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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Slow Dance
Sheetmusicplus
Non classifié
166
Piano & claviers
Piano seul
77
Piano Facile
19
Orgue
7
1 Piano, 4 mains
5
Piano, Voix
4
Piano Trio: piano, violon, violoncelle
3
Piano, Voix et Guitare
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Instruments en Do
2
Accordéon
2
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
2
Dulcimer
1
Voix
Chorale SATB
13
Chorale 2 parties
3
Chorale TTBB
2
Male Voice
2
Chorale 3 parties
1
Voix haute
1
+ 1 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Quintette de Saxophone: 5 saxophones
44
2 Saxophones (duo)
30
2 Clarinettes (duo)
18
Saxophone, Clarinette (duo)
16
Clarinette, Violon (duo)
12
Flûte traversière et Piano
11
Clarinette et Piano
11
Quatuor de Saxophones: 4 saxophones
11
2 Flûtes traversières (duo)
10
Hautbois, Piano (duo)
10
Clarinette, Trompette (duo)
7
Ensemble de Clarinettes
7
2 Hautbois (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette et Alto
6
Hautbois, Basson (duo)
6
Hautbois, Flûte
6
Flûte, Violon
6
Flûte, Trompette (duo)
5
Flûte traversière
5
Hautbois, Clarinette (duo)
5
Flûte, Saxophone (duo)
5
Flûte, Clarinette (duo)
4
Flûte, Alto (duo)
4
Saxophone Tenor
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
4
Clarinette
4
Saxophone Alto et Piano
3
Saxophone Alto
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Flûte : 5 flûtes
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
2
Ensemble de saxophones
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Quatuor de Flûtes à bec
2
Ensemble de Flûtes
1
Flûte à bec Soprano
1
Saxophone Baryton, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte irlandaise
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette Basse
1
3 Clarinettes (trio)
1
+ 44 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette, Saxophone (duo)
12
Trompette, Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor et Piano
7
2 Trompettes (duo)
6
Trombone
5
Tuba et Piano
5
2 Trombones (duo)
5
Trompette, Trombone (duo)
5
Ensemble de Trombones
4
Trompette
4
Cor
4
Ensemble de Trompettes
2
Tuba
2
Euphonium, Piano (duo)
2
Trombone et Piano
2
Cor anglais, Piano
2
Euphonium
2
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Harpe
15
Violon et Piano
15
Violon
12
Violon, Violoncelle (duo)
10
Violoncelle, Piano
8
Violoncelle
8
Alto, Piano
7
2 Violons (duo)
6
2 Altos (duo)
6
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Ensemble d'Altos
4
Ensemble de Violons
4
Alto seul
3
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Violon, Orgue
1
Violoncelle, Basse continue
1
4 Contrebasses
1
Contrebasse, Piano (duo)
1
4 Violoncelles
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Contre Basse
1
Autoharp
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
19
Orchestre d'harmonie
15
Orchestre
10
Ensemble Jazz
6
Orchestre de chambre
6
Batterie
5
Ensemble de cuivres
5
Ensemble de Percussions
3
Cloches
3
Fanfare
2
Jazz combo
2
+ 6 instrumentations
Retracter
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ACCORDEON
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CITHARE
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Slow Dance
SheetMusicPlus
Partitions à imprimer
19 partitions trouvées
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1
Country Dances
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Classique
#
Michael Blostein
#
Michael Blostein
#
Country Dances
#
Michael D. Blostein
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1256304 By Michael Blostein. By Ludwig van Beethoven. Arranged by Michael Blostein. Classical,Contest,Festival,Hist...
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String Orchestra - Level 3 - SKU: A0.1256304 By Michael Blostein. By Ludwig van Beethoven. Arranged by Michael Blostein. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Score and Parts. 28 pages. Michael D. Blostein #849775. Published by Michael D. Blostein (A0.1256304). Beethoven’s Six Ländler for Two Violins and Bass, WoO 15 – the basis for this work - constitute his second and final set of these forms of German dance, written as a commission for the annual dances at the Vienna Redoutensaal. Both sets were apparently intended for actual events of social dancing.This set likely date from early 1802, when Beethoven was working intensely on his second symphony.This arrangement for string orchestra requires shifting into 2nd position for the first violins in one section, and the viola (as well as 3rd violin if used) and 2nd violins are required to go into half position for two sections. Cellos need to extend. The requirements for the bass are minimal, but the bass players can play the cello part (with appropriate fingering and position alterations) and the piece works. The second violins do not need to shift, but some of the string crossing (shared with the first violins) can be a bit tricky.This piece works best at a faster tempo (in 1), but can work at a slower tempo (a fast 3).
$35.00
Slow Dance
#
Orchestre à Cordes
#
DÉBUTANT
#
Contemporain
#
Nick Lacanski
#
Slow Dance
#
theupperstaff
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.646009 Composed by Nick Lacanski. Contemporary. Score and parts. 8 pages. Theupperstaff #1989289. Published by theu...
