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9247
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2712
Piano, Voix et Guitare
1040
Piano, Voix
736
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542
Orgue
346
Piano grosses notes
293
1 Piano, 4 mains
262
Accordéon
186
Accompagnement Piano
180
Piano Trio: piano, violon, violoncelle
72
2 Pianos, 4 mains
41
Piano (partie séparée)
40
Ligne De Mélodie, Piano
18
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
17
Clavecin
16
Orgue, Trompette (duo)
14
Clavier
7
1 Piano, 6 mains
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Accordéon, Piano
4
2 Pianos, 8 mains
4
Accordéon, Voix
4
Instrument seul et Orgue
3
Ensemble d'Accordéons
2
Orgue, Piano (duo)
2
2 Accordéons
2
Accordéon, Corde(s)
1
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GUITARES
Guitare notes et tablatures
1060
Ligne De Mélodie, (Paroles) et Accords
618
Guitare
473
Ukulele
166
Mandoline
111
Paroles et Accords
98
Basse electrique
76
Piano, Guitare (duo)
66
2 Guitares (duo)
42
Basse électrique (partie séparée)
35
Guitare (partie séparée)
35
Ensemble de guitares
27
4 Guitares (Quatuor)
24
Dulcimer
20
Partitions De Groupes
14
Ensemble de Ukulélés
11
3 Guitares (trio)
11
Banjo
6
Mandoline, Guitare (duo)
2
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
1
Guitare, Orchestre
1
Guitare, Quatuor à cordes
1
Bouzouki
1
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VOIX
Chorale SATB
968
Chorale 3 parties
344
Chorale 2 parties
251
Chorale TTBB
164
Chorale Unison
139
Chorale SSAA
95
Voix duo, Piano
62
Chorale
42
Voix duo
23
Voix seule
13
Voix Alto, Piano
9
Voix haute
8
Voix Soprano, Piano
8
Voix moyenne, Piano
6
Chorale SSAATTBB
6
Voix Mezzo-Soprano, Piano
3
Voix Tenor
2
Voix basse
2
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
1
Chorale SSATB
1
Chorale SSATTB
1
Male Voice
1
Chorale, Orgue
1
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VENTS
Saxophone (partie séparée)
678
Flûte traversière
668
Clarinette
586
Flûte traversière et Piano
570
Quatuor de Saxophones: 4 saxophones
501
Clarinette (partie séparée)
490
2 Saxophones (duo)
467
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
462
Clarinette et Piano
394
Saxophone Alto
337
Hautbois, Piano (duo)
325
Flûte, Hautbois, Clarinette, Basson
298
2 Clarinettes (duo)
294
Saxophone
292
2 Flûtes traversières (duo)
290
Quatuor de Clarinettes: 4 clarinettes
283
Saxophone Alto et Piano
267
Saxophone Tenor
263
Quintette de Saxophone: 5 saxophones
242
Saxophone Tenor et Piano
195
Hautbois (partie séparée)
173
Flute (partie séparée)
171
Saxophone, Clarinette (duo)
128
Saxophone Soprano et Piano
124
Quatuor de Flûtes : 4 flûtes
111
Flûte, Clarinette (duo)
110
2 Hautbois (duo)
104
3 Saxophones (trio)
104
Ensemble de saxophones
100
Ensemble de Flûtes
96
Flûte et Guitare
94
Ensemble de Clarinettes
92
Clarinette, Violon (duo)
89
Saxophone Baryton, Piano
85
Hautbois
82
Flûte à bec Soprano
79
3 Clarinettes (trio)
77
Hautbois, Basson (duo)
75
2 Flûte à bec (duo)
71
Clarinette, Trompette (duo)
70
Hautbois, Clarinette (duo)
69
Flûte à bec Alto
59
Flûte, Violon
56
Trio de Flûtes: 3 flûtes
55
Quintette de Clarinettes: 5 clarinettes
54
Hautbois, Flûte
53
Harmonica
51
Flûte à Bec
51
Clarinette Basse, Piano
49
Flûte, Saxophone (duo)
44
Flûte, Trompette (duo)
43
Flûte, Alto (duo)
43
Clarinette et Alto
41
Cor anglais, Piano
38
Clarinette, Basson (duo)
29
Quintette de Flûte : 5 flûtes
28
Flûte, Hautbois (duo)
27
Saxophone Soprano
24
Quatuor de Flûtes à bec
20
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20
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19
Clarinette, Violoncelle (duo)
17
Hautbois, Guitare (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
17
Flûte, Hautbois, Basson
