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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Summer Days
Non classifié
76
Piano & claviers
Piano seul
136
Piano, Voix
23
Piano, Voix et Guitare
18
1 Piano, 4 mains
3
Orgue
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 2 instrumentations
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Guitares
Guitare
19
Basse electrique
18
Guitare (partie séparée)
2
Guitare notes et tablatures
2
Ukulele
2
Paroles et Accords
1
+ 1 instrumentations
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Voix
Chorale SATB
23
Chorale 3 parties
11
Chorale 2 parties
8
Voix duo, Piano
6
Voix seule
5
Chorale Unison
4
Chorale SSAA
3
Chorale TTBB
3
Voix duo
2
Voix Alto, Piano
1
Pack Instrumental pour Chorale
1
+ 6 instrumentations
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Vents
2 Saxophones (duo)
66
2 Flûte à bec (duo)
42
Saxophone
39
2 Clarinettes (duo)
33
Saxophone, Clarinette (duo)
33
Clarinette
30
Flûte traversière
29
2 Flûtes traversières (duo)
22
Clarinette, Violon (duo)
22
Clarinette, Trompette (duo)
21
Flûte, Alto (duo)
11
Flûte, Clarinette (duo)
11
Hautbois, Clarinette (duo)
11
Flûte, Saxophone (duo)
11
Clarinette et Alto
11
Hautbois, Flûte
11
Hautbois, Basson (duo)
11
Flûte, Violon
11
2 Hautbois (duo)
11
Clarinette, Trombone (duo)
9
Flûte, Trompette (duo)
8
Hautbois, Piano (duo)
4
Hautbois
3
Flûte traversière et Piano
3
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Violon, Piano
2
Ensemble de saxophones
2
Flûte à Bec
2
Saxophone Alto
2
Saxophone Tenor
2
Quatuor de Saxophones: 4 saxophones
2
Harmonica
1
Clarinette et Piano
1
Saxophone Alto et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Soprano et Piano
1
Saxophone (partie séparée)
1
Saxophone Tenor et Piano
1
+ 33 instrumentations
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Cuivres
Trompette, Saxophone (duo)
22
2 Trompettes (duo)
22
2 Trombones (duo)
22
Trompette
17
Trombone
16
Trompette, Trombone (duo)
11
2 Euphoniums (duo)
10
Cor
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Piano
2
Trompette (partie séparée)
2
Trombone et Piano
2
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone (partie séparée)
1
Tuba
1
Cor et Piano
1
2 Euphoniums et 2 Tubas
1
+ 13 instrumentations
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Cordes
Violon
29
Violoncelle
26
Alto seul
18
Harpe
18
2 Violons (duo)
12
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
11
Violon, Alto (duo)
11
2 Altos (duo)
10
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
2
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle, Piano
1
Contrebasse (partie séparée)
1
Alto, Piano
1
+ 12 instrumentations
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Orchestre & Percussions
Batterie
24
Orchestre d'harmonie
6
Orchestre
6
Orchestre à Cordes
3
Orchestre de chambre
2
Fanfare
2
Ensemble de cuivres
2
Percussion (partie séparée)
1
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
LUTH
MANDOLINE
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ORGUE
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Vous avez sélectionné:
Summer Days
Orchestre à Cordes
Partitions à imprimer
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Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Publ...
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String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
Adirondack Spring for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Kim Diehnelt
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Viola 1, Viola 2
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Adirondack Spring for String O
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Kim Diehnelt
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Publishe...
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String Orchestra - Level 4 - SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Published by Kim Diehnelt (A0.1306194). For Violin 1, Violin 2, Violin 3; Viola 1, Viola 2; Cello 1, Cello 2; Bass. The work also has a section using solo violin, solo viola, and solo cello. All parts are essential; parts 2 and 3 are less complex.About 7 -8 minutes.This includes Score and Parts. $28.00 Program note: The work opens with the majestic scene of spring’s first daybreak as the morning light shines on the snow-covered peaks of the Adirondacks. The sun, finally high enough in the sky to meet the snowy slopes and valley treetops, sets them ablaze.  And then it begins. Joyfully, a world comes back to life. Rivers thaw and unbound streams of fresh-melted water bounce, gurgle and surge. Animals stir, birds reappear, all rushing through the days, now relieved of the weight of winter. Hesitantly, bright-green sprouts, fuzzy buds, and flowers emerge. The springtime world dances. And all the while, the sun continues to rise, earlier and earlier, frantically, like a hound dashing to overtake its shadow. This galloping energy brings us to the majestic and final sunrise of spring, for summer will now insist on its turn. And as the morning fades into brilliant day, we are left with only a memory. A memory guaranteed to return. Next spring.
$28.00
'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
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Summer Days
