English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
4
Partitions
Numériques
52
Librairie
Musicale
33
Matériel
de Musique
90
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
636
PIANO & CLAVIERS
Piano, Voix et Guitare
674
Piano seul
634
Piano Facile
237
Piano, Voix
182
Accordéon
32
Piano grosses notes
32
Instruments en Do
26
Orgue
23
1 Piano, 4 mains
17
Accompagnement Piano
8
Piano Trio: piano, violon, violoncelle
8
Piano (partie séparée)
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Trompette (duo)
4
2 Pianos, 4 mains
4
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ligne De Mélodie, Piano
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
213
Guitare
110
Ligne De Mélodie, (Paroles) et Accords
71
Paroles et Accords
63
Ukulele
62
Basse electrique
50
Guitare (partie séparée)
5
Basse électrique (partie séparée)
2
2 Guitares (duo)
2
Dulcimer
2
4 Guitares (Quatuor)
1
Partitions De Groupes
1
Piano, Guitare (duo)
1
Mandoline
1
Orchestre à Plectres
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
153
Chorale 3 parties
71
Chorale TTBB
38
Chorale 2 parties
31
Chorale SSAA
24
Chorale
13
Voix seule
12
Voix duo, Piano
10
Chorale Unison
8
Voix duo
4
Voix Tenor
3
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
Flûte traversière
68
Clarinette
60
Saxophone (partie séparée)
58
Flûte traversière et Piano
58
Saxophone
54
Quintette de Saxophone: 5 saxophones
52
Clarinette (partie séparée)
45
Clarinette et Piano
41
Saxophone Alto et Piano
38
Hautbois, Piano (duo)
37
Saxophone Soprano et Piano
29
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Saxophones: 4 saxophones
27
Saxophone Alto
26
Quatuor de Clarinettes: 4 clarinettes
25
2 Flûtes traversières (duo)
21
Flute (partie séparée)
18
Saxophone Tenor et Piano
17
Ensemble de Clarinettes
16
Hautbois (partie séparée)
16
Saxophone Tenor
15
2 Saxophones (duo)
14
3 Saxophones (trio)
12
Hautbois
10
Ensemble de saxophones
10
Quintette de Flûte : 5 flûtes
8
Trio de Flûtes: 3 flûtes
8
Flûte, Hautbois, Clarinette (trio)
7
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
7
2 Clarinettes (duo)
6
Flûte, Clarinette (duo)
6
Saxophone Baryton, Piano
5
Clarinette, Basson (duo)
5
Instruments en Mib
4
Saxophone et Piano
4
Flûte à Bec
4
Quintette de Clarinettes: 5 clarinettes
4
Ocarina
4
Flûte, Violoncelle
4
Flûte, Violon
4
Flûte et Guitare
4
Clarinette Basse, Piano
4
2 Hautbois (duo)
3
Flûte traversière, Basse continue
3
3 Clarinettes (trio)
3
Saxophone Baryton
3
Saxophone, Clarinette (duo)
2
Flûte, Hautbois, Basson
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Flûte, Clarinette et Basson
2
Cor anglais, Piano
2
Quatuor de Flûtes à bec
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette, Piano (trio)
2
Saxophone, Basson (duo)
1
Ensemble De Flûte à bec
1
2 Clarinettes, Basson
1
Flûte, Alto (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Harmonica
1
Clarinette, Violon (duo)
1
2 Flûte à bec (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon, Piano
1
Clarinette, Trompette (duo)
1
Hautbois, Flûte
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Flûte et Trio à cordes
1
Flûte, Violon, Violoncelle et Piano
1
Flute, harpe et violon
1
Cor Anglais
1
Clarinette, Guitare (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
58
Trombone (partie séparée)
48
Trompette, Piano
44
Trompette (partie séparée)
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trombone
39
Trombone et Piano
32
Cor
29
Cor (partie séparée)
22
Cor et Piano
15
Tuba (partie séparée)
14
Tuba et Piano
14
Euphonium, Piano (duo)
9
Ensemble de Trombones
8
2 Trompettes (duo)
8
Tuba
8
Quatuor de Cuivres
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Bass Clef Instruments
5
Instruments en Sib
5
2 Trombones (duo)
5
Euphonium
4
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
Ensemble de Trompettes
2
Cor anglais, Piano
2
Ensemble de Cors
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
Instruments en Fa
2
Trompette, Saxophone (duo)
2
3 Tubas (trio)
1
3 Cors (trio)
1
Trombone, Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Trombones, Piano
1
Cor, Violoncelle (duo)
1
Tuba ou Euphonium ou Saxhorn
1
4 Tubas
1
Trombone, Violon (duo)
1
Trombone, Cor (duo)
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
132
Violon et Piano
72
Violon
67
Violoncelle, Piano
