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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
SAXOPHONE
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AFRICAIN
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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2192
PIANO & CLAVIERS
Piano Trio: piano, violon, violoncelle
92
Piano seul
77
Accompagnement Piano
55
Piano Quatuor: piano, violon, alto, violoncelle
38
Orgue
23
Piano, Voix
20
Piano Facile
17
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Instruments en Do
11
Piano, Voix et Guitare
9
2 Pianos, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
2
Piano grosses notes
2
1 Piano, 4 mains
1
Accordéon et Orchestre
1
Accordéon
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare
98
Guitare notes et tablatures
81
Ukulele
61
Banjo
32
Basse electrique
26
Dulcimer
15
2 Guitares (duo)
14
4 Guitares (Quatuor)
6
Mandoline
5
Guitare (partie séparée)
4
3 Guitares (trio)
3
Ensemble de guitares
3
2 Dulcimers (duo)
2
Guitare Pedal Steel
1
Dobro
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
40
Chorale Unison
12
Voix Alto, Piano
9
Chorale 3 parties
7
Chorale TTBB
3
Chorale 2 parties
3
Voix duo
2
Voix Baryton, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte, Hautbois, Clarinette, Basson
39
Clarinette
35
Quatuor de Clarinettes: 4 clarinettes
33
Hautbois (partie séparée)
32
Flûte traversière
31
Quatuor de Saxophones: 4 saxophones
30
Saxophone Alto
30
Quintette de Saxophone: 5 saxophones
29
Clarinette et Piano
29
Flûte traversière et Piano
28
Saxophone Tenor
28
Ensemble de saxophones
27
2 Saxophones (duo)
22
Clarinette (partie séparée)
21
Hautbois, Piano (duo)
20
3 Saxophones (trio)
17
2 Flûtes traversières (duo)
17
Ensemble de Clarinettes
15
Ensemble de Flûtes
13
Saxophone (partie séparée)
12
3 Clarinettes (trio)
12
Saxophone Alto et Piano
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Violon, Piano
12
Flûte, Violon et Violoncelle
11
Saxophone Tenor et Piano
11
Flûte et Guitare
10
Saxophone Baryton, Piano
9
Cor anglais, Piano
9
Quintette de Flûte : 5 flûtes
9
Saxophone Soprano et Piano
8
Flute (partie séparée)
8
Saxophone, Clarinette (duo)
7
2 Clarinettes (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Trio de Flûtes: 3 flûtes
7
Flute, harpe et violon
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Clarinette (duo)
5
Hautbois
4
Clarinette Basse, Piano
4
Flûte et Trio à cordes
4
Flûte, Clarinette et Basson
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette, Basson (duo)
3
2 Hautbois (duo)
3
Quatuor de Flûtes à bec
3
2 Flûte à bec (duo)
3
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Basson
2
Flûte, Violon
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
3 Flûtes à bec (trio)
2
Saxophone et Guitare
1
Flûte, Saxophone (duo)
1
Ensemble de Hautbois
1
Cor Anglais
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violon (duo)
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Hautbois, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo, Piano
1
Hautbois, Harpe
1
Instrumentations suivantes
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CUIVRES
Trompette
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone
28
Trombone (partie séparée)
23
Trompette (partie séparée)
22
Cor
22
Trombone et Piano
19
Trompette, Piano
15
Cor et Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor (partie séparée)
11
Tuba (partie séparée)
10
Cor anglais, Piano
9
Ensemble de Trombones
8
2 Trombones (duo)
8
Euphonium, Piano (duo)
6
2 Trompettes (duo)
6
Ensemble de Trompettes
6
Trompette, Trombone (duo)
6
Tuba et Piano
4
Ensemble de Cors
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 trombones
