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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Sea II
Non classifié
142
Piano & claviers
Piano seul
68
Piano Facile
15
Orgue
12
Piano, Voix et Guitare
11
Instruments en Do
11
Piano, Voix
4
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
2 Guitares (duo)
4
Ligne De Mélodie, (Paroles) et Accords
2
Guitare
2
Ukulele
2
Guitare notes et tablatures
1
Basse electrique
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
34
Chorale 3 parties
18
Chorale TTBB
7
Chorale 2 parties
6
Chorale SSAA
3
Pack Instrumental pour Chorale
2
Voix Mezzo-Soprano, Piano
2
Chorale Unison
2
Voix Alto, Piano
1
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
16
2 Clarinettes (duo)
10
2 Flûtes traversières (duo)
8
Clarinette
7
Quintette de Saxophone: 5 saxophones
6
Saxophone Tenor et Piano
6
Clarinette et Piano
6
Saxophone Alto et Piano
5
Quatuor de Saxophones: 4 saxophones
5
Flûte traversière
5
2 Saxophones (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Hautbois (duo)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Clarinette, Basson
3
2 Flûtes traversières, Piano
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
Hautbois, Piano (duo)
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Orgue
1
Saxophone Alto
1
Flûte, Violoncelle, Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor
1
Flûte et Guitare
1
3 Saxophones (trio)
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
+ 28 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
2 Trombones (duo)
5
Trompette, Piano
5
Ensemble de Trompettes
4
2 Cors (duo)
4
2 Trompettes (duo)
3
Trombone et Piano
2
Cor et Piano
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
1
Trompette
1
Trio de Cuivres
1
2 Tubas (duo)
1
Cor anglais, Piano
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon et Piano
20
Violon
14
Trio à Cordes: violon, alto, violoncelle
13
2 Harpes (duo)
10
2 Violoncelles (duo)
8
Alto, Piano
8
Violoncelle, Piano
8
2 Violons (duo)
8
Violon, Violoncelle (duo)
4
Violon, Guitare (duo)
3
Violoncelle
3
Contre Basse
2
2 Altos (duo)
2
Harpe, Violon, Violoncelle
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
Alto seul
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
31
Orchestre
29
Orchestre de chambre
11
Orchestre d'harmonie
10
Fanfare
3
Ensemble de cuivres
2
Ensemble Jazz
1
Cloches
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
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Partitions Numériques
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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avec audio
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Vous avez sélectionné:
The Sea II
Orchestre à Cordes
Partitions à imprimer
31 partitions trouvées
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1
26
Sealand (Prinipality of) National Anthem for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Sealand
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Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1489823 By Keith Terrett. By Basil Simonenko. Arranged by Keith Terrett. 20th Century,Classical,Contemporary,Contes...
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String Orchestra - Level 3 - SKU: A0.1489823 By Keith Terrett. By Basil Simonenko. Arranged by Keith Terrett. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. 12 pages. Keith Terrett #1066696. Published by Keith Terrett (A0.1489823). In 1942, during World War II, the British government set up a small base in the North Sea just outside British territorial waters (at the time). After the war, the fort was abandoned, but, in 1967, Roy Bates, a pirate radio broadcaster, claimed it as the Principality of Sealand. The British government’s stated view is that Sealand is within British jurisdiction. Sealand generally is classified as a micronation (a nation project set up by an individual or group, and has no international recognition.)As pertaining to the anthem, it was composed by London composer Basil Simonenko in conjunction with the governing Bates family, and has no words. The title of the anthem is also the motto of Sealand.Principality of Sealand: The Principality of Sealand (/ˈsiːˌlænd/) is a micronation that claims HM Fort Roughs (also known as Roughs Tower), an offshore platform in the North Sea approximately 12 kilometres (7.5 mi) off the coast of Suffolk, as its territory. Roughs Tower is a Maunsell Sea Fort that was built by the British during World War II. Since 1967, the decommissioned Roughs Tower has been occupied and claimed as a sovereign state by the family and associates of Paddy Roy Bates. Bates seized Roughs Tower from a group of pirate radio broadcasters in 1967 with the intention of setting up his own station there. Sealand was invaded by mercenaries in 1978, but was able to repel the attack. YouTube Link https://www.youtube.com/watch?v=EPicttbeI_c.
