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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
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CORNEMUSE
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PIANO & CLAVIERS
Piano seul
6552
Accordéon
952
Accompagnement Piano
85
Piano, Voix
46
Piano, Voix et Guitare
44
Piano Facile
35
Piano grosses notes
18
2 Pianos, 4 mains
18
Instruments en Do
16
Orgue
13
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
3
Accordéon et Orchestre
1
Clavier
1
Orgue, Trompette (duo)
1
Clavecin
1
Piano (partie séparée)
1
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1
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GUITARES
Guitare
515
Guitare notes et tablatures
425
Basse electrique
9
4 Guitares (Quatuor)
6
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Mandoline
1
Guitare, Orchestre
1
Dulcimer
1
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VOIX
Voix seule
103
Chorale SATB
54
Chorale Unison
16
Chorale 3 parties
9
Chorale 2 parties
8
Chorale TTBB
8
Voix duo
4
Soli, choeur mixte et accompagnement
2
Chorale SSAA
2
Chorale SSATTB
1
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VENTS
Clarinette (partie séparée)
124
Quintette de Saxophone: 5 saxophones
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
94
Flûte traversière
69
Clarinette
58
Hautbois (partie séparée)
49
Ensemble de saxophones
48
Flûte traversière et Piano
48
Saxophone
40
2 Saxophones (duo)
39
Quatuor de Saxophones: 4 saxophones
38
Saxophone Alto et Piano
37
Clarinette et Piano
30
Saxophone (partie séparée)
30
Hautbois, Piano (duo)
30
Ensemble de Clarinettes
26
Flute (partie séparée)
26
Saxophone Tenor et Piano
23
Saxophone Soprano et Piano
22
2 Flûtes traversières (duo)
22
Quatuor de Clarinettes: 4 clarinettes
21
Saxophone Alto
20
2 Clarinettes (duo)
18
Flûte, Hautbois, Clarinette, Basson
17
Quintette de Flûte : 5 flûtes
14
Ensemble de Flûtes
13
Saxophone, Clarinette (duo)
11
Saxophone Tenor
10
Quintette de Clarinettes: 5 clarinettes
9
Quatuor de Flûtes : 4 flûtes
9
Saxophone Soprano
8
2 Flûte à bec (duo)
7
Clarinette, Trompette (duo)
7
3 Saxophones (trio)
7
Flûte, Clarinette (duo)
7
Saxophone Baryton, Piano
7
Clarinette, Violon (duo)
6
2 Hautbois (duo)
6
Flûte, Violon
6
Flûte à Bec
5
Flûte et Guitare
5
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Clarinette, Basson (duo)
4
Hautbois, Flûte
4
Flûte, Saxophone (duo)
4
Flûte, Trompette (duo)
3
Hautbois
3
Cor anglais, Piano
3
Clarinette et Alto
3
Clarinette, Orchestre
3
Ensemble à vent
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violoncelle
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Flûte à bec Soprano
2
Saxophone et Harpe
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
2 Cors Anglais Et Pianoforte
1
Ensemble De Flûte à bec
1
Flûte à bec Tenor
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
5 Flûtes à bec
1
Cornemuse
1
Flûte à bec Alto
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Trio à cordes
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orchestre
1
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CUIVRES
Trompette (partie séparée)
96
Trombone (partie séparée)
90
Quatuor de Cuivres : 2 trompettes, trombone, tuba
71
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Cor (partie séparée)
67
Trompette
49
Tuba (partie séparée)
48
Trombone
41
Trombone et Piano
28
Ensemble de Trompettes
23
Ensemble de Trombones
22
Trompette, Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
12
Cor et Piano
11
2 Trombones (duo)
9
Tuba et Piano
8
2 Trompettes (duo)
8
Trompette, Saxophone (duo)
7
Trompette, Trombone (duo)
6
Cor
6
Quatuor de cuivres: 4 trombones
5
Euphonium, Piano (duo)
5
Ensemble de Cors
4
Cor anglais, Piano
3
Euphonium
3
Tuba
3
Trombone et orchestre
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
2
3 Trompettes (trio)
2
2 Cors (duo)
2
3 Trombones (trio)
2
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
Cor et Harpe
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
2 Euphoniums (duo)
1
Clarinette, Cor (duo)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
Trombone basse
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
430
Violon (partie séparée)
334
Alto (partie séparée)
110
Violon, Violoncelle (duo)
109
Contrebasse (partie séparée)
101
Violoncelle (partie séparée)
101
Violon et Piano
96
Violon
92
Trio à Cordes: 2 violons, violoncelle
68
Violoncelle, Piano
47
Harpe
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Violoncelle
40
Alto, Piano
39
Alto seul
38
Trio à Cordes: violon, alto, violoncelle
36