15
5 Flûtes à bec
13
Saxophone Baryton
13
Clarinette, Trombone (duo)
13
Flûte, Hautbois, Clarinette (trio)
12
Clarinette Basse
12
Hautbois, Violoncelle
11
Clarinette, Guitare (duo)
11
Piccolo
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Piccolo, Piano
10
Hautbois, violon (duo)
9
2 Saxophones, Piano
9
Flûte, Clarinette, Piano (trio)
9
Saxophone, Violon (duo)
8
2 Clarinettes, Piano
8
Flûte, Violoncelle, Piano (trio)
8
Flûte, Basson et Piano
7
Cor Anglais
7
Flûte traversière, Orgue (duo)
6
Saxophone et Guitare
6
Ensemble De Flûte à bec
5
3 Hautbois
5
Flûte à bec Soprano, Piano
5
Flûte à bec Alto, Piano
5
Flûte, Violon, Violoncelle et Piano
4
Saxophone et Orgue
4
3 Flûtes à bec (trio)
4
Ocarina
4
Flûte, Violon et Violoncelle
4
Flûte, Alto et Piano
4
2 Flûtes traversières, Piano
4
Ensemble à vent
3
Flûte à bec Tenor
3
Flûte, Trombone (duo)
3
4 Hautbois
3
Flûte, Violon, Piano
3
Saxophone, Basson (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Cor anglais, Guitare (duo)
3
Flûte à Bec, Piano
2
2 Clarinettes, Basson
2
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2
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2
Flute, harpe et violon
2
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Clarinette, trompette et piano
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Basson, Piano (trio)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Orgue
2
Hautbois et alto (duo)
2
Flûte, Hautbois, Violon
1
Flûte, Harpe et Violoncelle
1
Flûte à bec, Guitare (duo)
1
2 Hautbois, Piano
1
Hautbois, Violoncelle et Piano
1
2 Harmonicas
1
Hautbois, trombone (duo)
1
Melodica
1
Ensemble de Hautbois
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Tuba (duo)
1
Clarinette, Tuba
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
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CUIVRES
Trompette (partie séparée)
487
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
473
Trombone (partie séparée)
456
Trompette
433
Trompette, Piano
304
Trombone
304
Trombone et Piano
262
Cor (partie séparée)
258
Cor
250
Cor et Piano
204
Quatuor de Cuivres : 2 trompettes, trombone, tuba
200
Tuba (partie séparée)
160
2 Trompettes (duo)
156
Quatuor de Cuivres
135
2 Trombones (duo)
126
Tuba et Piano
115
Tuba
112
Trompette, Saxophone (duo)
97
Trompette, Trombone (duo)
77
2 Cors (duo)
65
Quatuor de Cuivres: 2 trompettes, Cor, trombone
61
Euphonium, Piano (duo)
60
Quatuor de cuivres: 4 cors
40
Ensemble de Trombones
39
Euphonium
38
Cor anglais, Piano
38
Quatuor de cuivres: 4 trombones
37
2 Euphoniums et 2 Tubas
28
Ensemble de Cors
27
2 Tubas (duo)
25
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23
Bass Clef Instruments
21
Quatuor de cuivres: 4 trompettes
20
Ensemble de Trompettes
20
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18
4 Tubas
17
Tuba et Orgue
16
Trio de Cuivres
14
3 Trombones (trio)
13
Tuba ou Euphonium ou Saxhorn
13
2 Euphoniums (duo)
10
Cor, Violoncelle (duo)
10
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10
Trompette, Basson (duo)
10
3 Trompettes (trio)
10
Trompette, violon (duo)
8
Trombone basse
8
Trombone basse et Piano
7
Cor Anglais
7
Trombone, Cor (duo)
7
Trombone, Tuba (duo)
6
Trompette, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trompette, Violoncelle (duo)
5
3 Cors (trio)
4
Cor et Basson (duo)
4
Euphonium, Tuba (duo)
4
Cor, Tuba (duo)
3
Cornet et Piano
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Cornet A Pistons
3
Clarinette, Cor (duo)
3
Trombone, Violon (duo)
3
Cor anglais, Guitare (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Orchestre
2
3 Tubas (trio)
2
Trompette, Euphonium (duo)
1
Cor, Orchestre
1
Trombone, Orgue
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2 Cors, Piano
1
Trompette, Violoncelle et Piano
1
