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TRI ET FILTRES
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Banjo
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VOIX
Chorale SATB
237
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10
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Voix duo
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Voix basse, Piano
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Chorale SSAATTBB
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Voix moyenne, Piano
2
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
162
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Flûte traversière et Piano
84
Ensemble de saxophones
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59
Clarinette et Piano
57
Saxophone Alto
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Saxophone Alto et Piano
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Clarinette
48
Flûte traversière
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Quatuor de Clarinettes: 4 clarinettes
42
Ensemble de Clarinettes
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3 Saxophones (trio)
29
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29
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28
2 Flûtes traversières, Piano
27
Hautbois (partie séparée)
27
Quintette de Flûte : 5 flûtes
25
Quatuor de Flûtes à bec
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Saxophone Baryton, Piano
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Quatuor de Flûtes : 4 flûtes
20
2 Clarinettes (duo)
20
2 Flûtes traversières (duo)
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Cor anglais, Piano
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5 Flûtes à bec
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13
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
203
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111
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104
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53
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34
Tuba
31
Cor
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19
Quatuor de Cuivres
17
Cor anglais, Piano
16
2 Trompettes (duo)
13
Quatuor de cuivres: 4 trombones
13
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trompettes
12
2 Trombones (duo)
9
4 Tubas
8
Cor Anglais
7
Euphonium
6
2 Cors (duo)
6
Quatuor de cuivres: 4 cors
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2 Euphoniums et 2 Tubas
5
Trompette, Trombone (duo)
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Tuba et Orgue
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Trompette, Saxophone (duo)
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2 Tubas (duo)
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Trombone (partie séparée)
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3 Tubas (trio)
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Trompette (partie séparée)
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3 Cors (trio)
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Trombone, Orgue
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Trio de Cuivres
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Cor, Tuba (duo)
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Cor et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
204
Violon et Piano
86
Violon
86
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71
Alto, Piano
59
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41
Alto seul
37
Trio à Cordes: violon, alto, violoncelle
29
Contrebasse, Piano (duo)
23
Violon, Violoncelle (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violoncelle
19
Violon, Alto (duo)
19
Harpe
18
Contre Basse
18
2 Violons (duo)
16
Ensemble de Violons
14
4 Violoncelles
14
2 Altos (duo)
13
Ensemble d'Altos
12
2 Harpes (duo)
12
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
11
Alto (partie séparée)
10
Quatuor à cordes: 4 violons
9
Alto, Violoncelle (duo)
7
Trio à cordes: 3 altos
7
Trio à cordes: 3 violins
7
Trio à Cordes: 3 violoncelles
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Harpe, Voix
6
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes : 4 altos
6
Harpe, Quatuor à cordes
3
Violon (partie séparée)
3
Contrebasse (partie séparée)
2
Violoncelle, Basse continue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon, Violoncelle
2
Harpe, Flûte (duo)
2
2 Violons, Piano
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
4 Contrebasses
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3 Harpes
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Piano Trio: Violon, Alto, Piano
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Ensemble de Violoncelles
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Violon, Clarinette, Piano (trio)
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Violoncelle , Guitare (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
397
Orchestre à Cordes
75
Orchestre
75
Ensemble de cuivres
68
Orchestre de chambre
43
Ensemble Jazz
38
Marimba
19
Jazz combo
17
Cloches
16
Ensemble de Percussions
7
Ensemble d'École
4
Percussion (partie séparée)
3
Xylophone, Piano
3
Fanfare
2
Orchestre, Violon
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
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AUTRES
Théorie de la musique
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The Music of Being
Orchestre à Cordes
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Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.59 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Ramifications
Orchestre à Cordes
String orchestra or 12 solo- strings - Digital Download For string orchestra or 12 sol…
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String orchestra or 12 solo- strings - Digital Download For string orchestra or 12 solo strings. Composed by Gyorgy Ligeti (1923-2006). This edition: study score. Music Of Our Time. Downloadable. Duration 9 minutes. Schott Music - Digital #Q2702. Published by Schott Music - Digital
Ramifications represents a further development of my method of composition with complex musical net-formations. it is, as it were, a terminus in the development from dense and static to broken-up and mobile. The title refers to the polyphonic technique of the part-writing. in one skein, individual parts that are twisted together move in divergent directions so that the strand of the voice gradually become disentangled. The total form is made up of the alternation of ramification and unification of the parts and of the rents or bunching together of the net-formation that ensues from this. And as well as that, there are in this piece new aspects of a micro-tonal harmony. Even earlier I was occasionally working with deviations from the equal temperament (Requiem, Volumina, Harmonies, Second String Quartet). But what is new here is the consistent application of an idea of hyperchromatic harmony. This is made possible by one half of the string instruments being tuned a quarter-tone higher than the others. From the automatically ensuing differences in intonation when the instruments are played, arises a fluctuation in pitch such that one can hardly ever hear exact quarter-tone intervals. In only a few dense places approximative quarter-tone clusters result. apart from that we find a totally new kind of uncertain harmony, as though the harmonies had rotted: thex have a strong taste and decay has permeated the music.<br> - Gyorgy Ligeti.
