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Quatuor de cuivres: 4 cors
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Tuba
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Trombone et orchestre
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2 Euphoniums et 2 Tubas
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3 Trombones (trio)
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Cor anglais et Harpe (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
48
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25
Trio à Cordes: violon, alto, violoncelle
23
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17
2 Violons (duo)
12
Violon
11
Violon, Violoncelle (duo)
7
Violoncelle
7
4 Violoncelles
6
2 Violoncelles (duo)
5
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
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2 Contrebasses (duo)
2
Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
2
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1
Alto (partie séparée)
1
Harpe, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
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Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Alto seul
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
62
Ensemble de cuivres
39
Orchestre
36
Orchestre d'harmonie
26
Orchestre de chambre
22
Ensemble Jazz
6
Vibraphone
4
Cloches
4
Ensemble de Percussions
4
Jazz combo
3
Marimba
3
Batterie
2
Piano et Orchestre
1
Xylophone
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Batterie (partie séparée)
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2 Marimbas
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AUTRES
Vous avez sélectionné:
The Composer\\\'s Own Press
Orchestre à Cordes
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Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
33.5 €
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Orchestre à Cordes
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Dr
#
James M
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Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
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jmsgu3
#
SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
29.88 €
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Orchestre à Cordes
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.944031 Composed by Ofer Ben-A…
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String Orchestra - Level 4 - Digital Download SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #4609863. Published by The Composer's Own Press (A0.944031). THE KLEZMER CONCERTO The concerto opens with a slow but intense movement titled Pastoral Doyna.  A Doyna is a lament-like melody -- both declamatory and melancholic -- of Eastern-European origin, most likely Rumanian, Gypsy, or Jewish. The opening by the string ensemble is reminiscent of the awakening sound of nature. On top of the busy accompaniment the clarinet enters with occasional shouts, echoes, and cry-like gestures. The second movement is a sort of a wedding-waltz, titled: Dance of the Seven Circles. The name goes back to the old Jewish tradition according to which a bride must circle seven times around the bridegroom before the actual start of the marriage ceremony. Its nature of this movement is a mixture of irony and passion, humor and pain. At the end of the waltz the clarinetist is invited to play a free cadenza and improvise on previous motives and melodic patterns. The movement ends with a return to the orchestra, with a soulful lament and quiet murmuring of the soloist. The third and last movement of the concerto is titled Halleluya. It is inspired by the textual content, vibrant rhythms and many musical instruments suggested in the 150th Psalm. Toward the end of this movement, there is a second solo cadenza in a perpetual motion style, where upon the players of the orchestra join in and add their voices to the pandemonium with a song of praise: Halleluya! Parts available through rental only! For performance materials, demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.96 €
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Orchestre à Cordes
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Ofer Ben-Amots
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Klezmer Concerto - for clarinet, strings, harp, and percussion
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The Composer's Own Press
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SheetMusicPlus
RETRO STUDY No. 4 "Tributes to Forgotten Masters" [Theodore Salome] for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.982366 Composed by Theodore S…
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String Orchestra - Level 4 - Digital Download SKU: A0.982366 Composed by Theodore Salome. Arranged by Paul Ferington. Romantic Period. Score and parts. 10 pages. Paul K Ferington #6455811. Published by Paul K Ferington (A0.982366). RETRO STUDY No. 4 (3:45) Music of Forgotten Masters collection featuring the music of Theodore Salome transcribed for String Orchestra; lush Romantic Era progressions creating a very expressive and moving work; recommended for advanced string players interested in developing expressive playing, and in learning repertoire unjustly neglected since the composer's death. .