$8.99
Blow the Wind Southerly (for String Orchestra)
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Orchestre à Cordes
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Folklorique/Traditionel
#
Traditional British
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Joel Jacklich (ASCAP)
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Blow the Wind Southerly
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Joel Jacklich
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SheetMusicPlus
String Orchestra - SKU: A0.723023 Composed by Traditional British. Arranged by Joel Jacklich (ASCAP). Folk. Score and parts. 6 pages. Joel Jacklich #200...
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String Orchestra - SKU: A0.723023 Composed by Traditional British. Arranged by Joel Jacklich (ASCAP). Folk. Score and parts. 6 pages. Joel Jacklich #2002921. Published by Joel Jacklich (A0.723023). This traditional British song of the sea is sung, in this case, not sung by the sailors, but by their true loves left at home wishing the wind to bring their sailors safely back home. In this arrangement, the melody is shared between first violin and cello. In the second half of the accompaniment, arpeggios in the upper strings suggest the swell of the ocean waves. This work is suitable for junior high school string orchestras. Purchase includes a Full Score and Parts: 8 Violin I, 8 Violin II, 5 Viola, 5 Violoncello, and 3 Contrabass.
$30.00
THE EMPEROR'S HYMN
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Orchestre à Cordes
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FACILE
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Classique
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Franz Joseph Haydn
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Vincent Vitale
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THE EMPEROR'S HYMN
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Vincent Vitale
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.835552 Composed by Franz Joseph Haydn. Arranged by Vincent Vitale. Classical. Score and parts. 10 pages. Vincent Vi...
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String Orchestra - Level 2 - SKU: A0.835552 Composed by Franz Joseph Haydn. Arranged by Vincent Vitale. Classical. Score and parts. 10 pages. Vincent Vitale #3547845. Published by Vincent Vitale (A0.835552). THE EMPEROR’S HYMN by Joseph Haydn is one of the most famous played pieces in music and was written in honor of the Emperor Francis II, Emperor of the Holy Roman Empire and later of the Austrian Empire. This tune has since been widely employed in other contexts: in works of classical music, in Christian hymns, in alma maters, and as the tune for the national anthem of Germany Although playable and enjoyed on all levels it is written for young string players on the easy intermediate level and is scored in 3 part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this concept will make your group sound fuller and give your players more confidence. Includes full score and parts for Violin 1, Violin 2, Viola, Cello and String Bass. It is written in D Major and modulates to G Major. I hope you and your students enjoy performing this piece. If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$15.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
GALAXIAS II (early intermediate)
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Orchestre à Cordes
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FACILE
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Contemporain
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Vincent Vitale
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GALAXIAS II
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Vincent Vitale
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.835602 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #6533025. Published by V...
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String Orchestra - Level 2 - SKU: A0.835602 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #6533025. Published by Vincent Vitale (A0.835602). GALAXIAS II is the sequel to Galaxias but on the next step up. This composition is written in three part harmony for beginning intermediate students mostly because of the accidentals. If you are looking for something totally different and completely out of the ordinary to perform at your next concert you found it. This intense, three minute composition will certainly get the attention of your audience. Full score and parts are included.  I do hope you, your students and audience enjoy this piece. If this composition appeals to you please review others in this series by typing VINCENT VITALE in the search bar. I wish you and your students much musical success. As always I thank you very much for your loyalty and consideration…..Copyright 2021.
$16.00
Fury of the Strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Steven Shade
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Fury of the Strings
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Steve Shade
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1343394 Composed by Steven Shade. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 18 pages. Ste...