3
Tuba
2
3 Trompettes (trio)
2
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
Quatuor de Cuivres
2
Cor Anglais
1
4 Tubas
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
3 Tubas (trio)
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
2 Cors (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2041
Trio à Cordes: violon, alto, violoncelle
455
Violon, Violoncelle (duo)
239
Quintette à cordes: 2 violons, alto, violoncelle, basse
224
Contrebasse, Piano (duo)
210
Harpe
209
Contre Basse
199
Trio à Cordes: 2 violons, violoncelle
190
Violon
187
Violon et Piano
172
Violoncelle
159
2 Violons (duo)
124
Contrebasse (partie séparée)
102
Violon (partie séparée)
90
Violoncelle, Piano
76
Alto seul
72
Trio à cordes: 3 violins
62
Violon, Alto (duo)
57
4 Violoncelles
47
Quatuor à cordes: 4 violons
38
Alto (partie séparée)
38
2 Violoncelles (duo)
35
Alto, Piano
28
Ensemble de Violons
27
Trio à Cordes: 3 violoncelles
23
Trio à cordes: 3 altos
22
Trio à Cordes: 2 violons, alto
21
Ensemble d'Altos
21
Violoncelle (partie séparée)
19
2 Altos (duo)
18
Quatuor à cordes : 4 altos
14
Alto, Violoncelle (duo)
14
2 Harpes (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Violoncelle, Contrebasse (duo)
8
4 Contrebasses
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
2 Violons, Piano
5
Harpe, Voix
4
Harpe, Violon (duo)
4
2 Contrebasses (duo)
3
Harpe, Flûte (duo)
3
Ensemble de Violoncelles
3
3 Contrebasses
2
Violoncelle , Guitare (duo)
2
Violoncelle, Orchestre
1
4 Harpes
1
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Alto et orchestre
1
Harpe, Violon, Violoncelle
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Autoharp
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1175
Orchestre
247
Orchestre d'harmonie
131
Orchestre de chambre
130
Ensemble Jazz
49
Ensemble de cuivres
14
Percussion (partie séparée)
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
8
Ensemble de Percussions
7
Batterie (partie séparée)
7
Jazz combo
5
Instrumentation Flexible
5
Batterie
4
Cloches
3
Vibraphone
2
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone
1
Fanfare
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
String Play for All
Orchestre à Cordes
Partitions à imprimer
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1151
Night on Bald Mountain for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859936 Composed by Modest Pet…
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String Orchestra - Level 3 - Digital Download SKU: A0.859936 Composed by Modest Petrovich Mussorgsky. Arranged by Steven Kruse & Penny Thompson Kruse. Children,Film/TV,Halloween,Romantic Period,World. Score and parts. 249 pages. String Play for All #4793861. Published by String Play for All (A0.859936). Just in time for Halloween! One of the most beloved scary classical pieces, made even more famous by Fantasia 2. This arrangement is for multi-level string orchestra, allowing beginners to play with advanced players.Twinkle parts for violin, viola, and cello consist entirely of open strings and can be learned by rote. Other parts remain in first position with the exception of the optional Advanced Violin part, which goes into fifth position. Violin Book 1 part is designed for students working in Suzuki Violin School, Book 1. Many of the parts are challenging note-wise, with chromaticism and a wide variety of finger patterns. Your students will be challenged, but will find this arrangement both playable and exciting. All the main themes are present. Perfect for Halloween concerts. Piano part included for rehearsal purposes but may also be used in performance. Approximately 5:45 in length.