Ensemble de Tubas
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Bugle
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
Cor et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1297
Violon
753
Violon et Piano
602
Violoncelle, Piano
421
Violoncelle
409
Violon (partie séparée)
395
Alto seul
337
Alto, Piano
284
2 Violons (duo)
261
Violon, Violoncelle (duo)
254
Quintette à cordes: 2 violons, alto, violoncelle, basse
181
2 Violoncelles (duo)
175
Contrebasse (partie séparée)
161
Harpe
154
Trio à Cordes: violon, alto, violoncelle
153
2 Altos (duo)
130
Violon, Alto (duo)
114
Alto (partie séparée)
107
Violoncelle (partie séparée)
106
Contre Basse
97
Contrebasse, Piano (duo)
89
Trio à Cordes: 2 violons, violoncelle
60
Alto, Violoncelle (duo)
51
4 Violoncelles
43
Trio à Cordes: 3 violoncelles
27
Violon, Guitare (duo)
26
Piano Trio: Violon, Alto, Piano
19
Violoncelle , Guitare (duo)
18
Trio à Cordes: 2 violons, alto
18
Quatuor à cordes: 4 violons
18
2 Harpes (duo)
16
Trio à cordes: 3 altos
15
2 Contrebasses (duo)
14
Violon, Basson (duo)
14
Trio à cordes: 3 violins
12
Quatuor à cordes : 4 altos
12
Alto et Basson
12
Trio à cordes
11
Alto, Guitare (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Voix
7
Ensemble de Violons
7
Violoncelle, Contrebasse (duo)
7
Ensemble de Violoncelles
6
4 Contrebasses
5
Violon, Clarinette, Piano (trio)
5
2 Violons, Piano
5
Ensemble d'Altos
4
Harpe, Flûte (duo)
4
2 Violoncelles, Piano
4
Harpe, Violon (duo)
3
Violoncelle, Orchestre
3
Violon, Orgue
3
Violoncelle, Orgue
2
Harpe (partie séparée)
2
Alto et Harpe
1
2 Altos, Piano
1
Harpe, Violoncelle (duo)
1
Alto, Orgue
1
Violon, Violoncelle, Clarinette
1
Harpe et mandoline
1
Flûte, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3849
Orchestre
854
Orchestre à Cordes
836
Percussion (partie séparée)
347
Fanfare
340
Ensemble Jazz
289
Cloches
286
Ensemble de cuivres
272
Batterie (partie séparée)
164
Orchestre de chambre
103
Percussion
86
Jazz combo
81
Batterie
81
Ensemble de Percussions
50
Timbales (partie séparée)
48
Xylophone, Piano
21
Marimba
18
Xylophone
17
2 Xylophones
14
Timbales
12
Quintette à Vent
11
Vibraphone
11
Instrumentation Flexible
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Big band
3
Quintette de Cuivres: autres combinaisons
3
Piano et Orchestre
3
Ensemble d'École
2
Orchestre, Violon
1
Marimba ou Xylophone et Piano
1
Marimba, Piano (duo)
1
3 Marimbas
1
Xylophone ou Marimba ou Vibraphone
1
Vibraphone (partie séparée)
1
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AUTRES
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The Theme - Vibes
Orchestre à Cordes
Partitions à imprimer
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Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
(+)
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.11 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.24 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
THE GODMOTHER
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3125251. Published by Vincent Vitale (A0.835543). Being of Italian heritage I especially thought it would be fun to compose The Godmother which contains very small hints of the theme from The Godfather throughout.  See if you can pick them out. Thinking back into my past I visualized all my Italian relatives in the family and the life style we led which helped give the composition that Italian flair. I truly believe you, your students and your audience will enjoy this piece. Written for the Intermediate level the composition includes full score and parts for Violin 1, Violin 2, Viola, Cello and St. Bass. If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. Thank you very much for your consideration and I wish you and your students much musical success.
