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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prince
Non classifié
679
Piano & claviers
Piano, Voix et Guitare
680
Piano seul
672
Piano Facile
248
Piano, Voix
194
Piano grosses notes
33
Accordéon
32
Instruments en Do
29
Orgue
25
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
10
Accompagnement Piano
9
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Trompette (duo)
4
2 Pianos, 4 mains
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
Fake Book
1
Ligne De Mélodie, Piano
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
214
Guitare
129
Ligne De Mélodie, (Paroles) et Accords
72
Ukulele
65
Paroles et Accords
63
Basse electrique
54
Guitare (partie séparée)
3
Dulcimer
2
2 Guitares (duo)
2
Mandoline
1
Piano, Guitare (duo)
1
Basse électrique (partie séparée)
1
Partitions De Groupes
1
Orchestre à Plectres
1
4 Guitares (Quatuor)
1
Banjo
1
+ 11 instrumentations
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Voix
Chorale SATB
162
Chorale 3 parties
75
Chorale TTBB
39
Chorale 2 parties
33
Pack Instrumental pour Chorale
24
Chorale SSAA
23
Chorale
13
Voix seule
13
Voix duo, Piano
10
Chorale Unison
8
Voix Baryton, Piano
4
Voix duo
4
Voix Tenor
3
Voix haute
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix basse, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Flûte traversière
74
Clarinette
63
Flûte traversière et Piano
61
Saxophone
57
Quintette de Saxophone: 5 saxophones
52
Clarinette et Piano
50
Saxophone (partie séparée)
47
Clarinette (partie séparée)
43
Hautbois, Piano (duo)
40
Saxophone Alto et Piano
40
Quatuor de Saxophones: 4 saxophones
35
Saxophone Soprano et Piano
31
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Alto
28
Saxophone Tenor
26
Quatuor de Clarinettes: 4 clarinettes
26
2 Flûtes traversières (duo)
23
Ensemble de Clarinettes
21
Flute (partie séparée)
19
Saxophone Tenor et Piano
19
Hautbois (partie séparée)
16
2 Saxophones (duo)
14
3 Saxophones (trio)
12
Hautbois
12
Ensemble de saxophones
10
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette (duo)
8
Saxophone Baryton, Piano
7
Flûte, Hautbois, Clarinette (trio)
7
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
7
2 Clarinettes (duo)
7
Flûte, Violon
6
Clarinette Basse, Piano
6
Clarinette, Basson (duo)
5
Saxophone et Piano
4
Cor anglais, Piano
4
Flûte, Violoncelle
4
Ocarina
4
2 Hautbois (duo)
4
Flûte et Guitare
4
Flûte à Bec
4
Instruments en Mib
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Violon (duo)
3
Hautbois, Flûte
3
Saxophone Baryton
3
Hautbois, Clarinette (duo)
3
Saxophone Soprano
3
3 Clarinettes (trio)
3
Flûte, Violon, Piano
3
Flûte traversière, Basse continue
3
Hautbois, violon (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Basson
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Saxophone, Clarinette (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Hautbois, Basson (duo)
2
Ensemble de Hautbois
1
Flûte et Trio à cordes
1
Ensemble De Flûte à bec
1
3 Flûtes à bec (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
Cor Anglais
1
Flute, harpe et violon
1
Clarinette, Trompette (duo)
1
Harmonica
1
2 Clarinettes, Basson
1
2 Flûte à bec (duo)
1
Saxophone, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 78 instrumentations
Retracter
Cuivres
Trompette
65
Trombone (partie séparée)
50
Trompette, Piano
48
Trombone
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Trompette (partie séparée)
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Trombone et Piano
35
Cor
32
Cor (partie séparée)
19
Cor et Piano
18
Tuba et Piano
16
Tuba (partie séparée)
13
Euphonium, Piano (duo)
9
2 Trompettes (duo)
9
Tuba
9
Ensemble de Trombones
8
Quatuor de Cuivres
7
2 Trombones (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Instruments en Sib
5
Bass Clef Instruments
5
Cor anglais, Piano
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
4
Trompette, Trombone (duo)
4
Euphonium
4
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
Instruments en Fa
2
Ensemble de Trompettes
2
Trombone, violoncelle (duo)
2
Ensemble de Cors
2
Trompette, Saxophone (duo)
2
Cor, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor Anglais
1
2 Trombones, Piano
1
Trombone, Cor (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Orgue
1
3 Cors (trio)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
Trombone, Violon (duo)
1
4 Tubas
1
3 Trombones (trio)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
139
Violon et Piano
78
Violon
70
Violoncelle, Piano
49
Violoncelle
48
Alto seul
47
Alto, Piano
40
Violon, Violoncelle (duo)
