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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Seven
Sheetmusicplus
Non classifié
904
Piano & claviers
Piano seul
753
Piano Facile
191
Piano, Voix et Guitare
180
Piano, Voix
176
Orgue
92
Instruments en Do
51
1 Piano, 4 mains
22
2 Pianos, 4 mains
10
Piano grosses notes
8
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
6
Clavecin
3
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Fake Book
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
309
Basse electrique
110
Guitare
86
Ligne De Mélodie, (Paroles) et Accords
51
Paroles et Accords
27
Ukulele
25
2 Guitares (duo)
13
4 Guitares (Quatuor)
6
Banjo
5
Mandoline
4
3 Guitares (trio)
2
Ensemble de guitares
2
Dulcimer
2
Ukulele Baryton
1
Guitare (partie séparée)
1
Basse électrique (partie séparée)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
299
Chorale 3 parties
71
Chorale 2 parties
32
Chorale TTBB
28
Chorale Unison
27
Voix duo, Piano
21
Voix haute
19
Chorale SSAA
18
Voix Soprano, Piano
10
Voix Baryton, Piano
8
Pack Instrumental pour Chorale
7
Voix seule
6
Soli, choeur mixte et accompagnement
4
Voix Tenor, Piano
3
Voix basse, Piano
3
Chorale SSAATTBB
2
Voix duo
2
Chorale
2
Voix Alto, Piano
2
Voix moyenne, Piano
2
Voix, Guitare
1
Chorale SSAATB
1
Chorale SSATTB
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
92
Saxophone (partie séparée)
61
Quatuor de Saxophones: 4 saxophones
61
Flûte traversière
61
Clarinette et Piano
54
Saxophone Alto
52
Flûte, Hautbois, Clarinette, Basson
51
Saxophone Tenor
47
Clarinette
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Clarinette (partie séparée)
41
Hautbois, Piano (duo)
36
Saxophone Alto et Piano
34
2 Saxophones (duo)
30
Quatuor de Clarinettes: 4 clarinettes
26
Hautbois (partie séparée)
22
2 Clarinettes (duo)
18
Saxophone Tenor et Piano
17
Ensemble de Clarinettes
17
Quatuor de Flûtes : 4 flûtes
17
Harmonica
16
Saxophone Soprano et Piano
16
2 Flûtes traversières (duo)
16
Flute (partie séparée)
15
Saxophone Baryton, Piano
15
2 Flûte à bec (duo)
11
Cor anglais, Piano
10
Clarinette Basse, Piano
10
Clarinette, Basson (duo)
9
Flûte, Clarinette (duo)
9
Ensemble de Flûtes
8
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
7
Hautbois, Flûte
6
Flûte et Guitare
6
Hautbois, Basson (duo)
5
Quintette de Saxophone: 5 saxophones
5
Ensemble De Flûte à bec
4
Flûte, Hautbois, Basson
4
2 Hautbois (duo)
4
Flûte, Clarinette et Basson
4
Clarinette, Guitare (duo)
4
Ensemble de saxophones
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Clarinette (trio)
4
3 Flûtes à bec (trio)
4
Saxophone, Clarinette (duo)
3
Hautbois
3
Clarinette, Trompette (duo)
2
Saxophone Soprano
2
Saxophone
2
Instruments en Mib
2
Quatuor de Flûtes à bec
2
Clarinette, Violon (duo)
2
Flûte à bec Soprano
2
Ocarina
2
2 Clarinettes, Piano
2
Piccolo
2
Clarinette, Harpe (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto
2
Saxophone, Tuba (duo)
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Ensemble à vent
1
Saxophone et Orgue
1
Clarinette et Alto
1
2 Saxophones, Piano
1
Hautbois, Clarinette (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte, Violon
1
Flûte irlandaise
1
Clarinette, Orgue
1
Flûte, Saxophone (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Alto (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Harpe
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Basson
1
Flûte, Violon, Piano
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Trompette
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette (partie séparée)
45
Trombone (partie séparée)
42
Trombone
37
Trombone et Piano
30
Cor
25
Trompette, Piano
25
Cor et Piano
21
Tuba et Piano
18
Cor (partie séparée)
14
Euphonium, Piano (duo)
14
Tuba (partie séparée)
12
Cor anglais, Piano
10
2 Trompettes (duo)
9
Tuba
8
Quatuor de Cuivres
8
2 Cors (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 trombones
7
2 Trombones (duo)
6
3 Trombones (trio)
5
Ensemble de Trombones
5
Bass Clef Instruments
3
Tuba et Orgue
3
2 Euphoniums et 2 Tubas
3
Ensemble de Trompettes
3
Euphonium
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
3
Instruments en Sib
2
Trio de Cuivres
2
Trompette, Saxophone (duo)
2
Cornet A Pistons
2
Ensemble de Cors
1
Cor Anglais
1
Euphonium Ou Saxhorn Et Piano
1
Cor anglais, Guitare (duo)
1
Trompette, Harpe
1
2 Tubas (duo)
1
Cor, Tuba (duo)