$6.95
6.3 €
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Orchestre à Cordes
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Theodore Salome
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Paul Ferington
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RETRO STUDY No. 4 "Tributes to Forgotten Masters" [Theodore Salome] for String Orchestra
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Paul K Ferington
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SheetMusicPlus
The Camping Trip - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1181394 Composed by Viktor Ko…
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String Orchestra - Level 3 - Digital Download SKU: A0.1181394 Composed by Viktor Kosenko. Arranged by Robert Debbaut. 20th Century,Children,Contest,Festival,Multicultural,Romantic Period,World. Score and parts. 5 pages. ROBERT DEBBAUT #781236. Published by ROBERT DEBBAUT (A0.1181394). Ukrainian and Soviet composer, Viktor Kosenko (1896-1938), was a highly regarded concert pianist, concertmaster and educator. Kosenko began his formal training at the St. Petersburg Conservatory as a composition student of Mikhail Sokolovsky. While in school he served as concertmaster of the Marinsky Theatre. Aleksandr Glazunov, the Director the Conservatory, was greatly impressed with Kosenko and spoke highly of his work.  Regarded by his contemporaries as a master of lyricism, his first compositions were markedly influenced by the works of composers such as Rachmaninov, Scriabin, Tchaikovsky and his fellow Ukrainian Mykola Lysenko.  During his short career he composed over 100 works for piano in a total of about 250 musical works. Other works include his symphonic Moldavian poem, choral and folk music arrangements, violin and piano concertos, trios and string quartets. During the 1930s Kosenko became dedicated to writing music for children. His first compositions for children were Four Children’s Pieces for piano (1930; this arranger has scored these four works for violin and piano, flute and piano, and cello and piano, as well as string orchestra). This work is one of five I have scored for as a Second Suite for String Orchestra from the twenty-four piano works for children he composed in 1936 (The First Suite is available from Carl Fischer).  If you purchase contact me about a set of parts and a wav recording at debbaut@gmail.com, subject line Kosenko.
$4.99
4.52 €
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Orchestre à Cordes
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Viktor Kosenko
#
Robert Debbaut
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The Camping Trip - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
March of the Young Heroes - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1181382 Composed by Viktor Ko…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1181382 Composed by Viktor Kosenko. Arranged by Robert Debbaut. 20th Century,Children,Contest,Festival,Multicultural,Romantic Period,World. Score and parts. 7 pages. ROBERT DEBBAUT #781223. Published by ROBERT DEBBAUT (A0.1181382). Ukrainian and Soviet composer, Viktor Kosenko (1896-1938), was a highly regarded concert pianist, concertmaster and educator. Kosenko began his formal training at the St. Petersburg Conservatory as a composition student of Mikhail Sokolovsky. While in school he served as concertmaster of the Marinsky Theatre. Aleksandr Glazunov, the Director the Conservatory, was greatly impressed with Kosenko and spoke highly of his work.  Regarded by his contemporaries as a master of lyricism, his first compositions were markedly influenced by the works of composers such as Rachmaninov, Scriabin, Tchaikovsky and his fellow Ukrainian Mykola Lysenko.  During his short career he composed over 100 works for piano in a total of about 250 musical works. Other works include his symphonic Moldavian poem, choral and folk music arrangements, violin and piano concertos, trios and string quartets. During the 1930s Kosenko became dedicated to writing music for children. His first compositions for children were Four Children’s Pieces for piano (1930; this arranger has scored these four works for violin and piano, flute and piano, and cello and piano, as well as string orchestra). This work is one of five I have scored for as a Second Suite for String Orchestra from the twenty-four piano works for children he composed in 1936 (The First Suite is available from Carl Fischer). If you purchase contact me about a set of parts and a wav recording at debbaut@gmail.com, subject line Kosenko.
