English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So What - Full Score
Non classifié
210
Piano & claviers
Piano seul
883
Piano Facile
458
Piano, Voix
107
Piano, Voix et Guitare
52
Orgue
14
1 Piano, 4 mains
7
Instruments en Do
3
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Basse electrique
12
Guitare notes et tablatures
9
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
5
Piano, Guitare (duo)
4
Paroles et Accords
1
Banjo
1
Ensemble de guitares
1
2 Guitares (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
13
Chorale 2 parties
5
Chorale Unison
3
Chorale 3 parties
3
Voix haute
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
43
Saxophone (partie séparée)
25
Saxophone Alto et Piano
23
Hautbois, Piano (duo)
22
Saxophone Tenor et Piano
22
Flûte traversière et Piano
21
Clarinette
19
Flûte traversière
18
Clarinette et Piano
17
Hautbois (partie séparée)
15
Saxophone Soprano et Piano
14
Saxophone Alto
13
Saxophone
12
Saxophone Baryton, Piano
12
Cor Anglais
12
Saxophone Tenor
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Cor anglais, Piano
8
Quintette de Saxophone: 5 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
7
Quatuor de Saxophones: 4 saxophones
4
Flûte irlandaise
3
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Trio de Flûtes: 3 flûtes
3
Quintette de Flûte : 5 flûtes
2
Ensemble de Clarinettes
2
Clarinette, Guitare (duo)
2
Clarinette, Violon (duo)
2
Flûte, Clarinette (duo)
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Ensemble de saxophones
1
Clarinette, Trompette (duo)
1
Ensemble De Flûte à bec
1
3 Saxophones (trio)
1
Ensemble de Flûtes
1
Instruments en Mib
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
Ocarina
1
Saxophone et Orgue
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Trompette
23
Trombone et Piano
21
Trompette, Piano
20
Trombone
16
Cor et Piano
15
Cor
13
Tuba
12
Tuba et Piano
12
Cor Anglais
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor anglais, Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Saxophone (duo)
8
Trompette (partie séparée)
4
Ensemble de Trombones
3
2 Trombones (duo)
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone, Orgue
1
Trompette, Trombone (duo)
1
3 Trompettes (trio)
1
Instruments en Sib
1
2 Tubas (duo)
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Bass Clef Instruments
1
2 Cors (duo)
1
4 Tubas
1
Trombone et orchestre
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
29
Harpe
28
Alto, Piano
28
Violoncelle, Piano
23
Violon
20
Violoncelle
16
Contrebasse, Piano (duo)
16
Contre Basse
12
Trio à Cordes: violon, alto, violoncelle
7
Alto (partie séparée)
7
Alto seul
6
Violon, Alto (duo)
5
Trio à cordes: 3 violins
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Violons (duo)
2
4 Contrebasses
1
2 Violoncelles (duo)
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
2 Altos (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
67
Ensemble Jazz
52
Orchestre à Cordes
18
Ensemble de cuivres
13
Orchestre de chambre
11
Batterie
6
Jazz combo
6
Fanfare
5
Cloches
3
Ensemble de Percussions
2
Marimba
1
Piano et Orchestre
1
+ 7 instrumentations
Retracter
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ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
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DOBRO - GUI…
DULCIMER
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FLUTE A DIX…
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FORMATION M…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FUNK
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KLEZMER - JUIVE
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
So What - Full Score
Orchestre à Cordes
Partitions à imprimer
18 partitions trouvées
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1
What Child Is This with Carol of the Bells
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.650578 Composed by Leontovych…
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String Orchestra - Level 4 - Digital Download SKU: A0.650578 Composed by Leontovych, Mykola. Arranged by Nick M Lacanski. Christmas,Sacred. Score and parts. 31 pages. Theupperstaff #6590633. Published by theupperstaff (A0.650578). This one weds two all-time favorite Christmas cornerstones into one rather unusual piece. Set in 5/4 throughout it employs some untraditional harmonies to go with the asymmetric meter. Enjoy and thank you so much for having a look.