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Cor et Harpe
1
Trombone basse
1
3 Euphoniums
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
137
Violon et Piano
78
Violon
77
Violoncelle
53
Violoncelle, Piano
50
Alto, Piano
47
Alto seul
42
Harpe
35
Violon (partie séparée)
26
Violon, Violoncelle (duo)
25
Trio à Cordes: violon, alto, violoncelle
19
2 Violoncelles (duo)
18
Violon, Alto (duo)
17
Contrebasse, Piano (duo)
17
Contrebasse (partie séparée)
15
2 Violons (duo)
11
Contre Basse
10
2 Altos (duo)
8
Alto (partie séparée)
8
Violoncelle (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
6
Alto, Violoncelle (duo)
6
Violoncelle, Contrebasse (duo)
5
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle , Guitare (duo)
3
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Flûte (duo)
2
3 Contrebasses
2
4 Violoncelles
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Orgue
1
Alto et Harpe
1
Harpe, Voix
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
465
Orchestre
91
Orchestre à Cordes
65
Ensemble Jazz
63
Batterie
57
Fanfare
56
Cloches
52
Ensemble de cuivres
40
Percussion (partie séparée)
26
Orchestre de chambre
25
Jazz combo
13
Marimba
12
Ensemble de Percussions
11
Timbales (partie séparée)
6
Xylophone, Piano
4
Batterie (partie séparée)
3
Percussion
3
Vibraphone
3
Xylophone
2
Timbales
2
Caisse Claire
1
Piano et Orchestre
1
Xylophone ou Marimba ou Vibraphone
1
+ 18 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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RAGTIME
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Vous avez sélectionné:
Seven
SheetMusicPlus
Partitions à imprimer
65 partitions trouvées
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1
26
51
Seven Seas
#
Orchestre à Cordes
#
FACILE
#
Catherine Clarnette
#
Seven Seas
#
Catherine Clarnette
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1416010 Composed by Catherine Clarnette. 21st Century,Classical,Folk. 32 pages. Catherine Clarnette #997708. Publis...
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String Orchestra - Level 2 - SKU: A0.1416010 Composed by Catherine Clarnette. 21st Century,Classical,Folk. 32 pages. Catherine Clarnette #997708. Published by Catherine Clarnette (A0.1416010). Embark on a musical voyage with 'Seven Seas'. Written for 2-part junior/elementary school choir and string orchestra, this exciting piece is perfect for elementary-aged students yearning for adventure.Capturing the essence of a lively sea shanty, its playful lyrics paint a vivid picture of a sailor's life, igniting imaginations with tales of maritime wonders.Immerse your ensemble in the exhilarating compound time feel, where dramatic harmonies swell with the spirit of the open sea.The inclusion of a violin 3 part, doubling the viola, along with an optional piano part, ensures an accessible addition to your concert repertoire.Set sail with 'Seven Seas', and let your audience be swept away!
$24.99
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
Orchestre à Cordes
#
Contemporain
#
Therese Brenet
#
Thérèse Brenet:
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
7 Sunny Days In June (Seven Days In Sunny June)
#
Orchestre à Cordes
#
FACILE
#
Jamiroquai
#
Paulo Henrique
#
7 Sunny Days In June
#
Paulo Henrique
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1506119 By Jamiroquai. By Derrick McKenzie, Jason Kay, Matt Johnson, Rob Harris, and Sola Akingbola. Arranged by Pa...
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String Orchestra - Level 2 - SKU: A0.1506119 By Jamiroquai. By Derrick McKenzie, Jason Kay, Matt Johnson, Rob Harris, and Sola Akingbola. Arranged by Paulo Henrique. Funk,Grunge,Jazz,Pop,Rock. 11 pages. Paulo Henrique #1081492. Published by Paulo Henrique (A0.1506119). Seven Days in Sunny June, Jamiroquai, Arrangement for String Orchestra, Guitar/Piano Chords and Drum Set, Score, Violin 1, Violin 2, Viola, Cello, Double Bass, Guitar/Piano Chords, Drum Set, Rock, Alternative Rock, Acid Jazz, Funk, Pop, Wedding, Lounge Music.
$50.00
The Seven Thunders Uttered - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Parker
#
The Seven Thunders Uttered - S
#
A & B Music Publishing
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1269708 Composed by Daniel Parker. 21st Century,Christian,Contemporary,Film/TV,Spiritual. 5 pages. A & B Music Publ...