Violon, Alto (duo)
29
2 Violoncelles (duo)
21
2 Violons (duo)
20
Ensemble d'Altos
13
Ensemble de Violons
13
Contrebasse, Piano (duo)
11
Contre Basse
10
2 Altos (duo)
9
2 Harpes (duo)
6
4 Violoncelles
6
Harpe, Violon (duo)
6
Violoncelle, Orchestre
5
Violoncelle, Contrebasse (duo)
4
Trio à cordes: 3 violins
4
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Violoncelle, Basse continue
3
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
4 Contrebasses
1
Violoncelle, Orgue
1
4 Harpes
1
Violon, Basson (duo)
1
3 Harpes
1
Alto et orchestre
1
Trio à Cordes: 3 violoncelles
1
Harpe et Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
2326
Orchestre
1357
Orchestre de chambre
459
Orchestre d'harmonie
315
Ensemble Jazz
132
Percussion (partie séparée)
83
Ensemble de cuivres
36
Ensemble de Percussions
22
Batterie (partie séparée)
10
Instrumentation Flexible
6
Cloches
5
Timbales
5
Jazz combo
4
Fanfare
4
Vibraphone
3
Ensemble d'École
3
Percussion
2
Xylophone, Piano
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Orchestre, Violon
2
Xylophone
1
2 Xylophones
1
Vibraphone et Marimba
1
Batterie
1
Marimba
1
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AUTRES
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2326
Allegro - String quartet or String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.820222 Composed by Joseph-Hec…
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String Orchestra - Level 2 - Digital Download SKU: A0.820222 Composed by Joseph-Hector Fiocco (1703-1741). Arranged by Enrique Llorens. Baroque,Standards. Score and parts. 16 pages. Llorens #5203895. Published by Llorens (A0.820222). Playful arrangement of the famous violin piece for String Quartet or String Orchestra. First violins play the original violin piece unaltered and the rest of the quartet/orchestra plays an easy to play accompaniment. A must for young orchestras and ensembles!
$12.99
12.01 €
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Orchestre à Cordes
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Joseph-Hector Fiocco
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Enrique Llorens
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Allegro - String quartet or String Orchestra
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Llorens
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SheetMusicPlus
"The Kindergarten Concert" String Orchestra Heritage Series #3
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947256 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947256 Arranged by John Philips. Children,Jazz. Score and parts. 54 pages. John Philips Music Service #1999219. Published by John Philips Music Service (A0.947256). The purpose of this arrangement is to furnish material for a Junior High or Senior High Orchestra to use in playing a concerts for the Kindergarten/1st Grade/2nd Grade and 3rd Grade Kids. This gives the players an chance to play a fun concert for people they know---and is also a great recruiting tool for future orchestra members. The tunes are all ones that the younger kids know , or should know. A suggested plan for doing this is on the back cover--a list of the 20 tunes is included. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work if read---sometimes you can convert and electric bass player to a string bass or cello player--but you have to talk fast !!!!
$15.00
13.87 €
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Orchestre à Cordes
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John Philips
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"The Kindergarten Concert" String Orchestra Heritage Series #3
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John Philips Music Service
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
13.87 €
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Orchestre à Cordes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Slide Ride
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SheetMusicPlus
"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #1999429. Published by John Philips Music Service (A0.947259). Some of the best known classical themes are presented in a steady tempo that will please your audience. See the back cover for the tune list. Since these classic themes are presented to a young played in a manner that he can play without being faced with music that is so difficult he can never enjoy playing it, they will be more likely to go on to become more able to do the heavy stuff. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player?
