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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Return
Non classifié
632
Piano & claviers
Piano seul
871
Piano, Voix
200
Piano, Voix et Guitare
130
Piano Facile
106
Orgue
50
Instruments en Do
35
Piano grosses notes
31
Accompagnement Piano
24
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
9
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
2 Accordéons
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 14 instrumentations
Retracter
Guitares
Guitare
52
Ukulele
34
Guitare notes et tablatures
28
Ligne De Mélodie, (Paroles) et Accords
28
Paroles et Accords
11
Dulcimer
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
Guitare (partie séparée)
1
Piano, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
452
Chorale 3 parties
99
Chorale TTBB
67
Chorale 2 parties
48
Chorale Unison
42
Pack Instrumental pour Chorale
24
Chorale SSAA
20
Voix duo, Piano
8
Voix haute
7
Voix seule
6
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Voix Alto, Piano
1
Chorale
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix duo
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
61
Quatuor de Saxophones: 4 saxophones
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Saxophone Alto et Piano
36
Clarinette
31
Clarinette (partie séparée)
30
Hautbois, Piano (duo)
30
Flûte, Hautbois, Clarinette, Basson
29
2 Saxophones (duo)
28
Flûte traversière
28
Clarinette et Piano
28
2 Flûtes traversières (duo)
27
2 Clarinettes (duo)
26
Saxophone (partie séparée)
24
Ensemble de Flûtes
23
Saxophone Alto
18
Saxophone Soprano et Piano
17
Saxophone Tenor et Piano
15
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Baryton, Piano
14
Hautbois (partie séparée)
14
Saxophone Tenor
14
Flute (partie séparée)
13
Ensemble de Clarinettes
13
Flûte, Clarinette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
3 Clarinettes (trio)
10
Saxophone, Clarinette (duo)
9
Clarinette Basse, Piano
9
Trio de Flûtes: 3 flûtes
9
Clarinette, Trompette (duo)
8
Clarinette, Violon (duo)
8
Cor anglais, Piano
8
Quintette de Clarinettes: 5 clarinettes
6
Flûte et Guitare
6
Hautbois, Basson (duo)
6
Hautbois
6
Hautbois, Clarinette (duo)
5
Quintette de Saxophone: 5 saxophones
5
Clarinette, Guitare (duo)
5
Hautbois, Flûte
5
Flûte, Trompette (duo)
4
Flûte, Alto (duo)
4
Ensemble de saxophones
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
2 Hautbois (duo)
4
Ocarina
4
Flûte, Violon, Piano
3
Flûte, Clarinette et Basson
3
2 Flûte à bec (duo)
3
Flûte, Hautbois (duo)
2
Flûte, Violon
2
Flûte à bec Soprano
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Guitare
2
Cor anglais, Guitare (duo)
2
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Hautbois, violon (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
Cornemuse
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Saxophone et Harpe
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
3 Saxophones (trio)
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Harpe
1
Flûte à bec Alto, Piano
1
Saxophone Soprano
1
Piccolo
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Basse continue
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone (partie séparée)
30
Trompette
26
Trompette, Piano
23
Trombone et Piano
23
Cor et Piano
20
Trompette (partie séparée)
20
Cor
18
Cor (partie séparée)
17
Trombone
17
2 Trompettes (duo)
14
Tuba et Piano
12
Quatuor de Cuivres
11
Euphonium, Piano (duo)
10
2 Trombones (duo)
10
Tuba (partie séparée)
9
Cor anglais, Piano
8
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 cors
4
Trombone, Orgue
2
Ensemble de Cors
2
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Guitare (duo)
2
Trompette, Orchestre
1
Trio de Cuivres
1
Tuba et Orgue
1
Euphonium
1
Trombone, Tuba (duo)
1
Trompette, Harpe
1
Trompette, Violoncelle et Piano
1
3 Trombones (trio)
1
2 Cors, Piano
1
Ensemble de Trompettes
1
2 Cors (duo)
1
2 Euphoniums et 2 Tubas
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
63
Violoncelle, Piano
30
Alto, Piano
29
2 Violons (duo)
24
Violon
22
Violoncelle
22
Violon (partie séparée)
20
Harpe
16
Trio à Cordes: violon, alto, violoncelle
15
Alto seul
13
Violon, Alto (duo)
12
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
12
Alto (partie séparée)
11
Contrebasse (partie séparée)
9
Violoncelle (partie séparée)
9
2 Altos (duo)
8
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
4 Violoncelles
1
Alto et Basson
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
474
Orchestre
111
Cloches
110
Orchestre à Cordes
81
Fanfare
48
Ensemble de cuivres
46
Ensemble Jazz
46
Orchestre de chambre
26
Percussion (partie séparée)
20
Ensemble de Percussions
10
Percussion
6
Timbales (partie séparée)
6
Jazz combo
5
Batterie
3
Marimba
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Orchestre, Violon
1
Piano et Orchestre
1
Quintette à Vent
1
3 Percussions
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Artistes
Formation Musicale
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Achats pour Musiciens
Partitions Numériques
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Partitions Numériques
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
The Return
Orchestre à Cordes
Partitions à imprimer
81 partitions trouvées
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1
26
51
76
Into the West (from The Lord of the Rings: The Return of the King): Score
#
Orchestre à Cordes
#
Methodes
#
Annie Lennox and Howard Shore
#
Douglas E
#
Into the West
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0003068 Score. Composed by Annie Lennox and Howard Shore. Arranged by Douglas E. Wagner. Instructional. Score. 1...