$21.99
20.02 €
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Orchestre à Cordes
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Modest Petrovich Mussorgsky
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Night on Bald Mountain for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
13.66 €
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Orchestre à Cordes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Slide Ride
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SheetMusicPlus
Pomp and Circumstance for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859887 Composed by Edward Elg…
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String Orchestra - Level 3 - Digital Download SKU: A0.859887 Composed by Edward Elgar. Arranged by Steven Kruse. 20th Century,Graduation,Romantic Period,World. Score and parts. 73 pages. String Play for All #3423029. Published by String Play for All (A0.859887). This arrangement of Pomp and Circumstance contains both the opening march and the trio Graduation march. The Graduation March can be performed by itself as a stand-alone piece. The arrangement is designed to be played by a multi-level string ensemble, ranging from beginners through advanced players. The Twinkle violin, viola, and cello parts consist entirely of open strings. The repeated patterns allow the parts to be learned by rote. These parts are optional and may be excluded if beginning students are not involved in the performance. The Advanced Violin part extends to fourth position and involves advanced rhythms and bowings. While the performance is enhanced by using this part, it may be excluded if there are no players in the group on that level. The other string parts remain in first position, with a fourth-finger extension to c on the e string in the first violin part. While the parts include some difficult chromatics and rhythms,
$16.99
15.47 €
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Orchestre à Cordes
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Edward Elgar
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Steven Kruse
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Pomp and Circumstance for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.1 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 273 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Danse Macabre for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.859860 Composed by Camille Sa…
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String Orchestra - Level 1 - Digital Download SKU: A0.859860 Composed by Camille Saint-Saens. Arranged by Steven Kruse. Halloween,Romantic Period,Standards,World. Score and parts. 20 pages. String Play for All #2929171. Published by String Play for All (A0.859860). String Play for All offers arrangements of the great classics for violin and string ensembles of mixed levels and abilities. Your students will love this short, fun arrangement, which introduces scordatura, and contains fun lyrics as well. A Halloween favorite, this piece highlights the tritone. Beginning violin parts tune the e string down to e-flat, involving only open strings. The optional advanced violin includes an optional sul g fingering to challenge your more advanced students. There are five violin parts, viola, cello, bass (optional), twinkle beginning parts for violin, viola, and cello, and an optional piano part. This arrangement can be learned in one 45-minute group class, so have fun with your students!
$8.99
8.19 €
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Orchestre à Cordes
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Camille Saint-Saens
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Steven Kruse
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Danse Macabre for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Funeral March Suite for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.859892 Composed by Frederic Chopin, Guo…
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String Orchestra - Digital Download SKU: A0.859892 Composed by Frederic Chopin, Guonod, and Ludwig van Beethoven. Arranged by Steven Kruse. Halloween,Romantic Period. Score and parts. 28 pages. String Play for All #3604261. Published by String Play for All (A0.859892). Contains the most famous funeral marches, including Chopin, Guonod, Beethoven, and the Dies Irae. Perfect for Halloween. This arrangement for violin ensemble contains five parts: advanced violin, requiring knowledge of third position (optional), violin I, violin II, violin III, viola, cello, bass and twinkle parts for violin, viola and cello, designed for beginning students and consisting solely of open strings. Allows students of all skill levels to play together.
$9.99
9.1 €
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Orchestre à Cordes
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Frederic Chopin, Guonod, and Ludwig van Beethoven
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Steven Kruse
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Funeral March Suite for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Witches' Sabbath from Symphonie Fantastique for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859938 Composed by Hector Ber…
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String Orchestra - Level 3 - Digital Download SKU: A0.859938 Composed by Hector Berlioz. Arranged by Steven Kruse & Penny Thompson Kruse. Children,Contemporary,Halloween,Romantic Period,World. Score and parts. 134 pages. String Play for All #4798741. Published by String Play for All (A0.859938). Just in time for Halloween. Your students will enjoy one of the most popular classical pieces for Halloween, with the scary Dies Irae theme. This arrangement is accessible for most high school groups, with open string parts allowing beginning players to participate and enjoy. Contains full score, 6 Advanced Violin parts, 6 Violin I parts, 6 Violin II parts, 4 Violin III (Viola Treble) parts, 6 Violin Book 1 level parts, 6 Viola parts, 6 Cello parts, 4 Double Bass parts, 6 Twinkle parts each for violin, viola, and cello, and piano part. The arrangement contains all the exciting and scary sections and is about 3 1/2 minutes in length.
