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17
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Orchestre d'harmonie
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Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.31 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Elegy for the Lost
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.796774 Composed by Gary D. Be…
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String Orchestra - Level 5 - Digital Download SKU: A0.796774 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 6 pages. DR GARY D BELSHAW #6437933. Published by DR GARY D BELSHAW (A0.796774). Advanced. FULL SCORE. For String Orchestra. Parts available separately. Duration: 7 minutes. A New Adagio. An Adagio for 2021. An Adagio for all who grieve for any reason, for every reason. A new Adagio for Remembering 9/11 Twenty Years LaterHONORABLE MENTION: PARMA Recordings, Call for Scores, Fall 2020.NOTE: These pages are formatted for printing on 9x12 paper, as the hard copy print version available on https://www.garydbelshawmusic.com. Be sure to make the appropriate selections on your printer in order reduce, or shrink, or fit, these documents so as to print on letter size sheets.Website: https://www.garydbelshawmusic.comVisit us on Facebook: https://www.facebook.com/Gary-D-Belshaw-Music-93955858441Visit us on Twitter: @GaryDBelshawMus
$15.00
13.86 €
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Orchestre à Cordes
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Gary D
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Elegy for the Lost
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DR GARY D BELSHAW
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SheetMusicPlus
Elegy for the Lost PARTS 14/12/10/10/8
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.796776 Composed by Gary D. Be…
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String Orchestra - Level 5 - Digital Download SKU: A0.796776 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 144 pages. DR GARY D BELSHAW #6494649. Published by DR GARY D BELSHAW (A0.796776). Advanced. PARTS ONLY. For String Orchestra: 14/12/10/10/8. FULL SCORE available separately.A New Adagio. An Adagio for 2021. An Adagio for all who grieve for any reason, for every reason. A new Adagio for Remembering 9/11 Twenty Years Later.NOTE: These pages are formatted for printing on 9x12 paper, as the hard copy print version available on https://www.garydbelshawmusic.com. Be sure to make the appropriate selections on your printer in order reduce, or shrink, or fit, these documents so as to print on letter size sheets.Website: https://www.garydbelshawmusic.comVisit us on Facebook: https://www.facebook.com/Gary-D-Belshaw-Music-93955858441Visit us on Twitter: @GaryDBelshawMus
$40.00
36.95 €
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Orchestre à Cordes
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Gary D
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Elegy for the Lost PARTS 14/12/10/10/8
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DR GARY D BELSHAW
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SheetMusicPlus
Elegy for the Lost PARTS 88555
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.796777 Composed by Gary D. Be…
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String Orchestra - Level 5 - Digital Download SKU: A0.796777 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 84 pages. DR GARY D BELSHAW #6437943. Published by DR GARY D BELSHAW (A0.796777). Advanced. PARTS ONLY. For String Orchestra: 8/8/5/5/5. FULL SCORE available separately.A New Adagio. An Adagio for 2021. An Adagio for all who grieve for any reason, for every reason. A new Adagio for Remembering 9/11 Twenty Years Later.NOTE: These pages are formatted for printing on 9x12 paper, as the hard copy print version available on https://www.garydbelshawmusic.com. Be sure to make the appropriate selections on your printer in order reduce, or shrink, or fit, these documents so as to print on letter size sheets.Website: https://www.garydbelshawmusic.comVisit us on Facebook: https://www.facebook.com/Gary-D-Belshaw-Music-93955858441Visit us on Twitter: @GaryDBelshawMus
$40.00
36.95 €
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Orchestre à Cordes
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Gary D
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Elegy for the Lost PARTS 88555
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DR GARY D BELSHAW
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SheetMusicPlus
Memories of the Alhambra for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1305018 Composed by Francisco…
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String Orchestra - Level 3 - Digital Download SKU: A0.1305018 Composed by Francisco Tarrega. Arranged by Graham Boag. Classical,Instructional. Score and Parts. 78 pages. Graham Boag #894448. Published by Graham Boag (A0.1305018). As a younger music student, I played Classical Guitar and always wanted to play this but for whatever reason I just could not master the tremolo effect needed. It has been arranged here for String Orchestra using various techniques to try and conjure up the famous tremolo effect, along other bowing techniques to add variety to this orchestration. A little information about the piece: Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Ãrabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.
$34.99
32.33 €
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Orchestre à Cordes
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Francisco Tarrega
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Graham Boag
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Memories of the Alhambra for String Orchestra
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Graham Boag
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SheetMusicPlus
10,000 Reasons (bless The Lord)
Orchestre à Cordes
By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Clark Cothern. Praise &…
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By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Clark Cothern. Praise & Worship, Sacred. Score and parts. 19 pages. Clark Cothern #678802. Published by Clark Cothern
$49.99
46.18 €
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Orchestre à Cordes
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Matt Redman
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Clark Cothern
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Worship, Sacred
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10,000 Reasons
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Clark Cothern
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SheetMusicPlus
Resilience?