$24.00
21.65 €
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Orchestre à Cordes
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Vincent Vitale
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THE GODMOTHER
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Vincent Vitale
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SheetMusicPlus
My Heart Will Go On (love Theme From 'titanic')
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521776 By Deja Vu. Arranged b…
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String Orchestra - Level 3 - Digital Download SKU: A0.521776 By Deja Vu. Arranged by Sherry Lewis. Film/TV. Score and parts. 28 pages. Sherry Lewis Publishing #6444047. Published by Sherry Lewis Publishing (A0.521776). MY HEART WILL GO ON (from Titanic) String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 10 pages Time: 5'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.72 €
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Orchestre à Cordes
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Deja Vu
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Sherry Lewis
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My Heart Will Go On
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Sherry Lewis Publishing
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SheetMusicPlus
Beauty And The Beast
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521827 By Celine Dion & Peabo…
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String Orchestra - Level 3 - Digital Download SKU: A0.521827 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Sherry Lewis. Children,Film/TV,Wedding. Score and Parts. 12 pages. Sherry Lewis Publishing #6498395. Published by Sherry Lewis Publishing (A0.521827). BEAUTY AND THE BEAST (main theme) - also called A TALE AS OLD AS TIME String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 5 pages Time: 2'40 ABOUT THE DEMO: For the audio only I edited out 2 bars to get to the verse MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.72 €
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Orchestre à Cordes
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Celine Dion & Peabo Bryson
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Sherry Lewis
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Beauty And The Beast
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Sherry Lewis Publishing
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.01 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Song Of The Liberty Bell (score - violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.861883 Composed by Mark O'Con…
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String Orchestra - Level 4 - Digital Download SKU: A0.861883 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 17 pages. Mark O'Connor Musik International #6205793. Published by Mark O'Connor Musik International (A0.861883). Song Of The Liberty Bell (score – violin and string orchestra) MO131AScore (parts available)Music by Mark O’Connor13 pages - 5:00 minutes in length Song Of The Liberty Bell for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as the theme song for the critically acclaimed PBS documentary, Liberty! The American Revolution. O’Connor wrote the piece to include three different instrument groupings - unaccompanied solo, folk ensemble, and string orchestra. The Sony Classical album Liberty! features Song Of The Liberty Bell in all three arrangements. Album notes author Thomas Fleming calls the music profoundly moving with exquisite melody. Fleming further describes the orchestral version - O’Connor joins in, and the instruments of the symphony pick up the theme. It is a musical replication of the way the voices of liberty in 1776 began with a lonely defiant few - and then swelled to a tremendous national chorus that has resounded through the world for the next two hundred and thirty-three years. The music is suited for all levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1996 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Yo-Yo Ma – cello, and the Nashville Symphony Orchestra, Kenneth Schermerhorn Catalogue Number MO131ACopyright © 1996 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
16.24 €
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Orchestre à Cordes
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Mark O'Connor
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Song Of The Liberty Bell
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Mark O'Connor Musik International
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SheetMusicPlus
Song Of The Liberty Bell (violin solo part - violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.861885 Composed by Mark O'Con…
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String Orchestra - Level 4 - Digital Download SKU: A0.861885 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205797. Published by Mark O'Connor Musik International (A0.861885). Song Of The Liberty Bell (violin solo part – violin and string orchestra) MO131BViolin Solo Part (score and orchestra parts available)Music by Mark O’Connor5 pages - 5:00 minutes in length Song Of The Liberty Bell for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as the theme song for the critically acclaimed PBS documentary, Liberty! The American Revolution. O’Connor wrote the piece to include three different instrument groupings - unaccompanied solo, folk ensemble, and string orchestra. The Sony Classical album Liberty! features Song Of The Liberty Bell in all three arrangements. Album notes author Thomas Fleming calls the music profoundly moving with exquisite melody. Fleming further describes the orchestral version - O’Connor joins in, and the instruments of the symphony pick up the theme. It is a musical replication of the way the voices of liberty in 1776 began with a lonely defiant few - and then swelled to a tremendous national chorus that has resounded through the world for the next two hundred and thirty-three years. The music is suited for all levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1996 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Yo-Yo Ma – cello, and the Nashville Symphony Orchestra, Kenneth Schermerhorn Catalogue Number MO131BCopyright © 1996 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
6.77 €
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Orchestre à Cordes
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Mark O'Connor
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Song Of The Liberty Bell
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Mark O'Connor Musik International
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.04 €
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #1999429. Published by John Philips Music Service (A0.947259). Some of the best known classical themes are presented in a steady tempo that will please your audience. See the back cover for the tune list. Since these classic themes are presented to a young played in a manner that he can play without being faced with music that is so difficult he can never enjoy playing it, they will be more likely to go on to become more able to do the heavy stuff. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player?