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String Orchestra - SKU: AX.00-PR-0003068 Score. Composed by Annie Lennox and Howard Shore. Arranged by Douglas E. Wagner. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0003068. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003068). UPC: 654979076612.From the Academy Award-winning motion picture, The Lord of the Rings: the Return of the King, this Grammy award-winning melody has become famous overnight. From the composers Fran Walsh, Howard Shore, and Annie Lennox, this emotional theme is one not to miss. (4:13).
$8.00
TCHAIKOVSKY June (The Seasons) for string orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Ian Butterworth
#
TCHAIKOVSKY June
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963770 Composed by Peter Ilyich Tchaikovsky. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 18 page...
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String Orchestra - Level 4 - SKU: A0.963770 Composed by Peter Ilyich Tchaikovsky. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 18 pages. Ian Butterworth #6447215. Published by Ian Butterworth (A0.963770). A sensitive arrangement of the sixth movement from The Seasons Op.37 originally for piano. An Andante cantabile in G minor with a faster middle section. There is a cello solo counter-melody when the main theme returns. Copying of individual parts for sole use by the purchaser is permitted.
$11.99
Hark! The Herald Angels Sing
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
C
#
Andrew R
#
Hark! The Herald Angels Sing
#
GuarrineMusic
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1205582 Composed by C. Wesley and F. Menddelsshon. Arranged by Andrew R. Guarrine. 19th Century,Christmas,Holiday,P...
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String Orchestra - Level 4 - SKU: A0.1205582 Composed by C. Wesley and F. Menddelsshon. Arranged by Andrew R. Guarrine. 19th Century,Christmas,Holiday,Praise & Worship. Score and Parts. 14 pages. GuarrineMusic #803772. Published by GuarrineMusic (A0.1205582). Challenge your more-advanced middle schoolers with this adaptation of “Hark! The Herald Angels Singâ€.  It begins as a 4 part chorale (like the original) and then the melody is played up-side down and backwards with counterpoint in the vln. 2, vla and ‘cello.  It then returns back to a chorale style in a little faster tempo to a big finish. For string orchestra, key of G, moderato tempo in 4/4 time.  Bowings are marked, fingerings used are L2, H3 and 4 in the violin. Viola uses 1/2 position, ‘cello uses H4 and 2. Bass uses 2nd finger. Contains slurs and ‘cello and bass use hooked bows.  Grade 2 (2+) approx. perf 3:30.
$19.95
On Another's Sorrow
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Nigel Pendrey
#
On Another's Sorrow
#
Nigel Pendrey
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1093732 Composed by Nigel Pendrey. 20th Century,Classical. Score and parts. 34 pages. Nigel Pendrey #697810. Publis...
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String Orchestra - Level 4 - SKU: A0.1093732 Composed by Nigel Pendrey. 20th Century,Classical. Score and parts. 34 pages. Nigel Pendrey #697810. Published by Nigel Pendrey (A0.1093732). To the memory of Robert and Robert Drever father and son lost at sea on a calm night off the island of Sanday, Orkney 31 August 1999. The two had set out to collect lobster pots that day. The first sign that things were amiss was the early return of the dog, which arrived home wet and exhausted. Despite extensive searches only the body of the son has to date been found. The boat was located and raised. The cause of the tragedy is still a mystery. The title is from a poem of William Blake.
$40.00
Largo from the New World Symphony for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Keith Terrett
#
Keith Terrett
#
Largo from the New World Symph
#
Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instruc...
