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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once I Was There
Sheetmusicplus
Non classifié
613
Piano & claviers
Piano seul
121
Piano, Voix et Guitare
23
Piano, Voix
20
Instruments en Do
11
Piano Facile
8
Orgue
5
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 4 mains
1
Piano (partie séparée)
1
+ 5 instrumentations
Retracter
Guitares
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
4
Guitare notes et tablatures
4
Mandoline
3
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Guitare, Orchestre
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
59
Voix seule
5
Voix Baryton, Piano
4
Chorale 3 parties
4
Chorale 2 parties
3
Voix Tenor, Piano
2
Chorale TTBB
2
Voix Alto, Piano
1
Chorale SSAA
1
Chorale SSATTB
1
Voix duo
1
Chorale Unison
1
Voix Soprano, Piano
1
+ 8 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
93
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Ensemble de saxophones
70
Ensemble de Clarinettes
29
Ensemble de Flûtes
13
Quintette de Flûte : 5 flûtes
12
2 Saxophones (duo)
12
Flûte traversière et Piano
11
2 Clarinettes (duo)
9
Saxophone Alto et Piano
9
Saxophone, Clarinette (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Flûte traversière
7
Hautbois, Piano (duo)
7
2 Flûtes traversières (duo)
7
Clarinette, Violon (duo)
6
Clarinette
6
Quatuor de Saxophones: 4 saxophones
6
Clarinette et Piano
6
2 Hautbois (duo)
5
Saxophone Tenor et Piano
5
Hautbois (partie séparée)
4
Saxophone Baryton, Piano
4
Flûte, Clarinette (duo)
4
Flûte, Saxophone (duo)
3
Cor anglais, Piano
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Hautbois, Basson (duo)
3
Hautbois, Clarinette (duo)
3
Saxophone Soprano et Piano
3
Clarinette et Alto
3
2 Flûtes traversières, Piano
2
Hautbois, Flûte
2
Flute (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Trompette (duo)
2
Clarinette Basse, Piano
2
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Piccolo
1
Flûte à bec Soprano
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Piccolo, Piano
1
Saxophone Soprano
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Saxophone Alto
1
Flûte, Violon, Piano
1
Saxophone Tenor
1
Saxophone (partie séparée)
1
+ 51 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Ensemble de Trombones
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Quatuor de Cuivres
16
Ensemble de Trompettes
15
Trompette
8
2 Trombones (duo)
7
Ensemble de Cors
5
Trompette, Saxophone (duo)
5
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Trompette, Trombone (duo)
4
Trombone et Piano
4
Cor anglais, Piano
3
2 Cors (duo)
3
Cor et Piano
3
Tuba et Piano
2
Trio de Cuivres
2
2 Tubas (duo)
2
Trompette, Piano
2
Tuba
2
Quatuor de cuivres: 4 trombones
1
Trombone
1
Cor
1
Bass Clef Instruments
1
Trombone basse et Piano
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
18
Ensemble de Violons
14
Ensemble d'Altos
14
Trio à Cordes: violon, alto, violoncelle
13
Harpe
10
2 Violoncelles (duo)
10
Violon
10
Violoncelle, Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
6
Alto, Piano
6
Violon, Alto (duo)
5
2 Violons (duo)
5
Violoncelle
5
Violon, Violoncelle (duo)
4
Alto seul
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Alto et Basson
1
Contre Basse
1
Harpe, Voix
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
82
Orchestre à Cordes
38
Orchestre
32
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble Jazz
6
Ensemble de Percussions
1
2 Marimbas
1
Piano et Orchestre
1
+ 4 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
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MANDOLINE
MARIMBA
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Once I Was There
SheetMusicPlus
Partitions à imprimer
38 partitions trouvées
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1
26
I sentimenti di Carl Philipp Emanuel Bach
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Orchestre à Cordes
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Classique
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Carl Philipp Emanuel Bach and
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I sentimenti di Carl Philipp E
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Schott Music - Digital
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SheetMusicPlus
Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe...
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Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe. solo - 2 Vl. solo · Va. solo · Vc. solo - Str. flute, harp and string orchestra - SKU: S9.Q3147 Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787). Composed by Carl Philipp Emanuel Bach and Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q3147. Published by Schott Music - Digital (S9.Q3147). I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings. Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music. - Hans Werner Henze.
$19.99
If I Could I Would
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Apostolos Paraskevas
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If I Could I Would
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Silver Sickle Publications
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Public...
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String Orchestra - Level 4 - SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Publications #4897941. Published by Silver Sickle Publications (A0.942083). If I Could I Would Chamber Concerto for StringsIn this experimental work for Strings every letter of the title is been represented by a block of music. The score is being performed by creating sentences based on the first two pages of the proportional score notation. The conductor determines the entrances and fade outs of the instruments as well the repetition of blocks of music. Dynamics are provided for specific movements and different other sentences could be also created. Could I? Would I? If I Would? Etc… Duration: approx. 7-10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammy's). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$14.99
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Musi...
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String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.
$29.95
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
I Am Holding You: Spacewalk
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Orchestre à Cordes
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INTERMÉDIAIRE
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Shelley Rink
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I Am Holding You: Spacewalk
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Shelley Rink
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.850797 Composed by Shelley Rink. 20th Century,Concert,Contemporary,Standards. Score and parts. 21 pages. Shelley Ri...