$15.00
13.76 €
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Orchestre à Cordes
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Leontovych, Mykola
#
Nick M Lacanski
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What Child Is This with Carol of the Bells
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theupperstaff
#
SheetMusicPlus
Harmony (score – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861937 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861937 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208189. Published by Mark O'Connor Musik International (A0.861937). Harmony (score – violin and string orchestra) MO168AScore (parts available)Music by Mark O’Connor35 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168ACopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.76 €
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Orchestre à Cordes
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.25 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
#
SheetMusicPlus
Resilience?
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Go…
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String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Goggans. Classical,Contemporary. Score and parts. 15 pages. DGoggansGuitar #687204. Published by DGoggansGuitar (A0.1082996). This concerto for classical guitar was composed for Diana Richardson and the Cleveland School of the Arts Orchestra in September of 2021. Resilience is meant to be a musical reflection on Damian's last two years of High school, which was plagued with a pandemic. The title questions the reasoning of the world's resilience during these times. While mother nature worked to kill us, we continued to kill each other. Rather than work together, we stormed our nation's capital, and continued to promote violence against ourselves based upon our differences. Nothing changed and nothing was learned, so what was the point.... Author's Note: Measures 48-59 are dedicated to the memory of my baby brother D'king Goggans.
$20.00
18.34 €
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Orchestre à Cordes
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Damian Goggans
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Resilience?
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DGoggansGuitar
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SheetMusicPlus
Ramifications
Orchestre à Cordes
String orchestra or 12 solo- strings - Digital Download For string orchestra or 12 sol…
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String orchestra or 12 solo- strings - Digital Download For string orchestra or 12 solo strings. Composed by Gyorgy Ligeti (1923-2006). This edition: study score. Music Of Our Time. Downloadable. Duration 9 minutes. Schott Music - Digital #Q2702. Published by Schott Music - Digital
Ramifications represents a further development of my method of composition with complex musical net-formations. it is, as it were, a terminus in the development from dense and static to broken-up and mobile. The title refers to the polyphonic technique of the part-writing. in one skein, individual parts that are twisted together move in divergent directions so that the strand of the voice gradually become disentangled. The total form is made up of the alternation of ramification and unification of the parts and of the rents or bunching together of the net-formation that ensues from this. And as well as that, there are in this piece new aspects of a micro-tonal harmony. Even earlier I was occasionally working with deviations from the equal temperament (Requiem, Volumina, Harmonies, Second String Quartet). But what is new here is the consistent application of an idea of hyperchromatic harmony. This is made possible by one half of the string instruments being tuned a quarter-tone higher than the others. From the automatically ensuing differences in intonation when the instruments are played, arises a fluctuation in pitch such that one can hardly ever hear exact quarter-tone intervals. In only a few dense places approximative quarter-tone clusters result. apart from that we find a totally new kind of uncertain harmony, as though the harmonies had rotted: thex have a strong taste and decay has permeated the music.<br> - Gyorgy Ligeti.Ramifications represents a further development of my method of composition with complex musical net-formations. it is, as it were, a terminus in the development from dense and static to broken-up and mobile. The title refers to the polyphonic technique of the part-writing. in one skein, individual parts that are twisted together move in divergent directions so that the strand of the voice gradually become disentangled. The total form is made up of the alternation of ramification and unification of the parts and of the rents or bunching together of the net-formation that ensues from this. And as well as that, there are in this piece new aspects of a micro-tonal harmony. Even earlier I was occasionally working with deviations from the equal temperament (Requiem, Volumina, Harmonies, Second String Quartet). But what is new here is the consistent application of an idea of hyperchromatic harmony. This is made possible by one half of the string instruments being tuned a quarter-tone higher than the others. From the automatically ensuing differences in intonation when the instruments are played, arises a fluctuation in pitch such that one can hardly ever hear exact quarter-tone intervals. In only a few dense places approximative quarter-tone clusters result. apart from that we find a totally new kind of uncertain harmony, as though the harmonies had rotted: thex have a strong taste and decay has permeated the music.<br> - Gyorgy Ligeti.
