Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
They are at rest
Non classifié
315
Piano & claviers
Piano seul
57
Piano, Voix et Guitare
11
Piano Facile
9
2 Pianos, 4 mains
8
Piano, Voix
6
Orgue
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 3 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
5
Ukulele
3
Basse electrique
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
22
Chorale 3 parties
3
Chorale TTBB
3
Chorale SSAA
2
Chorale Unison
2
Voix Tenor
1
Voix haute
1
Voix Tenor, Piano
1
+ 3 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Ensemble de saxophones
16
2 Saxophones (duo)
16
Flûte, Hautbois, Clarinette, Basson
13
Clarinette et Piano
13
2 Flûtes traversières (duo)
10
Ensemble de Clarinettes
9
Flûte traversière et Piano
9
Hautbois, Piano (duo)
9
2 Clarinettes (duo)
7
Saxophone Alto et Piano
7
Cor anglais, Piano
6
Saxophone Tenor et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois (partie séparée)
4
Clarinette
4
Saxophone, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Soprano et Piano
4
Clarinette, Violon (duo)
3
Saxophone Alto
3
Clarinette, Trompette (duo)
3
Flûte traversière
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
Clarinette et Alto
2
2 Hautbois (duo)
2
Flûte, Alto (duo)
2
Flûte à bec Soprano
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de Flûtes
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
Flûte à bec Tenor
1
Hautbois, Violoncelle
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone (partie séparée)
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Saxophone (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Ensemble de Trompettes
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
8
Trombone et Piano
7
Trompette, Piano
7
Ensemble de Trombones
6
Cor anglais, Piano
6
2 Trompettes (duo)
5
Trompette, Saxophone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
Euphonium, Piano (duo)
2
Cor
2
2 Trombones (duo)
2
3 Trompettes (trio)
2
Cor et Piano
2
Tuba
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Trombone
1
2 Cors, Piano
1
Bass Clef Instruments
1
2 Cors (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Harpe
13
Violon, Violoncelle (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle, Piano
8
2 Violons (duo)
8
Violon et Piano
7
Violon
6
Alto, Piano
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
2 Harpes (duo)
4
Violon, Alto (duo)
4
Violoncelle
4
2 Violoncelles (duo)
4
Alto seul
3
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Alto et Harpe
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
2 Altos (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
26
Orchestre
15
Jazz combo
6
Cloches
5
Ensemble de cuivres
5
Ensemble de Percussions
4
Orchestre de chambre
2
Xylophone, Piano
1
Batterie
1
Piano et Orchestre
1
Ensemble Jazz
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
26
Librairie Musicale
25
Matériel de Musique
211
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
They are at rest
Orchestre à Cordes
Partitions à imprimer
26 partitions trouvées
<
1
26
Notes and Rests
#
Orchestre à Cordes
#
DÉBUTANT
#
Andrew R
#
Notes and Rests
#
GuarrineMusic
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1222071 Composed by Andrew R. Guarrine. Contemporary,Pop. Score and Parts. 11 pages. GuarrineMusic #818356. Publish...
(+)
String Orchestra - Level 1 - SKU: A0.1222071 Composed by Andrew R. Guarrine. Contemporary,Pop. Score and Parts. 11 pages. GuarrineMusic #818356. Published by GuarrineMusic (A0.1222071). Notes and Rests  (Guarrine) This original, all unison string orchestra and piano is in the key of D and only uses the notes D, E, F#, G and open A (optional G1 for the bass).  You can show your audience how well the musicians know their stuff as they count out-loud the rests and teach them what the word “Fi-ne means at the end.  It also teaches your students what a whole rest looks like and it does. All bowing are marked and the only dynamic marking used is forte. Grade .5  $12.95 Â
$12.99
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Martin Lass
#
Five Australian Scenes for Str
#
MA Lass & I Lass
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Publ...
(+)
String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
Mountain Goats And Other Creatures
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Vessela Stoyanova
#
Mountain Goats And Other Creat
#
Vessela Stoyanova
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
(+)
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...
(+)
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
Beethoven: Bagatelle Op. 33 No.7 for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
James M
#
Beethoven: Bagatelle Op. 33 No
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1209299 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Cl...
(+)
String Orchestra - Level 4 - SKU: A0.1209299 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 23 pages. Jmsgu3 #807414. Published by jmsgu3 (A0.1209299). 7. Presto.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 7 of Beethoven's Op. 33 is a charming and playful piece, typical of Beethoven's early style. The piece is in A-flat major and marked Presto, which means fast. The main theme is catchy, fragmentary, and light, with a playful character that is maintained throughout the piece. The middle section is more lyrical and expressive, providing a sostenuto contrast to the playful character of the main theme. The piece is well-crafted and attractive. Overall, Bagatelle No. 7 is a delightful example of Beethoven's early style and a testament to his skill as a composer.
$42.95
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Noël
#
Various
#
Colin Kirkpatrick
#
Two Voltas - Dances 201 and 21
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts...
(+)
String Orchestra - Level 3 - SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
(+)
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Folklorique/Traditionel
#
Traditional Australian Folkson
#
Brendan Elliget MAGA 537
#
Australian Folksong Medley No.
#
BJE Music
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 3...
(+)
String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
GORDON DALE HYMN SYMPHONY DOUBLE BASS PART
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY DOUB
#
Piper Publications
#
SheetMusicPlus
String Orchestra - SKU: A0.811669 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 4 pages. Piper Publications #3436777...