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String Orchestra - Level 3 - SKU: A0.1343394 Composed by Steven Shade. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 18 pages. Steve Shade #928920. Published by Steve Shade (A0.1343394). Fury of the Strings is a dynamic and intense composition for string orchestra that takes its listeners on a thrilling journey. The piece is characterized by its rapid tempo, vibrant energy, and a palpable sense of tension that permeates throughout. The relentless pace creates a sense of urgency, building anticipation and excitement. From frenetic and agitated sections that propel the music forward, to moments of dark and brooding intensity, Fury of the Strings weaves a dramatic tapestry that keeps the audience on the edge of their seats.The use of dynamics, articulation, and rhythmic precision contributes to the overall intensity of the piece. Fury of the Strings is a captivating composition that showcases the expressive capabilities of the string orchestra, delivering a high-energy and emotionally charged musical experience.This piece features lowered and high fingers in the violin and viola parts, as well as second and lowered first finger in the cello and bass part. Includes conductors score and parts (Violin I, Violin II, Viola, Cello, Bass.) All parts have been edited. Performance time of about 2 minutes.
$39.95
The Wellerman (TikTok Shanty)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Nathan Evans
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Tom Rundle-Wood
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The Wellerman
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SheetMusicPlus
String Ensemble (10 Piece - Vln I x2, Vln II x2, Vla I, Vla II, VC I, VC II, Bass) - Intermediate - Digital Download By Nathan Evans. Arranged by Tom...
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String Ensemble (10 Piece - Vln I x2, Vln II x2, Vla I, Vla II, VC I, VC II, Bass) - Intermediate - Digital Download By Nathan Evans. Arranged by Tom Rundle-Wood. Score, Set of Parts. 21 pages. Published by Tom Rundle-Wood
The traditional sea shanty that is taking the world by storm... (no pun intended...)
The Wellerman has been covered by everybody from solo singers, to nuns, to musicians, to that old chap whistling it at the end of the bar... so why not include your string ensemble in that group.
Violin I, Violin II, Viola I, Viola II, 'Cello I, Cello II, Bass (with a drunken Bass solo too!)
Enjoy it! Cheers.
$24.99
The Best of the Seasons, Extra Parts
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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The Best of the Seasons, Extra
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String Play for All
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.859947 Composed by Antonio Vivaldi. Arranged by Steven Kruse & Penny Thompson Kruse. Baroque,World. Score and parts...
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String Orchestra - Level 3 - SKU: A0.859947 Composed by Antonio Vivaldi. Arranged by Steven Kruse & Penny Thompson Kruse. Baroque,World. Score and parts. 218 pages. String Play for All #4849337. Published by String Play for All (A0.859947). Extra parts for the Best of the Seasons:6 Advanced Violin6 Violin I6 Violin II6 Violin Book 14 Violin III (Treble Violin)6 Twinkle Violin4 Viola4 Twinkle Viola4 Cello4 Twinkle Cello4 Double Bass
$4.99
TWAS IN THE MOON OF WINTERTIME FOR STRING ORCHESTRA
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Orchestre à Cordes
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INTERMÉDIAIRE
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Noël
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Garth M
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Garth M
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TWAS IN THE MOON OF WINTERTIME
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Garth M. Williams
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1503587 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Advent,Christian...
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String Orchestra - Level 3 - SKU: A0.1503587 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Advent,Christian,Christmas,Contest,Festival. 31 pages. Garth M. Williams (Socan) #1079048. Published by Garth M. Williams (Socan) (A0.1503587). The original melody was written for keyboard but this new arrangement is written for string orchestra. The arrangerhas included a Violin III part for any young violinists who are not, as yet, prepared to handle Violin II. This is a superbarrangment for the Christmas season.
