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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rhythm Nation
Non classifié
123
Piano & claviers
Piano seul
41
Piano, Voix et Guitare
19
Piano Facile
13
Orgue
10
Piano, Voix
5
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 7 instrumentations
Retracter
Guitares
Guitare
11
Ukulele
1
Guitare notes et tablatures
1
Banjo
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
25
Chorale 2 parties
7
Chorale 3 parties
7
Chorale TTBB
4
Pack Instrumental pour Chorale
1
Chorale Unison
1
+ 1 instrumentations
Retracter
Vents
2 Saxophones (duo)
15
2 Clarinettes (duo)
10
Saxophone, Clarinette (duo)
9
Clarinette, Violon (duo)
6
Quintette de Saxophone: 5 saxophones
6
2 Flûtes traversières (duo)
6
Flûte traversière et Piano
6
Saxophone Alto et Piano
6
Clarinette, Trompette (duo)
5
Clarinette et Piano
5
Saxophone Soprano et Piano
4
Hautbois, Piano (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Hautbois, Clarinette (duo)
3
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Clarinette
3
Quatuor de Saxophones: 4 saxophones
3
2 Hautbois (duo)
3
Flûte, Violon
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Flûte, Clarinette (duo)
2
Flûte, Alto (duo)
2
Hautbois, Basson (duo)
2
Saxophone Alto
2
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Saxophone Tenor et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Saxophone Tenor
1
+ 33 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette, Saxophone (duo)
6
Trombone (partie séparée)
6
Trompette (partie séparée)
5
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
2 Trombones (duo)
4
Trombone
3
Trompette, Trombone (duo)
3
Trompette, Piano
3
2 Trompettes (duo)
3
Trombone et Piano
3
Cor et Piano
3
Ensemble de Trombones
2
Tuba et Piano
2
Ensemble de Trompettes
2
Cor anglais, Piano
1
2 Tubas (duo)
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Violon, Violoncelle (duo)
12
Violon et Piano
11
Violoncelle, Piano
8
Alto, Piano
7
Violon
5
Trio à Cordes: 2 violons, violoncelle
5
Violon, Alto (duo)
4
2 Violoncelles (duo)
4
2 Violons (duo)
4
2 Altos (duo)
3
Ensemble de Violons
2
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse, Piano (duo)
1
4 Violoncelles
1
Violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
56
Ensemble Jazz
21
Orchestre à Cordes
16
Orchestre
14
Ensemble de cuivres
6
Cloches
5
Orchestre de chambre
4
Ensemble de Percussions
3
Batterie
2
Jazz combo
2
Instrumentation Flexible
1
+ 6 instrumentations
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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Vous avez sélectionné:
Rhythm Nation
Orchestre à Cordes
Partitions à imprimer
16 partitions trouvées
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1
Machinations for string orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.940136 Composed by Paul Sweet…
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String Orchestra - Level 4 - Digital Download SKU: A0.940136 Composed by Paul Sweet. 20th Century,Contemporary,Standards. Score and parts. 29 pages. Paul Sweet Music #5771341. Published by Paul Sweet Music (A0.940136). Machinations, a 4 minute concert piece perfect for advanced high school or college level players, opens in a sort of rhythmic and tonal gridlock. Short sequences of notes in each part overlap and struggle to break free from the others, sometimes shifting slightly upward or downward. Slowly, new harmonies and dissonances are created by these shifts, taking the music to a breaking point where a new theme finally pushes through. A more outgoing middle section surges ahead relentlessly, each of the parts working now more as a group than before. Eventually, though, it becomes clear that the gridlock of the beginning must return. The third and final section seems at first to be a repeat of the opening material, but the appearance of music from the middle section lets the listener know this is not the case. Themes from all over the work soon blend and overlap, growing in intensity until the climax implodes and the work comes to a quiet and uneasy end. Machinations, by definition, are plots or schemes. I imagined, as I wrote the work, that each instrumental part was scheming about how it would break free from the rigid and meticulous pattern of the opening measures. By the same token, it was clear that some undefined force was plotting ways to keep the music in this form. Imagine these secret plots and maneuvers as you play or conduct the work for maximum effectiveness.