$22.99
21.09 €
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Orchestre à Cordes
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Gyorgy Ligeti
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Ramifications
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Schott Music - Digital
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SheetMusicPlus
I Love Lucy
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Dani…
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String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
11.91 €
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Orchestre à Cordes
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.51 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Concertino For Treble Recorder, Strings and Harp
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1310636 Composed by Geraldine…
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String Orchestra - Level 5 - Digital Download SKU: A0.1310636 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. 80 pages. Geraldine (Denny) Green at Oakmountmusic #899627. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1310636). ALL PURCHASES COME WITH SCORE AND PARTSInstrumentation: Treble Recorder Solo, Harp, Violin1, Violin 2, Viola, Cello and Double BassThere is quite a lot of divisi in all of the string parts, so at least 6 players per part is preferable, except double basses where 2 players minimum are needed.Written in 1990, the Concertino For Treble Recorder, Strings And Harp, was requested by recorder player Ruth Whatley. Ruth and I were at the London College of Music together during this time. We worked together to rehearse the piece and eventually it was given a run-through by a group of string players and harpist, Alice Trentham (also at the college with us at the time). It still awaits its premiere! One day I hope I can post up a recording of this beautiful piece.A friend who attended its “play through†described it as being like “the South American Rain Forestsâ€, which I thought was a beautiful, and very fitting description.Duration: Approximately 15 minutesAll of the parts are challenging so this is not a piece for junior players.
$65.00
59.62 €
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Orchestre à Cordes
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Geraldine Green
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Concertino For Treble Recorder, Strings and Harp
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Geraldine
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SheetMusicPlus
'Re-Creation'
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis…
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String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
13.76 €
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Orchestre à Cordes
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.6 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
Harmony (string parts – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861939 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861939 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 59 pages. Mark O'Connor Musik International #6208193. Published by Mark O'Connor Musik International (A0.861939). Harmony (string parts – violin and string orchestra) MO168C-GString Parts (score and parts available)Music by Mark O’Connor39 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168C-GCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
20.64 €
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Orchestre à Cordes
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
Harmony (violin solo part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861938 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861938 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208191. Published by Mark O'Connor Musik International (A0.861938). Harmony (violin solo part – violin and string orchestra) MO168BViolin Solo Part (score and parts available)Music by Mark O’Connor6 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168BCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
11.01 €
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Orchestre à Cordes
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
Overture "La serva padrona"
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.736695 Composed by Giovanni Paisiello. …
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String Orchestra - Digital Download SKU: A0.736695 Composed by Giovanni Paisiello. Arranged by Paul Wood. Classical. Score and parts. 22 pages. MyMusicScores.com #1771267. Published by MyMusicScores.com (A0.736695). The PDF contains the score and all parts. Imagine for a minute - your contract is coming up for renewal, your employer is just about to celebrate their wedding anniversary and they ask you to organise the entertainment for the big party. That's OK, you know you can do it under normal circumstances but they give you an impossibly short deadline to sort it out. I don't know about you but I think I might panic! Well, that's what happened to Paisiello. The Grand Duke Alexander needed a new opera for his wedding anniversary and pure Paisiello had to come up with the goods. Paisiello found a libretto, liked the story but needed it reworked. So not only did he manage to get the libretto rewritten but he also composed some great music. This Overture is just good old play! I hope you enjoy.