$45.00
Strings & Threads Suite (string parts - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O'Connor Musik International #6202135. Published by Mark O'Connor Musik International (A0.861802). Strings & Threads Suite (string parts - for violin and string orchestra) MO134C-GString Parts - vlns, vla, cel, bs (violin and string parts available)Music by Mark O’Connor69 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134C-GCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$45.00
Strings & Threads Suite (score - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik International #6202123. Published by Mark O'Connor Musik International (A0.861800). Strings & Threads Suite (score - for violin and string orchestra) MO134AScore (violin and string parts available)Music by Mark O’Connor43 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134ACopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
Strings & Threads Suite (violin solo part - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik International #6202131. Published by Mark O'Connor Musik International (A0.861801). Strings & Threads Suite (violin solo part - for violin and string orchestra) MO134BViolin Solo Part (score and string parts available)Music by Mark O’Connor16 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134BCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
SARABANDE (easy)
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Orchestre à Cordes
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DÉBUTANT
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Classique
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George Frideric Handel
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Vincent Vitale
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SARABANDE
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835585 Composed by George Frideric Handel. Arranged by Vincent Vitale. Baroque. Score and parts. 9 pages. Vincent V...
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String Orchestra - Level 1 - SKU: A0.835585 Composed by George Frideric Handel. Arranged by Vincent Vitale. Baroque. Score and parts. 9 pages. Vincent Vitale #6082713. Published by Vincent Vitale (A0.835585). SARABANDE was a type of dance popular in Baroque music during the 17th and 18th century. It was composed by George Frideric Handel between 1703 and 1706, well before his famous 'The Messiah'. This well known movement is presented here which aims to introduce Baroque music to young musicians on their level. Written for elementary in three part harmony where Violin II and Viola are doubled as are Cello and String Bass so if your group is lacking instrumentation this will certainly be an advantage. All instruments are also playing in First Position. If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. I trust you and your students enjoy performing this piece and as always your reviews and feedback on SMP are greatly appreciated. I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020...
$12.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
La musica notturna di Madrid - Minuetto (Tanz der Blinden) & Allegro Vivo (Passacalle) for string o
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Orchestre à Cordes
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INTERMÉDIAIRE
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Luigi Boccherini
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Sherry Lewis
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II, viola, cello I &
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La musica notturna di Madrid -
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521471 Composed by Luigi Boccherini. Arranged by Sherry Lewis. Classical,Concert,Holiday,Wedding. Score and parts. ...
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String Orchestra - Level 3 - SKU: A0.521471 Composed by Luigi Boccherini. Arranged by Sherry Lewis. Classical,Concert,Holiday,Wedding. Score and parts. 23 pages. Sherry Lewis Publishing #6100099. Published by Sherry Lewis Publishing (A0.521471). LA MUSICA NOTTURNA DI MADRID String Orchestra of violin I & II, viola, cello I & cello II/string bass Score: 8 pages parts: 9 pages time: 3'30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$10.99
OLD-TIME WALTZ (very easy)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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OLD-TIME WALTZ
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835589 Composed by Vincent Vitale. Contemporary. Score and parts. 16 pages. Vincent Vitale #6109175. Published by V...
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String Orchestra - Level 1 - SKU: A0.835589 Composed by Vincent Vitale. Contemporary. Score and parts. 16 pages. Vincent Vitale #6109175. Published by Vincent Vitale (A0.835589). OLD-TIME WALTZ  Get your beginning students ready for their first concert with this easy to play waltz. Arranged in three part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this type of scoring will make your group sound fuller and give your players more confidence. Notation is oversized for ease of reading and all notes are in First Position. Comes with full score and parts for Violin I, Violin II, Viola, Cello and String Bass. If this composition appeals to you please review others in this series by typing VINCENT VITALE in the search bar. I wish you and your students much musical success and. hope you have fun performing this piece. As always I thank you very much for your consideration. …Copyright 2020.
$12.00
CERIMONIA
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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CERIMONIA
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835584 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #6078809. Published by V...
