate LevelScore: 7 pagesParts: 9 pagesTime: 3'40MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$8.50
Virus for String Orchestra - Opus 23
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Orchestre à Cordes
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INTERMÉDIAIRE
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Daniel Carr
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Virus for String Orchestra - O
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Daniel Carr
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.989195 By Daniel Carr. By Daniel Carr. Classical,Contemporary,Film/TV,Sacred,Video Game. Score and parts. 588 pages...
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String Orchestra - Level 3 - SKU: A0.989195 By Daniel Carr. By Daniel Carr. Classical,Contemporary,Film/TV,Sacred,Video Game. Score and parts. 588 pages. Daniel Carr #594865. Published by Daniel Carr (A0.989195). Virus was composed during and about the 2020-2021 COVID epidemic. The main details of this piece are: 1. Each instrumentalist plays one and only one note throughout the entire piece. There are no expression markings – only dynamics. There are no special techniques. Each performer is “self-isolatingâ€. 2. 48 instrumentalists – 24 violins, 10 violas, 8 cellos, 6 double basses. The entire ensemble covers four chromatic octaves. 3. Vibrato consistent across all instrumentalists. 4. No liberty with rhythm. Follow exactly as written. 5. This may be considered an etude – a study of volume. All instrumentalists should be consistent in their interpretation of each dynamic. pppp should be extremely quiet but still audible. 6. The change in volume for crescendos and decrescendos should be gradual – reaching end dynamic in a legato, smooth manner. 7. The visual of the dynamics in the full score – often depicts the program – like hieroglyphics. Or, in some cases, like the image of an organism viewed through a microscope. 8. Optional – performers may wear masks during performance. And, if space permits, have 6 feet social distancing between performers.
$10.00
Jean-Baptiste Singelée Concertino opus 78 for alto saxophone and string orchestra (score and parts)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jean-Baptiste Singelee
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Roman Fotuima
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Jean-Baptiste Singelée
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RamFot
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1156547 Composed by Jean-Baptiste Singelee. Arranged by Roman Fotuima. 19th Century,Chamber,Classical. Score and Pa...
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String Orchestra - Level 3 - SKU: A0.1156547 Composed by Jean-Baptiste Singelee. Arranged by Roman Fotuima. 19th Century,Chamber,Classical. Score and Parts. 40 pages. RamFot #756867. Published by RamFot (A0.1156547). Famous Concertino by Jean-Baptiste Singelee for Alto saxophone and Piano now available for Alto Saxophone and String orchestra! Uncomplicated orchestra score, easy to understand romantic style of music and availability to performance without infringing copyrights. This work can become a wonderful part of concert repertoire of students and professional musicians.
$29.00
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
"Lascia ch'io pianga" an Air from the Opera Rinaldo by Handel - String Quartet/Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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David Catherwood
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"Lascia ch'io pianga"
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Opus 3 Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.739445 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Opera. Score and parts. 4 pages. O...
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String Orchestra - Level 3 - SKU: A0.739445 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Opera. Score and parts. 4 pages. Opus 3 Music #3692975. Published by Opus 3 Music (A0.739445). Lascia ch'io pianga an Air from the Opera Rinaldo by Handel arranged for String Quartet by David CatherwoodOne of Handel's most well known tunes - in the original key of F majorThis arrangement is suitable for String Quartet (or String Orchestra with a Double bass playing from the 'cello part.) Â As with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceThe download contains parts for the following instruments:1st Violin2nd ViolinViola Cello/BassAlso available as a flexible arrangement for wind and brass (in the key of C) at the following linkhttps://www.sheetmusicplus.com/title/march-from-scipio-digital-sheet-music/20467700
$4.50
March from Scipio by Handel - String Quartet
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Orchestre à Cordes
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Classique
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George Frideric Handel
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David Catherwood
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March from Scipio by Handel -
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Opus 3 Music
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SheetMusicPlus
String Orchestra - SKU: A0.739442 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Wedding. Score and parts. 4 pages. Opus 3 Mu...
