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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
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DEEJAY
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VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
Old French Round
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30
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8
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17
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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HAUTBOIS
LIVRES
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MANDOLINE
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Vous avez sélectionné:
Old French Round
Orchestre à Cordes
Partitions à imprimer
6 partitions trouvées
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1
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Orchestre à Cordes
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AVANCÉ
#
Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
Debussy: Berceuse heroique for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James M
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Debussy: Berceuse heroique for
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1300358 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Historic. 7 pages. ...
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String Orchestra - Level 3 - SKU: A0.1300358 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Historic. 7 pages. Jmsgu3 #890084. Published by jmsgu3 (A0.1300358). Berceuse Heroique is a musical composition by Claude Debussy, composed in 1914 as a homage to King Albert I from Belgium and his soldiers. The piece was written for King Albert's Book, a collection of music sponsored by The Telegraph and put together by Hall Caine to raise funds for Belgian war relief. The work opens very dark and somber, with a sense of mourning and loss. The anthem is quoted in the middle of the piece, surrounded by music of gloom and despair. The quote from the Belgian national anthem that is squeezed into Debussy's Berceuse heroique is the first phrase of La Brabançonne by François van Campenhout.The composition expresses the misery of feeling powerless in events, combined with everyday unhappy shortages of necessities, which was a common experience during World War I. The life of French composer Claude Debussy was full of agony and challenges, from surviving in the 1st World War to his battle with cancer.Berceuse heroique is a significant piece in music history for its reflection of the somber and melancholic mood of the time, its tribute to the soldiers and their suffering, and its representation of Debussy's work during the war. The piece is still performed and recorded today, and is considered a significant work in Debussy's oeuvre.
$32.95
Debussy: Berceuse heroique for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James M
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Debussy: Berceuse heroique for
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1300432 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Film/TV,Multicultur...
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String Orchestra - Level 3 - SKU: A0.1300432 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Film/TV,Multicultural,Standards,World. Score and Parts. 17 pages. Jmsgu3 #890087. Published by jmsgu3 (A0.1300432). Berceuse Heroique is a musical composition by Claude Debussy, composed in 1914 as a homage to King Albert I from Belgium and his soldiers. The piece was written for King Albert's Book, a collection of music sponsored by The Telegraph and put together by Hall Caine to raise funds for Belgian war relief. The work opens very dark and somber, with a sense of mourning and loss. The anthem is quoted in the middle of the piece, surrounded by music of gloom and despair. The quote from the Belgian national anthem that is squeezed into Debussy's Berceuse heroique is the first phrase of La Brabançonne by François van Campenhout. The composition expresses the misery of feeling powerless in events, combined with everyday unhappy shortages of necessities, which was a common experience during World War I. The life of French composer Claude Debussy was full of agony and challenges, from surviving in the 1st World War to his battle with cancer.Berceuse heroique is a significant piece in music history for its reflection of the somber and melancholic mood of the time, its tribute to the soldiers and their suffering, and its representation of Debussy's work during the war. The piece is still performed and recorded today, and is considered a significant work in Debussy's oeuvre.
$38.95
Ravel - Passacaglia for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Adam Schreiber
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Ravel - Passacaglia for String
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Adam Schreiber Press, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.992010 Composed by Maurice Ravel. Arranged by Adam Schreiber. 20th Century,Instructional,Standards. Score and parts...
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String Orchestra - Level 4 - SKU: A0.992010 Composed by Maurice Ravel. Arranged by Adam Schreiber. 20th Century,Instructional,Standards. Score and parts. 11 pages. Adam Schreiber Press, Inc. #3456055. Published by Adam Schreiber Press, Inc. (A0.992010). Ravel Piano Trio String Orchestra . The third, slow movement from Maurice Ravel's Piano Trio (1915) is titled Passacaille, the French equivalent to the Italian Passacaglia, an old Baroque theme and variations form built around a haunting bass melody that recurs through ever changing contexts as the texture builds and more dense harmonies are explored. Ravel's intuitive utilization of the piano's vast range and sonorous qualities have been fully realized and reimagined on a more grand, but equally intimate level for a full string orchestra with the use of a Violin and 'Cello soloists to recreate a chamber music experience that's striking to the ears of the listener. Difficulty: Intermediate-AdvancedPerfect for students and sounds great in churches/temples/places of worship.Duration: Aprox. 7 minThe score calls for at least 2 bass players, at least 4 cellist (including 1 solo cello), at least 4 violas, at least 4 second violins, and at least 4 first violins (including 1 solo violin).
$9.99
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
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Old French Round