35
Trio à Cordes: violon, alto, violoncelle
29
Violon (partie séparée)
28
Harpe
20
Contrebasse (partie séparée)
15
Contrebasse, Piano (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violoncelles (duo)
11
2 Violons (duo)
10
Violoncelle (partie séparée)
9
Violon, Alto (duo)
8
2 Harpes (duo)
7
2 Altos (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Ensemble d'Altos
4
Ensemble de Violons
4
Alto (partie séparée)
4
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
3
Contre Basse
3
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Alto et Basson
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
263
Orchestre
98
Orchestre à Cordes
63
Batterie
49
Fanfare
37
Ensemble Jazz
36
Ensemble de cuivres
36
Percussion (partie séparée)
20
Orchestre de chambre
18
Cloches
11
Percussion
9
Batterie (partie séparée)
9
Timbales (partie séparée)
8
Jazz combo
3
Ensemble de Percussions
3
Vibraphone
2
Quintette à Vent
2
Quatuor à Vent : 4 instruments à vents
1
Orchestre, Violon
1
Timbales
1
+ 15 instrumentations
Retracter
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CORNEMUSE
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
GUITARE
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HARMONICA
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PERCU. ORCH…
PERCUSSION
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VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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Vous avez sélectionné:
Prince
Orchestre à Cordes
Partitions à imprimer
63 partitions trouvées
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1
26
51
Main Title-prince Of Thieves
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Contemporain
#
Michael Kamen
#
Ellen Harle
#
Main Title-prince Of Thieves
#
Fireworks Music
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.767837 Composed by Michael Kamen. Arranged by Ellen Harle. Contemporary. Score and parts. 27 pages. Fireworks Music...
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String Orchestra - Level 3 - SKU: A0.767837 Composed by Michael Kamen. Arranged by Ellen Harle. Contemporary. Score and parts. 27 pages. Fireworks Music #6114635. Published by Fireworks Music (A0.767837). This bold, fanfare-like theme from Michael Kamen's score to the 1991 film Robin Hood: Prince of Thieves is recognisable to audiences of all ages. It is arranged here for String Quintet (2 Violins, Viola, Cello and Bass), and the greatest difficulty lies in the speed of the piece. The piece begins in C major and modulates later to D major. There is position work in the first violin part only. Violin 3 (Viola in treble clef) is also included. Purchase includes score and all parts.
$49.99
THE PRINCE OF DENMARK'S MARCH (TRUMPET VOLUNTARY) intermed.med.diff.
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Jeremiah Clarke
#
Vincent Vitale
#
THE PRINCE OF DENMARK'S MARCH
#
Vincent Vitale
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1307586 Composed by Jeremiah Clarke. Arranged by Vincent Vitale. Classical,Contest,Festival,Wedding. Score and Part...
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String Orchestra - Level 3 - SKU: A0.1307586 Composed by Jeremiah Clarke. Arranged by Vincent Vitale. Classical,Contest,Festival,Wedding. Score and Parts. 10 pages. Vincent Vitale #896848. Published by Vincent Vitale (A0.1307586). The Prince of Denmark’s March also known as Trumpet Voluntary by Jeremiah Clarke.  Arranged on a medium difficult level for Intermediate students this piece can be used as a stand alone concert addition or as a piece for any type of procession, such as a graduation.  The director should feel free to make whatever repeats desired.  Comes complete with score and parts. If this composition appeals to you please consider the many others in this string series. I trust you, your students and audience will enjoy this piece and as always I thank you for your consideration.  I wish you and your students much musical success......Copyright 2023
$15.00
The Chronicles of Narnia: Prince Caspian (10-Piece Digital Pack)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Film/TV
#
Stephen Bulla
#
The Chronicles of Narnia: Prin
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.116924 Arranged by Stephen Bulla. Film/TV. 2 pages. Duration 445. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1...
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Level 3-4 - SKU: HX.116924 Arranged by Stephen Bulla. Film/TV. 2 pages. Duration 445. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.116924).