$16.99
15.47 €
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Orchestre à Cordes
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Hector Berlioz
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Witches' Sabbath from Symphonie Fantastique for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
The Wellerman - - Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1436705 By Pick 'n' Mix Strin…
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String Orchestra - Level 2 - Digital Download SKU: A0.1436705 By Pick 'n' Mix Strings. By Traditional. Arranged by Sarah McLellan. Folk,Multicultural,Traditional,World. 113 pages. Sarah McLellan #1016845. Published by Sarah McLellan (A0.1436705). We're sure that this new arrangement of the famous New Zealand Sea Shanty will be enjoyed by string players of all levels. As with all Pick n' Mix arrangements, there are multiple part options to suit all playing levels- whether advanced players, complete beginners and all those in-between. The melodic interest of the Verses is passed between instrument sections and develops musically throughout the arrangement, whilst the catchy, repeated Chorus section provides a great hook for everyone to join together throughout the piece. The concept of all Pick 'n' Mix Strings arrangements is that you just choose the parts which are most suited to your players. We are absolutely NOT suggesting that you try to cover every single possible part! If you don't have any players on the more advanced parts, this doesn't matter at all. Alternatively, experienced ensembles might want all players on advanced parts. You may well use a mixture of some advanced parts and other simpler parts- or you could even have a very early beginner ensemble just using the parts for open strings and first fingers, with a teacher playing the main tune on piano for instance. In addition to the regular score and parts, there are also optional versions of each part with the: STRING FINGERING written in; LETTER NAMES written in; an EXTENSION SCORE; a REDUCED SCORE; an optional PIANO ACCOMPANIMENT and an optional PIANO REDUCTION. There are tried and tested suggested BOWINGS included in all string parts. However, should any music directors wish to use alternative bowings to those printed, we can happily provide versions of the score and parts without bowing on request. There are also Play Along videos available on YouTube @PicknMixStrings for all the Open String parts, in case these are helpful for practising along with!
$35.00
31.87 €
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Orchestre à Cordes
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Pick 'n' Mix Strings
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Sarah McLellan
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LETTER NAMES written in
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The Wellerman - - Multi-Level String Orchestra
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Sarah McLellan
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SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous.…
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String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
10.92 €
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Orchestre à Cordes
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Anonymous
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Colin Kirkpatrick
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Les Courantes - Dances 183 and 188 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.19 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 3 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 4 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
A Holiday Celebration Mash-Up for String Orchestra, Grade 3
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859964 Composed by Traditiona…
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String Orchestra - Level 4 - Digital Download SKU: A0.859964 Composed by Traditional. Arranged by Steven Kruse and Penny Thompson Kruse. Baroque,Christian,Christmas,Classical,Sacred. Score and parts. 139 pages. String Play for All #6600167. Published by String Play for All (A0.859964). 19 songs mashed together to make one 6-minute cohesive, harmonically rich, and lyrical Holiday Celebration! Your students will know all the melodies and enjoy playing parts independent of the others, with their melodies fitting seamlessly with the melodies of the other parts. The first violin part extends to third position and the cello part extends to a g on the A string, with the other parts remaining mostly in first position. The contrapuntal style will develop ensemble playing by your students and careful listening to allow all the parts to fit together. Just in time for the holidays, this is a perfect addition to your Winter concert. Grade 3 with score and parts: 8 first violin, 8 second violin, 5 viola, 5 cello, and 5 bass parts, with score included.
$19.99
18.2 €
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Orchestre à Cordes
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Traditional
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A Holiday Celebration Mash-Up for String Orchestra, Grade 3
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String Play for All
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SheetMusicPlus
I Got The Blues - Easy string ensemble (Mixed Abilities) for flexible instrumentation
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ral…
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String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 pages. Austin Ralphson #4317691. Published by Austin Ralphson (A0.563591). Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.I GOT THE BLUES is the second piece in this series, and uses typical Blues characteristics such as syncopation and swung quavers. It also includes a section in which any player can improvise; suggested notes to use in the solo are provided along with backing figures.Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$9.99
9.1 €
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Orchestre à Cordes
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Austin Ralphson
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I Got The Blues - Easy string ensemble
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Austin Ralphson
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SheetMusicPlus
Mother Ginger and Her Children from "The Nutcracker" for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.859943 Composed by Peter Ilyi…
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String Orchestra - Level 2 - Digital Download SKU: A0.859943 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Kruse. Children,Christmas,Romantic Period,World. Score and parts. 137 pages. String Play for All #4809631. Published by String Play for All (A0.859943). Can you ever get too much of the Nutcracker? This arrangement of Mother Ginger and Her Children brings a less familiar and rarely arrangement dance from the the Nutcracker to your students. This energetic, joyful, and humorous movement will delight your students as they imagine Mother Ginger's Children emerging from her dress to dance and play. This arrangement is for multi-level string orchestra, with twinkle violin, viola, and cello parts allowing for beginners to join in the fun. The optional advanced violin part extends to fifth position while all other parts can be played in first position. An optional piano part is included. Just over two minutes in length.