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String Orchestra - Level 4 - SKU: A0.1269708 Composed by Daniel Parker. 21st Century,Christian,Contemporary,Film/TV,Spiritual. 5 pages. A & B Music Publishing #862217. Published by A & B Music Publishing (A0.1269708). Composition Title: The Seven Thunders UtteredComposer: Daniel ParkerInstrumentation: String OrchestraPage size: 9†x 12â€Year: 2023Engraving by: A & B Music Publishing© 2023 Daniel Parker.
$2.99
Seven Fugues, are. for intermediate string ensemble/trio
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Domenico Bartoli
#
David Banney
#
Seven Fugues, are. for interme
#
David Banney
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.878880 Composed by Domenico Bartoli. Arranged by David Banney. Baroque,Sacred,Standards. Score and parts. 15 pages....
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String Orchestra - Level 3 - SKU: A0.878880 Composed by Domenico Bartoli. Arranged by David Banney. Baroque,Sacred,Standards. Score and parts. 15 pages. David Banney #6497735. Published by David Banney (A0.878880). These seven short fugues, in the keys of A, b, C, D, e, F and G, are a delightful way to introduce string players to fugues. They are ideal concert pieces, either individually or as a group.
$8.99
Seven Nation Army (arr. Larry Moore) (9-Piece Digital Pack)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Rock Alternatif
#
Rock
#
White Stripes
#
Larry Moore
#
Seven Nation Army
#
Hal Leonard - Digital
#
SheetMusicPlus
String Orchestra - Level 3-4 - SKU: HX.477801 By White Stripes. Arranged by Larry Moore. This edition: scorch. Alternative,Rock. 1 pages. Hal Leonard - ...
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String Orchestra - Level 3-4 - SKU: HX.477801 By White Stripes. Arranged by Larry Moore. This edition: scorch. Alternative,Rock. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.477801).
Digital Pack includes
:
Seven Nation Army (arr. Larry Moore) - String Bass/Opt. Electric Bass
Seven Nation Army (arr. Larry Moore) - Conductor Score (Full Score)
Seven Nation Army (arr. Larry Moore) - Piano
Seven Nation Army (arr. Larry Moore) - Violin 3 (Viola Treble Clef)
Seven Nation Army (arr. Larry Moore) - Violin 2
Seven Nation Army (arr. Larry Moore) - Cello
Seven Nation Army (arr. Larry Moore) - Viola
Seven Nation Army (arr. Larry Moore) - Percussion
Seven Nation Army (arr. Larry Moore) - Violin 1
$50.00
Seven Nation Army
#
Orchestre à Cordes
#
FACILE
#
Rock
#
White Stripes
#
Chloe Grimes
#
Seven Nation Army
#
Chloe Grimes
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1050359 By White Stripes. By Jack White. Arranged by Chloe Grimes. Rock. Score and parts. 12 pages. Chloe Grimes #6...
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String Orchestra - Level 2 - SKU: A0.1050359 By White Stripes. By Jack White. Arranged by Chloe Grimes. Rock. Score and parts. 12 pages. Chloe Grimes #654715. Published by Chloe Grimes (A0.1050359). Some performance notes: - The cello part at the beginning can be divisi - Tune the C string on the viola down to a B.
$49.99
Seven Nation Army
#
Orchestre à Cordes
#
DÉBUTANT
#
Rock
#
White Stripes
#
O
#
Seven Nation Army
#
O. Robinson
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.928095 By White Stripes. By Jack White. Arranged by O. Robinson. Rock. Score and parts. 10 pages. O. Robinson #4719...
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String Orchestra - Level 1 - SKU: A0.928095 By White Stripes. By Jack White. Arranged by O. Robinson. Rock. Score and parts. 10 pages. O. Robinson #4719783. Published by O. Robinson (A0.928095). For Beginner/Middle School String OrchestraDuration: 2 minutes and 29 secondsFor Violin III and/or Drumset part please email: omarionrobinson54@gmail.com
$49.99
Seven Nation Army (arr. Larry Moore) - Conductor Score (Full Score)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Rock Alternatif
#
Rock
#
White Stripes
#
Larry Moore
#
Seven Nation Army
#
Hal Leonard - Digital
#
SheetMusicPlus
String Orchestra - Level 3-4 - SKU: HX.477800 By White Stripes. Arranged by Larry Moore. This edition: scorch. Alternative,Rock. 7 pages. Hal Leonard - ...
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String Orchestra - Level 3-4 - SKU: HX.477800 By White Stripes. Arranged by Larry Moore. This edition: scorch. Alternative,Rock. 7 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.477800).