$22.99
21.19 €
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Orchestre à Cordes
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Gyorgy Ligeti
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Ramifications
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Schott Music - Digital
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SheetMusicPlus
I Got The Blues - Easy string ensemble (Mixed Abilities) for flexible instrumentation
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ral…
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String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 pages. Austin Ralphson #4317691. Published by Austin Ralphson (A0.563591). Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.I GOT THE BLUES is the second piece in this series, and uses typical Blues characteristics such as syncopation and swung quavers. It also includes a section in which any player can improvise; suggested notes to use in the solo are provided along with backing figures.Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$9.99
9.21 €
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Orchestre à Cordes
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Austin Ralphson
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I Got The Blues - Easy string ensemble
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Austin Ralphson
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SheetMusicPlus
The American Seasons (score – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861927 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
34.56 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (double basses part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861933 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00
13.82 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (cellos part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861932 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932). The American Seasons (cellos part – violin and string orchestra) MO148GCellos Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148GCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
13.82 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (violas part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
13.82 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (guitar part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861928 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928). The American Seasons (guitar part – violin and string orchestra) MO148CGuitar Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148CCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
13.82 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (1st violins part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$15.00
13.82 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
The Essence of Being
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1247733 Composed by Kevin Day…
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String Orchestra - Level 5 - Digital Download SKU: A0.1247733 Composed by Kevin Day. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 53 pages. T.U.X. People's Music #842287. Published by T.U.X. People's Music (A0.1247733). Balancing heartfelt introspection with perpetual motion, acclaimed composer Kevin Day's The Essence of Being is purely delightful from start to finish and will resonate with performers and audiences everywhere. Josh Trentadue's arrangement of this stunning work for string orchestra expands its thematic and character to new heights.
$98.00
90.31 €
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Orchestre à Cordes
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Kevin Day
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Josh Trentadue
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The Essence of Being
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T.U.X. People's Music
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SheetMusicPlus
"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.947257 Arranged by John Phili…
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String Orchestra - Level 2 - Digital Download SKU: A0.947257 Arranged by John Philips. Children. Score and parts. 38 pages. John Philips Music Service #1999407. Published by John Philips Music Service (A0.947257). A series of happy Mexican Tunes that have the audience adding to the rhythm with some hand-clapping. This chart is easy and will connect with your audience. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work and maybe you can convert the player to be a cello or upright player-----(another way of recruiting).
$15.00
13.82 €
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Orchestre à Cordes
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John Philips
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"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
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John Philips Music Service
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SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.73 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
"The Kindergarten Concert" String Orchestra Heritage Series #3
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947256 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947256 Arranged by John Philips. Children,Jazz. Score and parts. 54 pages. John Philips Music Service #1999219. Published by John Philips Music Service (A0.947256). The purpose of this arrangement is to furnish material for a Junior High or Senior High Orchestra to use in playing a concerts for the Kindergarten/1st Grade/2nd Grade and 3rd Grade Kids. This gives the players an chance to play a fun concert for people they know---and is also a great recruiting tool for future orchestra members. The tunes are all ones that the younger kids know , or should know. A suggested plan for doing this is on the back cover--a list of the 20 tunes is included. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work if read---sometimes you can convert and electric bass player to a string bass or cello player--but you have to talk fast !!!!
$15.00
13.82 €
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Orchestre à Cordes
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John Philips
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"The Kindergarten Concert" String Orchestra Heritage Series #3
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John Philips Music Service
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SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th…
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
23.91 €
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Orchestre à Cordes
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
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SheetMusicPlus
"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #1999429. Published by John Philips Music Service (A0.947259). Some of the best known classical themes are presented in a steady tempo that will please your audience. See the back cover for the tune list. Since these classic themes are presented to a young played in a manner that he can play without being faced with music that is so difficult he can never enjoy playing it, they will be more likely to go on to become more able to do the heavy stuff. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player?
$15.00
13.82 €
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Orchestre à Cordes
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John Philips
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"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
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John Philips Music Service
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SheetMusicPlus
THE GODMOTHER
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3125251. Published by Vincent Vitale (A0.835543). Being of Italian heritage I especially thought it would be fun to compose The Godmother which contains very small hints of the theme from The Godfather throughout.  See if you can pick them out. Thinking back into my past I visualized all my Italian relatives in the family and the life style we led which helped give the composition that Italian flair. I truly believe you, your students and your audience will enjoy this piece. Written for the Intermediate level the composition includes full score and parts for Violin 1, Violin 2, Viola, Cello and St. Bass. If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. Thank you very much for your consideration and I wish you and your students much musical success.
