Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Renaissance Choral Music
Non classifié
105
Piano & claviers
Piano seul
3
Piano Facile
3
Piano, Voix
2
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Guitares
Ukulele
2
Guitare notes et tablatures
1
Mandoline
1
Voix
Chorale SATB
392
Chorale 3 parties
120
Chorale 2 parties
35
Chorale TTBB
29
Chorale
25
Chorale SSATBB
14
Pack Instrumental pour Chorale
13
Chorale SSAATTBB
10
Chorale Unison
10
Chorale SSAA
9
Chorale SATTB
5
Chorale SAATB A Cappella
5
Chorale SSATB
1
Chorale SSATTB
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
6
Clarinette et Piano
6
3 Saxophones (trio)
5
Quintette de Saxophone: 5 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone Alto et Piano
4
Flûte à bec Soprano
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Flûte traversière et Piano
3
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano et Piano
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor et Piano
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
+ 22 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
2 Euphoniums et 2 Tubas
5
Quatuor de Cuivres
5
Quatuor de cuivres: 4 trombones
4
Tuba et Piano
3
Trompette, Trombone (duo)
3
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Ensemble de Trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Ensemble de Cors
2
Trio de Cuivres
2
Cor et Piano
2
Trombone basse et Piano
1
Trompette
1
Cor anglais, Piano
1
Tuba et Orgue
1
Trompette, Piano
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
4
Violoncelle, Piano
3
Violon et Piano
2
4 Violoncelles
1
Violoncelle
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 violins
1
Harpe
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
12
Ensemble de cuivres
7
Orchestre d'harmonie
4
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
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Quickpartitions
SheetMusicPlus
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avec vidéo
avec play-along
Crtitères actifs :
Renaissance Choral Music
Orchestre à Cordes
Partitions à imprimer
12 partitions trouvées
<
1
Renaissance Madrigals Arranged for Strings, set 1
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Renaissance
#
Many
#
Curtis Hanson
#
Renaissance Madrigals Arranged
#
Curtis Hanson
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371....
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String Orchestra - Level 3 - SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371. Published by Curtis Hanson (A0.719773). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals, lieder, and chansons in this collection are arranged for string quartet and quintet. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
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Orchestre à Cordes
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FACILE
#
Dr
#
James M
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Bull: A Gigge - Doctor Bull's
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 2 - SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
Bull: In Nomine CXIX for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
#
John Bull
#
James M
#
Bull: In Nomine CXIX for Strin
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renais...
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String Orchestra - Level 2 - SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
Bull: In Nomine CXIX for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Dr
#
James M
#
Bull: In Nomine CXIX for Strin
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Re...
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String Orchestra - Level 3 - SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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Dr
#
James M
#
Bull: A Gigge - Doctor Bull's
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
(+)
String Orchestra - Level 2 - SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
Bull: Salvator mundi for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Dr
#
James M
#
Bull: Salvator mundi for Strin
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance...
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String Orchestra - Level 3 - SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
Bull: Salvator mundi for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Dr
#
James M
#
Bull: Salvator mundi for Strin
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Rena...
(+)
String Orchestra - Level 3 - SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
Fantasia on "O Come, O Come Emmanuel" (String Ensemble)
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Noël
#
Jubal's Lyre Music
#
Martin Dicke
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Fantasia on "O Come, O Co
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Jubal's Lyre Music Publishers
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.918910 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. 28...
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String Orchestra - Level 3 - SKU: A0.918910 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. 28 pages. Jubal's Lyre Music Publishers #6623621. Published by Jubal's Lyre Music Publishers (A0.918910). Your String Ensemble will enjoy playing this inventive and stirring setting of the great Advent/Christmas hymn O Come, O Come Emmanuel (VENI EMMANUEL). Composed in a Neo-Renaissance style, it sets all seven verses modulating into four keys while passing the melody from voice to voice before concluding with several sudden and surprising key changes that lead to a powerful cadence on the altered note of the Picardy third. It may be performed alone or with a choir. An optional keyboard part is provided so that directors can support small or young ensembles. The choral editions are published in either English or Latin. They are the first of Three Motets on Latin Christmas Hymns. The other motets in this series are settings of Of the Father’s Love Begotten (CORDE NATUS EX PARENTIS) and O Come, All Ye Faithful (ADESTE FIDELIS), which are also available in English or Latin. For more music and information visit
$10.99
Variations on GAUDEAMUS IGITUR
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joshua Allen
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Joshua Allen Music
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Variations on GAUDEAMUS IGITUR
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Joshua Allen Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.941044 Composed by Joshua Allen. Arranged by Joshua Allen Music. Contemporary,Graduation,Renaissance,Standards. Sco...