$15.00
13.87 €
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Orchestre à Cordes
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John Philips
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"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
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John Philips Music Service
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.49 €
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
It´s Time to Play and to Sing (Guitar Orchestra)
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1346609 Composed by Rafael Mi…
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String Orchestra - Level 1 - Digital Download SKU: A0.1346609 Composed by Rafael Milhomem. Chamber,Children,Classical,Contemporary,Rock. 22 pages. Milhomusic #931387. Published by Milhomusic (A0.1346609). 🎶 It's Time to Play and to Sing 🎶Embark on a musical journey with the enchanting composition by Rafael Milhomem, titled It's Time to Play and to Sing. Composed for a children's guitar orchestra and choir, this piece is a delightful blend of idyllic simplicity and impactful results.Designed to be both idiomatic and accessible, the composition introduces young musicians to extended techniques, including percussion with pencils and slides with spoons, creating a playful and rock-infused atmosphere. The piece not only elevates the learning experience for budding musicians but also adds a touch of innovation to the traditional orchestra setup.Set to the heartfelt lyrics of Rafael Milhomem, the song celebrates the joy of learning to play. It underscores the significance of having dedicated mentors, making it an ideal choice for educators aiming to inspire their students. The lyrics weave a narrative that resonates with the excitement of musical discovery and the rewards of having proficient guides along the way.This composition is a must-have for guitar orchestras and choirs looking to explore new sounds and engage their young performers in a dynamic and memorable musical experience. Don't miss the chance to add this gem to your repertoire!🎼 Key Features:Idiomatic and accessible for young musiciansIncorporates extended techniques: percussion with pencils and slides with spoonsImprovisation sectionRock-inspired atmosphereCaptivating lyrics by Rafael MilhomemCelebrates the joy of learning and the importance of dedicated mentors🎵 Perfect for:Children's guitar orchestrasChoirs seeking innovative and engaging repertoireMusic educators looking to inspire and motivate studentsUnleash the potential of your young musicians with It's Time to Play and to Sing. Elevate your ensemble's performance and bring a fresh, rock-infused energy to your next concert.Order your sheet music today and let the music begin!#Guitarorchestra #Guitarquartet #Childrensguitarorchestraandchoir.
$10.00
9.25 €
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Orchestre à Cordes
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Rafael Milhomem
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It´s Time to Play and to Sing
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Milhomusic
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SheetMusicPlus
"Oktoberfest Waltz Medley"-----String Orchestra"-----Heritage Series # 18
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947266 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947266 Arranged by John Philips. Folk,World. Score and parts. 39 pages. John Philips Music Service #1999441. Published by John Philips Music Service (A0.947266). This collection of waltzes is from the celebrations of everyday people in Germany & Austria. This is not what was played for the high society functions but is what was heard at Oktoberfests and other public events for the masses. Much can be called folk music. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player? Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. If you take your orchestra to an Oktoberfest, make sure they are all 21 or have a good ID.
$15.00
13.87 €
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Orchestre à Cordes
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John Philips
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Austria
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"Oktoberfest Waltz Medley"-----String Orchestra"-----Heritage Series # 18
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John Philips Music Service
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SheetMusicPlus
Paradise (Coldplay) - String Orchestra Instrumental Backup
Orchestre à Cordes
By Coldplay. Arranged by Paul Trapkus. Score, Set of Parts. 22 pages. Published by Pau…
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By Coldplay. Arranged by Paul Trapkus. Score, Set of Parts. 22 pages. Published by Paul Trapkus
A meticulous arrangement of Paradise as recorded by Coldplay for string orchestra, synthesizer, and drum set without vocals. The arrangement is a "karaoke version" so that you can add a singer for a performance closely resembling the original song. Bowings have been carefully added in all parts.
$14.99
13.86 €
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Orchestre à Cordes
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Coldplay
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Paul Trapkus
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Paradise
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Paul Trapkus
#
SheetMusicPlus
"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.947257 Arranged by John Phili…
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String Orchestra - Level 2 - Digital Download SKU: A0.947257 Arranged by John Philips. Children. Score and parts. 38 pages. John Philips Music Service #1999407. Published by John Philips Music Service (A0.947257). A series of happy Mexican Tunes that have the audience adding to the rhythm with some hand-clapping. This chart is easy and will connect with your audience. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work and maybe you can convert the player to be a cello or upright player-----(another way of recruiting).
