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ALTO
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BANJO
BASSE
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CHORALE - CHAN…
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CLARINETTE
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TAKE MY LIFE
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173
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142
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41
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34
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21
Piano Facile
17
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10
Instruments en Do
8
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5
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3
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2
Piano grosses notes
2
1 Piano, 4 mains
1
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9
Guitare
7
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3
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2
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1
Basse electrique
1
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79
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22
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19
Voix duo, Piano
12
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3
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3
Chorale
2
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2
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2
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2
Voix Soprano, Piano
2
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1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
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47
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44
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11
Flûte traversière et Piano
11
Hautbois, Piano (duo)
7
Ensemble de Clarinettes
5
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
3
2 Saxophones (duo)
3
2 Clarinettes (duo)
3
Flûte traversière
3
Saxophone Alto
2
Hautbois, Basson (duo)
2
Clarinette, Guitare (duo)
2
Flûte et Guitare
2
Flûte, Trompette (duo)
2
Flûte, Clarinette (duo)
2
2 Flûtes traversières (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Guitare (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Cor anglais, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto et Piano
1
Ensemble de saxophones
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Basson (duo)
1
Flûte, Violon
1
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20
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7
Trombone et Piano
5
Cor et Piano
4
Ensemble de Trombones
4
2 Cors (duo)
3
Trompette
3
Trompette, Piano
3
Ensemble de Trompettes
2
2 Trombones (duo)
2
Cor anglais, Guitare (duo)
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
2 Trompettes (duo)
1
Trompette, Basson (duo)
1
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16
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15
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11
Alto, Piano
9
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5
Violon
4
Ensemble de Violons
4
Ensemble d'Altos
4
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Harpe, Voix
2
Trio à Cordes: violon, alto, violoncelle
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
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11
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7
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3
Orchestre à Cordes
3
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3
Xylophone
1
Marimba
1
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Vous avez sélectionné:
TAKE MY LIFE
Orchestre à Cordes
Partitions à imprimer
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Take My Life and Let It Be (String orchestra))
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Orchestre à Cordes
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INTERMÉDIAIRE
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Paul Jones
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Paul S
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Take My Life and Let It Be
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Paul S. Jones
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.871069 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,Concert,Graduation,Sacred. Score and parts. 8 p...
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String Orchestra - Level 3 - SKU: A0.871069 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,Concert,Graduation,Sacred. Score and parts. 8 pages. Paul S. Jones #3558731. Published by Paul S. Jones (A0.871069). A great string orchestra setting of the well-known hymn, Hendon. Perfect for a church service, dedicatory service of a missionary, installation of a minister, graduation or Christian high school/college string section. There is an identical setting for brass quintet.
$30.00
Take My Life and Let It Be (String Orchestra)
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Orchestre à Cordes
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Musique Sacrée
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H
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Lena Seeger
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Take My Life and Let It Be
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Lena Seeger
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SheetMusicPlus
Composed by H.A. Cesar Malan. Arranged by Lena Seeger. Christian, Sacred, Praise & Worship, General Worship, Wedding. Score, Set of Parts. 23 pages. Published b...
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Composed by H.A. Cesar Malan. Arranged by Lena Seeger. Christian, Sacred, Praise & Worship, General Worship, Wedding. Score, Set of Parts. 23 pages. Published by Lena Seeger (S0.61633). - Score,Set of Parts - Christian,Sacred,Praise & Worship,General Worship,Wedding - Lena Seeger
$4.99
'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
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