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String Orchestra - Level 4 - SKU: A0.941044 Composed by Joshua Allen. Arranged by Joshua Allen Music. Contemporary,Graduation,Renaissance,Standards. Score and parts. 18 pages. Joshua Allen Music #4716303. Published by Joshua Allen Music (A0.941044). GAUDEAMUS IGITUR, often referred to as the Gaudy, has served as a standard academic anthem in Europe and parts of America, predating Elgar's Pomp and Circumstance as a commencement processional. The original Latin-texted tune of GAUDEAMUS IGITUR is set in the key of G Major and scored for string quintet or string orchestra. Following a brief original introduction and a rendition of the original melody and harmonization in choral style, this piece presents 3 variations with the original melody. This arrangement is suitable for the average high school or an advanced middle school orchestra. If you lead an ensemble for any form of commencement, this selection will be a great addition to your performance selections. For more by this composer/arranger, please visit https://www.sheetmusicplus.com/publishers/published-by-joshua-allen-music/9059
$16.20
Philips: Amarilli di Julio Romano for String Orchestra
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Orchestre à Cordes
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FACILE
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Peter Philips
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James M
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Philips: Amarilli di Julio Rom
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1287878 Composed by Peter Philips. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 2 - SKU: A0.1287878 Composed by Peter Philips. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Standards. 18 pages. Jmsgu3 #878963. Published by jmsgu3 (A0.1287878). Peter Philips, the composer, was born in 1560 or 1561 and died in 1628. He was an English composer, organist, and Catholic priest exiled to Flanders. Philips was known for his keyboard virtuosity and for transcribing or arranging Italian motets and madrigals for his instruments. He composed a large number of sacred choral works, with his surviving motets numbering in the hundreds.
$38.95
Philips: Amarilli di Julio Romano for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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Peter Philips
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James M
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Philips: Amarilli di Julio Rom
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1287876 Composed by Peter Philips. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 2 - SKU: A0.1287876 Composed by Peter Philips. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 8 pages. Jmsgu3 #878960. Published by jmsgu3 (A0.1287876). Peter Philips, the composer, was born in 1560 or 1561 and died in 1628. He was an English composer, organist, and Catholic priest exiled to Flanders. Philips was known for his keyboard virtuosity and transcribing or arranging Italian motets and madrigals for his instruments. He composed a large number of sacred choral works, with his surviving motets numbering in the hundreds.
$24.95
Partita on "O Sacred Head, Now Wounded" (String Ensemble)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jubal's Lyre Music
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Martin Dicke
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Partita on "O Sacred Head
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Jubal's Lyre Music Publishers
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.918938 By Jubal's Lyre Music. By Hans Leo Hassler. Arranged by Martin Dicke. 21st Century,Christian,Lent,Religious,...
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String Orchestra - Level 3 - SKU: A0.918938 By Jubal's Lyre Music. By Hans Leo Hassler. Arranged by Martin Dicke. 21st Century,Christian,Lent,Religious,Sacred. Score and Parts. 38 pages. Jubal's Lyre Music Publishers #6826375. Published by Jubal's Lyre Music Publishers (A0.918938). This partita for String Ensemble is based on the tune HERZLICH TUT MICH VERLANGEN by Renaissance composer Hans Leo Hassler (1564-1612), which is sung to the Lenten hymn O Sacred Head, Now Wounded. Chorale settings frame this six-movement work while the inner movements employ doleful ostinatos, a quasi-canon, and a bicinium that turns into a trio at the cadences. With anguished and unconventional harmonies, the work begins fortissimo on a second inversion of an F major seventh chord and ends pianissimo eight minutes later on an A major chord. Originally composed for organ, this partita works well for strings and in the context of worship is particularly suited for Lent, Holy Week, or communion services. A downloadable performance audio mp3 is available as is a compatible edition for Woodwind Quintet. An edition for String Quartet is also available. For more music and information, visitÂ
$13.99
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Renaissance Choral Music