$4.99
4.52 €
#
Orchestre à Cordes
#
Viktor Kosenko
#
Robert Debbaut
#
March of the Young Heroes - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
In the Little Garden - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1181390 Composed by Viktor Ko…
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String Orchestra - Level 3 - Digital Download SKU: A0.1181390 Composed by Viktor Kosenko. Arranged by Robert Debbaut. 20th Century,Children,Contest,Festival,Multicultural,Romantic Period,World. Score and parts. 6 pages. ROBERT DEBBAUT #781232. Published by ROBERT DEBBAUT (A0.1181390). Ukrainian and Soviet composer, Viktor Kosenko (1896-1938), was a highly regarded concert pianist, concertmaster and educator. Kosenko began his formal training at the St. Petersburg Conservatory as a composition student of Mikhail Sokolovsky. While in school he served as concertmaster of the Marinsky Theatre. Aleksandr Glazunov, the Director the Conservatory, was greatly impressed with Kosenko and spoke highly of his work.  Regarded by his contemporaries as a master of lyricism, his first compositions were markedly influenced by the works of composers such as Rachmaninov, Scriabin, Tchaikovsky and his fellow Ukrainian Mykola Lysenko.  During his short career he composed over 100 works for piano in a total of about 250 musical works. Other works include his symphonic Moldavian poem, choral and folk music arrangements, violin and piano concertos, trios and string quartets. During the 1930s Kosenko became dedicated to writing music for children. His first compositions for children were Four Children’s Pieces for piano (1930; this arranger has scored these four works for violin and piano, flute and piano, and cello and piano, as well as string orchestra). This work is one of five I have scored for as a Second Suite for String Orchestra from the twenty-four piano works for children he composed in 1936 (The First Suite is available from Carl Fischer).  If you purchase contact me about a set of parts and a wav recording at debbaut@gmail.com, subject line Kosenko.
$4.99
4.52 €
#
Orchestre à Cordes
#
Viktor Kosenko
#
Robert Debbaut
#
In the Little Garden - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Bull: Salvator mundi for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.32 €
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Orchestre à Cordes
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Dr
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James M
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Bull: Salvator mundi for String Orchestra
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull…
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String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
29.88 €
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Orchestre à Cordes
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John Bull
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James M
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Bull: In Nomine CXIX for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.32 €
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Orchestre à Cordes
#
Dr
#
James M
#
Bull: In Nomine CXIX for String Orchestra
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jmsgu3
#
SheetMusicPlus
Bull: Salvator mundi for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
29.88 €
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Orchestre à Cordes
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Dr
#
James M
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Bull: Salvator mundi for String Orchestra - Score Only
#
jmsgu3
#
SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Moz…
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
54.36 €
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Orchestre à Cordes
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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jmsgu3
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SheetMusicPlus
Expressive Violins. Full score
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.896169 Composed by Nadin Poly…
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String Orchestra - Level 3 - Digital Download SKU: A0.896169 Composed by Nadin Polyakova de Zuniga. Classical,Contemporary,Multicultural,World. Score and parts. 14 pages. Nadin #3094763. Published by Nadin (A0.896169). Expressive Violins. Full score (12 pages) - is a full score of the small piece (3 min 47 sec), written for String Orchestra by composer Nadin Polyakova in 2016. The quantity of musicians for every section can be varied. Piece is suggested for schools, students, amateurs and professional performers and can be useful for young orchestration and composition learners, who can find here beautiful simple melodies, classical harmony, counterpoint, various of string techniques. Expressive Violins is enjoyable to play and listen as it based on the emotional expressive dramatic context (Vivaldi influence) and contrast of the mood, which appeal listeners to their attention and don't allow them to get bored. Parts can be bought separately.Composer's contacts and Social Media:Instagram - https://www.instagram.com/napol_de_zu/Â SoundCloud - https://soundcloud.com/nadin-polyakova-1
$5.99
5.43 €
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Orchestre à Cordes
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Nadin Polyakova de Zuniga
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Expressive Violins. Full score
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Nadin
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SheetMusicPlus
Expressive Violins. Parts
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.896170 Composed by Nadin Polyakova. Cla…
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String Orchestra - Digital Download SKU: A0.896170 Composed by Nadin Polyakova. Classical,Contemporary,Multicultural,World. Score and parts. 14 pages. Nadin #3094773. Published by Nadin (A0.896170). Expressive Violins. Parts (12 pages) - is a set of parts of the small piece (3 min 47 sec) written for String Orchestra by composer Nadin Polyakova in 2016. The quantity of musicians for every section can be varied. Piece is suggested for schools, students, amateurs and professional performers and can be useful for young orchestration and composition learners, who can find here beautiful simple melodies, classical harmony, counterpoint, various of string techniques. Expressive Violins is enjoyable to play and listen as it based on the emotional expressive dramatic context (Vivaldi influence) and contrast of the mood, which appeal listeners to their attention and don't allow them to get bored. Full score can be bought separately.Composer's contacts and Social Media:Instagram - https://www.instagram.com/napol_de_zu/Â SoundCloud - https://soundcloud.com/nadin-polyakova-1.