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String Orchestra - Level 1 - SKU: A0.646009 Composed by Nick Lacanski. Contemporary. Score and parts. 8 pages. Theupperstaff #1989289. Published by theupperstaff (A0.646009). This developing piece for string orchestra employs short themes interjected with cadences from the other voices. The melody is set in D Aeolian mode. This is a good teaching tool to teach, introduce and perform music using the Aeolian mode. The harmonies shift to other modes. I used this as an introductory theory lesson. The main melody is scalar in nature.
$3.99
Korean Simple Suite No.2 (For String Orchestra)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Han-Ki Kim
#
Korean Simple Suite No.2
#
Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.511721 Composed by Han-Ki Kim. 20th Century,Contemporary,Folk,Multicultural,Standards,World. Score and Parts. 76 pa...
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String Orchestra - Level 4 - SKU: A0.511721 Composed by Han-Ki Kim. 20th Century,Contemporary,Folk,Multicultural,Standards,World. Score and Parts. 76 pages. Han-Ki Kim #4830791. Published by Han-Ki Kim (A0.511721). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is, 1st, 2nd, 3rd movement and just begining of 4th mov.
$32.00
Orla's Daughter
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
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J
#
Orla's Daughter
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J. Stringer
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1398367 Composed by J. Stringer. Celtic,Irish. 28 pages. J. Stringer #981641. Published by J. Stringer (A0.1398367)...
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String Orchestra - Level 4 - SKU: A0.1398367 Composed by J. Stringer. Celtic,Irish. 28 pages. J. Stringer #981641. Published by J. Stringer (A0.1398367). ABA1 form - F# minor to B minor to E minor - Celtic feel. Traditional Irish dance tune moves to an original section, a slow lament that ends in the same traditional Irish dance tune in a new key. First violin is the most difficult part. It is duplicated in the piano. This piece could be played by a more elementary group without the first violin if the piano part is accompanies the group. Easy parts in second violin, third violin, viola II, and cello II.
$30.00
Chaconne from "Fêtes Venitiennes"
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Campra, André
#
Yves Bouillot
#
Chaconne from "Fête
#
Yves Bouillot
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1269267 Composed by Campra, André. Arranged by Yves Bouillot. Baroque,Opera. Score and Parts. 16 pages. Yves Bou...
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String Orchestra - Level 3 - SKU: A0.1269267 Composed by Campra, André. Arranged by Yves Bouillot. Baroque,Opera. Score and Parts. 16 pages. Yves Bouillot #861805. Published by Yves Bouillot (A0.1269267). Les Fêtes vénitiennes (or, in the original spelling, Les Festes vénitiennes) is an opera-ballet by French composer André Campra. The opera-ballet consists of a prologue and three entries. It was performed for the first time at the Royal Academy of Music on June 17, 1710, in the Salle du Palais-Royal. According to the usage of the time, the work is described as ballet, but it is one of the most important examples of a new genre that specialists will later agree to call opera-ballet. . The chaconne is a popular dance song, in three beats of lively character, originating in America, during the Vice-Kingdom of New Spain and brought to Spain by sailors. Transplanted then in other European countries at the beginning of the XVIIth century, it becomes a dance of noble character there then is approached by the instruments, in orchestra or soloists. It is then a piece of large proportions, in triple time, slow and solemn, based on the repetition and variation of a theme.
$25.00
Concertino For Two Solo Violins and Strings (School Arrangement)
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Geraldine Green
#
Geraldine Green
#
approx
#
Concertino For Two Solo Violin
#
Geraldine
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1296875 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,...
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String Orchestra - Level 4 - SKU: A0.1296875 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 92 pages. Geraldine (Denny) Green at Oakmountmusic #887025. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296875). ALL PURCHASES COME WITH SCORE AND PARTSWritten in May 2013 – Duration; approx. 10 minutesStandard of solo parts; Approx. Grade 7/8There are 4 arrangements available:No.1 – School Arrangement – 2 Solo violins, Violins 1, 2 and 3 and cellos. The cello part does divide into 2 in places throughout.No.2 – Standard Arrangement – 2 solo violins, Violins 1 and 2, violas, cellos and double bassesNo.3 – Piano reduction – for 2 solo violins and pianoNo. 4 – Arrangement for Flute, violin and piano The piece is light-hearted and tuneful and in simple ternary form. The outer sections are perky, playful and dance-like, and they frame a slow, luscious middle section where the soloists have some high harmonics.I would guess that the orchestral players would need to be at about Grade 4/5 upwards to manage this comfortably.
$26.00
Concertino For Two Solo Violins and Strings (Standard Arrangement)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Geraldine
#
approx
#
Concertino For Two Solo Violin
#
Geraldine
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1296861 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 88 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1296861 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 88 pages. Geraldine (Denny) Green at Oakmountmusic #887011. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296861). ALL PURCHASES COME WITH SCORE AND PARTSWritten in May 2013 – Duration; approx. 10 minutesStandard of solo parts; Approx. Grade 7/8There are 4 arrangements available:No.1 – School Arrangement – 2 Solo violins, Violins 1, 2 and 3 and cellos. The cello part does divide into 2 in places throughout.No.2 – Standard Arrangement – 2 solo violins, Violins 1 and 2, violas, cellos and double bassesNo.3 – Piano reduction – for 2 solo violins and pianoNo. 4 – Arrangement for Flute, violin and piano The piece is light-hearted and tuneful and in simple ternary form. The outer sections are perky, playful and dance-like, and they frame a slow, luscious middle section where the soloists have some high harmonics.I would guess that the orchestral players would need to be at about Grade 4/5 upwards to manage this comfortably.