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Go…
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String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Goggans. Classical,Contemporary. Score and parts. 15 pages. DGoggansGuitar #687204. Published by DGoggansGuitar (A0.1082996). This concerto for classical guitar was composed for Diana Richardson and the Cleveland School of the Arts Orchestra in September of 2021. Resilience is meant to be a musical reflection on Damian's last two years of High school, which was plagued with a pandemic. The title questions the reasoning of the world's resilience during these times. While mother nature worked to kill us, we continued to kill each other. Rather than work together, we stormed our nation's capital, and continued to promote violence against ourselves based upon our differences. Nothing changed and nothing was learned, so what was the point.... Author's Note: Measures 48-59 are dedicated to the memory of my baby brother D'king Goggans.
$20.00
18.48 €
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Orchestre à Cordes
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Damian Goggans
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Resilience?
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DGoggansGuitar
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SheetMusicPlus
String Quintet/String Orchestra - It Came Upon the Midnight Clear
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.767392 Composed by Anon. Arra…
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String Orchestra - Level 2 - Digital Download SKU: A0.767392 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 12 pages. Lyons Music Services #3603257. Published by Lyons Music Services (A0.767392). A brand new setting of this carol for wind quintet (Fl/Ob/Cl/Hn/Bssn).After a short introduction, we hear a fairly normal rendition of the tune with standard harmony. The second verse has the addition of fanfare-like motifs in the top two parts which add some sparkle to the tune. The intention is merely to heighten the feeling of 'announcement' which we get from the words. The melody is also much more decorated and placed into the middle of the ensemble.From Letter C there is an interlude of fanfares before the final verse at the grandioso. This is the loudest part of the setting and needs to sound warm, full and rich.This setting is intended to be played by any ensemble. I have kept the range used reasonable and it does not require any special techniques.
$10.99
10.15 €
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Orchestre à Cordes
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Anon
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Mike Lyons
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String Quintet/String Orchestra - It Came Upon the Midnight Clear
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Lyons Music Services
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SheetMusicPlus
Air in G Major for Intermediate String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.908671 Composed by Mark D Het…
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String Orchestra - Level 2 - Digital Download SKU: A0.908671 Composed by Mark D Hettle. Classical,Standards. Score and parts. 10 pages. Goomba Publishing Company (GPC) #4789963. Published by Goomba Publishing Company (GPC) (A0.908671). Air in G Major is an easy composition for either an experienced elementary string orchestra, or for an intermediate string orchestra. Written completely in 1st position for ease of playing, the second violin is doubled in the viola, and the cello is doubled in the double bass. The reason for the doubling is to accommodate orchestras with incomplete instrumentation.
$15.00
13.86 €
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Orchestre à Cordes
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Mark D Hettle
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Air in G Major for Intermediate String Orchestra
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Goomba Publishing Company
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SheetMusicPlus
Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio V…
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String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi – Sinfonia (first Allegro) for strings and continuo from L’Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725L´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Sant’Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldi’s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, Foà 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldi’s autograph contained in the manuscript I-Tn, Foà 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.
$16.00
14.78 €
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Orchestre à Cordes
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Antonio Vivaldi
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Snakewood Editions
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Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
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Sneakwood Editions
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SheetMusicPlus
Warm-Up Chorale #1 for Elementary String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.908654 Composed by Mark D Het…
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String Orchestra - Level 1 - Digital Download SKU: A0.908654 Composed by Mark D Hettle. Instructional. Score and parts. 9 pages. Goomba Publishing Company (GPC) #3248499. Published by Goomba Publishing Company (GPC) (A0.908654). I wrote this easy warm-up chorale with the elementary string orchestra in mind. I arranged it in three part harmony. I doubled the 2nd violin with the viola, and the cello with the bass. The reason for the doubling is to accommodate elementary orchestras that might not have complete instrumentation. I hope you and your orchestra enjoy rehearsing and performing my composition. Thank you!