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String Orchestra - Level 3 - SKU: A0.850797 Composed by Shelley Rink. 20th Century,Concert,Contemporary,Standards. Score and parts. 21 pages. Shelley Rink #5803223. Published by Shelley Rink (A0.850797). I Am Holding You: Spacewalk is an intermediate piano and strings piece, which can also be performed as a solo piano piece. Arranged by the composer for piano and strings (string quartet or string orchestra), this piece was inspired by the October 2019 first all-female spacewalk. With an ethereal and expansive quality, this soaring piece honors the special nature of this historic achievement, and the female astronauts who have inspired women all around the world. Another original from Shelley Rink Music. .
$17.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Minuet For Margaret, for Strings. (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Minuet For Margaret, for Strin
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Geraldine (Denny) Green at Oakmountmusic #888401. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298412). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
Minuet For Margaret, for Strings. (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Minuet For Margaret, for Strin
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Geraldine (Denny) Green at Oakmountmusic #888402. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298413). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
Mr. Thinn, Waltz for Strings (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 42 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 42 pages. Geraldine (Denny) Green at Oakmountmusic #888482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298603). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of moderate difficulty.
$25.00
Mr. Thinn, Waltz for Strings (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 43 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 43 pages. Geraldine (Denny) Green at Oakmountmusic #888480. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298601). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of a more advanced difficulty.
$25.00
REMEMBER ALWAYS
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Vincent Vitale
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REMEMBER ALWAYS
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by V...
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String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel ‘ah‘ could be used but the choice will be the director’s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$22.00
"Through It" : for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Britt Andrew Burns
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"Through It" : for S
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Indie Classical Publications
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1149107 Composed by Britt Andrew Burns. Classical,Contemporary. Score and parts. 27 pages. Indie Classical Publicat...
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String Orchestra - Level 4 - SKU: A0.1149107 Composed by Britt Andrew Burns. Classical,Contemporary. Score and parts. 27 pages. Indie Classical Publications #749235. Published by Indie Classical Publications (A0.1149107). This work reflects on the last year, which was when I lost my father as well as other people I knew. When going through a difficult time like this, I remembered what a wise friend once told me: “there is only one way – through itâ€.
$40.00
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Australian Folksong Medley No.
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BJE Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 3...
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String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Chri...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Publ...
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String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.
$39.00
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Mu...
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String Orchestra - Level 4 - SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3095057. Published by Musik Fabrik Music Publishing (A0.534002). On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?Libretto adapted by the composerFrom the ‘lines’ of Stephen Crane:The Black Riders and Other Lines (1895) &War is Kind (1899)This is the full score; A reduction for mezzo and organ is available as another item. The orchestral parts are on rental from the publisher
$25.95
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Orchestre à Cordes
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AVANCÉ
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Mu...
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String Orchestra - Level 5 - SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020007. Published by Musik Fabrik Music Publishing (A0.533560). This is the score of this work. The string parts are available on rental from the publisher. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$25.95
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
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String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Bluey Brink - String Ensemble Score and Parts PDF
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Orchestre à Cordes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folk So
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Brendan Elliget MAGA 537
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Bluey Brink - String Ensemble
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BJE Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750848 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 1...
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String Orchestra - Level 3 - SKU: A0.750848 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 11 pages. BJE Music #3911423. Published by BJE Music (A0.750848). There once was a shearer by name Bluey Brink.A devil for work and a terror for drink.He could shear a full hundred each day without fear.And drink without winking four gallons of beer A traditional Australian Folksong which has several tune variations. I chose to arrange this version of the tune for String Ensemble because of its haunting nature. The arrangement is for Violin 1, Violin 2, Violin 3 (sub for Viola), Viola, Cello and Double Bass. If you use this arrangement, please let me know how it goes! The same tune is also used in my Australian Folksong Medley No. 4 for Orchestra, Concert Band and Brass Band…Can be performed by a String Quartet, Quintet or bigger group as well. The MP3 was recorded with Sibelius Sounds. Grade = 3.5 Duration = 1:45 mins
$5.50
Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Snakewood Editions
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Vivaldi – Sinfonia for s
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. ...
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String Orchestra - Level 4 - SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi – Sinfonia (first Allegro) for strings and continuo from L’Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725L´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Sant’Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldi’s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, Foà 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldi’s autograph contained in the manuscript I-Tn, Foà 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.
$16.00
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Publ...
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String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00
YOU CAN'T GET TO HEAVEN FROM HELL
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Ralph Z
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YOU CAN'T GET TO HEAVEN FROM H
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Ralph Z. Bell
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1028477 Composed by Ralph Z. Bell music, arrangement copyright, and lyric. Christian. Score and parts. 15 pages. Ra...
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String Orchestra - Level 4 - SKU: A0.1028477 Composed by Ralph Z. Bell music, arrangement copyright, and lyric. Christian. Score and parts. 15 pages. Ralph Z. Bell #3536957. Published by Ralph Z. Bell (A0.1028477). Lazarus WENT UP THE RICH MAN WENT WAY DOWN THERE AND YELLED, I REPENT BUT WAS TOLD:YOU CAN'T GET TO HEAVEN FROM HELL!!!!!Once you are saved it does not matter at all that you can't get to heaven from HELL!
$2.50
Five Australian Scenes for String Orchestra - 1. Bush Trek
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368918 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 40 pages. MA Lass & I Lass #953253. Publ...
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String Orchestra - Level 3 - SKU: A0.1368918 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 40 pages. MA Lass & I Lass #953253. Published by MA Lass & I Lass (A0.1368918). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This first piece, Bush Trek, is about a bush walk (hike) in the Australian bush in the Myall Lakes National Park in the state of NSW. The hike takes the trekkers higher and higher until a vast and wonderful vista is encountered. From there, the trekkers return the way they came.
$39.00
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