$26.00
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
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Arte Nova Music Lab
#
Concerto for Oboe and Bassoon
#
Arte Nova Music Lab
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
Bell Carol Fantasy
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Orchestre à Cordes
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Mykola Dmytrovych Leontovych
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Bob Mathews
#
Bell Carol Fantasy
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Bob Mathews
#
SheetMusicPlus
String Orchestra - SKU: A0.929171 Composed by Mykola Dmytrovych Leontovych. Arranged by Bob Mathews. Christmas,World. Score and parts. 24 pages. Bob Mat...
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String Orchestra - SKU: A0.929171 Composed by Mykola Dmytrovych Leontovych. Arranged by Bob Mathews. Christmas,World. Score and parts. 24 pages. Bob Mathews #3249601. Published by Bob Mathews (A0.929171). 2017 Holiday Contest EntryThis is really fun. You can leave the title off of the program and challenge your audience to guess what it is. The 4 note theme is almost always present even from the very slow beginning. It is just hidden until the standard melody starts at measure 88. There is even a place that starts to sound like a Spanish dance. A wonderful addition to your holiday concert.
$20.00
Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Klezmer
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Ofer Ben-Amots
#
Klezmer Concerto - for clarine
#
The Composer's Own Press
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #46098...
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String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #4609863. Published by The Composer's Own Press (A0.944031). THE KLEZMER CONCERTO The concerto opens with a slow but intense movement titled Pastoral Doyna.  A Doyna is a lament-like melody -- both declamatory and melancholic -- of Eastern-European origin, most likely Rumanian, Gypsy, or Jewish. The opening by the string ensemble is reminiscent of the awakening sound of nature. On top of the busy accompaniment the clarinet enters with occasional shouts, echoes, and cry-like gestures. The second movement is a sort of a wedding-waltz, titled: Dance of the Seven Circles. The name goes back to the old Jewish tradition according to which a bride must circle seven times around the bridegroom before the actual start of the marriage ceremony. Its nature of this movement is a mixture of irony and passion, humor and pain. At the end of the waltz the clarinetist is invited to play a free cadenza and improvise on previous motives and melodic patterns. The movement ends with a return to the orchestra, with a soulful lament and quiet murmuring of the soloist. The third and last movement of the concerto is titled Halleluya. It is inspired by the textual content, vibrant rhythms and many musical instruments suggested in the 150th Psalm. Toward the end of this movement, there is a second solo cadenza in a perpetual motion style, where upon the players of the orchestra join in and add their voices to the pandemonium with a song of praise: Halleluya! Parts available through rental only! For performance materials, demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Sarabande (String Nonet + Contrabassoon)
#
Orchestre à Cordes
#
Classique
#
Claude Debussy
#
Richard Byrnes
#
Sarabande
#
Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.830846 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 38 pages. Richard Byrnes #68261...
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String Orchestra - SKU: A0.830846 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 38 pages. Richard Byrnes #6826111. Published by Richard Byrnes (A0.830846). Sarabande is the second piece in a set of 3 under the title Pour le piano.  Published in 1901, it is referred to as being a ‘Memory of the Louvre’, which is the inscription at the head of the score. Whether is written as an impression of a specific painting or other work of art, it is a noble and elegant work.A saraband is a court dance from the 17th and 18th centuries. Set exclusively in triple meter, the dance requires a slower tempo. Debussy was drawn to older forms and sonorities, always recasting them with his unique melodic and harmonic language.This arrangement is for 5 Violins, 2 Violas, 2 Celli, and Contrabassoon.In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$34.99
The American Seasons (score – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik I...
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String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
The American Seasons (double basses part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00
The American Seasons (cellos part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932). The American Seasons (cellos part – violin and string orchestra) MO148GCellos Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148GCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
The American Seasons (violas part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
The American Seasons (guitar part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928). The American Seasons (guitar part – violin and string orchestra) MO148CGuitar Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148CCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
BARTOK Evening in the Village for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Bela Bartok
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Ian Butterworth
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BARTOK Evening in the Village
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963704 Composed by Bela Bartok. Arranged by Ian Butterworth. 20th Century. Score and Parts. 11 pages. Ian Butterwor...
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String Orchestra - Level 3 - SKU: A0.963704 Composed by Bela Bartok. Arranged by Ian Butterworth. 20th Century. Score and Parts. 11 pages. Ian Butterworth #5954531. Published by Ian Butterworth (A0.963704). This is an arrangement from the piece for piano.  There are alternate slow and faster sections based on folk dances. Copying of individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99
The American Seasons (1st violins part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$15.00
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Slow Dance
