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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR
COR ANGLAIS
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FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
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HARMONICA
HARPE
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AFRICAIN
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Non classifié
368
PIANO & CLAVIERS
Piano seul
819
Piano Facile
476
Piano, Voix et Guitare
396
Piano, Voix
68
Instruments en Do
39
Orgue
19
1 Piano, 4 mains
6
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5
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4
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2
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1
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1
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Guitare notes et tablatures
19
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15
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6
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4
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2
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1
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1
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1
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1
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1
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65
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18
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15
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8
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6
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3
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2
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2
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2
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1
Chorale
1
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale SSAA
1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
75
Quintette de Saxophone: 5 saxophones
70
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59
Flûte, Hautbois, Clarinette, Basson
58
Clarinette
32
Saxophone (partie séparée)
31
Saxophone Tenor et Piano
30
Hautbois (partie séparée)
29
Clarinette et Piano
25
2 Flûtes traversières (duo)
25
Saxophone Alto et Piano
24
Saxophone Soprano et Piano
22
Saxophone Alto
21
Flûte traversière et Piano
21
Hautbois, Piano (duo)
20
Saxophone Baryton, Piano
18
Saxophone Tenor
18
Flûte traversière
17
Cor Anglais
12
Ensemble de saxophones
11
2 Saxophones (duo)
11
Ensemble de Flûtes
10
Cor anglais, Piano
10
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9
3 Saxophones (trio)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
2 Clarinettes (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Clarinette (duo)
5
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4
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4
Flute (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Clarinette (partie séparée)
3
Flûte irlandaise
3
Quintette de Clarinettes: 5 clarinettes
2
Clarinette et Alto
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Hautbois, Clarinette (duo)
2
Hautbois
2
Saxophone Baryton
2
Flûte, Violon, Piano
2
Flûte, Alto (duo)
2
Flûte à bec Soprano
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Piano (trio)
2
2 Flûtes traversières, Piano
2
Clarinette, Harpe (duo)
2
Flûte à bec Tenor
1
2 Flûtes traversières, Harpe
1
Flûte à bec Alto, Piano
1
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Saxophone
1
Trio de Flûtes: 3 flûtes
1
Ocarina
1
Hautbois, Guitare (duo)
1
3 Clarinettes (trio)
1
2 Hautbois, Piano
1
Flûte à bec Soprano, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
69
Quatuor de Cuivres
61
Trompette, Piano
25
Trombone et Piano
21
Cor
20
Trombone
19
Trompette
18
Cor et Piano
18
Tuba
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quatuor de cuivres: 4 trombones
13
Tuba et Piano
12
Cor Anglais
12
Trompette (partie séparée)
11
Cor anglais, Piano
10
2 Trompettes (duo)
8
Ensemble de Trombones
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Trombones (duo)
5
Ensemble de Trompettes
5
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
3
Cor (partie séparée)
2
2 Cors (duo)
2
Ensemble de Cors
2
2 Trompettes, Clavier (piano ou orgue)
1
4 Tubas
1
2 Cors, Piano
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Trompette, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
96
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
Violon et Piano
38
Violon
37
Alto, Piano
24
Violoncelle, Piano
20
Violoncelle
19
Contre Basse
18
2 Violons (duo)
17
Alto seul
16
Contrebasse, Piano (duo)
15
Harpe
15
2 Violoncelles (duo)
8
Alto (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
8
Violon, Violoncelle (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
4
Ensemble de Violons
4
2 Harpes (duo)
4
Ensemble d'Altos
2
2 Altos, Piano
2
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
4 Contrebasses
1
Harpe, Voix
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
42
Orchestre
28
Ensemble Jazz
26
Orchestre à Cordes
25
Ensemble de cuivres
13
Jazz combo
5
Batterie
4
Fanfare
4
Cloches
4
Orchestre de chambre
4
Xylophone, Piano
2
Ensemble de Percussions
2
Ensemble d'École
1
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AUTRES
Vous avez sélectionné:
Or What Have You
Orchestre à Cordes
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Ghost Dance For String orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292653 By Janice e Malan. By…
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String Orchestra - Level 2 - Digital Download SKU: A0.1292653 By Janice e Malan. By Janice e Malan. Arranged by Janice e Malan. Halloween. Score and Parts. 11 pages. Janice Malan #883216. Published by Janice Malan (A0.1292653). This melody will get the goblins dancing. This ghostly dance is great for your string orchestra and you can add xylophone or drums. Have a fall concert and show what your students can do. There are few notes, and it is a super practice for technique of playing short staccatto notes and also playing in a minor key with quarter and eighth notes Enjoy and Have Fun! Boo!