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String Orchestra - SKU: A0.739442 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Wedding. Score and parts. 4 pages. Opus 3 Music #3692097. Published by Opus 3 Music (A0.739442). One of Handel's most well known marches- often heard as a regimental march during the 'Trooping of the Colour'This arrangement is suitable for String Quartet (or String Orchestra with a Double bass playing from the 'cello part.) As with all music available from Opus 3 Music this arrangement has been well tried and tested in performance The download contains parts for the following instruments:1st Violin2nd ViolinViola CelloAlso available as a flexible arrangement for wind and brass (in the key of C) at the following link https://www.sheetmusicplus.com/title/march-from-scipio-digital-sheet-music/20467700
$5.00
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages...
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String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
Nölck Cello Concertino Op 131 No 2 for Cello and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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August Nolck
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Paul Wood
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Nölck Cello Concertino Op
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1396929 Composed by August Nolck. Arranged by Paul Wood. Romantic Period. 42 pages. MyMusicScores.com #980271. Publ...
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String Orchestra - Level 3 - SKU: A0.1396929 Composed by August Nolck. Arranged by Paul Wood. Romantic Period. 42 pages. MyMusicScores.com #980271. Published by MyMusicScores.com (A0.1396929). August Nolck Cello Concertino Op. 131 No. 2 in D major – a musical gem meticulously arranged for cello and string orchestra by mymusicscores.com. This exquisite concertino, the second of two concertino from Nolck's Op. 131 collection, offers an ideal showcase for budding cellists, providing a captivating performance opportunity that seamlessly blends virtuosity and expressiveness.Crafted as a one-movement masterpiece, this concerto last around 6 minutes, allowing the performer to navigate through the rich tapestry of melodic nuances and technical contrasts. Originally published in 1909, this opus showcases Nolck's prowess in composing for the cello.This arrangement offers a splendid platform for a young cellist to shine in a concert setting.
$24.99
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
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String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Lyric Pieces Op. 65 (including Wedding Day at Troldhaugen) - String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Alex Phillips-Yates
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Lyric Pieces Op. 65
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North Node Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.510278 Composed by Edvard Grieg. Arranged by Alex Phillips-Yates. 20th Century,Classical,Romantic Period,Wedding. S...
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String Orchestra - Level 3 - SKU: A0.510278 Composed by Edvard Grieg. Arranged by Alex Phillips-Yates. 20th Century,Classical,Romantic Period,Wedding. Score and Parts. 63 pages. North Node Music #3563601. Published by North Node Music (A0.510278). Edvard Grieg's Lyric Pieces are much-loved staples of the piano repertoire. This arrangement is of four of the pieces from the Opus 65 set, composed in 1896, and includes the famous Wedding Day at Troldhaugen. The 3rd movement, the Ballad, is stunningly beautiful, and the rich texture of the divisi parts here is a real highlight.The four movements are:1. From early years (Fra Ungdomsdagene)2. Peasant's song (Bondens sang)3. Ballad (I Balladetone)4. Wedding Day at Troldhaugen (Bryllupsdag på Troldhaugen)Total duration: approx. 16-17 minutesEvery section (apart from the double bass) divides at some point, so a minimum of 9 players are required.This arrangement was first performed by the String Orchestra of the Lancaster Community Music Centre, Lancashire, UK.
$25.99
Boyce Symphony No. 4
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Orchestre à Cordes
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Classique
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William Boyce
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Paul Wood
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Boyce Symphony No. 4
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MyMusicScores.com
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SheetMusicPlus
Composed by William Boyce (1711-1779). Arranged by Paul Wood. Classical Period, Baroque Period. Score, Set of Parts. 34 pages. Published by MyMusicScores.com (S...
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Composed by William Boyce (1711-1779). Arranged by Paul Wood. Classical Period, Baroque Period. Score, Set of Parts. 34 pages. Published by MyMusicScores.com (S0.300755). - Score,Set of Parts - Classical Period,Baroque Period - MyMusicScores.com
William Boyce is best known today for his 8 Symphonies Opus 2. Symphony No. 4 is in three movements Allegro - Vivace ma non troppo- Allegro. It is scored for 2 oboes, 2 horns in F, 2 bassoons, harpsichord and strings - though it will work with strings alone.
$15.99
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