$10.00
9.24 €
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Orchestre à Cordes
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Mark D Hettle
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Warm-Up Chorale #1 for Elementary String Orchestra
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Goomba Publishing Company
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SheetMusicPlus
Soliloquy
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.908653 Composed by Mark D Het…
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String Orchestra - Level 2 - Digital Download SKU: A0.908653 Composed by Mark D Hettle. Arranged by Mark D Hettle. Classical. Score and parts. 10 pages. Goomba Publishing Company (GPC) #3243743. Published by Goomba Publishing Company (GPC) (A0.908653). I wrote this composition with the early intermediate string orchestra in mind. With few exceptions, I doubled the 2nd violin with the viola, and the cello with the bass while still retaining a full sound. The reason for the doubling is to accommodate string orchestras that might not have complete instrumentation. I hope you and your orchestra enjoy rehearsing and performing my composition. Thank you!Mark D Hettle
$12.00
11.09 €
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Orchestre à Cordes
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Mark D Hettle
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Mark D Hettle
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Soliloquy
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Goomba Publishing Company
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SheetMusicPlus
Spanish Strings for Elementary String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.908699 Composed by Mark D Het…
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String Orchestra - Level 1 - Digital Download SKU: A0.908699 Composed by Mark D Hettle. Contemporary. Score and parts. 11 pages. Goomba Publishing Company (GPC) #6604517. Published by Goomba Publishing Company (GPC) (A0.908699). Written for Elementary String Orchestra. Spanish Strings has a decided Spanish flavor, both in melody and chord progression. Written in 1st position only with the 2nd violin doubled in the viola, and the cello doubled in the bass. The reason for the doubling is to accommodate ensembles with incomplete instrumentation. Thank you!
$15.00
13.86 €
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Orchestre à Cordes
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Mark D Hettle
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Spanish Strings for Elementary String Orchestra
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Goomba Publishing Company
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SheetMusicPlus
Warm-up Chorale #2 For Elementary String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.908656 Composed by Mark D Het…
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String Orchestra - Level 1 - Digital Download SKU: A0.908656 Composed by Mark D Hettle. Instructional. Score and parts. 9 pages. Goomba Publishing Company (GPC) #3366217. Published by Goomba Publishing Company (GPC) (A0.908656). I wrote this easy warm-up chorale for a elementary string orchestra. I arranged it in three-part harmony in 1st position only. I doubled the 2nd violin with the viola, and the cello with the bass. The reason for the doubling is to accommodate elementary string orchestras that might not have complete instrumentation. I hope you and your orchestra enjoy rehearsing and performing my composition. Thank you! -Mark D Hettle
$10.00
9.24 €
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Orchestre à Cordes
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Mark D Hettle
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Warm-up Chorale #2 For Elementary String Orchestra
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Goomba Publishing Company
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SheetMusicPlus
Vanished for EWI and String Orchestra: Alfred Surenyan
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1257370 Composed by Alfred Su…
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String Orchestra - Level 3 - Digital Download SKU: A0.1257370 Composed by Alfred Surenyan. Classical,Contemporary. Score and Parts. 26 pages. Avid Reeder Music #850459. Published by Avid Reeder Music (A0.1257370). Vanished is a topic about how people you love disappearor ghost. Sometimes they say goodbye and for no reason andother times they just never contact you again. No explanation.The mood and themes of this piece is the sadness that this actionbrings to the individual feeling alone, depressed and not knowingif they did something wrong or if they could have done something better.
$84.99
78.52 €
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Orchestre à Cordes
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Alfred Surenyan
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Vanished for EWI and String Orchestra: Alfred Surenyan
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Avid Reeder Music
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SheetMusicPlus
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
26.79 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Upstream Music
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SheetMusicPlus
Sarabande from Masque
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.647656 Composed by Handel, G.…
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String Orchestra - Level 3 - Digital Download SKU: A0.647656 Composed by Handel, G. F. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and parts. 8 pages. Theupperstaff #2329257. Published by theupperstaff (A0.647656). This dance from the opera is a marvelous piece for tone production, phrasing and ensemble playing. I have listed it as intermediate for these reasons. This is not a technically demanding piece but, depending on your pacing of the Adagio marking, can be a real compliment to any program. Thanks for looking and listening.
$4.99
4.61 €
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Orchestre à Cordes
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Handel, G
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Nick Lacanski
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Sarabande from Masque
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theupperstaff
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.98 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1 for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
91.32 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 168 pages. Jmsgu3 #887931. Published by jmsgu3 (A0.1298030). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$116.85
107.95 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias Complete for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1296237 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886480. Published by jmsgu3 (A0.1296237). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
30.44 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 6 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298000 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 23 pages. Jmsgu3 #887905. Published by jmsgu3 (A0.1298000). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.98 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6 for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 4 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1297521 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 40 pages. Jmsgu3 #887564. Published by jmsgu3 (A0.1297521). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.98 €
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Orchestre à Cordes
#
Jan Pieterszoon Sweelinck
#
James M
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Sweelinck: Echo Fantasia No. 4 for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 5 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.98 €
#
Orchestre à Cordes
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5 for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
30.44 €
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Orchestre à Cordes
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
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