(+)
String Orchestra - SKU: A0.811669 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 4 pages. Piper Publications #3436777. Published by Piper Publications (A0.811669). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND INSTRUMENTAL PARTS ARE ALL AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$4.00
GORDON DALE HYMN SYMPHONY VIOLA PART
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY VIOL
#
Piper Publications
#
SheetMusicPlus
String Orchestra - SKU: A0.811670 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 6 pages. Piper Publications #3436779...
(+)
String Orchestra - SKU: A0.811670 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 6 pages. Piper Publications #3436779. Published by Piper Publications (A0.811670). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
GORDON DALE HYMN SYMPHONY CELLO PART
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY CELL
#
Piper Publications
#
SheetMusicPlus
String Orchestra - SKU: A0.811671 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436789. Publ...
(+)
String Orchestra - SKU: A0.811671 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436789. Published by Piper Publications (A0.811671). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
GORDON DALE HYMN SYMPHONY VIOLIN 1 PART
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY VIOL
#
Piper Publications
#
SheetMusicPlus
String Orchestra - SKU: A0.811674 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 8 pages. Piper Publications #3436795. Publ...
(+)
String Orchestra - SKU: A0.811674 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 8 pages. Piper Publications #3436795. Published by Piper Publications (A0.811674). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
GORDON DALE HYMN SYMPHONY VIOLIN 2 PART
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY VIOL
#
Piper Publications
#
SheetMusicPlus
String Orchestra - SKU: A0.811672 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436793. Publ...
(+)
String Orchestra - SKU: A0.811672 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436793. Published by Piper Publications (A0.811672). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
GORDON DALE HYMN SYMPHONY SCORE
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY SCOR
#
Piper Publications
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.811668 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 36 pages. Piper Publicatio...
(+)
String Orchestra - Level 3 - SKU: A0.811668 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 36 pages. Piper Publications #3436773. Published by Piper Publications (A0.811668). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$15.00
Five Hungarian Folk Songs
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Dennis Bathory-Kitsz
#
Dennis Bathory-Kitsz
#
Five Hungarian Folk Songs
#
Westleaf Edition
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Sc...
(+)
String Orchestra - Level 4 - SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Score and Parts. 89 pages. Westleaf Edition #764511. Published by Westleaf Edition (A0.1164163). These Five Hungarian Folks Songs were transcribed and arranged from 78rpm records issued about 1915.Király ErnÅ‘ sings several as Old Folk Songs (“Régi Népdalokâ€), even though Megugrattak Hortobágyon A Karámból Egy Csikót was composed by Vajda József and remains an often recorded song. Megy A GÅ‘zös Lefelé on the Munkacsy recording was composed by Rózsa S. Lajos, but composers of the remaining songs are unidentified.The records were purchased by József Báthory in Manhattan in the early 20th century, and remained in the family until the 21st century. All the records were transferred to digital form in January 2013, with the original transfer stored in exact condition, after which they were passed on to historian David Neal Lewis for archiving. Files were restored from the digital transfers (rumble, clicks, pops removed as much as possible, noise reduction, and some remastering) and are available for download at:http://maltedmedia.com/people/bathory/hungarian.htmlSpecial thanks to composer Ãdám Kondor for translations of the Régi Népdalok texts, and to Dr. A. S. Weinstangel for noting errors in the score. The bowings in this edition are by violinist John Lindsey, who directed the premiere of this set with Vermont’s Eleva Chamber Players.Katika Csárdásoriginal performed by unidentified “Military Bandâ€, Columbia 10-inch E920Nyári este furulyázom sokáig(‘I play the flute all summer eve’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077BÃhari Hatarszélén – Megy A GÅ‘zös Lefelé – Csárdás(‘At the Bihari border’ - ‘The steamer goes down’ - Csárdás)original performed by the Olga B. Munkacsy Orchestra, Columbia 10-inch E2858Megugrattak Hortobágyon A Karámból Egy Csikót(‘Bringing the pony to the Hortobágyon Woods’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077Debreczeni Csárdás Friss(‘New Debreczen Csárdás’)original performed by unidentified “Military Bandâ€, Columbia 10-inch E920.
$20.00
Overture for Strings No. 3 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 2 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Five Australian Scenes for String Orchestra - 1. Bush Trek
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Martin Lass
#
Five Australian Scenes for Str
#
MA Lass & I Lass
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368918 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 40 pages. MA Lass & I Lass #953253. Publ...
(+)
String Orchestra - Level 3 - SKU: A0.1368918 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 40 pages. MA Lass & I Lass #953253. Published by MA Lass & I Lass (A0.1368918). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This first piece, Bush Trek, is about a bush walk (hike) in the Australian bush in the Myall Lakes National Park in the state of NSW. The hike takes the trekkers higher and higher until a vast and wonderful vista is encountered. From there, the trekkers return the way they came.
$39.00
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Martin Lass
#
Five Australian Scenes for Str
#
MA Lass & I Lass
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Publ...
(+)
String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Martin Lass
#
Five Australian Scenes for Str
#
MA Lass & I Lass
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Publ...
(+)
String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.
$39.00
Five Australian Scenes for String Orchestra - 3. The Outback
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Martin Lass
#
Five Australian Scenes for Str
#
MA Lass & I Lass
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Publ...
(+)
String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Published by MA Lass & I Lass (A0.1368928). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, The Outback, is set in the abandoned gold mining town of Goongarrie in the state WA. It depicts sunrise in the outback, the gradual heating up of the day, the scourge of blow flies, the searing and unbearable heat of midday, a sudden flash thunderstorm, and, as the storm clears, sunset over the abandoned town.
$39.00
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
They are at rest