$12.99
11.83 €
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Orchestre à Cordes
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Peter Ilyich Tchaikovsky
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Steven Kruse
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Mother Ginger and Her Children from "The Nutcracker" for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Farandole from Bizet's L'Arlesiene Suite No. 2, for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859858 Composed by Georges Bi…
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String Orchestra - Level 4 - Digital Download SKU: A0.859858 Composed by Georges Bizet. Arranged by Steven Kruse. Christmas,Romantic Period,World. Score and parts. 59 pages. String Play for All #2929163. Published by String Play for All (A0.859858). String Play for All offers arrangements of the great classics for violin and string ensembles of mixed levels and abilities. Your students will be challenged and enjoy learning this majestic and energetic work which is a Christmas-time favorite. Designed for a mixed-level of abilities, your beginners will be able to make music with your older players. The twinkle parts consist entirely of open strings, and introduces col legno. The Advanced Violin part (optional) extends to 5th position. There are six violin parts, viola, cello, bass (optional), piano (optional) and twinkle parts for viola and cello, along with violin. Included are score and one copy of each part. Extra string parts are available for purchase. This is an rousing selection, about 3 minutes in length. 
$12.99
11.83 €
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Orchestre à Cordes
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Georges Bizet
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Steven Kruse
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Farandole from Bizet's L'Arlesiene Suite No. 2, for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
The Three B's: Bach, Beethoven, Brahms for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859913 Composed by Johann Seb…
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String Orchestra - Level 4 - Digital Download SKU: A0.859913 Composed by Johann Sebastian Bach, Johannes Brahms, and Ludwig van Beethoven. Arranged by Steven Kruse. Baroque,Classical,Romantic Period,Standards. Score and parts. 173 pages. String Play for All #3674791. Published by String Play for All (A0.859913). This original work is designed to introduce your students to the music and styles of Bach, Beethoven and Brahms, using quotes from some of their most famous works and mashing them together in a unique, enjoyable musical setting. The multi-level parts allow students of all ages to make music together. Parts include twinkle open-string parts for violin, viola and cello, violin book 1 part designed for first and second-year students, and an optional advanced violin part which extends to fifth position. Included are full score, piano part (optional for performance), 4 advanced violin, 4 violin I, 4 violin II, 4 violin book I, 3 violin III (in place of viola), 4 viola, 4 cello, 3 double bass, and 4 twinkle parts for violin, viola and cello. Additional extra parts available for purchase.
$19.99
18.2 €
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Orchestre à Cordes
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Johann Sebastian Bach, Johannes Brahms, and Ludwig van Beethoven
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Steven Kruse
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The Three B's: Bach, Beethoven, Brahms for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Waltz of the Flowers from The Nutcracker for Violin Ensemble
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859857 Composed by Peter Ilyi…
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String Orchestra - Level 4 - Digital Download SKU: A0.859857 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Kruse. Children,Christmas,Romantic Period. Score and parts. 107 pages. String Play for All #2918283. Published by String Play for All (A0.859857). String Play for All offers arrangements of the great classics for violin and string ensembles of mixed levels and abilities. This arrangement of Waltz of the Flowers from The Nutcracker includes six violin parts. The advanced violin part, which is optional, includes third and fourth positions. The Violin Book 1 part is designed for students on the level of Suzuki Violin School, Book 1. The Twinkle part consists mostly of open strings and can be learned by rote. Have all your group classes or string orchestra classes play together in this well-known Tchaikovsky classic. Also available: March of the Toy Soldiers, Arabian Dance, and Trepak, all from the Nutcracker. There are four copies of each string part included, along with the score and a piano part, intended mainly for rehearsal purposes and optional for performances. Of these selections from The Nutcracker, Waltz of the Flowers is the most difficult and challenging, due to the chromaticism of the original score.