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String Orchestra - Level 3 - SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 9 pages. Keith Terrett #1012118. Published by Keith Terrett (A0.1431642). Transcribed for String Orchestra the second movement of the New World Symphony is introduced by a harmonic progression of chords in the wind instruments. Beckerman interprets these chords as a musical rendition of the narrative formula Once upon a time. Then a solo cor anglais (English horn) plays the famous main theme in D-flat major accompanied by muted strings. Dvořák was said to have changed the theme from clarinet to cor anglais as it reminded him of the voice of Harry Burleigh. The movement's middle section contains a passage in C♯ minor evoking a nostalgic and desolate mood which eventually leads into a funeral march above pizzicato steps in the basses. It is followed by a quasi-scherzo that incorporates this movement's theme as well as the first movement's main and closing themes. The Largo is concluded with the soft return of the main theme and introductory chords.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.00
Odyssey to the Wayfarer (String Orchestra)
#
Orchestre à Cordes
#
FACILE
#
Janelle Zook Cunalata
#
Odyssey to the Wayfarer
#
JZC Music
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.948366 Composed by Janelle Zook Cunalata (ASCAP). Contemporary,Folk,Gospel,Instructional,Spiritual. Score and parts...
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String Orchestra - Level 2 - SKU: A0.948366 Composed by Janelle Zook Cunalata (ASCAP). Contemporary,Folk,Gospel,Instructional,Spiritual. Score and parts. 17 pages. JZC Music #3436233. Published by JZC Music (A0.948366). A groovy and dramatic section A later gives way to a heartfelt rendition of Wayfaring Stranger only to return to the A section groovier than before with hints of Wayfaring Stranger before a climactic ending. This Grade 1.5-2 piece for string orchestra will be an exciting addition to your students repertoire while also introducing them to an important American folk song originating from the early 19th century about the journey of life.Composer would be happy to be involved in the process of preparing the piece for performance.Janelle may be contacted at www.JZCmusic.com
$25.00
"Hymn to the Evening Star" from Tannhauser
#
Orchestre à Cordes
#
FACILE
#
Classique
#
Richard Wagner
#
Peter Farnbank
#
"Hymn to the Evening Star
#
Peter H Farnbank
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.878283 Composed by Richard Wagner. Arranged by Peter Farnbank. Instructional,Opera,Romantic Period. Score and parts...
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String Orchestra - Level 2 - SKU: A0.878283 Composed by Richard Wagner. Arranged by Peter Farnbank. Instructional,Opera,Romantic Period. Score and parts. 13 pages. Peter H Farnbank #1920899. Published by Peter H Farnbank (A0.878283). 2016 Arrangement New Release This arrangement of Wolfram's beautiful aria features the cello section of a string orchestra, and is particularly suitable for a school, college or returners' orchestra of post-elementary standard. It may be used to develop cantabile playing, precision of pizzicato playing at a slow tempo and generally expressive skills.
$45.00
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Over The Garden Wall
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Brandon Michael Armstrong, Jos
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Luke Papai
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Over The Garden Wall
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Luke Papai
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1415755 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and Patrick Nolen Mchale...
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String Orchestra - Level 4 - SKU: A0.1415755 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and Patrick Nolen Mchale. Arranged by Luke Papai. 21st Century,Film/TV,Folk,Halloween. 9 pages. Luke Papai #997416. Published by Luke Papai (A0.1415755). The prelude from Over the Garden Wall sets the scene for the whimsical, peaceful atmosphere of the series. Beginning with a lush introduction, the soundscape shifts to a folksy quintet before the rest of the ensemble recites the tune together. The final refrain of the melody returns to the quintet as the piece fades. This is the perfect piece for a fall orchestra concert, reminiscing in the nostalgia of simpler times. For intermediate ensembles.
$60.00
The Happy Farmer (Flexible string quartet/ensemble)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Robert Schumann
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Leonie Capararo
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The Happy Farmer
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Notewell Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.892960 Composed by Robert Schumann. Arranged by Leonie Capararo. Concert,Graduation,Romantic Period. Score and part...
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String Orchestra - Level 3 - SKU: A0.892960 Composed by Robert Schumann. Arranged by Leonie Capararo. Concert,Graduation,Romantic Period. Score and parts. 20 pages. Notewell Music #5708763. Published by Notewell Music (A0.892960). 'The Happy Farmer Returning From His Work', originally a piano solo, lends itself to this setting for a flexible string quartet. The melody is passed from voice to voice against the gentle but unrelenting syncopated harmonies in the other voices. The bonus ossia parts make this readily available to non standard string ensembles too. .
$5.00
The Enchanted Wizard: 1st Violin
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Orchestre à Cordes
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John O'Reilly
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The Enchanted Wizard: 1st Viol
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001567_VN1 1st Violin. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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String Orchestra - SKU: AX.00-PC-0001567_VN1 1st Violin. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001567_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001567_VN1). UPC: 038081331218.This mysterious and exciting wizard piece is so cool! Set in D Mixolydian mode (major scale with a flat seventh) and including an Andante and Allegro section, the contrasting harmonies and style set the mood of an enchanted forest where anything can happen. Cellos and basses get to play a question and answer section with the upper strings before returning to a tutti section that leads into the brief contrapuntal ending.Concert/Contest.
