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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Six sonatas
Non classifié
141
Piano & claviers
Piano seul
104
Orgue
2
2 Pianos, 4 mains
1
Clavecin
1
Guitares
3 Guitares (trio)
6
Piano, Guitare (duo)
1
Ukulele Baryton
1
Mandoline
1
Ukulele
1
Guitare
1
+ 1 instrumentations
Retracter
Voix
Vents
2 Flûtes traversières (duo)
24
Flûte traversière et Piano
18
2 Saxophones (duo)
9
2 Clarinettes (duo)
9
Flûte à Bec
7
2 Flûte à bec (duo)
7
Flûte traversière, Basse continue
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Hautbois (duo)
5
3 Clarinettes (trio)
5
Flûte, Hautbois, Clarinette (trio)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette et Piano
3
Saxophone Tenor et Piano
3
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
3 Saxophones (trio)
3
Saxophone Alto et Piano
3
Hautbois, Piano (duo)
3
Saxophone Soprano et Piano
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Violon
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Clarinettes
1
2 Flûtes, Basse continue
1
Clarinette
1
Flûte traversière
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Clarinette, Basson
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Saxophones: 4 saxophones
1
Cor anglais, Piano
1
+ 30 instrumentations
Retracter
Cuivres
2 Trombones (duo)
5
2 Trompettes (duo)
5
Trombone et Piano
4
2 Cors (duo)
4
Cor et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
3 Euphoniums
2
2 Euphoniums (duo)
2
Tuba et Piano
1
Trompette
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
+ 9 instrumentations
Retracter
Cordes
2 Violons (duo)
24
Violoncelle, Piano
22
Violon, Alto (duo)
20
Violon et Piano
15
2 Violoncelles (duo)
15
Violon
13
2 Altos (duo)
11
Violoncelle, Contrebasse (duo)
9
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
7
Alto (partie séparée)
5
Alto seul
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon, Violoncelle (duo)
4
Alto, Violoncelle (duo)
3
Alto, Piano
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons et Basse continue
2
Violon, Basse continue
2
Violon, Guitare (duo)
2
Violoncelle, Basse continue
2
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Harpe
1
2 Violons, Piano
1
Contrebasse, Piano (duo)
1
Contre Basse
1
+ 23 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
4
Orchestre à Cordes
2
Orchestre
2
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Six sonatas
Orchestre à Cordes
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
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Six sonatas