Digital Pack includes
:
The Chronicles of Narnia: Prince Caspian - Full Score
The Chronicles of Narnia: Prince Caspian - Violin 1
The Chronicles of Narnia: Prince Caspian - Violin 2
The Chronicles of Narnia: Prince Caspian - Violin 3 (Viola Treble Clef)
The Chronicles of Narnia: Prince Caspian - Viola
The Chronicles of Narnia: Prince Caspian - Cello
The Chronicles of Narnia: Prince Caspian - Bass
The Chronicles of Narnia: Prince Caspian - Piano
The Chronicles of Narnia: Prince Caspian - Percussion 1
The Chronicles of Narnia: Prince Caspian - Percussion 2
$50.00
Ravel-Pavane pour une infante défunte(Pavane for a Dead Princess),M.19,for Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Classique
#
Maurice Ravel
#
OSM Press
#
Ravel-Pavane pour une infante
#
Open Cloud
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1365756 Composed by Maurice Ravel. Arranged by OSM Press. Classical. 46 pages. Open Cloud #950099. Published by Ope...
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String Orchestra - Level 3 - SKU: A0.1365756 Composed by Maurice Ravel. Arranged by OSM Press. Classical. 46 pages. Open Cloud #950099. Published by Open Cloud (A0.1365756).
$13.99
Pavane For A Dead Princess
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Maurice Ravel
#
Mark D Hettle
#
Pavane For A Dead Princess
#
Goomba Publishing Company
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.908666 Composed by Maurice Ravel. Arranged by Mark D Hettle. 20th Century. Score and parts. 10 pages. Goomba Publis...
(+)
String Orchestra - Level 4 - SKU: A0.908666 Composed by Maurice Ravel. Arranged by Mark D Hettle. 20th Century. Score and parts. 10 pages. Goomba Publishing Company (GPC) #3878029. Published by Goomba Publishing Company (GPC) (A0.908666). This piece is an orchestration of the beautiful Maurice Ravel piano composition of the same name. It is written for the intermediate string orchestra. I voiced my arrangement in the impressionistic style that was popular in the late 1800's and early 1900's by many French composers of that time period. I hope you and your orchestra enjoy rehearsing and performing this beautiful Ravel composition. Thank you!-Mark Hettle .
$18.00
For The Love Of A Princess
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
James Horner
#
Lisa Barber
#
For The Love Of A Princess
#
Lisa Barber
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1215500 Composed by James Horner. Arranged by Lisa Barber. Film/TV,Pop. Score and Parts. 16 pages. Lisa Barber #812...
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String Orchestra - Level 4 - SKU: A0.1215500 Composed by James Horner. Arranged by Lisa Barber. Film/TV,Pop. Score and Parts. 16 pages. Lisa Barber #812253. Published by Lisa Barber (A0.1215500). String Orchestra arrangement featuring advanced cello and violin soloists.
$49.99
Overture for Strings No. 3 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 5 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 6 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 2 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Let's Go Crazy (9-Piece Digital Pack)
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Orchestre à Cordes
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FACILE
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Rock
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Prince
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Larry Moore
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Let's Go Crazy
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Hal Leonard - Digital
#
SheetMusicPlus
Orchestra Percussion - Level 2-3 - SKU: HX.96384 By Prince. By Prince. Arranged by Larry Moore. Pop,Rock. Individual instrument part. 1 pages. Duration ...
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Orchestra Percussion - Level 2-3 - SKU: HX.96384 By Prince. By Prince. Arranged by Larry Moore. Pop,Rock. Individual instrument part. 1 pages. Duration 150. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.96384).
Digital Pack includes
:
Let's Go Crazy - Full Score
Let's Go Crazy - Violin 1
Let's Go Crazy - Violin 2
Let's Go Crazy - Violin 3 (Viola Treble Clef)
Let's Go Crazy - Viola
Let's Go Crazy - Cello
Let's Go Crazy - Bass
Let's Go Crazy - Piano
Let's Go Crazy - Percussion
$40.00
The Skye Boat Song (Theme from Outlander) - for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Traditional Scottish
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Kate Agioritis
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The Skye Boat Song
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Musika Publishing Australia
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.567125 Composed by Traditional Scottish. Arranged by Kate Agioritis. Celtic,Concert,Folk,Standards. Score and parts...