$24.00
22.12 €
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Orchestre à Cordes
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Vincent Vitale
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THE GODMOTHER
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Vincent Vitale
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SheetMusicPlus
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.799741 Composed by Nikolay An…
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String Orchestra - Level 4 - Digital Download SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
27.64 €
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Orchestre à Cordes
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Nikolay Andreyevich Rimsky-Korsakov
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Grant Gilman
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Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Dr. Grant Gilman
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SheetMusicPlus
Simple Song of Keys
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.963587 Composed by Marsha Chu…
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String Orchestra - Level 3 - Digital Download SKU: A0.963587 Composed by Marsha Chusmir Shapiro. Instructional. Score and parts. 62 pages. Marsha Shapiro #3868675. Published by Marsha Shapiro (A0.963587). Simple Song of Keys is designed as a daily warm-up routine to teach students to be comfortable, and in tune, when performing in various major keys. Despite the fact the most music for first and second year performers is written in GM and DM, these can be especially difficult keys for violists (requiring extreme third finger stretches of smaller hands) and cellists (with second and fourth finger extensions). And string players often fear the less familiar keys employing flats because they must avoid the safety of open strings. Yet these same keys often fit more comfortably under the smaller hand. The pieces may be played individually to prepare for the key of the repertoire being played that day, or in broad sequence to learn to move from key to key.
$35.00
32.26 €
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Orchestre à Cordes
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Marsha Chusmir Shapiro
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Simple Song of Keys
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Marsha Shapiro
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SheetMusicPlus
Minuet Sauvage: Dance of the Catrinas
Orchestre à Cordes
String orchestra - Digital Download SKU: IZ.OMF176 Composed by Kenneth Piotrowski. …
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String orchestra - Digital Download SKU: IZ.OMF176 Composed by Kenneth Piotrowski. Score and Parts. 46 pages. Imagine Music - Digital #OMF176. Published by Imagine Music - Digital (IZ.OMF176). 9 x 12 in inches.Minuet Sauvage, as with my other string orchestra music, especially those that fall under the dance genre, was designed primarily for student orchestras. With that being said, however, they are also challenging enough to be of interest to both advanced players and professional string orchestras. The subtitle: Dance of the Catrinas (the world famous Day of the Dead dolls) came about due to the heavy use of both forzando and pizzicato.
$40.00
36.86 €
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Orchestre à Cordes
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Kenneth Piotrowski
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Minuet Sauvage: Dance of the Catrinas
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Imagine Music - Digital
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SheetMusicPlus
Jupiter Chorale from The Planets - String Orchestra (Full Score and Parts)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1329310 Composed by Gustav Ho…
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String Orchestra - Level 3 - Digital Download SKU: A0.1329310 Composed by Gustav Holst. Arranged by César Madeira. 19th Century,20th Century,Chamber,Multicultural,Romantic Period,World. 9 pages. Sheet Music To Play Editions #917288. Published by Sheet Music To Play Editions (A0.1329310). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Full Score and Individual Parts. Enjoy it!Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$13.99
12.89 €
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Orchestre à Cordes
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Gustav Holst
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César Madeira
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Jupiter Chorale from The Planets - String Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Jupiter Chorale from The Planets - String Orchestra (Full Score) - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1329314 Composed by Gustav Ho…
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String Orchestra - Level 3 - Digital Download SKU: A0.1329314 Composed by Gustav Holst. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Romantic Period,World. 2 pages. Sheet Music To Play Editions #917293. Published by Sheet Music To Play Editions (A0.1329314). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.28 €
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Orchestre à Cordes
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Gustav Holst
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César Madeira
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Jupiter Chorale from The Planets - String Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Gustav Holst - Folksongs of Hampshire set for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.582031 Composed by Traditiona…
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String Orchestra - Level 4 - Digital Download SKU: A0.582031 Composed by Traditional. Arranged by Gustav Holst, John Gibson. 20th Century,Celtic,Folk,Irish. Score and parts. 48 pages. JB Linear #4364530. Published by JB Linear (A0.582031). Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs. This group of four songs was arranged for voice and piano by Holst and set for string orchestra by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly.
$19.75
18.2 €
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Orchestre à Cordes
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Traditional
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Gustav Holst, John Gibson
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Gustav Holst - Folksongs of Hampshire set for String Orchestra
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JB Linear
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SheetMusicPlus
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