$35.00
31.87 €
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Orchestre à Cordes
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Janice e Malan
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Janice e Malan
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Ghost Dance For String orchestra
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Janice Malan
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SheetMusicPlus
The Irish Washerwoman for Eclectic String Ensemble
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Cheg…
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String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Chegwidden. Folk,Holiday,World. Score and Parts. 10 pages. Laura Chegwidden #3534555. Published by Laura Chegwidden (A0.812107). What do you do when you have an unusual ensemble? Arrange something specially for them! The Irish Washerwoman is a traditional Irish folk song which is so old that no one knows who wrote it. Its melody is familiar to many people because of its wide use over many many years. This arrangement is for an ensemble with an experienced viola and cello section, but a violin and double bass section that are still learning. This upbeat arrangement is perfect for beginning musicians to perform in school or even in competitions. If you would like an arrangement which places the more difficult lines in other parts please contact me using the links below.The arrangement goes for approx. 2 min. This purchase includes a score and parts for all performers; violin, viola, cello and double bass. It would work best for players of a beginning intermediate level. It is set in the key of G major, which is perfect for stringed instruments.Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/
$7.99
7.28 €
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Orchestre à Cordes
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Laura Chegwidden
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violin, viola, cello
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The Irish Washerwoman for Eclectic String Ensemble
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Laura Chegwidden
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SheetMusicPlus
Avalon for Eclectic String Ensemble
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.812106 Composed by Al Jolson,…
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String Orchestra - Level 2 - Digital Download SKU: A0.812106 Composed by Al Jolson, Buddy DeSylva, and Vincent Rose. Arranged by Laura Chegwidden. Jazz,Ragtime. Score and Parts. 10 pages. Laura Chegwidden #3534553. Published by Laura Chegwidden (A0.812106). What do you do when you have an unusual ensemble? Arrange something specially for them! Avalon is a fantastic 1920s jazz tune which lends itself to an ensemble of any type. This arrangement is for an ensemble with an experienced viola and cello section, but a violin and double bass section that are still learning. This upbeat arrangement is perfect for beginning musicians to perform in school or even in competitions. If you would like an arrangement which places the more difficult lines in other parts please contact me using the links below. The arrangement goes for approx. 2 min. This purchase includes a score and parts for all performers; violin, viola, cello and double bass. It would work best for players of a beginning intermediate level. It is set in the key of G major, which is perfect for stringed instruments. Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/
$7.99
7.28 €
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Orchestre à Cordes
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Al Jolson, Buddy DeSylva, and Vincent Rose
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Laura Chegwidden
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Avalon for Eclectic String Ensemble
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Laura Chegwidden
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SheetMusicPlus
I Got The Blues - Easy string ensemble (Mixed Abilities) for flexible instrumentation
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ral…
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String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 pages. Austin Ralphson #4317691. Published by Austin Ralphson (A0.563591). Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.I GOT THE BLUES is the second piece in this series, and uses typical Blues characteristics such as syncopation and swung quavers. It also includes a section in which any player can improvise; suggested notes to use in the solo are provided along with backing figures.Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$9.99
9.1 €
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Orchestre à Cordes
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Austin Ralphson
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I Got The Blues - Easy string ensemble
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Austin Ralphson
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SheetMusicPlus
Mountain Goats And Other Creatures
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
91.06 €
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Orchestre à Cordes
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
40.97 €
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Orchestre à Cordes
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.72 €
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
13.66 €
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Orchestre à Cordes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Slide Ride
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SheetMusicPlus
"Oktoberfest Waltz Medley"-----String Orchestra"-----Heritage Series # 18
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947266 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947266 Arranged by John Philips. Folk,World. Score and parts. 39 pages. John Philips Music Service #1999441. Published by John Philips Music Service (A0.947266). This collection of waltzes is from the celebrations of everyday people in Germany & Austria. This is not what was played for the high society functions but is what was heard at Oktoberfests and other public events for the masses. Much can be called folk music. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player? Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. If you take your orchestra to an Oktoberfest, make sure they are all 21 or have a good ID.
$15.00
13.66 €
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Orchestre à Cordes
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John Philips
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Austria
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"Oktoberfest Waltz Medley"-----String Orchestra"-----Heritage Series # 18
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John Philips Music Service
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SheetMusicPlus
"VIOLA BOOGIE"
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947255 Composed by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947255 Composed by John Philips. Blues,Jazz. Score and parts. 25 pages. John Philips Music Service #1996111. Published by John Philips Music Service (A0.947255). This is a simple 12 bar boogie for string orchestra that is fun to play and will let the players have a good time while they perform. There is nothing past an eighth note---no hemidemiquavers--..-The Heritage Series is written to be easy to play and easy to listen to. They all have familiar tunes, sound full, have easy ranges and involve nothing more complicated than an eight note. The object is to produce music and not to display technique. The harmonies, lines and logical counterpoints make these arrangements play well with modest technique. Markings are at minimum to keep things simple. String Bass and Piano must be used to make these arrangements work. The optional acoustic guitar (NOT ELECTRIC) will help the rhythm section. Electric bass could be substituted. If you use an electric bass player, sometimes they can be converted to an upright bass or cello player player( –a devious but legal way to get more players in your school orchestra). There is a 3rd Violin part that is really a treble clef viola part if you have no viola players, or to bolster what you have.