$24.99
23.04 €
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Orchestre à Cordes
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the same token, it was clear that some undefined force was plotting ways to keep the music in this form
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Paul Sweet
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Machinations for string orchestra
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Paul Sweet Music
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SheetMusicPlus
ARIRANG for string orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1401868 Composed by Tradition…
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String Orchestra - Level 3 - Digital Download SKU: A0.1401868 Composed by Traditional Korean. Arranged by Steven Paxton. Contest,Festival,Folk,Multicultural,World. 41 pages. Creative Spirit #985059. Published by Creative Spirit (A0.1401868). Arirang is a collective name for hundreds of Korean folk songs; many are ancient traditional songs, and others are newer. The Gangwondo Arirang is from Gangwon Province in northeastern South Korea and the adjacent North Korean KangwÅn Province, which were a single province before the 1945 division of Korea. Its distinctive rhythm of two unequal beats (3 subdivisions + 2 subdivisions: a long beat followed by a short  beat) will be a exciting challenge for young players.The familiar Bonjo Arirang was actually composed for a 1926 Korean film, and soon became a symbol for the nation and the people of Korea. It is sung today in both North and South Korea, and represents a symbol of unity in the region that was divided by the Korean War.More music for orchestra from Creative Spirit.DURATION: 5:00.
$65.00
59.92 €
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Orchestre à Cordes
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Traditional Korean
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Steven Paxton
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ARIRANG for string orchestra
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Creative Spirit
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SheetMusicPlus
If I Could I Would
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos …
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String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Publications #4897941. Published by Silver Sickle Publications (A0.942083). If I Could I Would Chamber Concerto for StringsIn this experimental work for Strings every letter of the title is been represented by a block of music. The score is being performed by creating sentences based on the first two pages of the proportional score notation. The conductor determines the entrances and fade outs of the instruments as well the repetition of blocks of music. Dynamics are provided for specific movements and different other sentences could be also created. Could I? Would I? If I Would? Etc… Duration: approx. 7-10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammy's). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$14.99
13.82 €
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Orchestre à Cordes
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Apostolos Paraskevas
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If I Could I Would
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Silver Sickle Publications
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SheetMusicPlus
Pelleas et Mélisande Suite, Op. 80
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1389128 Composed by Gabriel F…
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String Orchestra - Level 5 - Digital Download SKU: A0.1389128 Composed by Gabriel Faure. Arranged by Kenneth Atkins. 19th Century,Classical,Romantic Period. 90 pages. RēsFacta Editions #972651. Published by RēsFacta Editions (A0.1389128). Gabriel Fauré's Pelléas et Mélisande, Op. 80, is a suite of incidental music composed in 1898 for Maurice Maeterlinck's play of the same name. Fauré's composition is renowned for its delicate and evocative portrayal of the mysterious and tragic atmosphere of Maeterlinck's symbolist drama.The suite consists of four movements:  Prélude: The Prelude sets the mood for the entire piece, introducing listeners to the ethereal and melancholic world of Pelléas et Mélisande. Fauré's masterful orchestration creates an otherworldly atmosphere, with shimmering strings, delicate woodwinds, and haunting harmonies.  Fileuse: This movement, often translated as Spinning Song, depicts Mélisande at her spinning wheel. The music captures the hypnotic rhythm of spinning, with gentle, flowing melodies and a sense of introspection.  Sicilienne: The Sicilienne is perhaps the most famous movement of the suite. Its graceful melody, accompanied by a gentle dance-like rhythm, evokes a sense of nostalgia and longing. Fauré's use of the Sicilian rhythm lends the piece a timeless quality, transporting listeners to a world of beauty and sorrow.  Mort de Mélisande: The suite concludes with the Death of Mélisande. This movement is a powerful culmination of the emotional journey depicted throughout the music. Fauré's music reflects the tragic climax of Maeterlinck's play, with poignant melodies and rich harmonies conveying a sense of grief and finality.Overall, Fauré's Pelléas et Mélisande Op. 80 is a masterpiece of impressionistic music, capturing the emotional depth and beauty of Maeterlinck's timeless tale.
$65.00
59.92 €
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Orchestre à Cordes
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Gabriel Faure
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Kenneth Atkins
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Pelleas et Mélisande Suite, Op. 80
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RÄ“sFacta Editions
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 1. Bush Trek
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1368918 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1368918 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 40 pages. MA Lass & I Lass #953253. Published by MA Lass & I Lass (A0.1368918). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This first piece, Bush Trek, is about a bush walk (hike) in the Australian bush in the Myall Lakes National Park in the state of NSW. The hike takes the trekkers higher and higher until a vast and wonderful vista is encountered. From there, the trekkers return the way they came.