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String Orchestra - Level 4 - SKU: A0.567125 Composed by Traditional Scottish. Arranged by Kate Agioritis. Celtic,Concert,Folk,Standards. Score and parts. 21 pages. Musika Publishing Australia #5329897. Published by Musika Publishing Australia (A0.567125). The Skye Boat Song is a late 19th-century Scottish song recalling the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) to the Isle of Skye as he evaded capture following his defeat at the Battle of Culloden in 1746. More recently, this beautiful, lilting song has become known as the opening theme of television series 'Outlander'. Arranged by Kate Agioritis for String Orchestra, this moving rendition will be a welcome addition to your repertoire, for any occasion. Includes optional violin 3 substitute for viola part.
$29.99
Three Welsh Songs
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Orchestre à Cordes
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Huw Watkins
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Three Welsh Songs
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Schott Music - Digital
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SheetMusicPlus
String orchestra - SKU: S9.Q21639 For strings. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. ...
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String orchestra - SKU: S9.Q21639 For strings. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q21639. Published by Schott Music - Digital (S9.Q21639). As one of Wales’ leading young composers, Huw Watkins was the ideal choice to write a new work to mark the 60th birthday of HRH The Prince of Wales. The choice of work was an easy one for Watkins who describes his settings of Welsh folk songs as ‘something of a guilty pleasure!’Als einer der führenden jungen Komponisten in Wales war Huw Watkins prädestiniert, ein neues Werk zum 60. Geburtstag des Prince of Wales zu komponieren. Die Wahl des Sujets fiel nicht schwer: Ein „heimliches Vergnügen bereitete Watkins die Bearbeitung Walisischer Volkslieder.
$12.99
Handel Overture Judas Maccabaeus for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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George Fredric Handel
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Paul Wood
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Handel Overture Judas Maccabae
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1392922 Composed by George Fredric Handel. Arranged by Paul Wood. Baroque. 28 pages. MyMusicScores.com #976448. Pub...
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String Orchestra - Level 3 - SKU: A0.1392922 Composed by George Fredric Handel. Arranged by Paul Wood. Baroque. 28 pages. MyMusicScores.com #976448. Published by MyMusicScores.com (A0.1392922). Judas Maccabaeus by George Frideric Handel in 1746, with a libretto by Thomas Morell. It was first performed on April 1, 1747, at the Royal Opera House and became one of Handel's most popular oratoriosThe oratorio, consisting of three acts and 68 movements, was created to honour Prince William Augustus, Duke of Cumberland, after his victory at the Battle of Culloden in 1746The overture of is a significant piece within the oratorio. The overture sets the tone for the oratorio and typically features a lively and grand musical introduction that captures the essence of the upcoming performance.
$14.99
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. by David Catherwood for Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Traditional English Folk Song
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David Catherwood
#
When I Survey the Wondrous Cro
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Opus 3 Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.739476 Composed by Traditional English Folk Song. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,W...
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String Orchestra - Level 4 - SKU: A0.739476 Composed by Traditional English Folk Song. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 7 pages. Opus 3 Music #5026539. Published by Opus 3 Music (A0.739476). This arrangement of the well loved English Folk song O Waly, Waly will work equally well for String Quartet or String Orchestra. It can be used as an accompaniment for Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for string quartets playing at weddings or other functions.When I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$7.50
When You Believe
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Whitney Houston And Mariah Car
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Tom Rundle-Wood
#
When You Believe
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Tom Rundle-Wood
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.985241 By Whitney Houston And Mariah Carey. By Stephen Schwartz. Arranged by Tom Rundle-Wood. Contemporary. Score a...
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String Orchestra - Level 4 - SKU: A0.985241 By Whitney Houston And Mariah Carey. By Stephen Schwartz. Arranged by Tom Rundle-Wood. Contemporary. Score and parts. 24 pages. Tom Rundle-Wood #5773167. Published by Tom Rundle-Wood (A0.985241). A Classic from Disney's Prince of Egypt, this song has been released by UK X-Factor Winner Leon Jackson when he won the show in 2007.This arrangement of 'When You Believe' incorporates the melodic ballad as well as the traditional Hebrew dance music. For String Ensemble and Piano, there are plenty of opportunities to show case players in all sections with Solo passages and small ensemble features. Suitable for a college ensembles, confident amateur string groups, or to showcase the string section of your larger ensemble.
$49.99
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
#
Ludwig van Beethoven, Cees Nie
#
Upstream Music
#
Prelude and Fugue in C major f
#
Upstream Music
#
SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
Boogie Woogie Bugle Boy
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Bette Midler
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Katrina Wreede
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Boogie Woogie Bugle Boy
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Vlazville Music-Digital
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.737217 By Bette Midler. By Don Raye and Hughie Prince. Arranged by Katrina Wreede. Pop. Score and parts. 14 pages. ...