47
Alto seul
42
Alto, Piano
39
Violon, Violoncelle (duo)
32
Violoncelle
30
Violon (partie séparée)
30
Trio à Cordes: violon, alto, violoncelle
28
Violoncelle (partie séparée)
25
Contrebasse (partie séparée)
17
Harpe
17
Contrebasse, Piano (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violoncelles (duo)
10
2 Violons (duo)
9
Violon, Alto (duo)
8
2 Harpes (duo)
7
Alto (partie séparée)
7
2 Altos (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à cordes: 3 altos
3
Violon, Guitare (duo)
3
Harpe, Voix
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
252
Orchestre
86
Orchestre à Cordes
52
Batterie
40
Ensemble de cuivres
35
Ensemble Jazz
25
Percussion (partie séparée)
24
Orchestre de chambre
17
Batterie (partie séparée)
14
Cloches
11
Fanfare
10
Percussion
9
Timbales (partie séparée)
8
Ensemble de Percussions
3
Vibraphone
2
Quintette à Vent
2
Timbales
1
Orchestre, Violon
1
Jazz combo
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Prince
Orchestre à Cordes
Partitions à imprimer
52 partitions trouvées
<
1
26
51
Main Title-prince Of Thieves
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.767837 Composed by Michael Ka…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.767837 Composed by Michael Kamen. Arranged by Ellen Harle. Contemporary. Score and parts. 27 pages. Fireworks Music #6114635. Published by Fireworks Music (A0.767837). This bold, fanfare-like theme from Michael Kamen's score to the 1991 film Robin Hood: Prince of Thieves is recognisable to audiences of all ages. It is arranged here for String Quintet (2 Violins, Viola, Cello and Bass), and the greatest difficulty lies in the speed of the piece. The piece begins in C major and modulates later to D major. There is position work in the first violin part only. Violin 3 (Viola in treble clef) is also included. Purchase includes score and all parts.
$49.99
45.94 €
#
Orchestre à Cordes
#
Michael Kamen
#
Ellen Harle
#
Main Title-prince Of Thieves
#
Fireworks Music
#
SheetMusicPlus
THE PRINCE OF DENMARK'S MARCH (TRUMPET VOLUNTARY) intermed.med.diff.
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1307586 Composed by Jeremiah …
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1307586 Composed by Jeremiah Clarke. Arranged by Vincent Vitale. Classical,Contest,Festival,Wedding. Score and Parts. 10 pages. Vincent Vitale #896848. Published by Vincent Vitale (A0.1307586). The Prince of Denmark’s March also known as Trumpet Voluntary by Jeremiah Clarke.  Arranged on a medium difficult level for Intermediate students this piece can be used as a stand alone concert addition or as a piece for any type of procession, such as a graduation.  The director should feel free to make whatever repeats desired.  Comes complete with score and parts. If this composition appeals to you please consider the many others in this string series. I trust you, your students and audience will enjoy this piece and as always I thank you for your consideration.  I wish you and your students much musical success......Copyright 2023
$15.00
13.78 €
#
Orchestre à Cordes
#
Jeremiah Clarke
#
Vincent Vitale
#
THE PRINCE OF DENMARK'S MARCH
#
Vincent Vitale
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.18 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.18 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.18 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 2 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Three Welsh Songs
Orchestre à Cordes
String orchestra - Digital Download SKU: S9.Q21639 For strings. Composed by …
(+)
String orchestra - Digital Download SKU: S9.Q21639 For strings. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q21639. Published by Schott Music - Digital (S9.Q21639). As one of Wales’ leading young composers, Huw Watkins was the ideal choice to write a new work to mark the 60th birthday of HRH The Prince of Wales. The choice of work was an easy one for Watkins who describes his settings of Welsh folk songs as ‘something of a guilty pleasure!’Als einer der führenden jungen Komponisten in Wales war Huw Watkins prädestiniert, ein neues Werk zum 60. Geburtstag des Prince of Wales zu komponieren. Die Wahl des Sujets fiel nicht schwer: Ein „heimliches Vergnügen bereitete Watkins die Bearbeitung Walisischer Volkslieder.