$15.00
13.53 €
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Orchestre à Cordes
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John Philips
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"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
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John Philips Music Service
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SheetMusicPlus
Introduction and Theme with Variations
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1344911 Composed by Robert Ed…
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String Orchestra - Level 5 - Digital Download SKU: A0.1344911 Composed by Robert Edward Smith. Chamber,Classical. 46 pages. ROBERT EDWARD SMITH MUSIC #929888. Published by ROBERT EDWARD SMITH MUSIC (A0.1344911). I composed the Introduction and Theme with Variations in 2022 for the remarkable English Horn player, Andrew van der Paardt. In composing this music I had in mind that so much of the music written for English Horn is dark and sad. I determined to compose against that type. The Introduction, although slow, is pastoral and serene rather than mournful. The Theme with Variations is frankly cheerful, and often virtuosic, exploring the full range of the instrument.
$50.00
45.11 €
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Orchestre à Cordes
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Robert Edward Smith
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Introduction and Theme with Variations
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Theme and Variations for String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.886673 Composed by Panagiotis…
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String Orchestra - Level 5 - Digital Download SKU: A0.886673 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 63 pages. Panagiotis Theodossiou #3073729. Published by Panagiotis Theodossiou (A0.886673). Theme and Variations, for string orchestra (2005). The work is written especially for the composer’s final composition diploma and has been his second attempt to write a work in a large scale (the first was a cello concerto - fantasia). The theme, on which ten variations lead to the grandiose finale, is written by a composer’s good friend, Nikos Drelas. The strict polyphonic writing of the earlier serial works as well as the free homophonic style of the last almost tonic are here altogether in a almost progressive idiom. The programmatic nature of this composition coexists with the absolute musical sound form. Titles of variations like Waltz funebre or Jazz Polka, in an austere musical text give the point for a new direction in composer’s creative thinking. Parts of the work have been performed by Philothei - Psychico Youth Orchestra under the direction of the composer at Benetatou Cultural Center in October 2014.https://www.youtube.com/watch?v=yFJX5DXQaiAhttps://www.youtube.com/watch?v=ASIC4x8BV_4&t=2shttps://www.youtube.com/watch?v=ijsl8qz8Q5Qhttps://www.youtube.com/watch?v=LiitDuH4wCkhttps://www.youtube.com/watch?v=YeVUcJUIbFA&t=2s
$35.00
31.58 €
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Orchestre à Cordes
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Panagiotis Theodossiou
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Theme and Variations for String Orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
Motherfatherson Theme
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1408336 Composed by Robert La…
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String Orchestra - Level 4 - Digital Download SKU: A0.1408336 Composed by Robert Lane. Arranged by Nathan Morson. Film/TV. 9 pages. Nathan Morson #990919. Published by Nathan Morson (A0.1408336). MotherFatherSon Theme for String Orchestra - Score and PartsDuration: 1:35.