$9.99
9.16 €
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Orchestre à Cordes
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Giovanni Paisiello
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Paul Wood
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Overture "La serva padrona"
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MyMusicScores.com
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SheetMusicPlus
The Irish Washerwoman for Eclectic String Ensemble
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Cheg…
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String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Chegwidden. Folk,Holiday,World. Score and Parts. 10 pages. Laura Chegwidden #3534555. Published by Laura Chegwidden (A0.812107). What do you do when you have an unusual ensemble? Arrange something specially for them! The Irish Washerwoman is a traditional Irish folk song which is so old that no one knows who wrote it. Its melody is familiar to many people because of its wide use over many many years. This arrangement is for an ensemble with an experienced viola and cello section, but a violin and double bass section that are still learning. This upbeat arrangement is perfect for beginning musicians to perform in school or even in competitions. If you would like an arrangement which places the more difficult lines in other parts please contact me using the links below.The arrangement goes for approx. 2 min. This purchase includes a score and parts for all performers; violin, viola, cello and double bass. It would work best for players of a beginning intermediate level. It is set in the key of G major, which is perfect for stringed instruments.Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/
$7.99
7.33 €
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Orchestre à Cordes
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Laura Chegwidden
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violin, viola, cello
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The Irish Washerwoman for Eclectic String Ensemble
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Laura Chegwidden
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SheetMusicPlus
Autumn's Song, Op. 25
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.987742 Composed by Dana Taylor. Contemp…
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String Orchestra - Digital Download SKU: A0.987742 Composed by Dana Taylor. Contemporary,Romantic Period. Score and parts. 8 pages. Dana Taylor Music #31367. Published by Dana Taylor Music (A0.987742). Autumn's Song is mostly in Dm with Doric mode sections. It reminds me of the reflective feel of autumn. Yet then it moves to major, like the bright, sunny days of autumn. OR its just a pretty work for strings. Either way, your players and audience will enjoy it. Its 2min 45sec, not too long, not too short ... Autumn's Song has a main melody and a counter-melody, so your musicians need to pay attention, that's what makes it fun to play, and to hear. .
$20.00
18.34 €
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Orchestre à Cordes
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Dana Taylor
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Autumn's Song, Op. 25
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Dana Taylor Music
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SheetMusicPlus
Orchestra Ninja's
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1094535 By Bradley Kmet. By B…
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String Orchestra - Level 3 - Digital Download SKU: A0.1094535 By Bradley Kmet. By Bradley Kmet. Film/TV. Score and parts. 20 pages. Bradley Kmet #698583. Published by Bradley Kmet (A0.1094535). I wrote this song my Senior Year of high school. I wrote it for a senior orchestra project. I got to compose a song and conduct my orchestra during our last concert of my time at high school. What gave me the idea was because every time we were at a concert, our orchestra teacher would always tell us to be as quiet as possible by telling us to be Orchestra Ninjas. So he is the one that inspired me to write this song, and it is the one I am most proud of.
$4.99
4.58 €
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Orchestre à Cordes
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Bradley Kmet
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Orchestra Ninja's
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Bradley Kmet
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SheetMusicPlus
Classic Jazz-Rock Study # 30
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1021247 Composed by Sadip Sha…
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String Orchestra - Level 2 - Digital Download SKU: A0.1021247 Composed by Sadip Shahi. Blues,Instructional,Jazz,Rock. Score and parts. 2 pages. SadipG #6536757. Published by SadipG (A0.1021247). ``Classic Jazz-Rock Study # 30 is composed in the key signature of D Major. Guitar Solo with Chords accompaniment and it needs to be transposed in all key signature to understand Jazz-Rock should be focus on.If we use ``STUDY' in music then it indicates to repeat Solo (single note patterns) or Chords as many times as possible. Solo playing indeed is a tough work, without repetition of Solo or Chords with taking care of exact BPM (Beat per minute), Rhythm (2/4, 3/4, 4/4 etc.) and the flow of Chords progression to maintain all those necessary things as I mentioned above is such a hard job indeed. The repetition of Solo is purposed to make straight hand playing with those accompaniments (BPM, Chords progression, as well as per Solo Improvisation) So please follow my instruction to each letters. This's what I really meant to be about ``Jazz-Rock. Best Wishes for You All on the occasion of Nepali New Year 2079 B.S.!!!
$4.99
4.58 €
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Orchestre à Cordes
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Sadip Shahi
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Classic Jazz-Rock Study # 30
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SadipG
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SheetMusicPlus
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