$12.99
11.94 €
#
Orchestre à Cordes
#
Huw Watkins
#
Three Welsh Songs
#
Schott Music - Digital
#
SheetMusicPlus
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. by David Catherwood for Strings
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.739476 Composed by Traditiona…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.739476 Composed by Traditional English Folk Song. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 7 pages. Opus 3 Music #5026539. Published by Opus 3 Music (A0.739476). This arrangement of the well loved English Folk song O Waly, Waly will work equally well for String Quartet or String Orchestra. It can be used as an accompaniment for Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for string quartets playing at weddings or other functions.When I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$7.50
6.89 €
#
Orchestre à Cordes
#
Traditional English Folk Song
#
David Catherwood
#
When I Survey the Wondrous Cross
#
Opus 3 Music
#
SheetMusicPlus
When You Believe
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.985241 By Whitney Houston And…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.985241 By Whitney Houston And Mariah Carey. By Stephen Schwartz. Arranged by Tom Rundle-Wood. Contemporary. Score and parts. 24 pages. Tom Rundle-Wood #5773167. Published by Tom Rundle-Wood (A0.985241). A Classic from Disney's Prince of Egypt, this song has been released by UK X-Factor Winner Leon Jackson when he won the show in 2007.This arrangement of 'When You Believe' incorporates the melodic ballad as well as the traditional Hebrew dance music. For String Ensemble and Piano, there are plenty of opportunities to show case players in all sections with Solo passages and small ensemble features. Suitable for a college ensembles, confident amateur string groups, or to showcase the string section of your larger ensemble.
$49.99
45.94 €
#
Orchestre à Cordes
#
Whitney Houston And Mariah Carey
#
Tom Rundle-Wood
#
When You Believe
#
Tom Rundle-Wood
#
SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
(+)
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.65 €
#
Orchestre à Cordes
#
Ludwig van Beethoven, Cees Nieuwenhuizen
#
Upstream Music
#
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
#
Upstream Music
#
SheetMusicPlus
Boogie Woogie Bugle Boy
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.737217 By Bette Midler. By Do…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.737217 By Bette Midler. By Don Raye and Hughie Prince. Arranged by Katrina Wreede. Pop. Score and parts. 14 pages. Vlazville Music-Digital #2069969. Published by Vlazville Music-Digital (A0.737217). Arranged and dedicated to the Northern California Viola Ensemble and their ViolaMania concerts. Concert video available at https://www.youtube.com/playlist?list=PLhLNCVSfcf9cD4Jt4F4Fo8c2ckNa9_RVh Very fun for 7 or more violists. First three parts are the Andrew Sisters. Parts four through seven are the big band backing them up. Lends itself to costumes, dance steps and all sorts of fun and games but is also pretty technically challenging. Exceedingly fun for both players and audience. Enjoy!
$17.99
16.53 €
#
Orchestre à Cordes
#
Bette Midler
#
Katrina Wreede
#
Boogie Woogie Bugle Boy
#
Vlazville Music-Digital
#
SheetMusicPlus
That's a Plenty for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollac…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.94 €
#
Orchestre à Cordes
#
Lew Pollack
#
Keith Terrett
#
That's a Plenty for String Orchestra
#
Keith Terrett
#
SheetMusicPlus
Tears of an Emperor
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1247681 Composed by Xiaokang …
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1247681 Composed by Xiaokang Deng. Contemporary,Contest,Festival,Multicultural,World. Score and Parts. 69 pages. T.U.X. People's Music #842234. Published by T.U.X. People's Music (A0.1247681). Xiaokang Deng uses string orchestra, drum, and harp to tell the tragic story of Prince Liu Zhun of the ancient Liu Song Dynasty, who became emperor at the tender age of nine in this cinematic, accessible piece.
$90.00
82.71 €
#
Orchestre à Cordes
#
Xiaokang Deng
#
Tears of an Emperor
#
T.U.X. People's Music
#
SheetMusicPlus
Theme from the Polovtsian Dances
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.716094 Composed by Alexander …
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.716094 Composed by Alexander Borodin. Arranged by Lena Seeger. Multicultural,Romantic Period,World. Score and parts. 25 pages. Lena A Seeger #3093169. Published by Lena A Seeger (A0.716094). The introduction and Gliding Theme from the Polovtsian Dances, from the opera Prince Igor. Arranged for string orchestra. The same melody is used for the song Stranger in Paradise. Four copies of each part.
