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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
The Inuit
Sheetmusicplus
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47
Piano & claviers
Piano seul
13
Piano Facile
8
Piano, Voix
5
Piano, Voix et Guitare
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 1 instrumentations
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Guitares
2 Guitares (duo)
1
Voix
Chorale 3 parties
5
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5
Chorale TTBB
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Vents
2 Saxophones (duo)
4
Flûte traversière
4
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3
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3
Clarinette
3
Saxophone Alto
2
Saxophone Soprano et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette et Piano
2
Saxophone (partie séparée)
2
Saxophone Tenor
1
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1
2 Flûtes traversières (duo)
1
3 Saxophones (trio)
1
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1
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1
2 Hautbois (duo)
1
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1
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1
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1
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1
Saxophone Tenor et Piano
1
2 Clarinettes (duo)
1
+ 18 instrumentations
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Trombone
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2
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2
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2
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2
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1
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1
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1
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1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 6 instrumentations
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Violon
5
Violon et Piano
4
Violoncelle, Piano
3
Violoncelle
3
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3
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2
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2
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2
Trio à Cordes: violon, alto, violoncelle
1
2 Altos (duo)
1
Contre Basse
1
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1
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1
2 Violoncelles (duo)
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
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CHORALE - CHAN…
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Vous avez sélectionné:
The Inuit
SheetMusicPlus
Partitions à imprimer
2 partitions trouvées
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'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
#
SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
Dance at Sunrise
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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John R
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Dance at Sunrise
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John R. Daniels
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1417418 Composed by John R. Daniels. Chamber,Classical,Traditional,Wedding. 21 pages. John R. Daniels #998956. Publ...
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String Orchestra - Level 4 - SKU: A0.1417418 Composed by John R. Daniels. Chamber,Classical,Traditional,Wedding. 21 pages. John R. Daniels #998956. Published by John R. Daniels (A0.1417418). Dance at Sunrise is a Delightful Dance to Celebrate a New Day. It's a relatively simple piece with a few not-so-hidden surprises for those who know what they need to hear. Possible challenges with Dance at Sunrise could be the number of accidentals and a tricky rhythm is some places. The good news is that once these sections are learned the first time around, they are repeated a few times so that the piece has continuity and becomes enjoyable to play.
$45.00
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