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String Orchestra - Level 4 - SKU: A0.737217 By Bette Midler. By Don Raye and Hughie Prince. Arranged by Katrina Wreede. Pop. Score and parts. 14 pages. Vlazville Music-Digital #2069969. Published by Vlazville Music-Digital (A0.737217). Arranged and dedicated to the Northern California Viola Ensemble and their ViolaMania concerts. Concert video available at https://www.youtube.com/playlist?list=PLhLNCVSfcf9cD4Jt4F4Fo8c2ckNa9_RVh Very fun for 7 or more violists. First three parts are the Andrew Sisters. Parts four through seven are the big band backing them up. Lends itself to costumes, dance steps and all sorts of fun and games but is also pretty technically challenging. Exceedingly fun for both players and audience. Enjoy!
$17.99
That's a Plenty for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jazz
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Lew Pollack
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Keith Terrett
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That's a Plenty for String Orc
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terr...
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String Orchestra - Level 3 - SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Tears of an Emperor
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Xiaokang Deng
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Tears of an Emperor
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T.U.X. People's Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1247681 Composed by Xiaokang Deng. Contemporary,Contest,Festival,Multicultural,World. Score and Parts. 69 pages. T....
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String Orchestra - Level 4 - SKU: A0.1247681 Composed by Xiaokang Deng. Contemporary,Contest,Festival,Multicultural,World. Score and Parts. 69 pages. T.U.X. People's Music #842234. Published by T.U.X. People's Music (A0.1247681). Xiaokang Deng uses string orchestra, drum, and harp to tell the tragic story of Prince Liu Zhun of the ancient Liu Song Dynasty, who became emperor at the tender age of nine in this cinematic, accessible piece.
$95.00
Theme from the Polovtsian Dances
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Orchestre à Cordes
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INTERMÉDIAIRE
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Alexander Borodin
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Lena Seeger
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Theme from the Polovtsian Danc
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Lena A Seeger
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.716094 Composed by Alexander Borodin. Arranged by Lena Seeger. Multicultural,Romantic Period,World. Score and parts...
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String Orchestra - Level 3 - SKU: A0.716094 Composed by Alexander Borodin. Arranged by Lena Seeger. Multicultural,Romantic Period,World. Score and parts. 25 pages. Lena A Seeger #3093169. Published by Lena A Seeger (A0.716094). The introduction and Gliding Theme from the Polovtsian Dances, from the opera Prince Igor. Arranged for string orchestra. The same melody is used for the song Stranger in Paradise. Four copies of each part.
$4.99
A Portrait of Frank
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Francis Johnson
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Mark Hillegass Jr
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A Portrait of Frank
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Mark Hillegass Jr.
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1014283 Composed by Francis Johnson. Arranged by Mark Hillegass Jr. Classical. Score and parts. 23 pages. Mark Hill...
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String Orchestra - Level 3 - SKU: A0.1014283 Composed by Francis Johnson. Arranged by Mark Hillegass Jr. Classical. Score and parts. 23 pages. Mark Hillegass Jr. #6096355. Published by Mark Hillegass Jr. (A0.1014283). Grade 2 - String Orchestra - A selectional arrangement of 3 of Francis Johnson's works: The Princeton Callopade, Centennial Dirge, and Recollections of Buffalo..
$50.00
Cristal
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Orchestre à Cordes
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Sergio
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Cristal
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Sergio Roberto de Oliveira
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SheetMusicPlus
String Orchestra - SKU: A0.962361 Composed by Sergio. Contemporary,World. Score and parts. 97 pages. Sergio Roberto de Oliveira #5801653. Published by S...
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String Orchestra - SKU: A0.962361 Composed by Sergio. Contemporary,World. Score and parts. 97 pages. Sergio Roberto de Oliveira #5801653. Published by Sergio Roberto de Oliveira (A0.962361). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.14
Agata
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Orchestre à Cordes
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Sergio Roberto de Oliveira
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Agata
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Sergio Roberto de Oliveira
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SheetMusicPlus
String Orchestra - SKU: A0.962334 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 45 pages. Sergio Roberto de ...
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String Orchestra - SKU: A0.962334 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 45 pages. Sergio Roberto de Oliveira #4596067. Published by Sergio Roberto de Oliveira (A0.962334). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
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