$4.99
4.59 €
#
Orchestre à Cordes
#
Alexander Borodin
#
Lena Seeger
#
Theme from the Polovtsian Dances
#
Lena A Seeger
#
SheetMusicPlus
A Portrait of Frank
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1014283 Composed by Francis J…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1014283 Composed by Francis Johnson. Arranged by Mark Hillegass Jr. Classical. Score and parts. 23 pages. Mark Hillegass Jr. #6096355. Published by Mark Hillegass Jr. (A0.1014283). Grade 2 - String Orchestra - A selectional arrangement of 3 of Francis Johnson's works: The Princeton Callopade, Centennial Dirge, and Recollections of Buffalo..
$50.00
45.95 €
#
Orchestre à Cordes
#
Francis Johnson
#
Mark Hillegass Jr
#
A Portrait of Frank
#
Mark Hillegass Jr.
#
SheetMusicPlus
Cristal
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.962361 Composed by Sergio. Contemporary…
(+)
String Orchestra - Digital Download SKU: A0.962361 Composed by Sergio. Contemporary,World. Score and parts. 97 pages. Sergio Roberto de Oliveira #5801653. Published by Sergio Roberto de Oliveira (A0.962361). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.14
45.16 €
#
Orchestre à Cordes
#
Sergio
#
Cristal
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Agata
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.962334 Composed by Sergio Roberto de Ol…
(+)
String Orchestra - Digital Download SKU: A0.962334 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 45 pages. Sergio Roberto de Oliveira #4596067. Published by Sergio Roberto de Oliveira (A0.962334). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
32.82 €
#
Orchestre à Cordes
#
Sergio Roberto de Oliveira
#
Agata
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Suite para Cordas
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.962306 Composed by Sergio Roberto de Ol…
(+)
String Orchestra - Digital Download SKU: A0.962306 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 47 pages. Sergio Roberto de Oliveira #2894853. Published by Sergio Roberto de Oliveira (A0.962306). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$16.90
15.53 €
#
Orchestre à Cordes
#
Sergio Roberto de Oliveira
#
Suite para Cordas
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Pavane For A Dead Princess
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.908666 Composed by Maurice Ra…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.908666 Composed by Maurice Ravel. Arranged by Mark D Hettle. 20th Century. Score and parts. 10 pages. Goomba Publishing Company (GPC) #3878029. Published by Goomba Publishing Company (GPC) (A0.908666). This piece is an orchestration of the beautiful Maurice Ravel piano composition of the same name. It is written for the intermediate string orchestra. I voiced my arrangement in the impressionistic style that was popular in the late 1800's and early 1900's by many French composers of that time period. I hope you and your orchestra enjoy rehearsing and performing this beautiful Ravel composition. Thank you!-Mark Hettle .
$18.00
16.54 €
#
Orchestre à Cordes
#
Maurice Ravel
#
Mark D Hettle
#
Pavane For A Dead Princess
#
Goomba Publishing Company
#
SheetMusicPlus
General Lottum Unedited
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.646699 Composed by Princess A…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.646699 Composed by Princess Amalie. Arranged by Nick Lacanski. Baroque. Score and parts. 9 pages. Theupperstaff #1911753. Published by theupperstaff (A0.646699). This is a great pro or recessional. I call this series, just the notes, because that's what you get. No longer must you erase printed bowings, fingerings, etc. Just mark your own. And now, this march is available separately from the other three saving you money. Enjoy!
$4.95
4.55 €
#
Orchestre à Cordes
#
Princess Amalie
#
Nick Lacanski
#
General Lottum Unedited
#
theupperstaff
#
SheetMusicPlus
Beriot Violin Concerto No 9 for Violin and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1342131 Composed by Charles d…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1342131 Composed by Charles de beriot. Arranged by Paul Wood. Romantic Period. 107 pages. MyMusicScores.com #927652. Published by MyMusicScores.com (A0.1342131). Score and parts for download.Charles-Auguste de Beriot's Violin Concerto No. 9 in A minor, Op. 104, penned in 1858 as a tribute to Princess Tatyana Yusupov, reflects his gratitude for an extended stay in St Petersburg. This concerto, akin to his sixth and seventh, unfolds in three continuous movements, showcasing Beriot's deft violin craftsmanship and operatic elegance. The piece, a testament to his mastery, effortlessly balances virtuosity and accessibility, inviting intermediate students into the realm of Romantic concertos. With varied rhythms and a touch of Hungarian influence, this concerto, played by the talented young Julia Fischer at the age of eight, remains a cherished gem, exemplifying Bériot's compositional prowess.Here is an arrangement for violin and string orchestra.The PDF file contains the score and all parts.
$29.99
27.56 €
#
Orchestre à Cordes
#
Charles de beriot
#
Paul Wood
#
Beriot Violin Concerto No 9 for Violin and String Orchestra
#
MyMusicScores.com
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