$2.99
2.71 €
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Orchestre à Cordes
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Nadin Polyakova
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Expressive Violins. Parts
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Nadin
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SheetMusicPlus
Fantasia On TRSCH For String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.912503 Composed by Thomas R. …
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String Orchestra - Level 4 - Digital Download SKU: A0.912503 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 49 pages. Thomas R. Schadl #5206103. Published by Thomas R. Schadl (A0.912503). Fantasia On TRSCH For String Orchestra is based on the composer’s initials (B flat, D, E flat, C B -but composed using E, G# A F# F), and explores various contrapuntal techniques that involve rhythmic diminution and augmentation, and inversion and retrograde motions. Further, the work shows how a thematic material varies in regard to articulation and phrasing; in other words, the main theme does not always use the same articulation throughout the piece. The tempo indications are suggestions and gives the performers and listeners an impression of energy building up at the beginning and slowing toward the end of the work. Fantasia On TRSCH For String Orchestra is suitable for both recital and educational purposes.
$11.99
10.87 €
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Orchestre à Cordes
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Thomas R
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Fantasia On TRSCH For String Orchestra
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Thomas R. Schadl
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.29 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Midnight Train to St. Petersburg
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.796779 Composed by Gary D. Be…
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String Orchestra - Level 4 - Digital Download SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR GARY D BELSHAW #6506559. Published by DR GARY D BELSHAW (A0.796779). Advanced Intermediate. SCORE ONLY: 33 pages. Duration: 9 minutes.Advanced Solo Violin plus Intermediate Violins I & II, Violas, Cellos, and Basses. Midnight Train to St. Petersburg was inspired by the train ride itself during the composer’s trek to Russia in 2006. The trip was made by faculty and students of Wayland Baptist University’s School of Music to allow the University’s Pioneer Band to participate in Victory Day festivities in Moscow and St. Petersburg. Impressions of the countryside during the train ride itself, as well as the overwhelming beauty of the country and two of her cities, informed much of the music performed here. A minimalistic approach to the composition seemed suitable. Persistent rhythmic patterns throughout the score invites listeners to imagine being inside a passenger rail car. An alternation between two- and three-eighth note groupings captures sound of steel wheels rolling along iron rails of varying lengths. The harmonies are simple, played almost entirely on open strings. Everyone involved in a performance can enjoy the exuberance of bright harmonic language. A short, simple melody, played by the upper strings is answered by the soloist - possibly the class instructor - who then is allowed some elaboration for a few measures. Students attempting a strings-methods class often find their more advanced musicianship stifled by working only in rudimental instrumental methods. Since so many pitches are played on open strings, student’s left hands are eased through the performance while the right hands move binarily in short, quick strokes. The result is a work that gratifies the student musician while developing an appreciation and understanding of string performance.
$15.00
13.6 €
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Orchestre à Cordes
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Gary D
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Midnight Train to St. Petersburg
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DR GARY D BELSHAW
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.32 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1 for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
89.63 €
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Orchestre à Cordes
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 168 pages. Jmsgu3 #887931. Published by jmsgu3 (A0.1298030). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$116.85
105.95 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Six Echo Fantasias Complete for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1296237 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886480. Published by jmsgu3 (A0.1296237). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
29.88 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 6 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298000 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 23 pages. Jmsgu3 #887905. Published by jmsgu3 (A0.1298000). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.32 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6 for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 4 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1297521 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 40 pages. Jmsgu3 #887564. Published by jmsgu3 (A0.1297521). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.32 €
#
Orchestre à Cordes
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Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 4 for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 5 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.32 €
#
Orchestre à Cordes
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5 for String Orchestra
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
29.88 €
#
Orchestre à Cordes
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
#
jmsgu3
#
SheetMusicPlus
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