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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Short Walk
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41
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77
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29
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22
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10
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9
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6
Instruments en Do
3
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1
+ 3 instrumentations
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4
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3
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2
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1
Voix
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12
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5
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3
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2
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1
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1
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1
Chorale TTBB
1
+ 3 instrumentations
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2 Saxophones (duo)
12
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7
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4
2 Clarinettes (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Hautbois, Piano (duo)
3
2 Flûtes traversières (duo)
3
Clarinette, Trompette (duo)
3
Clarinette et Alto
2
Flûte, Alto (duo)
2
Hautbois, Flûte
2
Hautbois, Basson (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Hautbois (duo)
2
Flûte, Violon
2
Hautbois, Clarinette (duo)
2
Flûte traversière et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Hautbois (duo)
2
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Alto
1
Ensemble de Clarinettes
1
Flûte, Clarinette et Basson
1
Clarinette et Piano
1
Saxophone Soprano et Piano
1
Saxophone Tenor et Piano
1
Flûte, Trompette (duo)
1
Saxophone Tenor
1
+ 28 instrumentations
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Trompette, Trombone (duo)
5
Trompette, Saxophone (duo)
4
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3
2 Trombones (duo)
2
2 Trompettes (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor et Piano
1
Trombone
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Trompette, Piano
1
Trombone et Piano
1
2 Cors (duo)
1
Trompette
1
+ 9 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violon
5
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
3
Violon, Violoncelle (duo)
3
Violon et Piano
2
Violon, Alto (duo)
1
Violoncelle, Piano
1
2 Violoncelles (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Piano
1
2 Violons (duo)
1
+ 8 instrumentations
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Cloches
10
Orchestre
7
Ensemble de cuivres
7
Orchestre d'harmonie
7
Ensemble Jazz
3
Orchestre à Cordes
2
Fanfare
2
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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TROMPETTE
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Crtitères actifs :
Short Walk
Orchestre à Cordes
Partitions à imprimer
2 partitions trouvées
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Walk in Silence
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Orchestre à Cordes
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FACILE
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Contemporain
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Lore Burns
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Walk in Silence
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Lore Phoenix Burns
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.525243 By Lore Burns. By Lore Burns. Classical,Contemporary. Score and parts. 11 pages. Lore Phoenix Burns #135778....
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String Orchestra - Level 2 - SKU: A0.525243 By Lore Burns. By Lore Burns. Classical,Contemporary. Score and parts. 11 pages. Lore Phoenix Burns #135778. Published by Lore Phoenix Burns (A0.525243). A short chordal piece for string orchestra inspired by walking through the forest in silence. Rich, sweet, and dark chords paint the texture of tree bark, a crisp winter's day, punctuated by a sweeping melody representing falling leaves and branches reaching to the sky. Contact the composer to purchase directly at a discounted price.
$10.00
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
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Short Walk