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String Orchestra - Level 1 - SKU: A0.835584 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #6078809. Published by Vincent Vitale (A0.835584). CERIMONIA or ceremony in Italian is an easy to play composition written with the young musician in mind. It is arranged in three part harmony and all instruments are in First Position. Violin II and Viola are doubled as are Cello and String Bass so if your group is lacking instrumentation this will certainly be an advantage. Comes with full score and parts for Violin I, Violin II, Viola, Cello and String Bass. If this composition appeals to you please review others in this string series by typing VINCENT VITALE in the search bar. Thank you and I wish you and your students much musical success. …Copyright 2020...
$18.00
MINUET IN A MAJOR
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Orchestre à Cordes
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DÉBUTANT
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Classique
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Vincent Vitale
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MINUET IN A MAJOR
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835554 Composed by Vincent Vitale. Classical. Score and parts. 10 pages. Vincent Vitale #4319213. Published by Vinc...
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String Orchestra - Level 1 - SKU: A0.835554 Composed by Vincent Vitale. Classical. Score and parts. 10 pages. Vincent Vitale #4319213. Published by Vincent Vitale (A0.835554). MINUET IN A MAJOR is an easy to play composition written with the young musician in mind. It is arranged in three part harmony and all instruments are in First Position. Violin II and Viola are doubled as are Cello and String Bass so if your group is lacking instrumentation this will certainly be an advantage. Comes with full score and parts for Violin I, Violin II, Viola, Cello and String Bass. If this composition appeals to you please review others in this series by typing VINCENT VITALE in the search bar. Thank you and I wish you and your students much musical
$12.00
IL VALZER ITALIANO
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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IL VALZER ITALIANO
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835556 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #4347429. Published by V...
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String Orchestra - Level 1 - SKU: A0.835556 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #4347429. Published by Vincent Vitale (A0.835556). IL VALZER ITALIANO was originally published as Waltz For Two Trumpets. It has been revised for young string musicians and is written in three part harmony. Violin II and Viola are doubled as are Cello and String Bass so if your group is lacking instrumentation this will certainly be an advantage. Comes with full score and parts for Violin I, Violin II, Viola, Cello and String Bass. If this composition appeals to you please review others in this string series by typing VINCENT VITALE in the search bar. Thank you and I wish you and your students continued musical success.
$12.00
RONDO FOR YOUNG STRINGS
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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RONDO FOR YOUNG STRINGS
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835557 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #4411913. Published by V...
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String Orchestra - Level 1 - SKU: A0.835557 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #4411913. Published by Vincent Vitale (A0.835557). RONDO FOR YOUNG STRINGS  As a retired public school instrumental teacher I composed this easy piece with young musicians in mind. All parts are in 1st Position and the composition is in three part harmony with the 2nd Violin and Viola doubled and the Cello and Contrabass doubled. This is an advantage if your group is unfortunate enough to be lacking instrumentation. To add interest it starts in G Major, goes to D Major and ends in C Major. Comes with full score and parts for Violin I, Violin II, Viola, Cello and Contrabass. If this composition appeals to you please review others in this series by typing VINCENT VITALE in the search bar. Thank you and as always I wish you and your students much musical success.
$15.00
DORIAN WALTZ (easy)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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DORIAN WALTZ
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835583 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #6078795. Published by V...
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String Orchestra - Level 1 - SKU: A0.835583 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #6078795. Published by Vincent Vitale (A0.835583). DORIAN WALTZ is written in the Dorian mode, first of the eight medieval church modes, and is an easy to play composition with all instruments in First Position. It is arranged in three part harmony where Violin II and Viola are doubled as are Cello and String Bass. So if your group is lacking instrumentation this will certainly be an advantage. If you are looking for that different sounding composition to perform for your next concert you found it with Dorian Waltz. If this composition appeals to you please review others in this string series by typing VINCENT VITALE in the search bar. Thank you and I wish you and your students much musical success. …Copyright 2020...
$12.00
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