$19.99
18.2 €
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Orchestre à Cordes
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Peter Ilyich Tchaikovsky
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Steven Kruse
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Waltz of the Flowers from The Nutcracker for Violin Ensemble
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String Play for All
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SheetMusicPlus
"The Trumpet Shall Sound" from The Messiah
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859841 Composed by George Fri…
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String Orchestra - Level 3 - Digital Download SKU: A0.859841 Composed by George Frideric Handel. Arranged by Steven Kruse. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 20 pages. String Play for All #1921001. Published by String Play for All (A0.859841). Your students will enjoy play this famous selection from Handel's beloved Messiah, appropriate for both Easter and Christmas time. The arrangement is for five violins with optional piano part. Each violin part is on a different technical level, from open string beginning parts through the optional advanced violin part, going into third position. This is a fun way to get all your string students to play together. The arrangement is perfect for combined Suzuki group classes or combined public school string classes. 2016 ARRANGEMENT NEW RELEASE.
$8.99
8.19 €
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Orchestre à Cordes
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George Frideric Handel
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Steven Kruse
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"The Trumpet Shall Sound" from The Messiah
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String Play for All
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SheetMusicPlus
We Wish You A Merry Christmas and a Happy New Year from Around the World for Multi-Level String Orch
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859912 Composed by Traditiona…
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String Orchestra - Level 4 - Digital Download SKU: A0.859912 Composed by Traditional English. Arranged by Steven Kruse and Penny Thompson Kruse. Christian,Christmas,Holiday,Romantic Period,World. Score and parts. 274 pages. String Play for All #3687723. Published by String Play for All (A0.859912). Take a trip around the world with your students, experiencing the music and styles of eight countries and regions: The United States, Italy, Mexico, the Middle East, China, Austria, Russia and France. The popular Christmas carol We Wish You a Merry Christmas and a Happy New Year is set in the style of music representing each of these locations. Your students will enjoy seeing how a familiar melody can be changed into something quite different but still maintain its original identity. This arrangement is for multi-level string orchestra. It contains Twinkle parts for violin, viola and cello which consist mostly of open strings and can be learned by rote. The Violin Book 1 part is intended for students who have completed most of Suzuki Violin School, Book 1. The Advanced Violin part makes extensive use of third position while the Violin I part contains only a few passages extending to third position. Other parts remain in first position. The piece contains key changes, tempo changes, and chromatic passages along with spiccato passages. The work is approximately 8 minutes long. Included are full orchestral score, 4 parts each of the twinkle violin, viola and cello parts, 4 parts each of Advanced Violin, Violin I, Violin II, Violin Book 1, Viola and Cello. Three parts each of Violin III (Viola treble clef, if needed) and Double Bass. Also included is one piano part, intended for rehearsal purposes and optional in performance.
$19.99
18.2 €
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Orchestre à Cordes
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Traditional English
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We Wish You A Merry Christmas and a Happy New Year from Around the World for Multi-Level String Orch
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String Play for All
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SheetMusicPlus
Sergei Rachmaninoff: Symphony No. 2, Second Movement Arranged for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859959 Composed by Sergei Rac…
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String Orchestra - Level 4 - Digital Download SKU: A0.859959 Composed by Sergei Rachmaninoff. Arranged by Steven Kruse, Penny Thompson Kruse. 20th Century,Romantic Period,Standards,World. Score and parts. 162 pages. String Play for All #6189581. Published by String Play for All (A0.859959). Expose your students to the lush melodies, chromaticism, and technical challenges of Sergei Rachmaninoff. His second symphony is one of his most beloved works, and the second movement contains all these wonderful elements listed above.The parts contain chromaticism, long bows, and spiccato passages. The range of the first violin extends to fourth position while the second violin and viola do not go beyond third position. The chromatic fingerings, rhythm, and bow control make this a challenging arrangement, but well worth the effort. The piece is five minutes in length.
$18.99
17.29 €
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Orchestre à Cordes
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Sergei Rachmaninoff
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Sergei Rachmaninoff: Symphony No. 2, Second Movement Arranged for String Orchestra
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String Play for All
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SheetMusicPlus
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