$15.00
13.87 €
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Orchestre à Cordes
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John Philips
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"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
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John Philips Music Service
#
SheetMusicPlus
Amaryllis - Solo Violin and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1310751 Composed by Matt Rile…
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String Orchestra - Level 5 - Digital Download SKU: A0.1310751 Composed by Matt Riley. 21st Century,Chamber,Classical,Contemporary,New Age. 42 pages. Www.mattrileymusic.com #899728. Published by www.mattrileymusic.com (A0.1310751). This purchase includes an immediate download of the PDFs for the Conductor's Score and parts. This is a digital product. Just download, print and play!Experience the enchanting magic of Amaryllis, a captivating piece crafted for advanced solo violin and string orchestra. This stunning orchestration showcases the interplay between the soloist and the rich, resonant depth of the accompanying strings. The piece provides a platform for the solo violinist to showcase their virtuosity, offering an opportunity for an artist to display their technical prowess and emotional depth. The lush accompaniment of the string orchestra provides a harmonious backdrop that elevates the soloist's performance, resulting in a harmonious synergy that lingers long after the final note fades. The intricate melodies and rich harmonies create an immersive experience that transports listeners to a realm of profound beauty and contemplation.
$80.00
73.98 €
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Orchestre à Cordes
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Matt Riley
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Amaryllis - Solo Violin and String Orchestra
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www.mattrileymusic.com
#
SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.31 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Strings Galore! (for Junior String Orchestra)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.841232 Composed by Chris Gord…
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String Orchestra - Level 2 - Digital Download SKU: A0.841232 Composed by Chris Gordon. 20th Century,Children,Instructional,Standards. Score and parts. 17 pages. Cool Wind Music Digital #2917581. Published by Cool Wind Music Digital (A0.841232). A short, fun 'occasional piece' for beginner/intermediate string orchestra players. Score and all parts are included. Baffled by music bindings? Read this: https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$12.50
11.56 €
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Orchestre à Cordes
#
Chris Gordon
#
Strings Galore!
#
Cool Wind Music Digital
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.69 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.69 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.69 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.69 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.69 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
14 Easy Pieces for String Orchestra
Orchestre à Cordes
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q6628 Com…
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q6628 Composed by Harald Genzmer. This edition: score. Concertino. Erstausgabe von leichten Stücken für die Arbeit mit Schul-, Jugend- und Liebhaberorchestern. Die Stücke können auch einzeln gespielt oder zu kleinen Suiten zusammengestellt werden. Downloadable, Score. Duration 24' 50. Schott Music - Digital #Q6628. Published by Schott Music - Digital (S9.Q6628). Harald Genzmer has done a great deal for the promotion of young musical talent, and no doubt many a string instrument player can recall from their school orchestra days when his Sinfonietta was on the programme. But this highly prominent Hindemith pupil has written yet more of this educational music: all in all 3 sinfoniettas, in addition to collections of easy movements such as '14 Easy Pieces for String Orchestra' from 2002 which is also suitable for a Streicherschule. The individual movements involve specific styles and demands: cantabile playing, unusual and changing time signatures, bowing, pizzicato, intonation, scale playing, and so forth. The use of a double-bass is ad libitum. The pieces can be played separately or as little suites and are ideal for school and amateur orchestras; and regardless of it's educational nature, this music is lively and fun to play!
$22.99
21.26 €
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Orchestre à Cordes
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Harald Genzmer
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14 Easy Pieces for String Orchestra
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Schott Music - Digital
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SheetMusicPlus
"Italian Traditional Medley"------String Orchestra-------Heritage Series # 16
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947263 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947263 Arranged by John Philips. Folk,World. Score and parts. 44 pages. John Philips Music Service #1999437. Published by John Philips Music Service (A0.947263). These five selections have old roots in the culture of Italy. Your audience might not know their names ( unless they're Italians ), but they will surely recognize and enjoy them. They have all been around for generations. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player? Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos.