$15.00
13.66 €
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Orchestre à Cordes
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John Philips
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"VIOLA BOOGIE"
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John Philips Music Service
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SheetMusicPlus
All Of Me
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.506024 By John Legend. By John Stephens…
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String Orchestra - Digital Download SKU: A0.506024 By John Legend. By John Stephens and Toby Gad. Arranged by Thomas Graf. Pop. Score and parts. 18 pages. Published by Thomas Graf - the-hit-factory.com (A0.506024). What a wonderful Ballad by John Legend. Enjoy! Instrumentation: Violin 1/2, Viola 1/2, Cello 1/2 - 2 Viols, 2 Violas + Cello or 2 Viols, 1 Viola + 2 Cellos Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$50.00
45.53 €
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Orchestre à Cordes
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John Legend
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Thomas Graf
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All Of Me
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.39 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous.…
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String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
10.92 €
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Orchestre à Cordes
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Anonymous
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Colin Kirkpatrick
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Les Courantes - Dances 183 and 188 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3880257. Published by Colin Kirkpatrick Publications (A0.522220). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.1 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Courantes - Dances 151 and 152 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Three Gavottes from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879697. Published by Colin Kirkpatrick Publications (A0.522217). Three gavottes arranged for strings, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.1 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Three Gavottes from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
La Bourrée - Dance 32 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879699. Published by Colin Kirkpatrick Publications (A0.522218). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.1 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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La Bourrée - Dance 32 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. A…
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String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.1 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Voltas - Dances 201 and 210 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.1 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 273 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Jingle Basses: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0004298 Score. Arranged by…
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String Orchestra - Digital Download SKU: AX.00-PR-0004298 Score. Arranged by Bob Phillips. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0004298. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004298). UPC: 038081459738.Cute, fun, and a true grade 1 bass feature! What more could you want? Encourage the bass players by showing them off. The bass parts are very simple, but the basses also play jingle bells in a surprise twist at the end of the piece. Brainstorm ideas to dress this piece up. Some suggestions are to put Santa hats on the bass players or the scroll of the basses. You could even put Christmas lights or stockings on the bass or stands. Bring the bass players up front. Have some bells on each bass stand where the audience can't see them. Then, when the time is right, the bassists pull out the bells and jingle away! Correlates to Sound Innovations Book 1, Level 3.Section Feature.
$6.00
5.46 €
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Orchestre à Cordes
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Bob Phillips
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Jingle Basses: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jingle Basses: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0015988_VN2 2nd Violin. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0015988_VN2 2nd Violin. Arranged by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015988_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015988_VN2). UPC: 038081459738.Cute, fun, and a true grade 1 bass feature! What more could you want? Encourage the bass players by showing them off. The bass parts are very simple, but the basses also play jingle bells in a surprise twist at the end of the piece. Brainstorm ideas to dress this piece up. Some suggestions are to put Santa hats on the bass players or the scroll of the basses. You could even put Christmas lights or stockings on the bass or stands. Bring the bass players up front. Have some bells on each bass stand where the audience can't see them. Then, when the time is right, the bassists pull out the bells and jingle away! Correlates to Sound Innovations Book 1, Level 3.Section Feature.
$5.99
5.45 €
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Orchestre à Cordes
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Bob Phillips
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Jingle Basses: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Draagyns Sunset
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1027735 Composed by Johnathan…
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String Orchestra - Level 3 - Digital Download SKU: A0.1027735 Composed by Johnathan Wales (ASCAP). Contemporary. Score and parts. 29 pages. Spotlight Music #2916899. Published by Spotlight Music (A0.1027735). In December 2009, one of my heroes past away. I am pretty sure that he never saw himself as a hero or even knew how many lives he changed. It is because of him that I stayed involved with music. There were many times that I almost put down my trumpet and walked out but every time I started to I would hear his voice telling me Dammit, get back in your spot! Well, over twenty four years later, I am not only playing, but I have learned how to write down the music that I have always heard in my head. He was the First in a long line of Professors, who taught me not only about music but about life and its real meaning. Mr. Robert Nygaard, this is what I heard as the sun set at your memorial service.
$29.99
27.31 €
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Orchestre à Cordes
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Johnathan Wales
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Draagyns Sunset
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Spotlight Music
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.19 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
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