$55.00
49.62 €
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Orchestre à Cordes
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Robert Lane
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Nathan Morson
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Motherfatherson Theme
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Nathan Morson
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SheetMusicPlus
Overture: The Village Girl
Orchestre à Cordes
String Orchestra - Grade 3 - Digital Download SKU: XM.50255154 Composed by Georg Ph…
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String Orchestra - Grade 3 - Digital Download SKU: XM.50255154 Composed by Georg Philipp Telemann. Arranged by Philip Clark. Classical. Score. 6 pages. LudwigMasters Digital #50255154. Published by LudwigMasters Digital (XM.50255154). ISBN 9781682968383. 9 x 12 inches.This happy G major overture begins moderato with an abundance of dotted rhythms. First violins briefly venture to third position. The fugal allegro gives everyone a shot at the theme. Shifting will be required of basses and cellos while others may remain in first position if desired.
$6.00
5.41 €
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Orchestre à Cordes
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Georg Philipp Telemann
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Philip Clark
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Overture: The Village Girl
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LudwigMasters Digital
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SheetMusicPlus
The American Seasons (score – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861927 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
33.83 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (double basses part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861933 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00
13.53 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (cellos part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861932 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932). The American Seasons (cellos part – violin and string orchestra) MO148GCellos Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148GCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
13.53 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (violas part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
13.53 €
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Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (guitar part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861928 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928). The American Seasons (guitar part – violin and string orchestra) MO148CGuitar Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148CCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
13.53 €
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Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
The American Seasons (1st violins part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$15.00
13.53 €
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Orchestre à Cordes
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.947257 Arranged by John Phili…
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String Orchestra - Level 2 - Digital Download SKU: A0.947257 Arranged by John Philips. Children. Score and parts. 38 pages. John Philips Music Service #1999407. Published by John Philips Music Service (A0.947257). A series of happy Mexican Tunes that have the audience adding to the rhythm with some hand-clapping. This chart is easy and will connect with your audience. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work and maybe you can convert the player to be a cello or upright player-----(another way of recruiting).
$15.00
13.53 €
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Orchestre à Cordes
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John Philips
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"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
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John Philips Music Service
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SheetMusicPlus
Largo from the New World Symphony for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1431642 By Keith Terrett. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 9 pages. Keith Terrett #1012118. Published by Keith Terrett (A0.1431642). Transcribed for String Orchestra the second movement of the New World Symphony is introduced by a harmonic progression of chords in the wind instruments. Beckerman interprets these chords as a musical rendition of the narrative formula Once upon a time. Then a solo cor anglais (English horn) plays the famous main theme in D-flat major accompanied by muted strings. Dvořák was said to have changed the theme from clarinet to cor anglais as it reminded him of the voice of Harry Burleigh. The movement's middle section contains a passage in C♯ minor evoking a nostalgic and desolate mood which eventually leads into a funeral march above pizzicato steps in the basses. It is followed by a quasi-scherzo that incorporates this movement's theme as well as the first movement's main and closing themes. The Largo is concluded with the soft return of the main theme and introductory chords.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.00
7.22 €
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Orchestre à Cordes
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Keith Terrett
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Keith Terrett
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Largo from the New World Symphony for String Orchestra
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Keith Terrett
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SheetMusicPlus
STROLLING IN THE PARK
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1005119 Composed by Ron Flint…
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String Orchestra - Level 1 - Digital Download SKU: A0.1005119 Composed by Ron Flintjer. Contemporary. Score and parts. 11 pages. Ron Flintjer #6016109. Published by Ron Flintjer (A0.1005119). A few bars into this piece, sneak a peek at the audience from your conductor's podium. You'll find several folks with their eyes closed and smiles on the faces! A Stroll in the Park offers a simple, yet beautiful, tune for elementary school string orchestra. The wistful and relaxing melody evokes a lazy and tranquil springtime walk in the park. Images of green grass, blue skies, children playing, and cool breezes are all musically fashioned into an engaging, elegant little composition. This one will leave everyone humming the theme, for sure! Parts are Violin 1, Violin 2 and Viola play same part and Cello and String Bass play same part.
$15.00
13.53 €
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Orchestre à Cordes
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Ron Flintjer
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STROLLING IN THE PARK
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Ron Flintjer
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SheetMusicPlus
Surrender The Sword (score – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.861940 Composed by Mark O'Con…
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String Orchestra - Level 4 - Digital Download SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.04 €
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Orchestre à Cordes
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
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