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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Poem of Sound
Non classifié
121
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Piano seul
22
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13
Orgue
4
1 Piano, 4 mains
4
Piano Facile
4
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3
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Guitare
1
Guitare notes et tablatures
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Voix
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81
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27
Chorale 3 parties
13
Voix duo, Piano
6
Chorale TTBB
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Chorale SSAA
4
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3
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3
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1
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1
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1
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1
4 Violoncelles
1
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8
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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Vous avez sélectionné:
Poem of Sound
Orchestre à Cordes
Partitions à imprimer
8 partitions trouvées
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
Dawn in the Room for cor anglais and strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Dawn in the Room for cor angla
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David Warin Solomons
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.578896 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons...
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String Orchestra - Level 3 - SKU: A0.578896 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #1954755. Published by David Warin Solomons (A0.578896). Initially based on a song inspired by the poem L'Aube dans la Chambre by Supervielle, as translated by S N Solomons, and a related poem by E M Solomons, these instrumental versions of Dawn in the Room represent the feelings of gentle nostalgia, regret and hope of all three poems. The piece is presented with various melody instruments (flute, clarinet, cor anglais, bassoon or cello) and with various accompaniments (guitar, strings or piano). The sound sample is an electronic preview. The pdf file contains score and parts. Further details regarding the song Dawn in the Room, and various sung versions of it, can be found on http://www.dwsolo.com/serif/dawnintheroom.html.
$16.00
Dawn in the Room for cello and strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Dawn in the Room for cello and
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David Warin Solomons
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.578898 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 22 pages. David Warin Solomons...
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String Orchestra - Level 3 - SKU: A0.578898 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 22 pages. David Warin Solomons #1954759. Published by David Warin Solomons (A0.578898). Initially based on a song inspired by the poem L'Aube dans la Chambre by Supervielle, as translated by S N Solomons, and a related poem by E M Solomons, these instrumental versions of Dawn in the Room represent the feelings of gentle nostalgia, regret and hope of all three poems. The piece is presented with various melody instruments (flute, clarinet, cor anglais, bassoon or cello) and with various accompaniments (guitar, strings or piano). The sound sample is an electronic preview. The pdf file contains score and parts. Further details regarding the song Dawn in the Room, and various sung versions of it, can be found on http://www.dwsolo.com/serif/dawnintheroom.html.
$16.00
I HEARD THE BELLS ON CHRISTMAS DAY
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Orchestre à Cordes
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DÉBUTANT
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Noël
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J
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Vincent Vitale
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I HEARD THE BELLS ON CHRISTMAS
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835580 Composed by J. Baptiste Calkin. Arranged by Vincent Vitale. Christmas. Score and parts. 10 pages. Vincent Vi...
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String Orchestra - Level 1 - SKU: A0.835580 Composed by J. Baptiste Calkin. Arranged by Vincent Vitale. Christmas. Score and parts. 10 pages. Vincent Vitale #6052489. Published by Vincent Vitale (A0.835580). I HEARD THE BELLS ON CHRISTMAS DAY is a Christmas carol based on the 1863 poem ‘Christmas Bells by American poet Henry Wadsworth Longfellow. It was not until 1872 that the poem was set to music by John Baptiste Calkin, an English organist. It is written on a medium easy level for beginning string players in 3 part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this type of scoring will make your group sound fuller and give your players more confidence. This well known traditional carol will be a delightful addition to your Holiday line-up. . If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece and as always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$12.00
Joyful, Joyful We Adore Thee (Ode to Joy)
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Orchestre à Cordes
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DÉBUTANT
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Musique Sacrée
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Garritan Orchestra
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Ron Flintjer
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Joyful, Joyful We Adore Thee
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1258367 By Garritan Orchestra. By Ludwig van Beethoven, Henry van Dyke. Arranged by Ron Flintjer. Christian,Christm...
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String Orchestra - Level 1 - SKU: A0.1258367 By Garritan Orchestra. By Ludwig van Beethoven, Henry van Dyke. Arranged by Ron Flintjer. Christian,Christmas,Praise & Worship,Religious,Sacred. Score and Parts. 9 pages. Ron Flintjer #851619. Published by Ron Flintjer (A0.1258367). The Hymn of Joy (often called Joyful, Joyful We Adore Thee) is a poem written by Henry van Dyke in 1907 with the intention of musically setting it to the famous Ode to Joy melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.This is a perfect piece to be performed by your church string orchestra. To accommodate lack of instrumentation, if that should be, there is 1st violin, 2nd violins and violas are doubled, as are the cello and string bass. Even though composed for beginner easy level, this has a full orchestra sound, interesting harmonies and a beautiful sacred touch.tt.
$14.00
DECEMBER WINDS - ELEMENTARY STRING ORCHESTRA with optional Piano & Percussion
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Orchestre à Cordes
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FACILE
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Glen Poehlmann
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DECEMBER WINDS - ELEMENTARY ST
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arrangements by GPoehlmann
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.807051 Composed by Glen Poehlmann. Christmas,Instructional,Standards. Score and parts. 22 pages. Arrangements by GP...
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String Orchestra - Level 2 - SKU: A0.807051 Composed by Glen Poehlmann. Christmas,Instructional,Standards. Score and parts. 22 pages. Arrangements by GPoehlmann #6234005. Published by arrangements by GPoehlmann (A0.807051). DECEMBER WINDS - ELEMENTARY STRING ORCHESTRA with optional Piano & PercussionDECEMBER WINDS is an example of Program Music. It is a tone poem or a sound piece that was composed for a second year String Orchestra. It tells the story of a winter day that starts out cold and peaceful but soon the snow starts to fall and the winds start to pick up. Before long, a winter storm has arrived! You will hear many winter tunes stated briefly throughout. These represent various melodies that are carried around by the wind. You will hear the Hallelujah Chorus when school is cancelled! I hope it makes you think of snowmen, sledding, ice skating and snowballs flying. All the wonderful things that make winter a special season.MUSICAL ELEMENTS:• No slurs are written in but feel free to add them as desired. • The Piano part is optional but adds to the presentation• Accents• 5/4 meter 2 + 3 subdivision • Changing meter• Dynamic levels • Crescendo• Tremolo• Glissando (Cello and Viola - measure 50)• Pizzicato (in Violins and Double Bass)• Chance Music - random notes (Violin 1 - measure 31)51 measures. Performance Time approx. 2:35. Medium Easy (Grade 2-)Key: D (C with accidentals). Meter: 5/4 - 4/4. Optional Percussion Parts: Triangle, Snare Drum, Bass Drum, Sleigh Bells.
$6.00
Mussorgsky: Night on Bald Mountain for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1147810 Arranged by James M. Guthrie. 19th Century,Contest,Festival,Romantic Period,Standards,Thriller. 129 pages. ...
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String Orchestra - Level 4 - SKU: A0.1147810 Arranged by James M. Guthrie. 19th Century,Contest,Festival,Romantic Period,Standards,Thriller. 129 pages. Jmsgu3 #747963. Published by jmsgu3 (A0.1147810). Composed in 1867, Mussorgskyâ??s Night on Bald Mountain is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$99.95
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Poem of Sound