$7.50
Seven Nation Army
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Orchestre à Cordes
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INTERMÉDIAIRE
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Rock
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White Stripes
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Joe Deninzon
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Seven Nation Army
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Fiddlefunk Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784566 By White Stripes. By Jack White. Arranged by Joe Deninzon. Rock. Score and parts. 46 pages. Fiddlefunk Music...
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String Orchestra - Level 3 - SKU: A0.784566 By White Stripes. By Jack White. Arranged by Joe Deninzon. Rock. Score and parts. 46 pages. Fiddlefunk Music #6515339. Published by Fiddlefunk Music (A0.784566). Includes score, violin I, violin II, viola, cello, bass (upright or electric), drum set, guitar, and keyboards. Great for student ensembles! Nothing above first position. Also available for string quartet and string trio.
$49.99
Killiecrankie
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Orchestre à Cordes
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FACILE
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Celtique/Irlandais
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Traditional
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Rick Faulkner
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Killiecrankie
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Seven O Six Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.987995 Composed by Traditional. Arranged by Rick Faulkner. Celtic,World. Score and parts. 22 pages. Seven O Six Mus...
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String Orchestra - Level 2 - SKU: A0.987995 Composed by Traditional. Arranged by Rick Faulkner. Celtic,World. Score and parts. 22 pages. Seven O Six Music #4781827. Published by Seven O Six Music (A0.987995). A beautiful Scottish air arranged for violin (or fiddle) and string orchestra with optional flute. The solo part can be played as written or embellished in traditional fiddle style. The orchestral parts are playable by a middle school or high school level orchestra. Instrumentation: Solo violin, Violins I & II, Violas, Cellos, Basses, Flute (optional). As with all Seven O Six Music titles, all parts are cleanly and professionally printed and easy to read.
$30.00
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
#
SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Klezmer
#
Ofer Ben-Amots
#
Klezmer Concerto - for clarine
#
The Composer's Own Press
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #46098...
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String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #4609863. Published by The Composer's Own Press (A0.944031). THE KLEZMER CONCERTO The concerto opens with a slow but intense movement titled Pastoral Doyna.  A Doyna is a lament-like melody -- both declamatory and melancholic -- of Eastern-European origin, most likely Rumanian, Gypsy, or Jewish. The opening by the string ensemble is reminiscent of the awakening sound of nature. On top of the busy accompaniment the clarinet enters with occasional shouts, echoes, and cry-like gestures. The second movement is a sort of a wedding-waltz, titled: Dance of the Seven Circles. The name goes back to the old Jewish tradition according to which a bride must circle seven times around the bridegroom before the actual start of the marriage ceremony. Its nature of this movement is a mixture of irony and passion, humor and pain. At the end of the waltz the clarinetist is invited to play a free cadenza and improvise on previous motives and melodic patterns. The movement ends with a return to the orchestra, with a soulful lament and quiet murmuring of the soloist. The third and last movement of the concerto is titled Halleluya. It is inspired by the textual content, vibrant rhythms and many musical instruments suggested in the 150th Psalm. Toward the end of this movement, there is a second solo cadenza in a perpetual motion style, where upon the players of the orchestra join in and add their voices to the pandemonium with a song of praise: Halleluya! Parts available through rental only! For performance materials, demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Welsh Folksongs for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Yoel Epstein
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Welsh Folksongs for String Orc
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages....
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String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs, Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
I Love Lucy
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music ...
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String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
The American Seasons (score – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik I...
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String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
Fantasia on "O Come, O Come Emmanuel" (String Ensemble)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Noël
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Jubal's Lyre Music
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Martin Dicke
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Fantasia on "O Come, O Co
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Jubal's Lyre Music Publishers
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.918910 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. 28...
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String Orchestra - Level 3 - SKU: A0.918910 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. 28 pages. Jubal's Lyre Music Publishers #6623621. Published by Jubal's Lyre Music Publishers (A0.918910). Your String Ensemble will enjoy playing this inventive and stirring setting of the great Advent/Christmas hymn O Come, O Come Emmanuel (VENI EMMANUEL). Composed in a Neo-Renaissance style, it sets all seven verses modulating into four keys while passing the melody from voice to voice before concluding with several sudden and surprising key changes that lead to a powerful cadence on the altered note of the Picardy third. It may be performed alone or with a choir. An optional keyboard part is provided so that directors can support small or young ensembles. The choral editions are published in either English or Latin. They are the first of Three Motets on Latin Christmas Hymns. The other motets in this series are settings of Of the Father’s Love Begotten (CORDE NATUS EX PARENTIS) and O Come, All Ye Faithful (ADESTE FIDELIS), which are also available in English or Latin. For more music and information visit
$10.99
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