$15.00
13.87 €
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Orchestre à Cordes
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John Philips
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"Italian Traditional Medley"------String Orchestra-------Heritage Series # 16
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John Philips Music Service
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SheetMusicPlus
Death Theme 'from the Paramount Motion Picture THE UNTOUCHABLES' for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download By Ennio Morricone. Arranged by…
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String Orchestra - Intermediate - Digital Download By Ennio Morricone. Arranged by Flávio Régis Cunha. Score, Set of Parts. 10 pages. Published by Flavio Regis Cunha
The Untouchables is a 1987 American gangster film directed by Brian De Palma, produced by Art Linson, written by David Mamet, and based on the book of the same name (1957). The film stars Kevin Costner, Charles Martin Smith, Andy García, Robert De Niro, and Sean Connery, and follows Eliot Ness (Costner) as he forms the Untouchables team to bring Al Capone (De Niro) to justice during Prohibition. The Grammy Award-winning score was composed by Ennio Morricone and features period music by Duke Ellington.<br> <br> This arrangement was composed for string orchestra. You and your ensemble will love to play.<br> <br> Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
46.23 €
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Orchestre à Cordes
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Ennio Morricone
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Death Theme 'from the Paramount Motion Picture THE UNTOUCHABLES' for String Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Elegie - for String Orchestra, Harp, and Piano
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bod…
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String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts. 5 pages. Ronan Bodisch #699803. Published by Ronan Bodisch (A0.1095833). This intense and emotional piece draws inspiration from classical/romantic composers, such as Edward Elgar, while also mixing in modern elements. Performance Notes: Dissonance is very common in this piece. It will not help the orchestra if the players cower away from it, rather than play it confidently. Don't second-guess whether or not the right notes are being played. Be sensitive to whoever has the moving line, as it is passed around the orchestra. At measure 22, the Violas and Cellos should soar above the violins. At measures 26-30, everyone in the orchestra should be playing as loud as humanly possible (go crazy, go bananas), while still remaining sensitive to the moving melodies; this is the composer's signature theme. Be mindful of the key change at measure 35 (F Maj/D Min to B-Flat Maj/G Min). In the end, Violins, Violas, and Cellos should decrescendo to literally nothing on the tremolos. The basses should emphasize pizzicato, but play it lightly, rather than thunderous. The chords in the Harp and Piano should also be brought out.
$35.00
32.37 €
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Orchestre à Cordes
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Ronan Bodisch
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Elegie - for String Orchestra, Harp, and Piano
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Ronan Bodisch
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SheetMusicPlus
STRING ORCHESTRA WARMUPS
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.835551 Composed by Vincent Vit…
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String Orchestra - Level 1 - Digital Download SKU: A0.835551 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3466380. Published by Vincent Vitale
STRING ORCHESTRA WARMUPS is something every orchestra conductor should definitely have included in student music folders. Since the focus is on warming up there is not a high degree of technique involved. They consist of eight warm-up exercises composed specifically for elementary or junior high students. There is also no reason why they could not be used with more advanced players. All exercises are in three part harmony and are very melodic and harmonic and enjoyable to perform. These short exercises are an excellent way for any string orchestra to start or finish a rehearsal concentrating on intonation and producing the best solid and full sound possible. As always I thank you for your consideration.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.87 €
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Orchestre à Cordes
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Vincent Vitale
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STRING ORCHESTRA WARMUPS
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Vincent Vitale
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SheetMusicPlus
Hallelujah (Very Easy String Orchestra)
Orchestre à Cordes
String Orchestra - Easy/Beginner - Digital Download By Leonard Cohen. Arranged by Kathr…
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String Orchestra - Easy/Beginner - Digital Download By Leonard Cohen. Arranged by Kathryn Griesinger. Score, Set of Parts. 12 pages. Published by Kathryn Griesinger
The famous melody as heard in "Shrek" arranged for young players! Set in 3/4 time, this very easy arrangement uses limited notes and simplified rhythms. For small ensemble, quintet, or string orchestra with optional Violin 3 part (Viola in treble clef).
$19.99
18.49 €
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Orchestre à Cordes
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Leonard Cohen
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Kathryn Griesinger
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Hallelujah
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Kathryn Griesinger
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SheetMusicPlus
Sakura for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by Traditional Japanese…
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String Orchestra - Intermediate - Digital Download Composed by Traditional Japanese Folk Song. Arranged by R. Anne Svendsen. Folk. 15 pages. Published by Semiquaver Music
This arrangement is a level 3 work for student string orchestras. It requires sustained tone and provides the basses with some challenging upper register notes. The pizzicato can be played with the fingernail to create a Koto-like sound. The middle section is contrasting in style and tonality giving the students a chance to use the full bow.
$35.00
32.37 €
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Orchestre à Cordes
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Traditional Japanese Folk Song
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Sakura for String Orchestra
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Semiquaver Music
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SheetMusicPlus
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