English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
4
Librairie
Musicale
7
Matériel
de Musique
199
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
112
PIANO & CLAVIERS
Piano seul
94
Piano, Voix
30
Piano, Voix et Guitare
27
Piano Facile
13
1 Piano, 4 mains
5
Instruments en Do
3
Piano grosses notes
2
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Basse electrique
7
Guitare notes et tablatures
7
Paroles et Accords
3
Guitare
2
Guitare (partie séparée)
1
3 Guitares (trio)
1
Ukulele
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
40
Chorale 3 parties
13
Chorale TTBB
8
Chorale 2 parties
7
Chorale Unison
3
Voix Soprano, Piano
3
Chorale
1
Voix Tenor
1
Voix duo
1
Voix Alto, Piano
1
Chorale SSAA
1
Voix Soprano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
19
Clarinette et Piano
12
Flûte traversière et Piano
11
Hautbois, Piano (duo)
10
Saxophone, Clarinette (duo)
8
Saxophone (partie séparée)
7
2 Clarinettes (duo)
7
Cor anglais, Piano
6
Clarinette, Violon (duo)
5
Saxophone Soprano et Piano
5
Clarinette, Trompette (duo)
4
2 Flûtes traversières (duo)
4
Flûte traversière
4
Saxophone Tenor et Piano
4
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
2 Hautbois (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Flûte, Clarinette (duo)
3
Clarinette
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Baryton, Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte à bec Soprano
2
Saxophone Alto
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Alto et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Trio de Flûtes: 3 flûtes
2
Piccolo, Piano
1
Hautbois (partie séparée)
1
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violon
1
Hautbois, Basson (duo)
1
Saxophone Tenor
1
Flûte à bec Soprano, Piano
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CUIVRES
Cor anglais, Piano
6
Trombone et Piano
6
Trompette, Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette (partie séparée)
4
Trombone (partie séparée)
4
Tuba
4
Trompette
4
Quatuor de Cuivres
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Euphonium, Piano (duo)
3
Cor et Piano
3
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Trombone
2
2 Cors (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Cor
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
10
Violoncelle, Piano
9
Alto, Piano
6
Violon
6
2 Violoncelles (duo)
5
Violon, Violoncelle (duo)
5
2 Altos (duo)
4
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle
3
Violon, Alto (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Alto seul
1
Harpe
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
7
Ensemble Jazz
7
Orchestre
6
Orchestre à Cordes
4
Ensemble de cuivres
4
Jazz combo
4
Orchestre de chambre
4
Cloches
1
Ensemble de Percussions
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Tell It Like It Is
Orchestre à Cordes
Partitions à imprimer
4 partitions trouvées
<
1
Go Tell it on the Mountain
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.732253 Composed by Traditiona…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.732253 Composed by Traditional Spiritual. Arranged by Thomas Quigley. Christian,Christmas,Concert,Jazz,Spiritual. Score and parts. 15 pages. Thomas Quigley #6069345. Published by Thomas Quigley (A0.732253). This is a most attractive arrangement. Rhythmically appealing with subtle jazz-like harmonies it is an ideal addition to your Christmas string repertoire. Really satisfying to play it is a super concert item - a pleasure to hear. Well-devised parts make it particularly suitable for student and amateur ensembles. Highly entertaining ang recommended!
$24.00
21.83 €
#
Orchestre à Cordes
#
Traditional Spiritual
#
Thomas Quigley
#
Go Tell it on the Mountain
#
Thomas Quigley
#
SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.19 €
#
Orchestre à Cordes
#
Aaron Fonzi
#
#
The Abduction of Persephone
#
Aaron Fonzi
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
13.64 €
#
Orchestre à Cordes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
#
Slide Ride
#
SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
(+)
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.18 €
#
Orchestre à Cordes
#
trad
#
Keith Terrett
#
Irish National Anthem
#
Music for all Occasions
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