$5.99
The Enchanted Wizard: 2nd Violin
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Orchestre à Cordes
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Methodes
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John O'Reilly
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The Enchanted Wizard: 2nd Viol
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001567_VN2 2nd Violin. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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String Orchestra - SKU: AX.00-PC-0001567_VN2 2nd Violin. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001567_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001567_VN2). UPC: 038081331218.This mysterious and exciting wizard piece is so cool! Set in D Mixolydian mode (major scale with a flat seventh) and including an Andante and Allegro section, the contrasting harmonies and style set the mood of an enchanted forest where anything can happen. Cellos and basses get to play a question and answer section with the upper strings before returning to a tutti section that leads into the brief contrapuntal ending.Concert/Contest.
$5.99
The Enchanted Wizard: 3rd Violin (Viola [TC])
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Orchestre à Cordes
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Methodes
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John O'Reilly
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The Enchanted Wizard: 3rd Viol
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001567_VN3 3rd Violin (Viola [TC]). Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Dig...
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String Orchestra - SKU: AX.00-PC-0001567_VN3 3rd Violin (Viola [TC]). Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001567_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001567_VN3). UPC: 038081331218.This mysterious and exciting wizard piece is so cool! Set in D Mixolydian mode (major scale with a flat seventh) and including an Andante and Allegro section, the contrasting harmonies and style set the mood of an enchanted forest where anything can happen. Cellos and basses get to play a question and answer section with the upper strings before returning to a tutti section that leads into the brief contrapuntal ending.Concert/Contest.
$5.99
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
Paul Wehage : Concertino for alto saxophone and string orchestra: score and solo part
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Paul Wehage
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Paul Wehage : Concertino for a
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.533114 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 74 pages. Musik Fabrik Music Publi...
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String Orchestra - Level 4 - SKU: A0.533114 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 74 pages. Musik Fabrik Music Publishing #550765. Published by Musik Fabrik Music Publishing (A0.533114). The Concertino for alto saxophone and string orchestra was written for and is dedicated to saxophonist Nuno Miguel Silva. The work is in three movements. The first movement, “Introduction and Allegro†begins with an introductory passage which leads to an extended cadenza. The allegro uses a contrasting set of two themes, one of which is syncopated and dancelike, the other which is lyrical and expressive. The Aria which follows is in an ABA lied form with extended passage work for the soloist at the return of the theme. The Rondo-finale is a rollicking scherzo which is presented in a variety of forms, first in the saxophone and then in the violins, after several developmental passages and a final cadenza, returns to end the work with a final flourish. A reduction for alto saxophone is avaialble as a different item. The orchestral parts are available on rentel from the publisher.
$29.95
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Les Adieux Sonata, Das Wiedersehen ("The Return")
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven
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Joshua Choe
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Les Adieux Sonata, Das Wieders
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JMJ Arrangements
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SheetMusicPlus
String Orchestra - SKU: A0.1091015 Composed by Ludwig van Beethoven. Arranged by Joshua Choe. Classical. Score and parts. 46 pages. JMJ Arrangements #69...
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String Orchestra - SKU: A0.1091015 Composed by Ludwig van Beethoven. Arranged by Joshua Choe. Classical. Score and parts. 46 pages. JMJ Arrangements #695165. Published by JMJ Arrangements (A0.1091015).
$29.99
Restless Waters
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Orchestre à Cordes
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Contemporain
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Andrew Tilles
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Restless Waters
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Andrew Tilles
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SheetMusicPlus
String Orchestra - SKU: A0.1031265 Composed by Andrew Tilles. Contemporary. Score and parts. 20 pages. Andrew Tilles #3068659. Published by Andrew Tille...
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String Orchestra - SKU: A0.1031265 Composed by Andrew Tilles. Contemporary. Score and parts. 20 pages. Andrew Tilles #3068659. Published by Andrew Tilles (A0.1031265). Restless Waters is an energetic piece for intermediate string orchestra. A catchy D minor melody inspired by sea shanties makes up the main theme. A slower cantabile section in D major represents the short-lived eye of the storm. This is followed by the return of the main theme, which gets passed around the orchestra to an exciting ending. Every section has an interesting and important part. There isn't a dull moment in Restless Waters. Restless Waters is a great introduction to 3rd position for your 1st violin section. Where 3rd position is used for 1st violins and cellos, there are optional notes written in for differentiated instruction.
$29.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
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The Return