$39.00
35.95 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 1. Bush Trek
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MA Lass & I Lass
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SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.74 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
Seasons of Grace
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.829439 Composed by Lyndell Le…
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String Orchestra - Level 4 - Digital Download SKU: A0.829439 Composed by Lyndell Leatherman. Christian,Jazz,Sacred. Score and parts. 43 pages. Leatherman Music Services #6012585. Published by Leatherman Music Services (A0.829439). This song extolling the joy and privilege of worship was inspired by the grace-filled ministry of Dr. Jesse Middendorf, pastor of Kansas City First Church of the Nazarene 1990-2001 before becoming a General Superintendent in the denomination. I wrote it in a slow jazz style with rhythm section and string orchestra accompaniment, somewhat reminiscent of Linda Ronstadt's epic collaboration with Nelson Riddle and his orchestra.
$9.99
9.21 €
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Orchestre à Cordes
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Lyndell Leatherman
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Seasons of Grace
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Leatherman Music Services
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SheetMusicPlus
That's a Plenty for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollac…
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String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.98 €
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Orchestre à Cordes
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Lew Pollack
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Keith Terrett
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That's a Plenty for String Orchestra
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Keith Terrett
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SheetMusicPlus
Adágio for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1505466 Composed by Alberto N…
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String Orchestra - Level 3 - Digital Download SKU: A0.1505466 Composed by Alberto Nepomuceno. 19th Century,20th Century,Classical,Contest,Festival,Romantic Period. 13 pages. RēsFacta Editions #1080887. Published by RēsFacta Editions (A0.1505466). A brief, lyrical and serene work for string orchestra by Alberto Nepomuceno (1864–1920), a Brazilian composer, conductor, and pianist, often hailed as one of the pioneers of Brazilian classical music and is credited with laying the foundation for the development of a nationalistic style in Brazilian art music. Nepomuceno's music blends European Romanticism with Brazilian folk elements. He incorporated rhythms, melodies, and harmonies typical of Brazilian popular and folk music into his works, making him a forerunner of the nationalist movement in Brazilian music. His compositions range from piano pieces and songs to orchestral works, chamber music, and operas. Score & parts. Duration: Approx. 2'12.
$25.00
23.05 €
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Orchestre à Cordes
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Alberto Nepomuceno
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parts
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Adágio for String Orchestra
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RēsFacta Editions
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SheetMusicPlus
Nocturno Isleño (Island Nocturne)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1470668 Composed by Rolando J…
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String Orchestra - Level 2 - Digital Download SKU: A0.1470668 Composed by Rolando J. Gómez. 21st Century,Classical,Multicultural,World. 25 pages. Rising Tide Music Press #1048320. Published by Rising Tide Music Press (A0.1470668). Nocturno Isleño is a nocturne for string orchestra, with a strong Cuban influence. Composed at a grade 3 level, the piece serves as a musical exploration designed to enhance rhythmic sensibilities, focusing particularly on syncopations, and the allure of the D harmonic scale.Inspired by the rich musical heritage of Cuba, Nocturno Isleño draws from the rhythmic language of popular Cuban genres, notably the bolero and the danzón. The composition also weaves in elements of folk- loric music, creating a harmonious blend that reflects the vibrant musical culture found on the enchanting Cuban Isle.This composition was commissioned by the New Canon Project, a partnership between the American Choral Directors Association, the American String Teachers Association, and Rising Tide Music Press, with support of the Sphinx Venture Fund and the National Endowment for the Arts.I hope Nocturno Isleño, in addition to teaching musical and technical skills, can inspire curiosity and enthusiasm for Cuban music.- Rolando J. Gómez.
$50.00
46.1 €
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Orchestre à Cordes
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Rolando J
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Nocturno Isleño
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Rising Tide Music Press
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
35.95 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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MA Lass & I Lass
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1368932 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00
35.95 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 4. Snowy Mountains
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MA Lass & I Lass
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1368923 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.
$39.00
35.95 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
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MA Lass & I Lass
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 3. The Outback
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1368928 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Published by MA Lass & I Lass (A0.1368928). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, The Outback, is set in the abandoned gold mining town of Goongarrie in the state WA. It depicts sunrise in the outback, the gradual heating up of the day, the scourge of blow flies, the searing and unbearable heat of midday, a sudden flash thunderstorm, and, as the storm clears, sunset over the abandoned town.
$39.00
35.95 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 3. The Outback
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MA Lass & I Lass
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.59 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
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